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Nat King Cole
Nat King Cole Background information Birth name Nathaniel Adams Coles Also known as Nat Cole Born March 17, 1919 Montgomery, Alabama, U.S. Died February 15, 1965 (aged 45) Santa Monica, California, U.S. Genres Vocal jazz, swing, traditional pop Occupation(s) Vocalist, pianist Instruments Piano, vocals, organ Years active 1935–1965 Labels Capitol Associated acts Natalie Cole, Frank Sinatra, Dean Martin Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer who first came to prominence as a leading jazz pianist. He was widely noted for his soft, baritone voice, which he used to perform in big band and jazz genres and which he used to become a major force in popular music for 3 decades producing many hit songs for Cole. Cole was one of the first African Americans to host a national television variety show, The Nat King Cole Show, and has maintained worldwide popularity since his death from lung cancer in February 1965. Early life Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. Cole had three brothers: Eddie, Ike, and Freddy, and a half-sister, Joyce Coles. Ike and Freddy would later pursue careers in music as well. When Cole was four years old, he and his family moved to Chicago, Illinois, where his father, Edward Coles, became a Baptist minister. Cole learned to play the organ from his mother, Perlina Coles, the church organist. His first performance was of "Yes! We Have No Bananas" at age four. He began formal lessons at 12, eventually learning not only jazz and gospel music, but also Western classical music, performing, as he said, "from Johann Sebastian Bach to Sergei Rachmaninoff". -
Introduction
Introduction Welcome to “The Greatest Hits Explained”. My name is Michael Winter and I’m the host and editor of the show. I’m a German American passionate music lover and I would now like to invite you to go on an exciting musical journey with me. I’m glad you’re here. No matter where you are right now and what you’re doing while you’re listening to this, if you’re in the mood to be entertained by music history, you’ve come to the right place. I’m really looking forward to this journey together. If you like this show, please subscribe, leave a review, a like, a comment – whatever applies to the specific platform on which you’re listening to this. Also, I really appreciate donations. You can find the link on my website or YouTube channel. Those donations help me cover my expenses for this show such as hosting fees, equipment cost, etc. I’m doing all of this to entertain you based on my endless love for music and since there is no big network pumping dollars into this show, I’m the one who has to pay for all related expenses. Therefore, a small donation would already be amazing. Today, we’re gonna talk about one of the most beautiful love songs ever: “Too Young” by the legendary Nat King Cole. I couldn’t be more excited. This song is one of my absolute favorites and I hope you’re interested in hearing a couple of facts about it. “Too Young” is one of those legendary classics that, to many people, is much more than just a song. -
Ray Evans Papers Ms
Ray Evans papers Ms. Coll. 860 Finding aid prepared by Finding aid prepared by Juliette L. Appold; additions and editing by John F. Anderies. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2011 Ray Evans papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 Correspondence........................................................................................................................................9 Sheet music........................................................................................................................................... -
Yfci History Final Low R
Contents History of Youth Ministry 2 Pre-YFC Days 3 The Official Launch of Youth for Christ in 1944 9 Billy Graham Hired Full-Time 16 Soldier Field Rally and the First Winona Convention 21 Youth for Christ Expands Overseas 26 More Growth in the U S 33 Wildfire Expansion Worldwide Began Under President Bob Cook 36 Billy Graham's Crisis of Faith 39 Emphasis on World-Wide Revival in the Post World War 2 Era 41 New Ministry Methods and Expansion in the Early 1950s 43 YFC’s 10th Anniversary in 1954 46 Consolidation and Innovation 1957-68 49 Sam Wolgemuth Becomes President 54 YFCI and YFC USA Split 57 YFC USA Continues Influencing the Worldwide Ministry 60 The Stabilization and Growth of YFC International 66 Leadership Crisis in YFCI 71 Growth of YFCI Following the Crisis 74 Geordon Rendle Becomes President in March, 2013 79 Dave Brereton as YFCI Director 82 The 2019 Annual Report: Serving the Kingdom 86 COVID-19 Strikes the World Hard in March, 2020 93 Some Very Innovative Nations With Ministry During Covid-19 95 GA 2020 Postponed Until September 2022 97 The Future of Youth Ministry 99 Great Memories, but Even Greater Dreams 101 Parade of Nations 103 Introduction History is very important, and the Bible says as much All of Psalm 78 looks on Israel’s past Verse 4 says… ”We will tell the next generation the praiseworthy deeds of the Lord, His power, and the wonders He has done Job 8:8 says, “Ask the former gener- ations, and find out what their fathers learned…” In 1 Chronicles 12:32, the men of Issachar “understood the times and knew what Israel -
Ralph Carmichael Was Born May 28 1927 in Quincy, Illinois. He Is An
“The Savior Is Waiting To Enter Your Heart” 3 AUTHOR: Ralph Carmichael May 28th 1927 TUNE: CARMICHAEL COMPOSER: Ralph Carmichael May 28th 1927 Ralph Carmichael was born May 28th 1927 in Quincy, Illinois. He is an author, composer and arranger of both secular and sacred music and a forerunner of what we may call contemporary Christian Church music. He is married to his wife Marvella. His daughter, Carol Parks is an artist.1. Near the end of the 50’s when music was starting to become more Rock oriented, he caught the attention of Nat King Cole and Capitol Records; their joint effort was eventually a work called “The Magic of Christmas”. Carmichael worked with others of Cole’s endeavors through mid-60’s at which point Nat King Cole died of Lung Cancer in 1965. One of the more ambitious projects Carmichael and Cole partnered on was before the singers death was Nat King Cole Sings My Fair Lady (1964). Carmichael arranged for other performers such as Ella Fitzgerald, Bing Crosby, Stan Kenton, and Roger Williams among others including Sue Raney's comeback album All By Myself in 1963. Carmichael even became music advisor and director for the I Love Lucy show during the last few years of the show. But, his most prolific work is clearly in the arena of Christian music. Some would even hang the moniker Father of Contemporary Christian Music on Carmichael because of his pop-rock style and use of 7th chords and ‘sing-able’ lyric flair. He founded Light Records and endeared himself to the Jesus People movement in the late 60’s and 70’s. -
20Th CENTURY HYMNS by COMPOSITION OR COPYRIGHT
HYMNS BY YEAR OF COMPOSITION OR COPYRIGHT Compiled by Dean McIntyre 1779 Amazing Grace (John Newton, UMH 378) 1855 What A Friend We Have in Jesus (Joseph Scriven; CONVERSE, Charles Converse, 1868; UMH 526) 1873 Blessed Assurance (Fanny Crosby, Phoebe Knapp, UMH 369) I Need Thee Every Hour (NEED, Robert Lowry, UMH 397) 1874 Up from the Grave He Arose (Robert Lowry, UMH 322) Jesus Calls Us (GALILEE, William Jude, UMH 398) Close to Thee (Fanny Crosby, Silas Vail, UMH 407) The Day Thou Gavest, Lord, is Ended (ST CLEMENT, Clement Scholefield, UMH 690) O Master, Let Me Walk with Thee (MARYTON, H. Percy Smith, UMH 430) Wonderful Words of Life (Philip Bliss, UMH 600) 1875 To God Be the Glory (Fanny Crosby, William Doane, UMH 98) I Am Thine, O Lord (Fanny Crosby, William Doane, UMH 419) O Zion, Haste (TIDINGS, James Walch, UMH 573) 1876 It is Well with My Soul (VILLE DU HAVRE, Phillip Bliss,UMH 377) My Jesus, I Love Thee (GORDON, Adoniram Gordon, UMH 172) Nothing but the Blood (Robert Lowry, UMH 362) 1877 Break Thou the Bread of Life (Mary Lathbury, William Sherwin, UMH 599) 1879 Jesus, Lover of My Soul (ABERYSTWITH, Joseph Parry, UMH 479) 1880 Softly and Tenderly Jesus is Calling (Will Thompson, UMH 348) God Be with You Till We Meet Again (Jeremiah Rankin, William Tomer, UMH 672) 1881 Beneath the Cross of Jesus (ST CHRISTOPHER, Frederick Maker, UMH 297) O Jesus, I Have Promised (ANGEL’S STORY, Arthur Mann, UMH 396) 1882 ‘Tis So Sweet to Trust in Jesus (Louisa Stead, William Kirkpatrick, UMH 462) 1883 I Know Whom I Have Believed (EL NATHAN, James McGranahan, UMH 714) 1884 O Love That Wilt Not Let Me Go (ST MARGARET, Albert Peace, UMH 480) 1886 Standing On The Promises (R. -
A Beautiful Noise: a History of Contemporary Worship Music in Modern America
A Beautiful Noise: A History of Contemporary Worship Music in Modern America by Wen Reagan Graduate Program in Religion Duke University Date:_______________________ Approved: ___________________________ Grant Wacker, Supervisor ___________________________ Jeremy Begbie ___________________________ Fitzhugh Brundage ___________________________ Mark Chaves ___________________________ Laurie Maffly-Kipp Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion in the Graduate School of Duke University 2015 i v ABSTRACT A Beautiful Noise: A History of Contemporary Worship Music in Modern America by Wen Reagan Graduate Program in Religion Duke University Date:_______________________ Approved: ___________________________ Grant Wacker, Supervisor ___________________________ Jeremy Begbie ___________________________ Fitzhugh Brundage ___________________________ Mark Chaves ___________________________ Laurie Maffly-Kipp An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion in the Graduate School of Duke University 2015 i v Copyright by Wen Reagan 2015 Abstract How did rock and roll, the best music for worshipping the devil, become the finest music for worshipping God? This study narrates the import of rock music into church sanctuaries across America via the rise of contemporary worship music (CWM). While white evangelicals derided rock n’ roll as the “devil’s music” in the 1950s, it slowly made its way into their churches and beyond over the next fifty years, emerging as a multi-million dollar industry by the twenty-first century. This study is a cultural history of CWM, chronicling the rise of rock music in the worship life of American Christians. Pulling from several different primary and secondary sources, I argue that three main motivations fueled the rise of CWM in America: the desire to reach the lost, to commune in emotional intimacy with God, and to grow the flock. -
Ella Fitzgerald Story
Ella Fitzgerald Story Autoren: Klaus Huckert/Uwe Lorenz Einleitungsmusik: A Tisket, A Tasket Anmoderation: In der heutigen Weihnachtsendung des Jazz-Cocktails wollen wir uns mit dem Star des Vocal-Jazz Ella Fitzgerald beschäftigen. In der ersten Stunde präsentiert Radio 700 Aufnahmen aus den 40-60er Jahren, in der zweiten Stunde Weihnachtslieder der Sängerin. Im 20.Jahrhundert prägte keine andere Stimme den Jazz so sehr wie die von Ella. Ihre Beinamen waren „The Queen of Jazz“ oder „The first Lady of Jazz“ bzw. auch „The first Lady of Song“. Zur Eröffnung haben wir bereits ihren ersten Millionen-Hit „A Tisket, A Tasket“ aus dem Jahr 1938 gehört. In der fast sechzig Jahren währenden Welt-Karriere nahm die Sängerin mehrere hundert Platten auf, erhielt 14 Grammys und eine Vielzahl an Ehrungen. Schnelle Tempi im Bebop-Gesang, melancholischer Grundton bei Balladen, mitreißender Groove bei Swing-Nummern und hochinteressante Scat-Einlagen kennzeichneten ihren Stil. Basis ihres Könnens war eine Genauigkeit in der Intonation und glasklare Töne, wie man sie heute selten findet. Ihr Repertoire umfasste den Swing, Bebop, Blues, Bossa Nova und Gospel. Die Anfangsjahre von Ella Fitzgerald (Take 1) Ella Jane Fitzgerald - geboren 1917 in Newport News/Virginia, verstorben 1996 in Beverly Hills/Kalifornien -, hatte eine relativ schwierige Kindheit. Sie wuchs in ärmlichen Verhältnissen bei ihrer Mutter - Tempie Fitzgerald -, die als Wäscherin arbeitete, und ihrem Vater, dem Eisenbahnarbeiter William Fitzgerald, auf. Ein Jahr nach ihrer Geburt verließ der Vater die Familie. Ihre Mutter heiratete dann nach kurzer Zeit den portugiesischen Einwanderer Joseph da Silva. 1923 brachte die Mutter ein weiteres Mädchen zur Welt, das den Namen Frances da Silva erhielt. -
The Influence of Music on the Development of the Church of God (Cleveland, Tennessee)
The Influence of Music on the Development of the Church of God (Cleveland, Tennessee) by STEPHEN BENSON VAUGHAN A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY School of Philosophy, Theology and Religion College of Arts and Law University of Birmingham, UK May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines the influence of music on the development of the Church of God (Cleveland, Tennessee). The dissertation is historically driven, but relies upon an interdisciplinary approach to draw on the insights of ecclesiology, theology, liturgiology, church development, and music. This thesis utilizes a chronological and systematic approach to the relationship between music and the Church of God in the United States during the first 125 years of the denomination’s history, from 1886 – 2011. The study focuses upon eight major themes: historical roots, education, publishing, evangelism, transition, nurturing, liturgiology, and worship, -
The Anchor MAY 2017 INSIDE THIS ISSUE: “God’S Work, Our 2/3 Hands” News; Work Day; Thank You, FMSC Thanks, Recognitions, Installation of Pr
FIRST LUTHERAN CHURCH PLANO, ILLINOIS Volume 30, Issue 5 The Anchor MAY 2017 INSIDE THIS ISSUE: “God’s Work, Our 2/3 Hands” news; Work Day; Thank You, FMSC Thanks, Recognitions, Installation of Pr. Black, brunch sign-up; “Ruth Ann Ramblings” ; 4/5 Recipe- “Marbled Choco- late Bars, May Library News, Thank you notes Book Club, Offering, 6/7 Women’s Bible Study, A great gift that you can give someone is to take the time to get to know Golden Harvesters, Anchor mailing news, them. Sometimes this might take years. Other times there is May Calendar something familiar about the other person and it doesn’t take all that May Volunteers, May 8/9 Birthday & long. A greater gift to give someone is that once you do get to know Anniversaries, May Prayer List them, you still like them and support them. It is a mark of being human April Council Highlights, 10/11 and it is a part of being in Christian community with one another. Condolences, Good news!, Prayer List, What is interesting about the Bible is that the Bible was written Prayer Chain info, Summer Worship to be read in a community. Most books we read, we read on our own. Schedule, Sunday School We finish them and we enjoy them. We might share them with those Snippets who have read the book also. The Bible is different. The Bible was written to be spoken aloud to a whole community and to let the words Readings for permeate through the community. This is true of the Old Testament May 2017 and it is certainly true of the New Testament where the gospel and the 5/7/2017 letters to the churches were meant to be read to the entire young Acts 2:42-47 Christian churches throughout the area. -
December 4, 2006 Artist Nat King Cole
SHIPPING DATE: OCTOBER 30, 2006 (estimated) STREET DATE: DECEMBER 4, 2006 ARTIST NAT KING COLE TITLE L.O.V.E The Complete Capitol Recordings 1960 - 1964 LABEL Bear Family Records CATALOG # BCD 16717 PRICE-CODE KL EAN-CODE 4000127 167170 ISBN-CODE 3-89916-153-X FORMAT 11-CD Box Set (LP-size) with 184-page hardcover book GENRE Pop TRACKS 292 PLAYING TIME 787:34 SALES NOTES Nat King Cole (1919-1965) was the most popular male singer of his generation, and, along with Bing Crosby, Frank Sinatra and Elvis Presley, one of the four best known male vocalists of all time. Making Cole's story all the more remarkable, he began his career not as a pop singer but as one of the greatest of all jazz pianists. Yet by the time he had made the transition from jazz to pop, he had sold more records and racked up more hit singles than anyone in the immediate post-war era, even Frank Sinatra. He was also the first Afro-American pop music superstar - and still the greatest. Cole's baritone voice was sweet and pretty, and most of his greatest successes were with love songs. Still, he had the greatest time of any singer ever, and was equally well-versed in swinging rhythm numbers and blues. In his combination of tenderness and bluesy energy, Cole was a founding father of R&B and a major influence on the soul movement – as cited by Charles Brown, Ray Charles and many other later stars. Like Frank Sinatra, he collaborated closely with the greatest pop orchestrators of all time, particularly Gordon Jenkins, Billy May, Ralph Carmichael, and in particular, Nelson Riddle.