Coco Steel and Lovebomb It! Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Coco Steel and Lovebomb It! Mp3, Flac, Wma Coco Steel And Lovebomb It! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: It! Country: Canada Released: 1995 Style: Progressive House, House MP3 version RAR size: 1766 mb FLAC version RAR size: 1670 mb WMA version RAR size: 1708 mb Rating: 4.4 Votes: 666 Other Formats: MP4 VOC ADX TTA DTS DXD ASF Tracklist Hide Credits Progress 1 6:37 Producer – Stokes*, Davies* You Can't Stop The Groove 2 5:39 Producer – Waterman* Disco Dub 3 6:34 Producer – Boucher* Set Me Free 4 8:23 Vocals – AJ , PJ 5 Work It! 7:36 6 La Cote Sauvage 8:38 Harlem 7 8:05 Percussion – XixiProducer – Stokes*, Stokes*Vocals – AJ , PJ 8 TGV 6:54 Summer Rain 9 6:00 Vocals – Sonia Mazunder 10 Express 6:07 Feel It! 11 7:32 Producer – Woolford* Companies, etc. Licensed From – Warp Records Credits Producer – Mellor*, Craig Woodrow (tracks: 3, 10 , 11), Brown* (tracks: 4, 5, 9), Kidby* (tracks: 1, 6 to 10) Notes Licensed from Warp records. Other versions Title Category Artist Label Category Country Year (Format) Coco Steel And WARP LP 24 It! (2xLP, Gat) Warp Records WARP LP 24 UK 1994 Lovebomb* Coco Steel And WARP MC 24 It! (Cass) Warp Records WARP MC 24 UK 1994 Lovebomb* WARP LP 24 Coco Steel And It! (2xLP, WARP LP 24 Warp Records UK 1994 Promo Lovebomb* Promo) Promo Warp LP24Ltd, Warp Records, Warp LP24Ltd, Coco Steel And It! (2xLP + Warp LP24, Warp Records, Warp LP24, UK 1994 Lovebomb* 7", Ltd, Gat) 7WARP 24LTD Warp Records 7WARP 24LTD Warp CD24, Warp Records, Warp CD24, Coco Steel And It! (CD, warpCD24, Warp Records, warpCD24, UK 1994 Lovebomb* Album) WARP CD24 Warp Records WARP CD24 Related Music albums to It! by Coco Steel And Lovebomb Darkstar - A Days Pay For A Days Work Nil / The Oracle - Virtual / Warp Sequence Ozzy Osbourne - Mayhem Warp Monger Richard H. Kirk - Virtual State Various - Warp Records Spring 2008 MIST - Play On Me / Warp 1 - Soul:R - Drum & Bass - 12" Vinyl Single - 2001 - MIST - Play On Me / Warp 1 - Soul:R - Drum & Bass - 12" Vinyl Single - 2001 WARP 9 - CONNONE Richard O'Brien - Time Warp Warp 3 - Warp 13 B12 - Electro-Soma Dražen - Ancient Future / Warp Seefeel - Succour.
Recommended publications
  • Physicality of the Analogue by Duncan Robinson BFA(Hons)
    Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player.
    [Show full text]
  • Imsk Week for Everyone in the Business of Ivlusic 13 MOVEMBER 1993 £2.8
    imsk week For Everyone in the Business of IVlusic 13 MOVEMBER 1993 £2.8 BPI: pil himnow The music industry has roundly con- Keely Gilbert, of Chris Rea's man- Highdemned Court the judge warning last metedweek to eut alleged by a wasagement able toReal order Life, video says bootlegs the company of Rea's bootleggerCharlesworth, Stephen previously Charlesworth. of Clwyd- threeconcerts months by phone. to arrive "They and took were about rub- guilty in the High Court of breaching judgebish," isn'tshe muchadds. of "A a punishment."warning from a latingan injunction leaflets stopping advertising him from circu-video APUThe on case Designatec's arose from premises a raid inby May, the That,bootlegs Chris of Rea,top artistsand Peter such Gabriel. as Take CharlesworthMr Justice to payFerris the costs ordered of the behalfBPI, which of sixhad memberbrought thecompanies. case on Charlesworth was also wamed that and July 26 the BPI wouid have ceedingsSubsequently for conte. tl : BPI bi CourtStephen last Charlesworth week after heing leaves found the inHigh And warning to pii pirated acts unauthorised Take That_ he videoshad offered and contempt of an injunction restraining "It's laughable," says lan Grant, mai tapesCharlesworth for sale in July. appeared in the High advertisinghim from circulating pirate audio leaflets and hootleg iEVERLEY plainedager of inBig the Country, past of leafletswho has offerin con Court ins Septemberadjourned' for " but s1 the proceed-' until video cassettes. Charlesworth, of video bootlegs of the band. This maki photographerClwyd,
    [Show full text]
  • Artificial Intelligence, Ovvero Suonare Il Corpo Della Macchina O Farsi Suonare? La Costruzione Dell’Identità Audiovisiva Della Warp Records
    Philomusica on-line 13/2 (2014) Artificial Intelligence, ovvero suonare il corpo della macchina o farsi suonare? La costruzione dell’identità audiovisiva della Warp Records Alessandro Bratus Dipartimento di Musicologia e Beni Culturali Università di Pavia [email protected] § A partire dai tardi anni Ottanta la § Starting from the late 1980s Warp Records di Sheffield (e in seguito Sheffield (then London) based Warp Londra) ha avuto un ruolo propulsivo Records pushed forward the extent nel mutamento della musica elettronica and scope of electronic dance music popular come genere di musica che well beyond its exclusive focus on fun non si limita all’accompagna-mento del and physical enjoinment. One of the ballo e delle occasioni sociali a esso key factors in the success of the label correlate. Uno dei fattori chiave nel was the creative use of the artistic successo dell’etichetta è stato l’uso possibilities provided by technology, creativo delle possibilità artistiche which fostered the birth of a di- offerte dalla tecnologia, favorendo la stinctive audiovisual identity. In this formazione di un’identità ben ca- respect a crucial role was played by ratterizzata, in primo luogo dal punto the increasing blurred boundaries di vista audiovisivo. Sotto questo profilo between video and audio data, su- un ruolo fondamentale ha giocato la bjected to shared processes of digital possibilità di transcodifica tra dati transformation, transcoding, elabora- audio e video nell’era digitale, poten- tion and manipulation. zialmente soggetti agli stessi processi di Although Warp Records repeatedly trasformazione, elaborazione e mani- resisted the attempts to frame its polazione. artistic project within predictable Nonostante la Warp Records abbia lines, its production –especially mu- ripetutamente resistito a ogni tentativo sic videos and compilations– suggests di inquadrare il proprio progetto arti- the retrospective construction of a stico entro coordinate prevedibili, i suoi consistent imagery.
    [Show full text]
  • Social Spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay
    Social spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay This article aims to briefly explore some the compositional links that exist between Intelligent Dance Music (IDM) and acousmatic music. Whilst the central theme of this article will focus on compositional links it will suggest some ways in which we might use these links to enhance pedagogic practice and widen access to acousmatic music. In particular, the article is concerned with documenting artists within Intelligent Dance Music (IDM), and how their practices relate to acousmatic music composition. The article will include a hand full of examples of music which highlight this musical exchange and will offer some ways to use current academic thinking to explain how IDM and acousmatics are related, at least from a theoretical point of view. There is a growing body of compositional work and theoretical research that draws from both acousmatics and various forms of electronic dance music. Much of this work blurs the boundaries of electronic music composition, often with vastly different aesthetic and cultural outcomes. Elements of acousmatic composition can be found scattered throughout Intelligent Dance Music (IDM) and on the other side of the divide there are a number of composers who are entering the world of acousmatics from a dance music background. This dynamic exchange of ideas and compositional processes is resulting in an interesting blend of music which is able to sit quite comfortably inside an academic framework as well as inside a more commercial one. Whilst there are a number of genres of dance music that could be described in terms of the theories that would normally relate to acousmatic music composition practices, the focus of this article lies particularly with Intelligent Dance Music.
    [Show full text]
  • Constellation
    CONSTELLATION La critica musicale ha spesso identificato alcuni generi musicali con le città nelle quali si erano sviluppati, arrivando a far coincidere musica e toponomastica come nel caso del Canterbury sound o del Madchester. In realtà di solito si è trattato di un tentativo di semplificare la realtà per rendere intelligibili fenomeni la cui complessità sarebbe stata di difficile comprensione alla maggioranza dei lettori delle varie riviste del settore; basti pensare alla San Francisco psichedelica, al country di Nashville, all'elettronica berlinese, alla Seattle grunge o a Londra per il punk, ecc. Detto ciò, in pochi avrebbero immaginato che nel novero di queste “capitali” musicali sarebbe apparso il nome di Montreal, principale città del Quebec canadese. Eppure se dovessimo cercare una città con la quale identificare il post- rock degli anni Duemila non potremmo che guardare verso questa metropoli di più di un milione e mezzo di abitanti, se non altro per l’etichetta discografica indipendente Constellation records che vi ha sede. Nata nel 1997, la Constellation si è fin da subito caratterizzata per le “ostiche” scelte musicali e di marketing, dimostrando negli anni un'ammirevole coerenza che le ha permesso di intercettare le espressioni più avanzate e innovative del movimento post-rock canadese – ovvero il meglio del post-rock tout-court –, distinguendosi commercialmente dalle tante etichette indipendenti grazie a confezioni in digipack dominate da colori tenui e da un’originalità grafica e iconografica che diventa determinante nel trasmettere anche visivamente i contenuti musicali. Ma forse per comprendere il percorso qui proposto occorre partire dall’inizio, ovvero dalla definizione di Post-rock.
    [Show full text]
  • Music for Boys, Girls, Queens and Kings: New Album Reviews
    Music For Boys, Girls, Queens And Kings: New Album Reviews Music | Bittles’ Magazine: The music column from the end of the world After a short break where Titel Kulturmagazin went on an 18-30 holiday by mistake, we return this week with more album reviews than any sane person could ever need. After having to endure the tortured strangulations of EBM, and the hen party screeches of Ibiza for the last fortnight, fantastic albums by 2814, Wild Beasts, Bryan Ferry, Dinosaur Jr., Conduct, Gerd Janson, John Roberts, Riley Reinhold, Carl Craig are like manna to our ears. By JOHN BITTLES So, before we start trying to show off our sunburn, pass on an STD, or bore you with our holiday snaps, we had better begin… Last year’s Birth Of A New Day was an album which succeeded in immersing the listener within its own retro-futurist world. Overflowing with melancholy and wistfulness, it took the sounds associated with the burgeoning vaporwave scene, and created something visceral and real. This summer the duo of Telepath and HKE once again don their 2814 moniker to release the eagerly anticipated follow-up LP. Poignant, and dripping with a vivid sense of nostalgia, fans of Birth Of A New Day will be delighted to find that Rain Temple is every bit as good. Before The Rain opens proceedings with a feeling of hushed longing, somehow conjuring the image of standing lost within a cold metropolis where nobody knows your name. Further in, Guided By Love sounds like hearing long forgotten, but once beloved childhood songs coming from some far-off place, This Body can cause the unguarded to break down in tears, while Inside The Sphere brims with quiet resonance.
    [Show full text]
  • Seefeel Succour Mp3, Flac, Wma
    Seefeel Succour mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Succour Country: UK Released: 1995 Style: IDM, Experimental, Ambient MP3 version RAR size: 1935 mb FLAC version RAR size: 1344 mb WMA version RAR size: 1574 mb Rating: 4.9 Votes: 480 Other Formats: XM FLAC AIFF APE VOC MPC WAV Tracklist 1 Meol 5:51 2 Extract 7:28 3 When Face Was Face 6:03 4 Fracture 5:52 5 Gatha 6:00 6 Ruby-Ha 6:08 7 Rupt 6:29 8 Vex 4:25 9 Cut 5:40 10 Utreat/Tempean 7:52 Credits Arranged By, Mixed By [Uncredited] – Mark Clifford Edited By [Digital Edit] [Uncredited] – Francis Arkwright* Mastered By [Uncredited] – Geoff Pesche Other [Tubes] [Uncredited] – Zoë Harris Producer [Uncredited] – Seefeel Written-by [Uncredited] – Seymour* (tracks: 4, 10), Fletcher* (tracks: 3, 4), Clifford*, Sarah Peacock Notes CD EP jewelcase with black & white photo copy inlay detailing the date of release, catalogue number, format and tracklisting. Other versions Category Artist Title (Format) Label Category Country Year Warp CD28, Succour (CD, Warp Records, Warp CD28, Seefeel UK 1995 WARPCD28 Album) Warp Records WARPCD28 Warp MC28, Succour (Cass, Warp Records, Warp MC28, Seefeel UK 1995 WARP MC28 Album, Promo) Warp Records WARP MC28 Succour (10xFile, WARPCDD 28 Seefeel Warp Records WARPCDD 28 UK 2006 FLAC, Album, RE) Warp MC28, Succour (Cass, Warp Records, Warp MC28, Seefeel UK 1995 WARP MC28 Album) Warp Records WARP MC28 Succour (2xLP, WARP LP 28 Seefeel Warp Records WARP LP 28 UK 1995 Album) Related Music albums to Succour by Seefeel Seefeel - Starethrough EP Seefeel - Faults Big Swifty & Associates - Wouldn't You Rather Be Involved In A Series Of Colorful Time-Wasting Trends? Seefeel - Seefeel Cajmere Feat.
    [Show full text]
  • Fingernail (USA) & DJ Quesako (F) Beautiful Electronic (Pop) Music Somewhere Between Kraftwerk, Eno, Autechre and Oldschool Electro
    nt/Live: Fingernail (USA) & DJ Quesako (F) Beautiful electronic (pop) music somewhere between Kraftwerk, Eno, Autechre and oldschool electro Freitag, 22.6.01, 23.00 Uhr, nt/Areal (DB-Güterbahnhofareal), Erlenstrasse 21, 4058 Basel. Zugang via Kreuzung Erlenstrasse/Mattenstrasse, Tram 1/Bus 33: Hst. Musical Theater. Ins Areal zu Fuss oder mit dem Velo. Kein direkter Zugang mit dem Auto. Vorsicht: LKW-Verkehr auf dem Areal. Das Betreten des Areals erfolgt auf eigenes Risiko. Eintritt Fr. 10.- Fingernail und Quaesako werden auf Wunsch von nt/Live nicht unabhängige Sets spielen, sondern mit einer Mischung von konservierten und live-gespielten Sounds interagieren. Kontakt: Matthias Kaeser St. Johanns-Vorstadt 64, 4056 Basel Tel. 061 381 82 37 - Email: [email protected] FINGERNAIL (Philadelphia – USA) Adam Di Angelo, a.k.a FINGERNAIL is a young American composer. He started to produce music (Electro style) since half of 90’s. His first tracks were published by little independent American labels till 1996. In 1999, one of his records came in Atomic Recording’s office and the owner of this Belgium label was so enthusiastic that he decided to ask new tracks from FINGERNAIL and a new record was published the same year. During this time, FINGERNAIL’s fist album “So Backwards” was remixed by Woodenspoon (Mark Clifford / Warp records), Flowchart (Sean Oneal & Erin Anderson / Darla records) Cathars (Ultra Vivid Scene / 4ad), Bochum Welt or Global Goon (Rephlex records). At the beginning of year 2000, when he received a new pack of tracks signed by FINGERNAIL, Marco Repetto, owner of the excellent Swiss label Inzec, was so enthusiastic that he decided to delay the outlet of his own record to publish Fingernail’s one immediately ! "A childhood in Aeden", FINGERNAIL’s new CD album was realised in April 2001 and published on the American label Doubtful records.
    [Show full text]
  • 16-09 Newsflash September
    DRONE RECORDS ҉ NEWSFLASH ҉ SEPTEMBER 2016 ҉ Dear Droners and Psychonauts, here are the NEWS for SEPTEMBER 2016! * LABEL ANNOUNCEMENT!! the new "DRONE-MIND//MIND-DRONE" LP has a delay, the release date is now set to 10/10/2016 !! Only 400 copies are pressed this time, we will have about 300 for sale. DRONE-MIND // MIND-DRONE Vol. 5 LP (Drone Records MIND-05) € 15.00 again filled with exiting experimental drone acts from the whole planet, we can finally present you Vol. 5 in our ongoing series, with new names you probably don't know yet: GYDJA (New Zealand), CLADE, (Scotland / USA), MONOCUBE (Ukraine) and YRSEL (France) ; lim. 400, coloured vinyl. Artwork paintings be the great British painter PETE GREENING!! + SOME OF OUR PERSONAL HIGHLIGHTS and RECOMMENDATIONS, checking them out is stronly recommended: Z'EV - Eleven Mirrors to the Light CD Cold Spring Records CSR196CD 2015 : amorph masses of dynamically morphing metal-spark ambience.. TRICOLI, VALERIO - Clonic Earth do-LP PAN Records PAN 71 2016: absolutely stunning experimental dronescapes to enlarge your consciousness ELEH / TARA JANE O'NEIL - Circle Four: 100 Gongs for Arieto LP Important IMPREC430 2015: meditative gong drones, dedicated to HARRI BERTOIA V.A. - Bruitisme¹ LP Rotorelief ROTOR 0047 2016: four French acts and their actual perspective on Bruitism KHOST (deconstructed and reconstructed by) GODFLESH - Needles into the Ground LP Cold Spring Rec.CSR215LP 2016: advanced industrial metal at its best SEMBLER DEAH - Kaessariah. Heel een Leven lang LP Hypertension Rec.Hype 013
    [Show full text]
  • Velma Biographie
    VELMA BIOGRAPHIE LE COLLECTIF VELMA Christophe Jaquet (voix) Christian Garcia (guitare et électronique) Stéphane Vecchione (batterie) Olivier Mariette (films et multimédia) Regina Bölsterli (management) CONTACT Rue du Maupas 8bis CH - 1004 Lausanne t +41 21 648 13 92 f +41 21 648 13 93 e: [email protected] www.velma.ch LABELS MONOPSONE (www.monopsone.com) distr. DIFFER-ANT (F), WIDE (I) GENTLEMEN (www.gentlemen.ch) distr. IRASCIBLE (CH) BREF HISTORIQUE C’est lors du vernissage de la rétrospective Fernando Landovitch que trois amateurs, fatigués de faire l’éternel constat de l’aphasie ambiante, ont découvert un dénominateur commun à leurs travaux respectifs dans la pratique musicale. Partageant la même interprétation de l'œuvre du magistral Vladislav Bauer, ils décidèrent d'émerger ensemble de la cacophonie actuelle sous le nom révélateur de Velma. Un album auto-produit Rythmique et des apparitions sur diverses compilations (voir discographie) ont suivi, offrant à Velma l'occasion de tourner en Suisse et en Europe. En été 1999, le groupe a signé avec le label californien Emperor Norton Records pour l’album Cyclique, sorti en octobre 1999. Ce même album est sorti en Europe sur les labels Noise Product et Namskeio Records. D’autre part, Parole un 12-inch présentant les derniers enregistrements du groupe est sorti sur le label Stetic Records (distribué par Namskeio Records) en mars 2000. Parole a été réédité en format CD sous le titre Panoramique à la fin de l'année 2001 sur M Narsitik Records, avec des remixes de Pluramon (Allemagne), Jan Jelinek (Allemagne), Bruce Gilbert (Angleterre), Ma chérie for painting (Allemagne), Köhn (Belgique), Alog (Norvège), Terre Thaemlitz (Japon) et Lyric E.H.
    [Show full text]
  • Ambient Music the Complete Guide
    Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality.
    [Show full text]
  • Paul Weller Wild Wood
    The Venus Trail •Flying Nun-Merge Paul Weller Wild Wood PAUL WELLER Wild Wood •Go! Discs/London-PLG FAY DRIVE LIKE JEHU Yank Crime •Cargo-Interscope FRENTE! Marvin The Album •Mammoth-Atlantic VOL. 38 NO.7 • ISSUE #378 VNIJ! P. COMBUSTIBLE EDISON MT RI Clnlr SURE THING! MESSIAH INSIDE II The Grays On Page 3 I Ah -So-Me-Chat In Reggae Route ai DON'T WANT IT. IDON'T NEED IT. BUT ICAN'T STOP MYSELF." ON TOUR VITH OEPECHE MOUE MP.'i 12 SACRAMENTO, CA MAJ 14 MOUNTAIN VIEV, CA MAI' 15 CONCORD, CA MA,' 17 LAS, VEGAS, NV MAI' 18 PHOENIX, AZ Aff.q 20 LAGUNA HILLS, CA MAI 21 SAN BERNARDINO, CA MA,' 24 SALT LAKE CITY, UT NOTHING MA,' 26 ENGLEVOOD, CO MA,' 28 DONNER SPRINGS, KS MA.,' 29 ST. LOUIS, MO MP, 31 Sa ANTONIO, TX JUNE 1HOUSTON. TX JUNE 3 DALLAS, TX JUNE 5BILOXI, MS JUNE 8CHARLOTTE, NC JUNE 9ATLANTA, GA THE DEBUT TRACK ON COLUMBIA .FROM THE ALBUM "UNGOD ." JUNE 11 TILE ,' PARX, IL PROOUCED 81.10101 FRYER. REN MANAGEMENT- SIEVE RENNIE& LARRY TOLL. COLI MI-31% t.4t.,• • e I The Grays (left to right): Jon Brion, Jason Falkner, Dan McCarroll and Buddy Judge age 3... GRAYS On The Move The two started jamming together, along with the band's third songwriter two guys who swore they'd never be in aband again, Jason Falkner and Buddy Judge and drummer Dan McCarron. The result is Ro Sham Bo Jo Brion sure looked like they were having agreat time being in the Grays (Epic), arecord full of glorious, melodic tracks that owe as much to gritty at BGB's earlier this month.
    [Show full text]