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AA-1955-06.Pdf Architecture Case'Study house # 17 by Craig Elwood, visually extends rooms into the gardens, courts and terraces. Post and beam construction permits wonderfully large expanses of Ponaview aluminum framed sliding glass door units throughout. Panaview was chosen for its flexibility, beautiful design, masterful engineering and moderate costs. Before you specify ANY door, compare with . JUNE 1955 3 BOOKS OF ANO ABOUT JAPAN MUSIC ALB UM OF J APANESE SCULPTURE Compn'hcn.,1ve survey ol lhe ma.;U!rpieoos oC J of)rul<l8(! ..culp ture from the eorhMt times, in !six volume"I. PERR YATES Bach volume contams :12 full-page p hotog ravu re 11J u.-1rauow.. plu.' o 16-poi:<• bislorical summary. Vol. 11 J Archaic period, t2J A~uka period. t31 Hakuho peno<l, FESTJV ALS FESTIVALS (4) Temyo period, t5l Heion period, t6l Kamokura period. Each $7.00 JAPANESE HANDMADE PAPER 104 dou bl e-~ t ylc page;, uncut ()dental b1nchng. I om not prepared to distinguish a festival from on unfestivol English and JapanMC text, printed on J nponeGe hnnd-mode paper throughout program. Is a festival a concert series out of season? Or a concert m cluding the prok 'CtiV<' outer cruie. Eclilion Limi ted to :100 copi.,,.. 17 AAmpJ...,. in festival season? Does it imply summer or specialty? Is a fes­ o! ha ndmade P8Pl'nl including 6 mndo with locqu~ r . About ~O beautiful colort.'tl tival a synonym for " out of the way" (geographically more, musical­ stuncils dep1ctmg tho pnper-making p rocesses o\'COmpany the texl. ::;20.00 ly less often)? Is a festival series intended to be festive? JODAI NO CHOKOKU. (Early Jupunco,c Sculr>lurcl 68 P41108 of kxl Festivals are subject to the current fashions, the newly accepted (in Japanese> and 112 png"" or photo illustrntJon. l':xrunple.. or Buddh a~! i1nJ1g new music, the recently rediscovered or re-edited old music (pres­ from Gth, 7th and 8th Ct'nturies 10 tb" 13 nncienl l\utl1lhi't tempi<'!! Ill .Naro. !':11.50 ently Monteverdi or Vivaldi), and such touted meringues as the PAGEANT OF JAPANESE ART By the ~tafJ of th<.' 'fokyo Notional Mu><•um Six volumes: 50 fine plate.. in eorh. over LO in full color. Vol. 1 l'ainung. Part 1, pseudo-medieval by Corl Orff. You may judge a festival's Carmini vol. 2 Paintlllg. Part 2, vol. 3 Sculptu re, vol 4 \.1<'lnlwork & CC'romi<'H. good intentions by the disposal of these elements. vol. G l.acqurr II. Textill!tl , vol 6 J\rch 1 tec ~ u rt- & Gard<'ns. ~jch volum<' SHUM> Good intentions are the general cause of festivals. Good inten­ JAPAN By Werner RischofI. 109 plates or wl11ch 27 urc in Cull ''Olor tions, like the mus ic of Corl Nielsen, are not necessarily hellish. R<.~n11rkaule phologruph.• hy the Jute Womer Bio.chofT hrilh nn tly rrproduct'<l They may result in nothing worse than delinquent concentration. A in Switwrlond bv C'onzelt & Huber. publishetll o r DU $ 10.00 l arge body of listeners prefers music able to be heard pleasantly JAPANESE COLORED PORCELAIN 200 [ull·<"o lored plutcs of mos terpil'<'-"'' without concentration, a couth sonorous vibrancy the mind treads 100 Imori, m Kaklemon. 27 Kuwni. Z:l N11b,.i•h1ma. in 2 Chit u Cllhe.•, 15x1112 . Text by curator or Kyoto Museum English translohoo. Limited lo 300 copiC'8. W..IM) as on the soft carpeting of a plush hotel. Form is the pattern in ZUSETS U NIHON NO TOJl !Study or JaponOM' Pottery ond l 'o"""lain.) the pile, not to be observed too intricately. Good intentions soon 200 pag:s 1 tn JBJ:>:ulC91!) . With 120 platl's, 10 in rolor. and 300 illustrations in divert managerial attention from the music to be programmed, the the text. Ceneml survey o[ J:ipnne..e lroditJonal pottery ond port.'t'ln.in; his tory excuse of festivals and their esthetic potentiality, to the potenti al and rh:a:'tlc:<'r»ur. of romcd potters ond their nowble product.I. SHUM> audience, the economic stimulant or justification. Under the head­ UTAMARO By K iyo•h1 Shibui. 122 pogl'll lin Jopone.;el with 17 pial<'O. tn full lined sauce will be found the chopped beef of all festivals, a clas­ color , ond 27 photo·n•pro<luchons or the mo•I cdebrotcd work or Utan111ro. $7.50 sical goulash. THE LESSON OF JAPANESE ARCHITECTURE By J irll Hurnda. t'I:! PtltfC•• For your sakes I have been sampling festivals and here offer with more thun 150 photogroph.s. RcvilM!d, enlargl'd und limiU!d ed1hon. $6.50 CONTEMPORARY ARC HITECTURE IN JAPAN Oy Shinji Koike l!l<J P88""· a report of them, beginning with awards. For the pleasantest and The work or 21 of ,J npnn'M looding nrchitocl>.. 3.'.I building'I profusely iJlu,tn.ah'(l friendliest of springtime festivals, where the critics, those lonely by photographs and pion,,. Text in Englis h and ,Japant-..e. S7.5U b ears, ore made w elcome and amply f ed: a Yates to the annual S EKAI NO KENC H IKU !World's Contemporary J\rcltitectuttl 12 volum , Ojai Festival. For the most interesting program: a Yates to lngolf wiUi '>Orne 80 pla teK ooch volume. Ocnmark·Norwny; U.S.A. (2 vo!K.); Italy-Spain; Dahl, Director of the University of Southern California Festival of Swedcn-Finlond; 8w1tzerland. Germany, Laun J\rner1cn. Englund .Fronce; Contemporary Music, who wound up the seven programs by con­ Various Countric+1; und othen<. Text in J apone-c. Earh volume $5.00 ducting the University Orchestra through these works : JAPANISCHE ARC HITEKTUR Uy 'Tull>uro Yoshidu. 208 pug•"< with over 300 photos or ' l'cin ples, Po lace;, fine homes, Tea J Jou.- a nd Garden.•. M llJ(niJk .. nt Rounds, for string orchestra ( David Diamond 1944) illustrations of timber structufC'I ond floor plan~ . Although the text iR i n Sinfonica Sacra ( 19 54) Ramiro Cortes German it is or tn'mendouH value lx>cause or the p rofuiiloo or haodwllltl platei. $7.50 (conducted by the composer) Thia "' but a • mall •el~r/ ron from our exlerntit•t SIOC'k of Japanroe boolUJ Tzigane (1924) Maurice Ravel Men and Mountains ( 1924) Corl Ruggles Nobilissima Vis1one (1938) Paul Hindemith For the best program notes: a Yates to Lawrence Morton, Artistic Director of the Ojai Festival, who wins this award every year as !;f.. ] surely as Disney wins another Oscar. For the most promising pro­ gram that I planned to attend and didn't: a Yates in absentia to Lukas Foss, Music Director and Conductor of the Spring Festival at the University of California, Los Angeles, who brought together the F chorus, bond, and symphony orchestra of the university in a per­ formance of Ernest Bloch 's Sacred Service. For me this is a jinxed masterpiece; I hove foiled to be present every time it has been per­ M. FLAX formed here since Bloch himself first played and sang it to an in­ Artist's Materials & Books vited audience soon after it was written. Imported and Domestic For the best show: Igor Stravinsky at the Ojai Festival conducting 10846 Lindbrook Drive while Eudice Shapiro played his gay tricky Violin Concerto-a Yates Los Angeles 24, Cllliforn.in apiece. For the best and biggest performance: a double Yates BRadshaw 2-7004 with a cherry to Robert Craft for conducting, with notable authority GRo.n.ite 7-554.9 and spontaneous verve, the Monteverdi Vespers and Magnificat, assisted by the Pomona College Glee Clubs and eight inspired soloists. To the best single performer, who sat me up straight and stood my goose pimples on end: a gold-plated Yates to the 22 year old composer and pianist Ramiro Cortes, for his playing of his masterly Piano Quintet at USC. You want to hear about these events. I shall try to oblige, in this article and the next. First, the Ninth Annual O jai Festival. In the programs Lawrence Morton balanced opposing tastes to accomplish what seemed to many a successful compromise. The Friday afternoon program included a Mozart Divertimento (K 247), the Wolton-Sitwell Facade, spoken poetry in a musical setting, and Stravinsky's Renard, a Burlesque in song and dance, all witty dis­ plays on a small stage, the first and lost with choreography by Lew Christensen and the San Francisco Ballet Company. That evening Joseph Schuster, accompanied by Helen Toverniti, offered a violon­ cello recital, convincing a brood section of the audience, as a good cello recital should, that this is the Senator among instruments. 4 ARTS & ARCHITECTURE I didn't come on the scene until the Saturday noon luncheon wrote th is music from the percussive behemoths on which it is now­ for music critics, followed by the first general meeting of the newly adays expected to be beaten out. formed Southern California Music Critics Circle. The Circle genially That evening Bob Croft conducted the Monteverdi Vespers, the voted its thanks to hosts and hostesses and in the same spirit in­ audience following the intricate music with the help of thirteen pages vited itself to meet again as guests of another festival to be held of closely detailed program notes . Monteverdi was one of the in September at Santa Barbara. The short time remaining was supreme creative innovators of musical history. There is a long­ allotted to business: a proposal that the Los Angeles Bureau of playing record of Poul Hindemith conducting the Collegium Musicum Music maintain a record of all advance program schedules, in the of Yale University in a series of choral compositions that begins with hope that by such means duplication of similar programs on the Perotin and ends with Monteverdi.
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