Recording Academy and Musicares Commit $2M for Coronavirus Relief
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Judge Tosses Annexation
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Tennis: Back at Wimbledon, Coco Gauff advances /B1 FRIDAY TOD AY C I T R U S C O U N T Y & nex t m orning HIGH 88 P a r t l y u n n y ; LOW n u m e r o u s s h o w e r s , t o r m s . 72 PAGE A4 w w w.chronicleonline.com JULY 2, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 268 NEWS BRIEFS Judge tosses annexation Citrus gov’t offices closed July 5 Lakeside property had been at the center of a dispute between city, county C t r u s C u n t y o v e r n - MIKE WRIGHT Circuit Judge Peter RV Resort is planned for mile east of the city limits Brigham said the Eden m e n t f f i c e s i l l e Staff writer Brigham said in his ruling the 234-acre property. on State Road 44. property is “geographi- c l o s e d o n d a y , u l y , n that the city violated state Brigham agreed with “Simply put, the city cally isolated” from the o b s e r v a n c e f I d e p e n - A judge has sided with law by allowing the the county’s argument and the NH parcel do not city that would create a d e n c e D y . -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations. -
Kelley-Stephin-To-Kent-William.Pdf
- ·t?) !>asset , / Suspended} - 7 'I <t .f' r N. P. D. Ralsey ,- ,..-y- Deprived} v _.. ,:, -'/ "} ..J N. P.D. Affiliated Suspended} U.M.C. Reinstated Expelled Rest::a ' ft1J-/'f70/ J)A'U 1\cLMAlHVr /J?v . Re m"(~ 7 -j 'f -'/ Cj () 7 Nome Kelley, Stephen T 9.7 Lodge No 51-- -St- . John ' s Initiated - -- • Dlmltted Official Record 4- 5- 1 948 Suspended} N. P . D . Deprived} N.P.D. Suspended} U.M. C . Relnuated Expelled Name Kelley, Stewart Et.'-AR::D LodieNo. 81 Atlantic Dlmitted Official Record lnitiatr _ 'llf -s0 1 7 Passed Suspended} N.P.D. Raised Deprived} N.P.D. Affiliated Suspended} U.M.C. Reinstated Expelled Restored Died Remark~ /' - 'i' )' 1 CJ Y 1 - Initiate _ j / -/ '1 'f 3 S uspended} Pnsaeds- --S ~/ 1 '-/ :5 N.P.O. Raised L/ J Deprived} N . P. O. 5 ~J i -/ 'j I Afflllnled Suspended} U.M. C. Reinslnled Expelled .TBBODOKE K. KELLEY CUMBERLAND - Theodore R . Kelley, 83, of 85 Orchp.rd Hlll Road, ·died yesterday ln a Portland hospital after a long Ulneaa. · He wu born 1n Mars Hill Dee. 1, 1905, son of Gordon and Sarah White Kelley, and attended Mars HUla schools. He lived for many years 1n Westbrook, coming to Cumber land in 1952. Until shortly be fore his death Mr. Kelley was employed as a maintenance man for the Portland Gas l.Jght Co. He was a member of War ren-Phillips Lodge, AF & AM, for more than 25 yeap. Besides his Wife, the former Marton Stiles, ' he Is survived by two sons, Donald F. -
Discover What Inspires You
Discover what inspires you MIDDLE & UPPER SCHOOLS GREENHILL STUDENTS are studious and high-achieving. THEY LEARN A LOT HERE, AND THEY LEARN IT WELL. But that’s not all that makes them special. Drawn to the unknown and motivated from within, they’re INQUISITIVE, PURPOSEFUL, AND BOLD in their quests for knowledge. With EQUAL PARTS GRIT AND JOY, they ask questions that lead to more questions, analyze critically, and unearth the why. FEARLESS AND OPEN-MINDED, they’re not afraid to make mistakes, explore spaces without boundaries, and be themselves. KIND AND COMPASSIONATE, they sharpen their minds and soften their hearts, learning not only for their own good, but for the good of others. TENACIOUS AND RESILIENT, they constantly give their all, developing personal strengths for lifetimes of success. Success they define themselves. They are inspired. They are inspiring. And it all begins right here, at Greenhill. Are you… naturally curious? energized by challenges? motivated? willing to try new things? open to making new friends? interested in solving problems? collaborative? caring and compassionate? happy to be yourself? passionate about life and learning? a fan of roaming peacocks? Yes? Then you belong at Greenhill. We seek excellence in everything we do. We’re that rare school that fully commits its resources and talents to a balanced program in academics, arts, and athletics. An inclusive community since its founding, Greenhill celebrates diversity in all its forms and welcomes the curious, inquisitive learner. SCOTT GRIGGS, HEAD OF SCHOOL 2 Unearth the Why Learning isn’t about memorizing facts and acing tests. That’s why Greenhill students achieve so much more than high grades and scores. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
The Cowl Est
Commencement Insert Inside The Cowl Est. 1935 Vol. LXXIII No. 20 www.TheCowl.com Providence College • Providence, R.I. April 30,2009 Parking No Longer Free Doblmeier to Speak at The $ioo fee per Graduation semester has by Devin Murphy '10 News Editor angered many Providence College's speaker for the commencement exercises on May 17 was students who announced last week by College Relations and Planning. The speaker will be Martin J. Doblmeier want to know CAMPUS 73- Doblmeier graduated NEWS from the College with a bachelor's degree in theol where the ogy. He later obtained a master's degree in broadcast journalism from Boston University in 1977. money will be According to a press release from College Relations and Planning, since going; educa graduating from PC, Doblmeier has worked as a producer and director. He now owns his own productions com tion majors have pany, Journey Films, Inc., which makes television programs and documentary films devoted to exploring issues been hit espe including religion, spirituality, history, and social issues. He started his career in journalism as a cially hard due field producer and director for Evemng/PM Magazine. From Evening/PM Magazine, to their being which he worked for from 1977 to 1979, he became a creator and a senior produc er of the television series Real to Reel. Real required to have to Reel was a syndicated program which explored religion. He worked for the program until 1982. cars on campus In 1984 Doblmeier founded Journey Films. Since its conception journey Films has produced many award-win fortheir major. -
Contemporary Christian Music and Oklahoma
- HOL Y ROCK 'N' ROLLERS: CONTEMPORARY CHRISTIAN MUSIC AND OKLAHOMA COLLEGE STUDENTS By BOBBI KAY HOOPER Bachelor of Science Oklahoma State University Stillwater, Oklahoma 1993 Submitted to the Faculty of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE August, 2003 HOLY ROCK 'N' ROLLERS: CONTEMPORARY CHRISTIAN MUSIC AND OKLAHOMA COLLEGE STUDENTS Thesis Approved: ------'--~~D...e~--e----- 11 ACKNOWLEDGEMENTS My sincere appreciation goes out to my adviser. Dr. Jami A. Fullerton. for her insight, support and direction. It was a pleasure and privilege to work with her. My thanks go out to my committee members, Dr. Stan Kerterer and Dr. Tom Weir. ""hose knowledge and guidance helped make this publication possible. I want to thank my friend Matt Hamilton who generously gave of his time 10 act as the moderator for all fOUf of the focus groups and worked with me in analyzing the data. ] also want to thank the participants of this investigation - the Christian college students who so willingly shared their beliefs and opinions. They made research fun r My friends Bret and Gina r.uallen musl nlso be recognii'_cd for introducing me !(l tbe depth and vitality ofChrislian music. Finally. l must also give thanks to my parents. Bohby and Helen Hoopc,;r. whose faith ,md encouragement enabled me to see the possibilities and potential in sitting down. 111 - TABLE OF CONTENTS Chapter Page 1. INTRODUCTION Overview ofThesis Research Problem 3 Justification Definition ofTerms 4 [I. LITERATURE REVIEW 5 Theoretical Framework 6 Uses and Gratifications 6 Media Dependency 7 Tuning In: Popular Music Uses and Gratifications 8 Bad Music, Bad Behavior: Effects of Rock Music 11 The Word is Out: Religious Broadcasting 14 Taking Music "Higher": ('eM 17 Uses & Gratifications applied to CCM 22 111. -
How Female Musicians Are Treated Differently in Music
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 10x The Talent = 1/3 Of The Credit: How Female Musicians Are Treated Differently In Music Meggan Jordan University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Jordan, Meggan, "10x The Talent = 1/3 Of The Credit: How Female Musicians Are Treated Differently In Music" (2006). Electronic Theses and Dissertations, 2004-2019. 946. https://stars.library.ucf.edu/etd/946 10X THE TALENT = 1/3 OF THE CREDIT HOW FEMALE MUSICIANS ARE TREATED DIFFERENTLY IN MUSIC by MEGGAN M. JORDAN B.A. University of Central Florida, 2004 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Meggan M. Jordan ii ABSTRACT This is an exploratory, qualitative study of female musicians and their experiences with discrimination in the music industry. Using semi-structured interviews, I analyze the experiences of nine women, ages 21 to 56, who are working as professional musicians, or who have worked professionally in the past. I ask them how they are treated differently based on their gender. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
The Gothic Trespass in the Life and Songwriting of Tennessee Blues Musician Ray Cashman
DESOLATION BLUES: THE GOTHIC TRESPASS IN THE LIFE AND SONGWRITING OF TENNESSEE BLUES MUSICIAN RAY CASHMAN Victor Bouvéron A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Folklore in the American Studies Department. Chapel Hill 2017 Approved by: William Ferris Glenn Hinson Crystal O’Leary-Davidson © 2017 Victor Bouvéron ALL RIGHTS RESERVED ii ABSTRACT Victor Bouvéron: Desolation blues: The Gothic trespass in the life and songwriting of Tennessee blues musician Ray Cashman (Under the direction of William Ferris) This thesis explores the pervading feeling of the Gothic in the life and songwriting of Tennessee blues musician Ray Cashman. I argue that Cashman emotionally responds to the South through the framework of the Gothic to assert his identity as a white southern working- class male. As a reader, writer and performer, he trespasses the lines of race and class. The ethnographic fieldwork I conducted in Tennessee, Georgia and North Carolina between 2015 and 2017 led me to reflect on the intriguing relationship between blues, southern Gothic literature and white working-class culture in the South. The songs written by Cashman often express a feeling of desolation, bleakness and decay, invoke a sense of nostalgia for a bygone time, or describe eerie landscapes and supernatural presences. Cashman also retells southern Gothic stories, like “Snake Feast,” inspired by Harry Crews’s A Feast of Snakes. iii ACKNOWLEDGEMENTS This project started the day I met Bill Ferris in Lille, France, in 2013. Bill encouraged me to apply to UNC-Chapel Hill and introduced me to the field of folklore. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 23, 2020 Page 1 of 27 INSIDE Lil Uzi Vert’s ‘Eternal Atake’ Spends • Roddy Ricch’s Second Week at No. 1 on ‘The Box’ Leads Hot 100 for 11th Week, Billboard 200 Albums Chart Harry Styles’ ‘Adore You’ Hits Top 10 BY KEITH CAULFIELD • What More Can (Or Should) Congress Do Lil Uzi Vert’s Eternal Atake secures a second week No. 1 for its first two frames on the charts dated Dec. to Support the Music at No. 1 on the Billboard 200 albums chart, as the set 28, 2019 and Jan. 4, 2020. Community Amid earned 247,000 equivalent album units in the U.S. in Eternal Atake would have most likely held at No. Coronavirus? the week ending March 19, according to Nielsen Mu- 1 for a second week without the help of its deluxe • Paradigm sic/MRC Data. That’s down just 14% compared to its reissue. Even if the album had declined by 70% in its Implements debut atop the list a week ago with 288,000 units. second week, it still would have ranked ahead of the Layoffs, Paycuts The small second-week decline is owed to the chart’s No. 2 album, Lil Baby’s former No. 1 My Turn Amid Coronavirus album’s surprise reissue on March 13, when a new (77,000 units). The latter set climbs two rungs, despite Shutdown deluxe edition arrived with 14 additional songs, a 27% decline in units for the week.Bad Bunny’s • Cost of expanding upon the original 18-song set. -
YG Entertainment Buy (122870 KQ ) (Maintain)
[Korea] Entertainment May 13, 2021 YG Entertainment Buy (122870 KQ ) (Maintain) Increasing content leverage TP: W56,000 Upside: 25.8% Mirae Asset Securities Co., Ltd. Jeong -yeob Park [email protected] 1Q21 review : Big earnings beat Consolidated revenue of W97bn (+83.9% YoY), OP of W9.5bn (turn to profit YoY) In 1Q21, YG Entertainment proved its enhanced fundamentals by overcoming the absence of offline performances/activities with the release of new content (Rosé and Treasure). Revenue from albums/digital content/goods was up 170.6% YoY, driven by strong sales of albums (980,000 copies; helped by new releases) and goods. Digital content revenue surged 125.6% YoY, boosted by BLACKPINK’s online concert (280,000 paid views and net revenue of around W8bn). Revenue from Google came in strong at W4.5bn (excluding BLACKPINK concert; vs. W2.5bn in 1Q20) on the back of new releases and subscriber growth. Despite constraints on artist activities, management revenue expanded 44.7% YoY, fueled by luxury advertisers’ (Dior, Saint Laurent and Tiffany & Co.) strong preference for YG artists. Elsewhere, the company recorded W15.6bn from TV production (YG Studioplex’s Mr. Queen ) and a valuation gain of roughly W5bn related to Tencent Music Entertainment. Expectations on 2H21 artist Artist activities to gather steam; IP monetization to strengthen on Weverse incl usion activities and Weverse 1) Earnings: During the 2018-20 absence of its main artist group, YG Entertainment built a robust lineup that includes BLACKPINK, Treasure, and iKON. We expect robust ad and appearance income to continue, supported by the growing international profile of the company’s artists.