Alapomeji Ancestral Records

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Alapomeji Ancestral Records Ire (prod. Seyikeyz) Adekunle Gold 4:25. Ire (Instrumental) Adekunle Gold 4:56. The Way You Are (Gbadun You) Di'Ja ft. Tiwa Savage 3:08. Soco (prod. Northboi) Starboy ft. Wizkid x Terri x Spotless x Ceeza Milli 4:16. Nowo ft. Wizkid DJ Spinall 3:18. DIET Tiwa Savage, Reminisce, Slimcase, DJ Enimoney 3:17. Science Student (prod. Young John x BBanks) Olamide 3:23. 4Dayz Kiss Daniel 2:35. Chop Sugarboy feat. Ycee 3:33. Playlist (feat. Nonso Amadi) M.I Abaga 3:34. Pulling Me Back Maleek Berry 3:09. Gucci Gang D'Prince ft. Fresh collaboration between Coded Tunes and Alapomeji Ancestral Records boss as they deliver this gospel sound entitled WEAPON by ID Cabasa and the ancestor, 9ice. Download and Enjoy. ID Cabasa & 9ice â“ Weapon. Alapomeji Ancestral Records presents the official music video for 9ice latest single âœMercyâœ. Ancestor â“ 9ice takes us back memoryâ¦ AUDIO HOT!! 9ice â“ E O Mo Meme ft. 9ice Signs New Act âœMikolâ To His Record Label, Alapomeji Ancestral Records, Drops New Song. Posted by Makinde Azeez on May 13, 2016 under Talk Zone 24. Talk Zone. Nigerian singer, 9ice has unveiled a new artiste signed to his record label, Alapomeji Ancestral Records. The artiste, whoâ™s known as â˜Mikolâ™, is the first act to be signed to the re-branded Afro-Pop musicianâ™s label, Alapomeji Ancestral Records. Alapomeji Ancestral Records. Founded by Abolore Akande popularly called 9ice, Alapomeji Ancestral Records is another top record label. It was founded in 2008 as Alapomeji Records but was rebranded in 2015 to Alapomeji Ancestral Records. This happened at a time when some of the label artistes Seriki, Kayefi and Wise left. Kalakuta Republic. Share Tweet Share Share. One of the leading Hip Hop artists in Nigeria & the owner of Alapomeji Ancestral Record Label, Abolore Akande popularly known as 9ice has signed a new artiste to the label in person of the sensational up & coming Afro Pop artist, Hazan Babatude Ajani (Haaj_Silver). 9ice made this known on his official Instagram page with handle, @9iceofficial on 3 different occassion, where he used the first two posts to introduce the Afro Pop sensational You are on Alapomeji Ancestral Records page, get the latest songs updates from Alapomeji Ancestral Records. music, albums, lyrics, news, mp3 download and more related to Alapomeji Ancestral Records.Â 9ice â“ Tonight. Baale of Alapomejo Ancestral Records, 9ice continues on his run of stunning releases. This time, he unveiled the music videoâ¦ Read More Â»..

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Code-Switching in Contemporary Nigerian Hip
University of Ghana http://ugspace.ug.edu.gh CODE-SWITCHING IN CONTEMPORARY NIGERIAN HIP HOP SONGS BY KUPONIYI ADERIYIKE OREOLUWA (10361991) THIS DISSERTATION IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON, IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF M.A ENGLISH DEGREE. JULY 2013 University of Ghana http://ugspace.ug.edu.gh DECLARATION I, Kuponiyi Aderiyike Oreoluwa, do hereby declare that apart from the acknowledged references cited, this work is the result of my own research. It has neither been partly nor wholly submitted for the award of another degree elsewhere. CANDIDATE ……………………………… DATE………………………… KUPONIYI, ADERIYIKE OREOLUWA SUPERVISOR……………………………. DATE…………………………... PROFESSOR A.B.K. DADZIE SUPERVISOR……………………………... DATE……………………………. PROFESSOR KARI DAKO i University of Ghana http://ugspace.ug.edu.gh DEDICATION This work is dedicated to my late Mother, Mrs Olajide Ilori-Kuponiyi. ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENTS I give all the glory to God Almighty. My sincere gratitude goes to my father, Professor F.A. Kuponiyi for his total and unwavering support. Thank you to all my siblings, for their love, support and prayers. Special appreciations go to my supervisor, Professor A. B. K Dadzie for his help, advice and guidance and also to Professor Kari Dako. Again I say thank you to Mr Kenneth Igiri for his prompt response each time I call on him for help and for making my first few months in Ghana comfortable and remarkable. Also I thank everyone that has in one way or the other contributed to the achievement of this work. God bless you all. iii University of Ghana http://ugspace.ug.edu.gh ABSTRACT Most Nigerian hip hop artistes use a combination of English and one or more local language(s) in writing the lyrics of their songs.
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Afro-Soul Singer Aramide & Rapper Ycee
Afro-Soul Singer Aramide & Rapper Ycee Cover the First Edition of Zebra Stripes Networks “ZSN Monthly” Please note that this post contains affiliate links and any sales made through such links will reward me a small commission – at no extra cost for you. Print PDF eBook Zebra Stripes Networks (ZSN) launches the first edition of their E-magazine called “ZSN Monthly“. The Maiden edition features Nigerian Afro-Soul diva Aramide and rapper Ycee on the cover. The magazine maiden edition highlights some of the events that took place in the Nigerian music and entertainment industry, and some other gist. Tinny Entertainment’s foremost act Ycee has released his anticipated Ep “The First Wave” The 8 tracker Ep features Falz, Maleek Berry, Seyi Shay and South Africa’s Kly with production credits from Maleek Berry, Adey, Karma, Twoseven, Ganjabeats and Thai. Watch Ycee’s The First Wave (DOCUMENTARY) Afro-Soul Singer Aramide & Rapper Ycee Cover the First Edition of Zebra Stripes Networks “ZSN Monthly” Get The First Wave Ep here Aramide has delighted her fans with the release of a new video for her single, Why So Serious. It’s a song off her debut album titled “SUITCASE” The video of Why So Serious was shot in Lagos, Nigeria by AdamsGud, it stars Nollywood Act Lota Chukwu and Musician Minjin. Enjoy the video below For more information on Zebra Stripes Networks (ZSN), visit www.zebrastripesng.net and @Zebrastripesng (Instagram and Twitter). Credit : Zebra Stripes Network The owner of this website is a participant in the Amazon Affiliates Program. Therefore, the links here might be affiliate links and sales from them may earn a small commission for us – at no extra cost to you.
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We're Taking Africa to the World
“We’re Taking Africa to the World”: Commercial Self- fashioning as a Vehicle for Collective Aspirations in the 21st Century JAANA SERRES “It’s finally cool to be an ‘African’” (Kaumbutho). This 2017 blog post by Kenyan poet Kimathi Kaumbutho echoed the performative claims heard throughout the African middle class in the wake of the changing narrative about “Africa,” from “The hopeless continent” (The Economist 2000) to “Africa rising” (The Economist 2011). Elements and signs of “Africanness” have indeed been increasingly featured in “global” popular culture, from clothing lines to films, and even the practice of capitalism is rebranded with “African traditional principles” through the Africapitalist and Ubuntu “economic philosophies.” But as suggested by Kaumbutho’s list of achievements “Africans can take pride in,” one cultural medium has proven particularly instrumental to this new wave of positive identification with “Africa”: Nigerian music. As Nigeria was arguably entering a post-oil era in the 2010s (Burns and Owen), its renewed popular music industry benefitted from the development of digital technology and the expression of corporate interest by telecom companies, retail brands, and foreign-educated young professionals, making it an exemplary manifestation of a new pan-Africanism founded on neoliberal aspirations (Shipley Living the Hiplife). Global professional services firm PwC announced that total revenue for Nigeria’s entertainment and media industry was expected to grow to US$8.1 billion in 2019, calling it the “fastest-expanding major market globally” (Oxford Business Group). However, only a very small share of this revenue occurs from the actual sale of cultural products (PwC 22).
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Communique De Presse
Paris aris Paris, November 30, 2018 Vivendi and its subsidiaries to broadcast and screen the Global Citizen Festival: Mandela 100 in Africa Vivendi has joined forces with international advocacy organization Global Citizen to provide additional support ahead of the Global Citizen Festival: Mandela 100 on December 2, 2018, in Johannesburg. Beyoncé & JAY-Z, Black Coffee, Cassper Nyovest, D'banj, Ed Sheeran, Eddie Vedder, Femi Kuti, Kacey Musgraves, Pharrell Williams & Chris Martin, Sho Madjozi, Tiwa Savage, Usher, and Wizkid will headline the first Global Citizen Festival to be held in Africa. Trevor Noah will host the Global Citizen Festival: Mandela 100 with co-hosts Naomi Campbell, Dave Chappelle, Danai Gurira, Sir Bob Geldof, Gayle King, Bonang Matheba, Nomzamo Mbatha, Tyler Perry, and Anele Mdoda. Oprah Winfrey will deliver a special keynote address at the Festival remembering Nelson Mandela and his legacy. Canal+ Afrique will broadcast the show to millions of its TV viewers throughout 30 African countries, with the well-known Congolese journalist Robert Brazza commenting on this event. All ten CanalOlympia theatre venues will screen the eight-hour long concert free of charge for their audiences in the seven African countries where they are currently located. Michele Anthony, Executive Vice President of Universal Music Group, is a member of the Global Citizen’s Board of Directors. She also chairs the Global Citizen Rewards program, a campaign whereby major artists donate concert tickets that are earned when users take specified actions to end global poverty. About Vivendi Since 2014, Vivendi has been focused on building a world-class content, media and communications group with European roots.
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Foregrounding Female Agency in the Dance Culture of Nigeria
WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion.
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Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus
Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus Emwinromwankhoe Osakpolor, University of Benin, [email protected] Volume 9. 1 (2021) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2021.299 | http://cinej.pitt.edu Abstract This study investigates the portrayal of women in contemporary Nollywood films, using Isoken (2017) and King of Boys (2018) as case studies. The objective was to highlight the various ways in which women in the films are portrayed to viewers and ascertain whether contemporary Nollywood movies are an improvement on the issues of gender stereotypes and sexism which are hitherto prevalent in the industry. Anchored on the cultivation theory, the study adopted the qualitative content analysis method. Findings showed that women in the studied films are negatively portrayed in various ways and that these portrayals are, at best, parallel to the stereotypical ways in which women were portrayed in previous Nollywood movies. Taking cognizance of the fact that both films are directed by women, the researcher recommends that Nollywood female directors should look beyond the lenses of financial gains and set a pace with regards to changing the narrative and portraying Nigerian women in a positive light. Keywords: Portrayal; women; Nollywood; Nollywood films; Isoken; King of Boys New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus Emwinromwankhoe Osakpolor Introduction Film, also referred to as movie, motion picture, theatrical film or photo-play, is unarguably a medium of mass communication.
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Lil Kesh Ladi Lyrics
It Young John the wicked producer! Skibo Skibo robo skibo, skibo robo skibo, ehba ooshey baddest [Verse - Phyno:] Emi Phyno ehnn baba Igbo ehnn baba obago kimo ladi ehnn kimo Jedi ehnn eghi simba Emi Phyno ehnn baba Igbo ehnn baba obago kimo0Akimo ladi ehnn kimo Jedi ehnn maghi simba Iranu abasha irasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha This is Nonsense It’s obvious na enwelu conscience Anyi aba nye sie go ka enwe futalam ya E sie m saa efele ka anyi biara efele contest Ihe i bu n’ukwu Nwata bia check, m bu kwa the book o And ima na m ihe m choro is a chucku So,cool down and taste what i cook oo what i cook oo. Haa! O na ewu kwa gi Ibughi bore-hole mana m n’echu kwa gi E sie m racha gi ka oroma nkilisi so, in the hood anyi ebedo kwa n’isi Mara na agbari go m O buru na ichoghi carry go Everyday m n’achu ha ri gi are you dough? Lezie condition nawa for you though. Mtchew!â€¦ nonsense M n’aracha gi,i bu ube? See Eba puo osiso! [Verse - Lil Kesh:] Emi Keshi ehnn baba shoki ehnn kima ladi, kima Jedi ehnn kima mudi ehn.. wah wah Emi Keshi ehnn baba shoki ehnn kima ladi, kima Jedi ehnn kima mudi ehn.. Kima ehn ehn Iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha iranu abasha Na ija lyrics zone dot com Olurunâ€¦ jeje mi jeje mi mo joko si’ta mo bari omo kan to’n pe ni kemi nigba ti mo ri idi kemi Mo pariwo ahhh! Mo ni Kemi wa se o ma femi.
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Davido Unveils Visuals to “1Milli” Directed By
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The Evolution of Commercial Rap Music Maurice L
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News Letter2
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Latest Album Song Download Free
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