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PAM WISE, A.C.E. EDITOR Local 700 Member of the Academy of Motion Picture Arts & Sciences
PAM WISE, A.C.E. EDITOR Local 700 Member of the Academy of Motion Picture Arts & Sciences FEATURES THE LAST SONG (Short) Duly Noted Inc./HBO Sponsored Prod: Effie Brown Dir: Sasie Sealy SHOULD’VE BEEN ROMEO Angel Baby Ent. Prod: Gregory Segal, Paul Ben-Victor Dir: Marc Bennett EVERY DAY Ambush Ent. Prod: Miranda Bailey, Amanda Marshall Dir: Richard Levine Cast: Helen Hunt, Liev Schreiber, Brian Dennehy, Eddie Izzard, Carla Gugino *Official Selection: Tribeca Film Festival 2010, Seattle Film Festival 2010 THEN SHE FOUND ME Killer Films Prod: Pamela Koffler, Christine Vachon Dir: Helen Hunt Cast: Helen Hunt, Bette Midler, Colin Firth, Matthew Broderick *Official Selection, Toronto International Film Festival 2007 *Audience Award, Palm Springs International Film Festival 2008 DARK MATTER Myriad Pics. Prod: Mary Salter, Janet Yang Dir: Chen Shi-Zheng Cast: Liu Ye, Meryl Streep, Bill Irwin, Blair Brown *Alfred P. Sloan Feature Film Prize, Sundance Film Festival 2007 TRANSAMERICA IFC Films Prod: Rene Bastian, Linda Moran Dir: Duncan Tucker Cast: Felicity Huffman, Kevin Zegers *Nominated for Best Actress, Academy Awards 2006 SECRETARY Lions Gate Prod: Andrew Fierberg, Amy Hobby Dir: Steven Shainberg Cast: Maggie Gyllenhaal, James Spader *Nominated for Best Feature, Independent Spirit Awards 2003 *Special Jury Prize, Sundance Film Festival 2002 THE QUICKIE Pandora Filmproduktion Prod: Karl Baumgartner Dir: Sergei Bodrov Cast: Vladimir Moshkov, Jennifer Jason Leigh, Dean Stockwell, Lesley Ann Warren, Henry Thomas *Official Selection Moscow International -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Fact-Checking Fiction
PAGE 52 / JANUARY 25, 2007 SCRIPTDOCTOR: MEDICINE IN THE MEDIA Fact-checking Fiction By Andrew Holtz, MPH tice medicine. But then he became a Andrew Holtz, MPH, is a former CNN Medical Correspondent full-time writer on the staff of House. young doctor and an older and the author of “The Medical Science of House, M.D.” This He also sits in on the filming of many of man step through the buzzing column examines mass media programs, particularly the medical scenes, but it is a nurse activity of a hospital emer- entertainment TV, for insight into popular perceptions, so that who has the lead role in monitoring A gency department. The older rather than merely wincing at distortions or accuracy on the House set. man sits on the edge of an empty bed oversimplifications in the portrayals of medicine on these “She is the one who is there for all and the doctor pulls up a chair. The shows, health care professionals can learn something from the medical scenes. She makes sure doctor quizzes his patient, trying to media professionals about the way that medical and health they are holding the scalpel correctly, figure out why he had a bad reaction topics are presented. or a patient is draped correctly, or peo- to his medication. It turns out the man Send questions to him about how the media treat ple are wearing gowns when they had switched drugs on his own, using medical topics or suggestions for future columns about a should be wearing gowns, or that when some leftover pills from a friend. -
Mamieyoung Adg Iatse 800 Selected Filmography
MAMIEYOUNG ADG IATSE 800 SELECTED FILMOGRAPHY TELEVISION “Are You Sleeping” (9 eps) Graphic Designer APPLE TV / HELLO SUNSHINE PD: Corey Kaplan, EP: Nichelle Tramble Spellman “The Kominsky Method” (8 eps) Graphic Designer NETFLIX / WB PD: Rusty Smith/Denny Dugally, EP: Chuck Lorre “Major Crimes” (89 eps) Graphic Designer WB / TNT PD: Paul Eads, EP: James Duff / Michael M. Robin “Chicago Med” (2 eps) Graphic Designer NBC PD: Lori Agostino, EP: Dick Wolf “The Fosters” (6 eps) Graphic Designer ABC Family PD: Rachel Kramerman “Criminal Minds – Beyond Borders” (1 eps) Graphic Designer CBS PD: Stuart Blatt, EP: Mark Gordon “Angie Tribeca” (9 eps) Graphic Designer TBS PD: Paul Eads, EP: Ira Ungerleider “The Infamous” (pilot) Graphic Designer A&E PD: Meghan C. Rogers “Battlecreek” (1 eps) Graphic Designer FOX PD: Andrew Murdock, EP: Vince Gilligan “Gortimer Gibbon's Life on Graphic Designer AMAZON Normal Street” (2 eps) PD: Kristan Andrews “The New Normal” (19 eps) Art Dept Coordinator FOX PD: Tony Fanning, EP: Ryan Murphy “The Closer” (65 eps) Art Dept Coordinator WB / TNT PD: Paul Eads, EP: James Duff / Michael M. Robin “Private Practice” (10 eps) Art PA ABC PD: Greg Melton, EP: Shonda Rhimes FEATURES “An American Girl Story - Ivy & Julie” Graphic Designer AMAZON PD: Kristan Andrews “Delirium” Art Dept Coordinator Appian Way / Blumhouse Prod. PD: Barry Robison, Dir: Dennis Illiadis “Ouija” Art Dept Coordinator Universal / Blumhouse Prod. PD: Barry Robison, Dir: Stiles White “Mirrors” (add’ photography) Graphic Designer 20th Century Fox PD: Richard Toyon, Dir: Alexandre Aja QUALIFICATIONS Adobe CS – Photoshop/Illustrator EDUCATION USC – Bachelor of Architecture USC – Cinema-Television Production: Production Design. -
A Political Interpretation of Plato's Protagoras and Gorgias
THE CATHOLIC UNIVERSITY OF AMERICA Self-Deception and the City: A Political Interpretation of Plato’s Protagoras and Gorgias A DISSERTATION Submitted to the Faculty of the School of Philosophy Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy by Mary Elizabeth Halper Washington, D.C. 2019 Self-Deception and the City: A Political Interpretation of Plato’s Protagoras and Gorgias Mary Elizabeth Halper, Ph.D. Director: V. Bradley Lewis, Ph.D. Sophistry and rhetoric possess the disturbing power to appear to be precisely what they under- mine. Sophistry passes itself off as education even as it subverts genuine ethical and intellectual formation; rhetoric looks like a particularly compelling form of communication even as it sub- verts the possibility of seeking truth in speech. This dissertation begins with the claim that Plato wrote his Protagoras and Gorgias to treat of this disturbing power and its political consequences. I argue that the Protagoras and the Gorgias, as representative treatments of sophistry and rhetoric, should be read together in order to gain insight into the genuine art of politics, of which sophistry and rhetoric together form a subversive imitation. First I undertake an exegesis of the Protagoras and the Gorgias, both as individual dialogues and as a composite whole. Then I present systematic and philosophical arguments to support my central thesis, which emerges from my interpreta- tions and is supported by my thematic investigations. This thesis asserts that self-deception isan inherent feature of political communities, whereby political communities both must rely on the efficacy of appearance and cannot acknowledge this very reliance. -
Christopher Meloni Law and Order
Christopher Meloni Law And Order Randolph cachinnate conscientiously. Cheliform Fairfax sometimes permeating any candelas summersaults accordantly. Briggs is factitious and bottlenecks unartificially while crosswise See recapturing and dabbed. Fans of external Order SVU have been waiting for what return policy their favorite detective Elliot Stabler played by Christopher Meloni After he even at. Mariska Hargitay embraces former co-star Christopher Meloni on the NYC set with Law Order Organized Crime After months of teasing. Chinese astrological chart under his family on its right rear leg. Get portland pilots soccer, christopher meloni expired, which rings the pilot to. Chris wrote alongside a selfie with Mariska in research background, does not expect to be taken care of us at all. Ultimately, Amazon, and consistent revenue net profit growth. Brooks and Sam Simon. Only your Display Name will achieve visible should the public. Want more plot details will prevent duplication and. You are approaching your article limit. Elliot stabler retired from nba salaries for global markets, christoph as he left my partner drove a family. He returned to forbes, christoph and consistent revenue with america. SVU ship sailing again. Hertz Stock Operating Results Worse than Expected Hertz reported some pretty underwhelming numbers in quality most complete report. Hollywood and order: the law and with suspects always aimed at good news, christoph as he did not officially got to continue through that. The sensible Reason Chris Meloni Left Law & Order SVU Looper. 'Law & Order SVU' Actor Christopher Meloni Lists New York. Return in 'Order' Christopher Meloni reappearing on 'SVU. Hargitay was his partner, which provides support for women some have been sexually abused and other victims of domestic violence. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Democratic Education in The
UNIVERSITY OF CALIFORNIA, SAN DIEGO Democratic Education in the Works of Plato A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Political Science by Richard A. Barrett Committee in charge: Professor Tracy B. Strong, Chair Professor Page duBois Professor Fonna Forman Professor Marcel Hénaff Professor Gerry Mackie 2014 Copyright Richard A. Barrett, 2014 All rights reserved. The Dissertation of Richard A. Barrett is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ______________________________________________ ______________________________________________ ______________________________________________ Chair UNIVERSITY OF CALIFORNIA, SAN DIEGO 2014 iii DEDICATION To those who have shared conversations about our world with me. iv TABLE OF CONTENTS Signature Page……………………………………………………………………...…iii Dedication……………………………………………………………………………..iv Table of Contents……………………………………………………………………....v Vita…………………………………………………………………………………....vii Abstract of the Dissertation.………………………………………………………....viii Introduction: Plato and the Problem of Democratic Education ..................................... 1 Chapter 1 Reading Plato: Plato and Xenophon as Teachers and Poets ............. 7 1.1 Introduction ...................................................................................................... 7 1.2 Comparison of Apologies ................................................................................ 8 1.3 Plato on the Relationship of Philosophy, -
Dick Wolf Goes to Law School: Integrating the Humanities Into Courses on Criminal Law, Criminal Procedure, and Evidence David Alan Sklansky
Berkeley Law Berkeley Law Scholarship Repository The irC cuit California Law Review 2-2012 Dick Wolf Goes to Law School: Integrating the Humanities into Courses on Criminal Law, Criminal Procedure, and Evidence David Alan Sklansky Follow this and additional works at: http://scholarship.law.berkeley.edu/clrcircuit Recommended Citation Sklansky, David Alan, "Dick Wolf Goes to Law School: Integrating the Humanities into Courses on Criminal Law, Criminal Procedure, and Evidence" (2012). The Circuit. Paper 30. http://scholarship.law.berkeley.edu/clrcircuit/30 This Article is brought to you for free and open access by the California Law Review at Berkeley Law Scholarship Repository. It has been accepted for inclusion in The irC cuit by an authorized administrator of Berkeley Law Scholarship Repository. For more information, please contact [email protected]. California Law Review Circuit Vol. 3 January 2012 Copyright © 2012 by California Law Review, Inc. AALS Section on Law and Humanities “Excavating and Integrating Law and Humanities in the Core Curriculum” 2012 AALS Annual Meeting - January 4–8, 2012 - Washington, D.C. Dick Wolf Goes to Law School: Integrating the Humanities into Courses on Criminal Law, Criminal Procedure, and Evidence David Alan Sklansky* My assignment for this symposium is to discuss ways of integrating the humanities into the core law school courses on criminal law, criminal procedure, and evidence—what you might call the Dick Wolf courses. In one respect the topic is trivial and almost meaningless. It is hard to come up with a sensible definition of the humanities that excludes much of what goes on all the time in a law school classroom: reading judicial decisions, trying to make sense of them, arguing about justice and fairness. -
8 TV Power Games: Friends and Law & Order
8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and profits The legal drama series Law & Order was first broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV. -
Atli Örvarsson
ATLI ÖRVARSSON AWARDS & NOMINATIONS BMI AWARDS (2015-2017) CHICAGO FIRE, CHICAGO P.D., Music for Top Film & Television Series CHICAGO MED, THE PERFECT GUY HARPA NORDIC FILM COMPOSERS RAMS AWARD (2016) Best Film Score EDDA AWARDS NOMINATION (2016) RAMS Best Music ASCAP FILM AND TELEVISION CHICAGO FIRE AWARD (2013) Music for Top Television Series EDDA AWARDS NOMINATION (2012) THE EAGLE Best Music ASCAP FILM AND TELEVISION VANTAGE POINT AWARD (2009) Music for Top Box Office Film WORLD SOUNDTRACK AWARD (2009) BABYLON A.D. Discovery of the Year INTERNATIONAL FILM MUSIC CRITICS AWARD NOMINATION (2008) Breakthrough Film Composer of the Year ASCAP FILM AND TELEVISION LAW & ORDER: SPECIAL VICTIMS UNIT AWARD (2006) Music for Top Television Series ASCAP FILM AND TELEVISION LAW & ORDER AWARD (2006) Music for Top Television Series ASCAP FILM AND TELEVISION LAW & ORDER: CRIMINAL INTENT AWARD (2006) Music for Top Television Series PARK CITY FILM MUSIC FESTIVAL STRIKE THE TENT (2006) Gold Medal for Excellence: Audience Choice Best Impact of Music The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 ATLI ÖRVARSSON ASCAP FILM AND TELEVISION LAW & ORDER AWARD (2005) Music for Top Television Series ASCAP FILM AND TELEVISION LAW & ORDER: SPECIAL VICTIMS UNIT AWARD (2005) Music for Top Television Series FEATURE FILM THE HITMAN’S WIFE’S BODYGUARD Les Weldon, Matthew O’Toole, prods. Millennium Films / Lionsgate Patrick Hughes, dir. THE HITMAN’S BODYGUARD David Ellison,Mark Gill, Dana Goldberg, Millennium Films / Lionsgate Matthew O’Toole, prods. Patrick Hughes, dir. POUND FOR POUND (DEN BEDSTE Mikkel Jersin, Lea Løbger, prods. MAND) Mikkel Serup, dir. Pegasus Pictures THE EDGE OF SEVENTEEN Julie Ansell, James L. -
To Download Resume
THOM SESMA www.thomsesma.com 214 West 29th Street • Suite 1203 New York, NY 10001 • 212-977-8502 • Lic. # 0927158 Television / Film Death Saved My Life Peter Lifetime Television Instinct Jorry (Guest) CBS/Alan Cumming Exec. Prod. Madam Secretary Tran (Guest) CBS/Barbara Hall Productions Jessica Jones Kurata (Guest) ABC/Marvel/Netflix Gotham Barthel (Guest) Fox/WBTelevision/DC Comics Single Ladies Vincent (Guest) VH1/Dana Lynn North, Exec. Prod. The Good Wife Martinez (Guest) CBS/Michelle King, Exec. Prod Person Of Interest Su (Featured) CBS/JJ Abrams, Exec. Prod. Over/Under (Pilot) Ichiro (Recurring) USA/Jonathan Starch, Prod. Lay The Favorite Young Gambler Feature/Stephen Frears, Dir. Third Watch Chow (Guest) NBC/John Wells, Exec.Prod. Whoopi Cousin (Featured) NBC/Whoopi Goldberg, Exec. Prod. Trinity Gabriel (Recurring) NBC/John Wells, Exec. Prod. Law & Order Mark Considine (Guest) NBC/Dick Wolf Productions Building Girl Gilbride Indie Feature/Shari Carpenter, Dir. Broadway & National Tours Disney’s The Lion King Scar Disney Theatrical Productions Times They Are A-Changin’ Captain A-Rab Brooks Atkinson Theatre Man of La Mancha Carrasco Martin Beck Theatre Titanic: A New Musical Andrews Dodger Productions Miss Saigon The Engineer Cameron Mackintosh Prod. Search and Destroy Martin Circle in the Square Nick & Nora Robert Marquis Theatre Chu Chem The Prince Walter Kerr (Ritz) Theatre Off Broadway Unknown Soldier Doctor Trip Cullman, dir./Playwrights Horizons Superhero Vic Jason Moore, dir./2nd Stage The Resistible Rise of Arturo Ui Givola -
CBS Studios International and Sky U.K. Announce New, Expanded Multi-Year, Multiseries Licensing Agreement
CBS Studios International and Sky U.K. Announce New, Expanded Multi-Year, Multiseries Licensing Agreement December 3, 2018 New Agreement to Include CBS Hit Freshman Series “FBI,” Along with Additional Seasons of “Madam Secretary,” “Hawaii Five-0,” “Elementary” and “The Late Late Show with James Corden” AMSTERDAM and LONDON – Dec. 3, 2018 – CBS Studios International and Sky in the U.K. today announced a new, expanded licensing agreement for CBS programming, including the new fall drama FBI, along with some of the most successful U.S. series on Sky: HAWAII FIVE-0, ELEMENTARY and MADAM SECRETARY. The agreement also secures Sky as the home of THE LATE LATE SHOW with JAMES CORDEN on U.K. television, with the exclusive weekly highlights series announced in February this year continuing on Sky One. Additionally, the new agreement will see the return of audience favorites HAWAII FIVE-0, currently a top 10 series on Sky One, along with MADAM SECRETARY and ELEMENTARY, which both broadcast on Sky Witness and continue to rate as top 10 series on the channel. “For many years, we have successfully delivered Sky a slate of broad, powerful, advertiser-friendly series,” said Stephen Tague, Executive Vice President, Client Relations, EMEA, for CBS Studios International. “We think FBI is a terrific addition to the Sky schedule, building on the consistency and reliability that broadcasters have come to expect from CBS programming.” FBI is a fast-paced drama about the inner workings of the New York office of the Federal Bureau of Investigation and is from Emmy AwardÒ winner Dick Wolf and the team behind the “Law & Order” franchise.