Literature 2010
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Journal of the T. F. Torrance Theological Fellowship
Participatio Journal of the T. F. Torrance Theological Fellowship Supplemental Volume 5 (2019): Søren Kierkegaard as a Christian, Incarnational Theologian PHOTOGRAPH: Søren Kierkegaard (1813-1857). Unfinished sketch by his cousin Niels Christian Kierkegaard, c. 1840. Public domain; Wikipedia. Participatio: The Journal of the Thomas F. Torrance Theological Fellowship Participatio is an annual, peer-reviewed, open access journal of the Thomas F. Torrance Theological Fellowship (tftorrance.org), a research fellowship within the Christian Church and tradition based on the theology of Thomas F. Torrance. The journal’s mission is two-fold: to apprehend the significance of Torrance’s work and to advance his evangelical and scientific theology for the benefit of the Church, academy, and society. Researchers interested in engaging the theology of T. F. Torrance may submit manuscripts in accordance with the policies specified below. Contributions from diverse disciplines and perspectives will be encouraged to explore the wide-ranging significance of Torrance’s legacy. Occasional miscellaneous issues will include paper presentations and responses from the annual conference, book reviews, etc. For more information see participatio.org. ISSN: 1932-9571 POLICIES FOR MANUSCRIPT SUBMISSION: 1. Electronic submission of articles (using a Microsoft Word attachment) should be sent to the Editor (email at top of next page). Please do not submit a manuscript previously published or being considered for publication by another journal. 2. Please use the website template to conform to the following settings: A. Use Verdana 11 font (or 10 for indented quotations and footnotes), 1.5 spacing (including between paragraphs), and American spelling and placement of punctuation. B. Include a title page with: i. -
CULS 5204A Culture Studies in Film and Video (1St Term, 2017-18)
CULS 5204A Culture Studies in Film and Video (1st Term, 2017-18) Day and Time: Tuesday, 2:30pm-5:15pm Classroom: SWH_1 Teacher: Dr. Li Tiecheng Email: [email protected] Office Hour: Tuesday, 4:00pm-6:00pm Office: 313 Leung Kau Kui Building Office Tel: 3943 1291 Description: This course examines film and video from the perspective of cultural studies. It aims to explore how the languages of moving images carry cultural meanings, especially in the environment of contemporary society. The course will encourage the development of an ability to explain, analyse, and critically evaluate on film and video by using the key theories of cultural studies. COURSE CONTENT & SCHEDULE PART I: IDEOLOGY Week 1 Sept 5. Introduction to the course How to Read Film & Video Films: 1. Beginning of the Great Revival (2011) vs. Jia Zhangke, Xiao Shan Going Home (1995) 2. James Francis Cameron, Titanic (1997) vs. Lars Von Trier, Idiots (1998) Reading: Louis D. Giannetti, Understanding Movies, 11th ed., N.J. : Prentice Hall, 2008. Week 2 Sept 12. Cultural Consumption & Culture Industry Films: 1. David Frankel, The Devil Wears Prada (2006) 2. Clint Eastwood, Unforgiven (1992) Video: 1. News Magazine in TVB (April 9, 2011) 2. Commercial advertisement on TV Readings: 1 1. John Storey. Cultural consumption as communication. In Cultural consumption and Everyday Life, 36-60. New York: Oxford Univ. Press, 1999. 2. Max Horkheimer, Theodor W. Adorno, Gunzelin Schmid Noerr ed., Edmund Jephcott tran.. The Culture Industry: Enlightenment as Mass Deception. In Dialectic of Enlightenment: Philosophical Fragments, 94-136. Stanford, Calif.: Stanford Univ. Press, 2002. -
KIERKEGAARD's APOPHATIC THEOLOGY by Peter Kline
PASSION FOR NOTHING: KIERKEGAARD’S APOPHATIC THEOLOGY By Peter Kline Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Religion May, 2016 Nashville, Tennessee Approved: Professor William Franke Professor Ellen Armour Professor Laurel Schneider Professor David Wood ACKNOWLEDGMENTS Writing this dissertation has been, if not an act of faith, then certainly some kind of leap or abandon. It is not a little astonishing to me to that I have finished it. There has been the struggle to work through a complex subject matter, of course. But more than anything, there has been the struggle to find my voice, to feel out what kind of theological, philosophical, and spiritual music I am capable of and to wonder, often anxiously, whether it is worth playing. There are those in the academy who would have the dissertation be simply functional, one last requirement on the way to the desired goal, The Degree (followed by The Job and The Career). I have never been able to approach my writing in such a teleological fashion. I seem to be unable to approach writing otherwise than as a practice of what Foucault called “the care of the self.” Learning and putting into practice such self-care in this dissertation has been a difficult pleasure. Thankfully, Kierkegaard was an unfailing companion and guide in this task even as he was my subject matter. There are many along the way who supported me with care and made this dissertation possible. I’d like to name a few of them here. -
China's Nationalism and Its Quest for Soft Power Through Cinema
Doctoral Thesis for PhD in International Studies China’s Nationalism and Its Quest for Soft Power through Cinema Frances (Xiao-Feng) Guo University of Technology, Sydney 2013 Acknowledgement To begin, I wish to express my great appreciation to my PhD supervisor Associate Professor Yingjie Guo. Yingjie has been instrumental in helping me shape the theoretical framework, sharpen the focus, and improve the structure and the flow of the thesis. He has spent a considerable amount of time reading many drafts and providing insightful comments. I wish to thank him for his confidence in this project, and for his invaluable support, guidance, and patience throughout my PhD program. I also wish to thank Professor Wanning Sun and Professor Louise Edwards for their valued support and advice. I am grateful for the Australian Postgraduate Award that I received via UTS over the three-and-half years during my candidature. The scholarship has afforded me the opportunity to take the time to fully concentrate on my PhD study. I am indebted to Yingjie Guo and Louise Edwards for their help with my scholarship application. I should also thank UTS China Research Centre, the Research Office of the Faculty of Arts and Social Sciences at UTS, and UTS Graduate Research School for their financial support for my fieldwork in China and the opportunities to present papers at national and international conferences during my doctoral candidature. Finally, my gratitude goes to my family, in particular my parents. Their unconditional love and their respect for education have inspired me to embark on this challenging and fulfilling journey. -
Søren Kierkegaard Newsletter 47
CONTENTS Page NEWS AND ANNOUNCEMENTS ARTICLE The Joy of Kierkegaard By Hugh S. Pyper REVIEWS 1st Glauben wiederholbar? Derrida liest Kierkegaard by Tilman Bey rich By Heiko Schuiz Upbuilding Discourses: Philosophy, Literature, and Theology by George Pattison Reviewed by David D. Possen Editor: Gordon Marino Number 47 Associate Editors: Jamie Lorentzen, John Poling and February, 2004 David Possen Assistant Editor: Cynthia Wales Lund Managing Editor: Cleo N. Granneman , SPECIAL ANNOUNCEMENTS DANISH COURSE, SUMMER 2004 The Kierkegaard Library will offer a month-long intensive Danish course this summer June 28 - July 23. Sinead Ladegaard Knox from Copenhagen will be the instructor. If you are interested, please email Gordon Marino immediately at marino@,stolaf.edu. Class size is limited to the first scholars who apply. SUMMER FELLOWSHIP PROGRAM 2004 Summer fellowships for research in residence are offered to scholars for use of the collection between June 1 and November 15. The awards include campus housing and a $250 per month stipend. Scholarships are available at other times of year also. Please contact Gordon Marino immediately if you are interested in the 2004 program. 5"' International Kierkegaard Conference June 11-15,2005 CALL FOR PAPERS The Hong Kierkegaard Library will host its 5thInternational Conference June 11-15,2005 at St. Olaf College. The theme of the conference will be "Kierkegaard's Journals and Notebooks." Professor George Pattison of Oxford University will offer the keynote address. Papers are to have a reading length, which will be strictly applied, of 20 minutes. We are also planning to hold a dissertation panel discussion in which scholars who are in the process of writing or who have just completed their dissertations will summarize their research. -
Multilingualism in Guizi Lai Le (Devils on the Doorstep)
Takeda, K. (2014). The interpreter as traitor: Multilingualism in Guizi lai le (Devils on the Doorstep ). Linguistica Antverpiensia, New Series. Themes in Translation Studies, 13 , 93–111. The interpreter as traitor: Multilingualism in Guizi lai le (Devils on the Doorstep )1 Kayoko Takeda Rikkyo University [email protected] This paper discusses ways in which multilingualism is represented in an award-winning Chinese film, Guizi lai le , and its subtitling. Known as Devils on the Doorstep in English, the movie approaches its multilingual setting realistically: Chinese villagers speak in Chinese, Japanese soldiers in Japanese, and interpreters mediate their communication. In examining the Chinese, Japanese and English subtitles of the film, the study focuses on the different strategies used by the translators to represent multilingualism and to subtitle offensive language. The behavior and fate of the Chinese interpreter in the film is also explored, with special attention to the power interpreters possess for controlling and manipulating information and the notion of the interpreter as traitor and war criminal in the context of conflict. Findings of this research invite further investigation into how the audience views multilingualism in cinema and how the identity and loyalty of interpreters is depicted in war-themed movies. Collaborative work by researchers from different language and cultural backgrounds should also be encouraged. 1. Introduction Multilingualism in movies is not a new phenomenon, as Gambier (2012, p. 46) and -
British Film Institute Report & Financial Statements 2006
British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society. -
Archipelago Books
archipelago books fall 2018 / spring 2019 archipelago books fall 2018/spring 2019 frontlist My Struggle: Book Six / Karl Ove Knausgaard / Don Bartlett & Martin Aitken . 2 Pan Tadeusz / Adam Mickiewicz / Bill Johnston . 4 An Untouched House / Willem Frederik Hermans / David Colmer . 6 Horsemen of the Sands / Leonid Yuzefovich / Marian Schwartz . 8 The Storm / Tomás González / Andrea Rosenberg . 10 The Barefoot Woman / Scholastique Mukasonga / Jordan Stump . 12 Good Will Come From the Sea / Christos Ikonomou / Karen Emmerich . 14 Flashback Hotel / Ivan Vladislavic´ . 16 Intimate Ties: Two Novellas / Robert Musil / Peter Wortsman . 18 A Change of Time / Ida Jessen / Martin Aitken . 20 Message from the Shadows / Antonio Tabucchi / Elizabeth Harris, Martha Cooley and Antonio Romani, Janice M . Thresher, & Tim Parks . 22 My Name is Adam: Children of the Ghetto Volume One / Elias Khoury / Humphrey Davies . 24 elsewhere editions summer 2019 / fall 2020 frontlist The Gothamites / Eno Raud / Priit Pärn / Adam Cullen . 28 Seraphin / Philippe Fix / Donald Nicholson-Smith . 30 Charcoal Boys / Roger Mello / Daniel Hahn . 32 I Wish / Toon Tellegen / Ingrid Godon / David Colmer . 34 recently published . 39 backlist . 47 forthcoming . 88 how to subscribe . 92 how to donate . 92 distribution . 92 donors . 94 board of directors, advisory board, & staff . 96 What’s notable is Karl Ove’s ability . to be fully present in and mindful of his own existence . there. shouldn’t be anything remarkable about any of it except for the fact that it immerses you totally . You live his life with him . —Zadie Smith, The New York Review of Books How wonderful to read an experimental novel that fires every nerve ending while summoning . -
Kierkegaard, Literature, and the Arts
Kierke gaard, Literature, and the Arts Engraving, ca. 1837, by Carl Strahlheim showing the Gendarmenmarkt in Berlin, with what was then the Schauspielhaus, or Theater (center)— now the concert house of the Konzerthausorchester Berlin— flanked by the German Cathedral (left) and the French Cathedral (right). Pictured in the background to the immediate right of the theater is the building, still standing today, in which Kierkegaard lodged during his four stays in Berlin, in 1841– 42, 1843, 1845, and 1846. It was there, as noted by a plaque outside, that Kierkegaard wrote the first drafts of Either/Or, Repetition, and Fear and Trembling. Kierkegaard, Literature, and the Arts Edited by Eric Ziolkowski northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2018 by Northwestern University Press. Published 2018. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data Names: Ziolkowski, Eric Jozef, 1958– editor. Title: Kierkegaard, literature, and the arts / edited by Eric Ziolkowski. Description: Evanston, Illinois : Northwestern University Press, 2018. | Includes index. Identifiers: LCCN 2017029795 | ISBN 9780810135970 (cloth : alk. paper) | ISBN 9780810135963 (pbk. : alk. paper) | ISBN 9780810135987 (e-book) Subjects: LCSH: Kierkegaard, Søren, 1813–1855. | Kierkegaard, Søren, 1813– 1855—Aesthetics. | Literature—Philosophy. | Music and philosophy. | Art and philosophy. | Performing arts—Philosophy. Classification: LCC B4377 .K4558 2018 | DDC 198.9—dc23 LC record available at https://lccn.loc.gov/2017029795 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. -
Philosophy Religion& Books for Courses
2 0 1 1 PHILOSOPHY RELIGION& BOOKS FOR COURSES PENGUIN GROUP USA PHILOSOPHY RELIGION& BOOKS FOR COURSES 2011 PHILOSOPHY RELIGION WesteRn philosophy . 3 Religion in todAy’s WoRld . 3 0 ANCIENT . 3 Religion & Science . 31 Plato. 4 Relgion in America . 33 MEDIEVAL . 5 BiBle studies . 3 4 RENAISSANCE & EARLY MODERN (c. 1600–1800) . 6 ChRistiAnity . 3 5 The Penguin History LATER MODERN (c. 1800-1960) . 7 of the Church . 35 CONTEMPORARY . 8 Diarmaid MacCulloch . 37 Ayn Rand. 11 Women in Christianity . 38 eAsteRn philosophy . 1 2 J u d A i s m . 3 9 Sanskrit Classics . 12 B u d d h i s m . 4 0 s o C i A l & p o l i t i C A l His Holiness the Dalai Lama . 40 p h i l o s o p h y . 1 3 Karl Marx. 15 i s l A m . 4 2 Philosophy & the Environment . 17 h i n d u i s m . 4 4 philosophy & sCienCe . 1 8 Penguin India . 44 Charles Darwin . 19 nAtiVe AmeRiCAn . 4 5 philosophy & ARt . 2 2 The Penguin Library of American Indian History . 45 philosophy & Religion in liteRAtuRe . 2 3 A n C i e n t R e l i g i o n Jack Kerouac. 26 & mythology . 4 6 Penguin Great Ideas Series . 29 AnthRopology oF Religion . 4 7 spiRituAlity . 4 8 Complete idiot’s guides . 5 0 R e F e R e n C e . 5 1 i n d e X . 5 2 College FACulty inFo seRViCe . 5 6 eXAminAtion Copy FoRm . -
21St Century Chinese Cinema in the Late 1960S and 70S, Red Ballets and Operas Dominated the Chinese Screen
21st century Chinese cinema In the late 1960s and 70s, red ballets and operas dominated the Chinese screen. Mao died in 1976: a new age of cinema emerged with the founding of the Beijing Film Academy in 1978. Expressing new confidence in both historical and contemporary themes, young film-makers like Zhang Yimou and Chen Kaige brought Chinese film to a global audience with masterpieces such as Red Sorghum (1987) and Farewell my Concubine (1993). Martin Scorsese named Tian Zhuangzhuang’s The Horse Thief (1986) as his favourite film of the 1990s (when it was released in the US). But many of these films encountered stigma at home. Growing commercialisation and globalisation since the 1980s and 90s have driven Chinese cinema to explore new modes of both cinematography and moneymaking, leading to exploratory films at home in Western arthouse cinemas, and entertaining movies that have drawn huge crowds in China. In this modest selection, we set the scene with a film that shaped the vision of China’s 21st century filmmakers. Tian Zhuangzhuang’s restrained criticism of 1950s and 60s state policies in The Blue Kite (1992) led to his blacklisting by the Party, but did not preclude him for mentoring the next generation of filmmakers. We then showcase a selection of remarkable 21st century films that have won world-wide acclaim for China’s talented directors and actors. Our selection finishes with a couple of rollicking tales that have attracted the popular domestic audience: a grand epic: Red Cliff (2008), known better for its cavalry charges than its character development, and Lost in Thailand (2012) that, airily suspending social comment and political tension, was the biggest ever box office success in China. -
Magisterarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES MAGISTERARBEIT Titel der Magisterarbeit „The Pacific War Remembered in Film: Myth-Constructing in Global Contexts. Two Comparative Case Studies.“ Verfasserin Lydia Weber angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2011 Studienkennzahl lt. A 066 805 Studienblatt: Studienrichtung lt. Magisterstudium Globalgeschichte Studienblatt: Betreuerin: o. Univ.-Prof. Dr. Susanne Weigelin-Schwiedrzik 2 Danksagungen, Widmung Herzlicher Dank für die Unterstützung, Ideen und die Motivation, die bei der Erarbeitung dieses Projekts nötig waren, geht an: Dr. Martin Gieselmann, Mag. Thomas Kolnberger, Mag. Leopold Kögler, Prof. Dr. Andrea Komlosy, Dr. Berthold Molden, Mag. Ilja Steffelbauer, Prof. Dr. Peer Vries. Besonderer Dank gebührt auch meiner Betreuerin, Prof. Dr. Susanne Weigelin-Schwiedrzik, die immer schnell und ausführlich Fragen jedweder Art beantwortete und somit eine große Hilfe während des Verfassens der Arbeit und darüber hinaus darstellte. Special thanks to the EMECW-scholarship team for giving me the possibility to study Chinese history and language at Fudan University. Für die professionelle und schnelle Korrektur der Arbeit möchte ich Frau Mag. Verena Schörkhuber danken. Meinen Eltern Bernadette und Johann Weber möchte ich dafür danken, dass sie auch dieses Studium bis zum Ende mit mir durchgestanden haben. Meinen Geschwistern, dass sie immer da waren, wenn ich Ablenkung brauchte, und die mit jedem Stück, das ich weiter von ihnen entfernt war, näher an mich herangerückt sind. Besonders hervorheben muss ich Marinas Hilfe, da sie mir während einiger komplizierter bürokratischer Unternehmungen geholfen hat. Allen Freunden, die mich auf dem Weg begleitet und mir geholfen haben, auch diese Arbeit zu beenden, sei auch eine große Portion an Dank geschenkt.