marvin gaye i want you album free download i want you album free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a147ecce051665 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. I Want You. I Want You, while it a Top Ten smash for Marvin Gaye in 1976, is not as generally as well-known as its predecessors for several reasons. First, it marked a sharp change in direction, leaving his trademark soul for lush, funky, breezy disco. Secondly, its subject matter is as close to explicit as pop records got in 1976. Third, Gaye hadn't recorded in nearly three years and critics were onto something else -- exactly what, in retrospect is anybody's guess. From the amazing Ernie Barnes cover painting "Back to Sugar Shack" to the Coleridge-Taylor Perkinson string and horn arrangements to 's exotic production that relied on keyboards as well as drums and basses as rhythm instruments, I Want You was a giant leap for Gaye. The feel of the album was one of late-night parties in basements and small clubs, and the intimacy of the music evokes the image of people getting closer as every hour of a steamy night wears on. But the most astonishing things about I Want You are its intimacy (it was dedicated to and recorded in front of Gaye's future second wife, Jan), silky elegance, and seamless textures. Gaye worked with producer Leon Ware, who wrote all of the original songs on the album and worked with Gaye to revise them, thus lending Gaye a co-writing credit. The title track is a monster two-step groover with hand percussion playing counterpoint to the strings and horns layered in against a spare electric guitar solo, all before Gaye begins to sing on top of the funky backbeat. It's a party anthem to be sure, and one that evokes the vulnerability that a man in love displays when the object of his affection is in plain sight. Art Stewart's engineering rounds off all the edges and makes Gaye's already sweet crooning instrument into the true grain in the voice of seductive need. "Feel All My Love Inside" and "I Want to Be Where You Are" are anthems to sensuality with strings creeping up under Gaye's voice as the guitars move through a series of chunky changes and drums punctuate his every syllable. In all, the original album is a suite to the bedroom, one in which a man tells his woman all of his sexual aspirations because of his love for her. The entire album has been referenced by everyone from Mary J. Blige to D'Angelo to Chico DeBarge and even Todd Rundgren, who performed the title track live regularly. By the time it is over, the listener should be a blissed-out, brimming container for amorous hunger. I Want You and its companion, Ware's Musical Massage, are the pre-eminent early disco concept albums. They are adult albums about intimacy, sensuality, and commitment, and decades later they still reverberate with class, sincerity, grace, intense focus, and astonishingly good taste. I Want You is as necessary as anything Gaye ever recorded. Stream Top Podcasts. Take yourself back in time. back to high school. The ups and downs, the loves the losses, the struggles the triumphs, being together with your friends. feeling every emotion of it. Is 23 more than just a number to you? Do you respond to people by saying I don't wanna be anything other than what I've been trying to be lately? Do you expect to have life-changing moments while caught in the confetti or the rain? Are you One Tree Hill obsessed. it's OK. we're here for you. You can sit with us. Are Brooke, Peyton and Haley your BFF goals? These Drama Queens are getting back together!! Bethany Joy Lenz, Hilarie Burton and Sophia Bush are the biggest Drama Queens and they are here with you to dissect every episode, deliver every detail you must know, and devote themselves to you as you rewatch every single scene together. Join Joy, Hilarie and Sophia each week. Relive it, Relove it, Rewatch it . every One Tree Hill minute of it. Be a Drama Queen. Drama Queens, an iHeartRadio Podcast. I Want You. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £8.99. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. T-Boy Ross, Producer, Associate Producer - Marvin Gaye, MainArtist - Leon Ware, Producer, Rhythm Arranger, AssociatedPerformer, ComposerLyricist - ARTHUR ROSS, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, Horn Arranger, AssociatedPerformer. ℗ 1976 UMG Recordings, Inc. Berry Gordy Jr., Producer, Executive Producer - Marvin Gaye, Producer, Executive Producer, MainArtist - Leon Ware, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - Hal Davis, Producer, Associate Producer - Jacqueline Dalya Hilliard, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, AssociatedPerformer. ℗ 1976 UMG Recordings, Inc. Berry Gordy Jr., Producer, Executive Producer - T-Boy Ross, Producer, Associate Producer - Marvin Gaye, Producer, Executive Producer, MainArtist, ComposerLyricist - Leon Ware, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - ARTHUR ROSS, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, AssociatedPerformer. ℗ 1976 UMG Recordings, Inc. Berry Gordy Jr., Producer, Executive Producer - T-Boy Ross, Producer, Associate Producer - Marvin Gaye, Producer, Executive Producer, MainArtist, ComposerLyricist - Leon Ware, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, AssociatedPerformer. ℗ 1976 Motown Records, a Division of UMG Recordings, Inc. Berry Gordy Jr., Producer, Executive Producer - T-Boy Ross, Producer, Associate Producer - Marvin Gaye, Producer, Executive Producer, MainArtist - Leon Ware, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - ARTHUR ROSS, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, AssociatedPerformer. ℗ 1976 Motown Records, a Division of UMG Recordings, Inc. Berry Gordy Jr., Producer, Executive Producer - T-Boy Ross, Producer, Associate Producer - Marvin Gaye, Producer, Executive Producer, MainArtist - Leon Ware, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - ARTHUR ROSS, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, AssociatedPerformer. ℗ 1976 Motown Records, a Division of UMG Recordings, Inc. Berry Gordy Jr., Producer, Executive Producer - T-Boy Ross, Producer, Associate Producer - Marvin Gaye, Producer, Executive Producer, MainArtist - Leon Ware, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - ARTHUR ROSS, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, AssociatedPerformer. ℗ 1976 Motown Records, a Division of UMG Recordings, Inc. Berry Gordy Jr., Producer, Executive Producer - T-Boy Ross, Producer, Associate Producer - Marvin Gaye, Producer, Executive Producer, MainArtist, ComposerLyricist - Leon Ware, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, AssociatedPerformer. ℗ 1976 Motown Records, a Division of UMG Recordings, Inc. Berry Gordy Jr., Producer, Executive Producer - T-Boy Ross, Producer, Associate Producer - Marvin Gaye, Producer, Executive Producer, MainArtist, ComposerLyricist - Leon Ware, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - ARTHUR ROSS, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, AssociatedPerformer. ℗ 1976 Motown Records, a Division of UMG Recordings, Inc. Berry Gordy Jr., Producer, Executive Producer - T-Boy Ross, Producer, Associate Producer - Marvin Gaye, Producer, Executive Producer, MainArtist - Leon Ware, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - ARTHUR ROSS, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, AssociatedPerformer. ℗ 1976 Motown Records, a Division of UMG Recordings, Inc. T-Boy Ross, Producer, Associate Producer - Marvin Gaye, MainArtist, ComposerLyricist - Leon Ware, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - ARTHUR ROSS, ComposerLyricist - Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel - Fred Ross, Recording Engineer, StudioPersonnel - Coleridge-Taylor Perkinson, String Arranger, AssociatedPerformer. ℗ 1976 Motown Records, a Division of UMG Recordings, Inc. About the album. 1 disc(s) - 11 track(s) Total length: 00:37:49. © 1976 Motown Records, a Division of UMG Recordings, Inc. ℗ 2016 Motown Records, a Division of UMG Recordings, Inc. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. You're The Man. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $12.99. Putting the words “previously unreleased” next to the name Marvin Gaye has always had quite the effect. When the Deluxe Editions of What’s Going On, Let’s Get It On, Hear, My Dear and other albums were released, fans of of soul who died in 1984 got their money’s worth of alternative takes and previously unreleased recordings. This time, You’re the Man released in 2019 is a kind of Holy Grail of his music that has finally been unearthed. When he published What’s Going On in May 1971, Marvin Gaye completely transformed soul music and Motown as well as the history of popular music in general. This very mindful and deliberate masterpiece forced Berry Gordy, the label’s boss, to face the war in Vietnam, interracial tensions and the poverty in American cities. This was the first time that a Motown album was produced without Gordy’s total control and dealt with social issues rather than pleasant love songs. It was also the first time that Marvin Gaye, the entertainer, now had a social and political voice. In the wake of What’s Going On , the star began working on a new album called You’re the Man and released a single with the same title as an attack against the incumbent president, Richard Nixon. However, this attack was not to Gordy’s taste and after agreeing to release the single he refused to proceed with the album and even persuaded the singer to change his mind too. Some of the songs planned for You’re the Man were added here and there on some of his future recordings, but the 2019 version finally presents the album that Marvin Gaye dreamed of releasing in its entirety. This album’s resurrection is all the more enjoyable in the midst of Donald Trump’s presidency and lyrics like We don’t want to hear more lies / About how you plan to economise emphasise the timelessness of his music. The same struggles faced by black people under President Nixon are now faced by those under Trump. He even touches on feminism in the song We Can Make It Baby . For the production of You’re the Man , Marvin Gaye alternated between what he did on What’s Going On as well as the soundtrack of the film Trouble Man released in 1973. His voice fits perfectly with an instrumentation that is somewhere between groovy soul and light funk. To bring all of this together, it is also worth pointing out that Motown relied on producer Salaam Remi, known for his association with Nas, Amy Winehouse, the Fugees and Miguel. © Marc Zisman/Qobuz.