Casanova Enlightenment Philosopher

Total Page:16

File Type:pdf, Size:1020Kb

Casanova Enlightenment Philosopher (previously SVEC) Casanova Enlightenment philosopher Edited by IVO CERMAN, SUSAN REYNOLDS and DIEGO LUCCI Vf VOLTAIRE FOUNDATION • UNIVERSITY OF OXFORD [email protected] www.voltaire.ox.ac.uk Casanova: Enlightenment philosopher Edited by IVO CERMAN, SUSAN REYNOLDS and DIEGO LUCCI The stereotype of Casanova as a promiscuous and unscrupulous lover has been so pervasive that generations of historians have failed to take serious account of his philosophical legacy. This has recently changed, however, as the publication of the definitive edition of his memoirs and the majority of his longer treatises has heralded a surge of interest in the writer. This book constitutes an interpretive turn in Casanova studies in which the author is positioned as a highly perceptive and engaged observer of the Enlightenment. Drawing primarily on Casanova’s large body of manuscripts and lesser- known works, the contributors reveal a philosopher whose writings covered topics ranging from sensual pleasure to suicide. Analysing Casanova’s œuvre from the perspective of moral philosophy, contributors show how several of his works – including his historical writings and satirical essays on human folly – contribute to the Enlightenment quest for a secular morality. A major feature of this book is the first English annotated translation of Federico Di Trocchio’s seminal article ‘The philosophy of an adventurer’, which paved the way for a re- evaluation of Casanova as a serious philosopher. In subsequent chapters contributors uncover the Italian context of Casanova’s anticlericalism, analyse the sources of his views on suicide and explore the philosophical dialogues contained in his recently published manuscripts. Casanova: Enlightenment philosopher marks a turning point in literary and philosophical studies of the eighteenth century, and is an indispensable resource for analysing and interpreting the work of this previously overlooked Enlightenment thinker. Acknowledgements Foreword List of abbreviations List of tables IVO CERMAN, Introduction: the philosophy of Giacomo Casanova Part I: Casanova’s philosophy: an overview 1. IVO CERMAN, Casanova’s observations on moral philosophy 2. †FEDERICO DI TROCCHIO, The philosophy of the adventurer: Giacomo Casanova beyond libertinism and Enlightenment Part II: National contexts 3. WOLFGANG ROTHER, Italian Enlightenment debates on religion and Church: Casanova’s philosophy and its background 4. MACIEJ FORYCKI, Casanova and his considerations on the partition of Poland Part III: Case studies 5. PAOLO L. BERNARDINI and DIEGO LUCCI, Casanova on suicide 6. JEAN-CHRISTOPHE IGALENS, Casanova: writing the dream between philosophy and autobiography 7. GERARD LAHOUATI, Voltaire, Casanova and the Dialogues chrétiens: an investigation 8. IVO CERMAN, ‘Je viens pour vous convertir’: Casanova’s dialogues on philosophy and religion Summaries Bibliography Index Ivo Cerman is Lecturer in history at the University of South Bohemia. Susan Reynolds is a Content Specialist in the department of Research Engagement at the British Library. Diego Lucci is Professor of philosophy at the American University in Bulgaria. Oxford University Studies in the Enlightenment, September 2016 ISBN 978-0-7294-1184-4, xvi+248 pages, £60 / €80 / $90 VOLTAIRE FOUNDATION • UNIVERSITY OF OXFORD www.voltaire.ox.ac.uk VOLTAIRE FOUNDATION ORDER FORM Voir au verso pour les commandes en France. Please send the completed form to: Administrator, Voltaire Foundation, 99 Banbury Road, Oxford OX2 6JX, UK (fax +44 (0) 1865 284610). Payment can be made by credit card (complete details below) or cheque (made payable to the ‘Voltaire Foundation Ltd’; sterling cheques must be drawn on a British bank, dollar cheques on an American bank, or euro cheques). Please complete this form in BLOCK CAPITALS. Name ____________________________________________________________________ Delivery address ___________________________________________________________ _________________________________________________________________________ Tel __________________________________ Email _____________________________ Please tick the box if you wish to subscribe to the FREE Voltaire Foundation email bulletin. Qty Author, Title, ISBN, Price Sub-total Casanova: Enlightenment philosopher Ed. Cerman, Reynolds, Lucci ISBN 978-0-7294-1184-4 £60 / €80 (before tax) / $90 Postage and packing UK: £2.75/book, plus 50p for each extra book Europe (except France): £3/book up to 5 books, then £2/book Rest of world: £8/book up to 5 books, then £5/book TOTAL Prices can be subject to change. Euro and dollar prices subject to exchange rate fluctuations. CREDIT CARD PAYMENT Visa / MasterCard / Amex / Switch / Delta Delete as appropriate. Number __________________________________ _______________________________ Expiry date ________________________________ Security code ______________________________ (series of 3 or 4 figures on the reverse of the card) Please give details of your replacement card if the expiry date is less than one month from today’s date. Please enter your credit card account address if it differs from the delivery address. ____________________________________________________________________________ Signature _______________________________________ Date _______________________ Vf VOLTAIRE FOUNDATION • UNIVERSITY OF OXFORD www.voltaire.ox.ac.uk VOLTAIRE FOUNDATION BULLETIN DE COMMANDE (pour la France) See overleaf for orders outside France. Prière d’envoyer ce bulletin aux Amateurs de Livres (62, avenue de Suffren, 75015 Paris, France; Fax +33 (0) 1 45 66 50 70; [email protected]), accompagné de votre paiement par l’un des moyens suivants: (a) chèque libellé à l’ordre de ‘Aux Amateurs de Livres International’ (b) carte de crédit (voir ci-dessous). Prière de compléter ce bulletin en MAJUSCULES. Nom et prénom ____________________________________________________________ Adresse de livraison ________________________________________________________ _________________________________________________________________________ Tél __________________________________ E-mail ____________________________ Prière de cocher la case si vous voulez recevoir le bulletin électronique (gratuit) de la Voltaire Foundation. Qté Auteur, Titre, ISBN, Prix Total partiel Casanova: Enlightenment philosopher Ed. Cerman, Reynolds, Lucci ISBN 978-0-7294-1184-4 €80 (hors taxe) Frais de port France: €8 / livre TOTAL Les prix peuvent subir des augmentations. Les prix en euro et en dollar sont hors taxe et peuvent changer selon le taux de change. PAIEMENT PAR CARTE DE CRÉDIT Visa / MasterCard / Carte Bleue Rayer les mentions inutiles. Numéro __________________________________ _______________________________ Date d’expiration ___________________________ Cryptogramme visuel ______ (la série unique de trois ou quatre chiffres, imprimée sur la plupart des cartes de crédit) Prière d’utiliser votre nouvelle carte de crédit si la date d’expiration est dans moins d’un mois. Si l’adresse de facturation de votre carte de crédit ne correspond pas à l’adresse de livraison ci-dessus, prière d’indiquer l’adresse de facturation. ____________________________________________________________________________ Signature _______________________________________ Date _______________________ Vf VOLTAIRE FOUNDATION • UNIVERSITY OF OXFORD www.voltaire.ox.ac.uk .
Recommended publications
  • The Art of Seduction of Giacomo Casanova an Analysis of “The Story of My Life”
    The 3rd International Multidiciplinary Conference on Social Sciences ISSN 2460-0598 (IMCoSS 2015) Bandar Lampung University (UBL) THE ART OF SEDUCTION OF GIACOMO CASANOVA AN ANALYSIS OF “THE STORY OF MY LIFE” Helta Anggia English Language Education Study Program, Faculty of Teacher Training and Education, Bandar Lampung University Corresponding author e-mail: [email protected] ABSTRACT - In “Histoire de ma vie” or what we know as “The Story of My Life”, by Giacomo Casanova, it was Casanova who was known as a womanizer or a great seducer to women. It was him who in almost of his life travelled from country to country to make his adventures which were fully colored with controversial affairs with different women. The first time he got an affair was with his instructor’s young sister, Bettina. “It was she who little by little kindled in my heart the first sparks of a feeling which later became my ruling passion”(36). From that on he made his way of connecting with different kinds of women until he felt that whatever gave pleasure to himself as the most important things in his life. keywords: womanizer, seduction, eternal love 1. BACKGROUND will give everything she has to the man she loves. “The chief business of my life has always been to Carlos Xuma says in his blog on “Casanova’s four indulge my senses; I never knew anything of greater secrets of seduction” mainly discusses that Casanova importance. I felt myself born for the fair sex, I have had prepared everything would do before seducing ever loved it dearly, and I have been loved by it as woman.
    [Show full text]
  • THE POLITICAL PHILOSOPHY of JEAN-JACQUES ROUSSEAU the Impossibilityof Reason
    qvortrup.cov 2/9/03 12:29 pm Page 1 Was Rousseau – the great theorist of the French Revolution – really a Conservative? THE POLITICAL PHILOSOPHY OF JEAN-JACQUES ROUSSEAU This original study argues that the author of The Social Contract was a constitutionalist much closer to Madison, Montesquieu and Locke than to revolutionaries. Outlining his profound opposition to Godless materialism and revolutionary change, this book finds parallels between Rousseau and Burke, as well as showing that Rousseau developed the first modern theory of nationalism. The book presents an inte- grated political analysis of Rousseau’s educational, ethical, religious and political writings. The book will be essential readings for students of politics, philosophy and the history of ideas. ‘No society can survive without mutuality. Dr Qvortrup’s book shows that rights and responsibilities go hand in hand. It is an excellent primer for any- one wishing to understand how renewal of democracy hinges on a strong civil society’ The Rt. Hon. David Blunkett, MP ‘Rousseau has often been singled out as a precursor of totalitarian thought. Dr Qvortrup argues persuasively that Rousseau was nothing of the sort. Through an array of chapters the book gives an insightful account of Rousseau’s contribution to modern philosophy, and how he inspired individuals as diverse as Mozart, Tolstoi, Goethe, and Kant’ John Grey, Professor of European Political Thought,LSE ‘Qvortrup has written a highly readable and original book on Rousseau. He approaches the subject of Rousseau’s social and political philosophy with an attractively broad vision of Rousseau’s thought in the context of the development of modernity, including our contemporary concerns.
    [Show full text]
  • 1 Casanova's Celebrity: a Case Study of Well-Knownness in 18Th -Century
    Casanova’s Celebrity: a Case Study of Well-knownness in 18th-century Europe Nicola Jody Vinovrski BA(Hons) LLB GDipPLEAT DALF A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2015 School of Languages and Cultures Centre for the History of European Discourses 1 Abstract Giacomo Casanova was born on 2 April 1725 in Venice and died in Dux, Bohemia on 4 June 1798. The voluminous manuscript of his memoirs, written in French, was recently acquired by the Bibliothèque Nationale de France for approximately £6 million, demonstrating the cultural significance of those memoirs today. The purchase resulted in an exhibition, the publication and reprinting of many of Casanova’s own writings and numerous new works about Casanova since 2010. The timing of this thesis coincides with a renewed academic interest in Casanova. Popular interest in him has been fairly constant since the 19th century. Given his interesting life story and the fact that he still interests international publics today, we might ask: Was he famous in his own time? Was he a celebrity? What is the difference between these two things? In historical accounts of fame and celebrity theory, it is argued that older models of fame (associated with merit or achievement) preceded the relatively recent phenomenon of celebrity (associated with artifice, media manipulation and a distinct lack of achievement). Historical studies of fame, or particular instances of it by scholars of the 18th century, focus on figures whose fame can be tied to a particular achievement or ascribed status, for example authors, politicians, actors, artists, composers, musicians and monarchs.
    [Show full text]
  • Download Download
    - DANA RENGA IRONY AND THE AESTHETICS OF NOSTALGIA: FELLINI, ZANZOTTO AND CASANOVA'S REDEMPTION 'E il cinema - quasi - sembra ... la poesia cattura tutto in poesia - un'altra" (A. Zanzotto, "Filò" in Filò 52) I. This essay is about the encounter of a poet and a filmmaker, and their mutual interest in an aesthetics of nostalgia that might be neither regressive nor reactionary but, rather, critical and ironic. Nearly two years after begin- ning production on Fellini's Casanova, Federico Fellini wrote to Andrea Zanzotto, soliciting his collaboration on his most recent film. "Dear Andrea, . Fm writing to you now, a bit hesitant, because deep down I do not real- ly know what I want and hate to bother you. My intention is confused, I have no idea whether my proposal is achievable" (Peasants Wake 5). Fellini asked the famous poet from Pieve di Soligo - who would return to assist the director with E la nave va - to compose Venetian dialect poetry as back- ground to two of the most visually and verbally poignant sequences of the film: the ritual of the Venetian Carnival which frames the film and Casanova's encounter with the circus giantess Angeli in London. Despite his evident aversion to and possible distrust of the film-world, ^ Zanzotto expresses his immediate interest in the project (Sillanpao 296), an attraction that stems from Zanzotto's growing concern in experimenting with dialect as well as his admiration of Fellini's work, especially his sophisticated and complex use of the soundtrack. Fellini and Zanzotto are members of the same generation, a generation that matured as Fascism developed and grew stronger; their birthdays are just one year apart, 1920 and 1921 respectively.
    [Show full text]
  • The Memoirs of Jacques Casanova De Seingalt 1725-1798 Volume 30 Old Age and Death
    The Memoirs of Jacques Casanova de Seingalt 1725-1798 Volume 30 Old Age and Death by Jacques Casanova de Seingalt The Memoirs Of Jacques Casanova De Seingalt 1725-1798 Volume 30 Old Age And Death PART THE FIRST VENICE 1774-1782 CASANOVA'S RETURN TO VENICE Thus Casanova ended his Memoirs, concluding his narrative with his sojourn at Trieste, in January 1774, where he had remained, except for a few excursions, since the 15th November 1772. He was forty-nine years of age. Since his unfortunate experiences in England, the loss of his fortune and the failure of his efforts to obtain congenial and remunerative employment in Germany or Russia, he had come to concentrate his efforts on a return to his native city. Of his faithful friends, the nobles Bragadin, Barbaro and Dandolo, the first had died in 1767, having gone into debt "that I might have enough," sending Casanova, from his death-bed, a last gift of a thousand crowns. Barbaro who had died also, in 1771, left Casanova a life-income of six sequins a month. The survivor, Dandolo, was poor, but until his death, he also gave Casanova a monthly provision of six sequins. However, Casanova was not without influential friends who might not only obtain a pardon from the State Inquisitors but also assist him to employment; and, in fact, it was through such influence as that wielded by the Avogador Zaguri and the Procurator Morosini, that Casanova received his pardon, and later, a position as "Confidant," or Secret Agent, to the Inquisitors at Venice.
    [Show full text]
  • A Humanistic Psychological Approach
    0 NEEDS FOR LOVE AND BELONGINGNESS IN THE CHARACTER OF GIACOMO CASANOVA IN CASANOVA MOVIE: A HUMANISTIC PSYCHOLOGICAL APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by SUWENING WIDHY ASTUTI A 320 050 134 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2009 1 CHAPTER I INTRODUCTION A. Background of the Study Casanova movie is directed by Lasse Hallstrom and written by Jeffrey Hatcher and Kimberly Simi. Distributed by Mark Gordon Productions, Walt Disney Pictures, Buena. The producers in this movie are Mark Gordon, Leslie Holleran, and Betsy Beers. The running time of Casanova movie is around 111 minutes. The release date of this movie was in 25 December, 2005. Genres of this movie are Adventure, Comedy, Drama, and Romance. And this movie played by Heath Ledger (Casanova), Jeremy Iron (Pucci), Sienna Miller (Fransesca), Lena Olin (Lady Bruni), Oliver Platt (Papprizio) and more. Casanova movie tells about histories of notorious playboy named Giacomo Casanova. In Venice (1753) Giacomo Casanova is a notorious playboy. One day he was caught leaving the bedroom of a novice nun, and one of the leading prosecutors the inquisition, Pucci put him in the court. The Dago, a political man who is Casanova’s friend, allow Casanova remain to stay in the city , but with one condition, he must take a wife who has good personality and he also must faithful with her. After that everyday Casanova has struggle to get a woman who has good personality. When saw Victoria, a young maiden, he falling in love with her.
    [Show full text]
  • Casanova: the Master's Waste of Too Much Time
    Thursday. March 3.1977 The Duquesne Duke 15 Casanova: the master's waste of too much time lost in its subtlety, sinks with its In the title rote, Donald By ANN D'AMICO Sutherland has the tedious job of Entertainment Editor., cumbersome length and perishes in its purpose. attempting to convey vitality in an It has never taken so long to give otherwise inert vehicle. an insult. Federico Fellini's The film is an ingenuous idea Casanova is the longest, most that is disappointingly handled Sutherland is basically a mun- critical put down the film audience The life of the most legendary dane actor, and best at portraying has had to withstand in quite a seducer, charlatan'of all time, depthless characters, definitely while. not of Casanova calibre. His Giacomo Casanova has one of the depiction is a solid one, though,. • Casanova, Fellini's first English most magnetic stories, yet in i film, took four years to complete Felhni's version, it becomes one of despite his lack of -.and after sitting through almost the most anemic. Sutherland has been quoted as three hours of grueling, ultra- saying be would not have spent as subtle intellectual highbrow Undoubtedly, there are a few much time in make-up for anyone debris, several doubts in the lines worth quoting, particularly but Fellini. So much time is right! master's better judgment arise. when the Casanova's best friend Why would such a profound, sees him aging and says, "Having The costumes and make-up in prolific, already proven director had it all, he sees he has lost is all." Casanova are monstrous and exact write and control (or lose control) And unquestionably, Fellini does for the idea of the love message.
    [Show full text]
  • La Fabulosa Vida De Giacomo Casanova, Según Fellini
    LA FABULOSA VIDA DE GIACOMO CASANOVA, SEGÚN FELLINI MANUEL CANGA SOSA Universidad de Valladolid Resumen: El objetivo de esta comunicación es analizar el modo en que el cineasta Federico Fellini interpretó la vida de un personaje legendario que ha pasado a la historia por sus numerosas conquistas amorosas, llegándose a convertir en el prototipo del seductor masculino: Giacomo Casanova (1725-1798). Se trata de un aventurero que viajó por toda Europa y entró en contacto con los personajes más destacados de la cultura de su época y se vio implicado en varios asuntos turbios que le llevaron a la cárcel en más de una ocasión. Tomando como referencia la autobiografía inconclusa de Casanova –titulada Historia de mi vida–, el cineasta realizó una película espectacular (Il Casanova di Federico Fellini, 1976) que nos invita a adentrarnos en un mundo extraño e irreal, sometido a las leyes de la ficción, y en la que interroga la función del deseo y vuelve a trabajar sus temas predilectos: el amor, el sexo, la representación artística y el paso del tiempo. Palabras clave: Fellini, Casanova, Historia, Cine, Biografía, Sexualidad. Title: THE FABULOUS LIFE OF GIACOMO CASANOVA, ACCORDING TO FELLINI. Abstract: The aim of this paper is to analyze the way in which Federico Fellini portrayed the life of a legendary character well known for his many sexual conquests, converting the prototype of the male seducer: Giacomo Casanova (1725-1798). It was a great adventurer who travelled throughout Europe and came in contact with leading figures of the culture of his time and was involved in several shady affairs that led him to prison on more than one ocassion.
    [Show full text]
  • The Politics of the Soul: the Life and Times of Jean-Jacques Rousseau1
    1 The politics of the soul: the life and times of Jean-Jacques Rousseau1 For what is a man profited, if he shall gain the whole world, and lose his own soul? (St Matthew, 16.26) Did Ludwig Wittgenstein write the most successful love story of his cen- tury? Did Thomas Hobbes compose an opera – and did it inspire the work of Mozart? Did Byron write poems about Hume or Leibniz? Did Schiller compose sonnets about Descartes and Locke? These questions seem too ridiculous to warrant an answer. Ask the same questions about Jean-Jacques Rousseau (1712–78) and the opposite is true. The composer of Le devin du village (the favourite opera of Louis XV), the author of La Nouvelle Héloïse (the best-selling novel in the eighteenth century), Rousseau was more than the famed educationalist and the ‘author of the French revolution’. He inspired Mozart, Derrida, Tolstoi, Kant, Marie Antoinette, Emile Durkheim, Byron, Goethe and Simone Weil, as well as politicians like Maximilien Robespierre, Thomas Jefferson, Simon de Bolivar and John F. Kennedy. It is not surprising that this literary genius continues to fascinate.2 ‘A classic’, noted T.S. Eliot, ‘is someone who establishes a culture’ (Eliot 1975: 402). Few others than Plato, Virgil and Christ (and the latter, arguably, had unfair parental support!) can lay claim to this status. As one scholar has put it, ‘In our time Rousseau is usually cited as a classic of early mod- ern political philosophy. He is more than that: he is the central figure in the history of modern philosophy and perhaps the pivotal figure in mod- ern culture as a whole’ (Velkley 2002: 31).
    [Show full text]
  • Casanova, Marinetti and the Art of Seduction
    Casanova, Marinetti and the Art of Seduction Dominic Siracusa University of California, Los Angeles In her response to Marinetti’s novel, How to Seduce Women, Enif Robert writes: “Apro il dizionario (e Vi prego di reprimere un gesto di ter- rore!) al vocabolo — Sedurre: ‘Distogliere alcuno dal bene, tirarlo al male con astuzia e dicesi specialmente delle lusinghe che altri usa per attrarre una donna a compiacere le proprie voglie.”1 If we look at the etymology of the verb, however, the definition appears to be quite the opposite. The Latin verb seducere is comprised of two word parts: se meaning “away” and ducere meaning “to lead.” Furthermore it is also important to consider the significance of any word within a Futurist context. Under Futurism, words are typically stripped of the passéist or traditional encrustations they have been exposed to over time and retain only their original meaning. Such an operation opens them up to a wider range of significance and herein lies Marinetti’s true intention: he is playing a game of dissimilation. On the surface, he uses the incen- diary meaning of seduction to instigate people, but his true intentions are to lead them away from outdated modes of thinking and to create more modern and dynamic ones. This is also true with his seduction of women: by playing the role of the misogynist, Marinetti lures women away from their passive role within the movement and gives them an opportunity to formulate and express their opinions on the position of women within society. Part of Marinetti’s drive is tied to his flamboyant and often absurd personality.
    [Show full text]
  • Casanova Gezien Door Een Hollywoodbril
    Casanova gezien door een Hollywoodbril In 2005 ging de Amerikaanse romantische komedie Casanova in première geregisseerd door Lasse Hallström. De film is gebaseerd op de memoires van Giacomo Casanova. Maar wat blijkt: de notitie ‘gebaseerd op’ wordt in Hollywood heel breed geïnterpreteerd. De plot van de film vertelt het verhaal over Casanova’s verliefdheid op Francesca Bruni, haar karakter is een flauwe afspiegeling van Shakespeare’s ‘Getemde Feeks’. Ik citeer de synopsis van de film zoals u die kunt terugvinden op de wikipedia pagina over deze film (http://nl.wikipedia.org/wiki/Casanova_%282005%29 ): Aan het einde van de 18e eeuw is Giacomo Casanova bezig met het schrijven van zijn memoires. Met al 10.000 pagina's, met één veroverde vrouw per pagina, vertelt hij dat er nog één vrouw ontbreekt hoewel het eigenlijk zijn verhaal niet is. Dat verhaal begint anno 1753 in Venetië. Casanova (Heath Ledger) is een notoir en een berucht rokkenjager en houdt zich met niets anders bezig dan onenightstands. Hierdoor heeft hij ook vijanden. In het bijzonder de kerk wil zijn hoofd voor zijn onzedelijkheid. De Doge van Venetië houdt Casanova echter een hand boven het hoofd. Daardoor komt ook die in de problemen en hij moet Casanova uit de stad verbannen, tenzij hij een keurige vrouw trouwt. Hij gaat op zoek en ontdekt de mooie jonge en nog maagdelijke Victoria met wie hij na wat aandringen bij haar vader mag trouwen. Victoria heeft echter een stille aanbidder, Giovanni. Die daagt Casanova uit tot een duel. Tijdens het sabelgevecht komt echter uit dat iemand anders in Giovanni's plaats vecht.
    [Show full text]
  • Casanova: a Case Study of Celebrity in 18Th Century Europe Vinovrški, Nicola
    www.ssoar.info Casanova: A Case Study of Celebrity in 18th Century Europe Vinovrški, Nicola Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: GESIS - Leibniz-Institut für Sozialwissenschaften Empfohlene Zitierung / Suggested Citation: Vinovrški, N. (2019). Casanova: A Case Study of Celebrity in 18th Century Europe. Historical Social Research, Supplement, 32, 99-120. https://doi.org/10.12759/hsr.suppl.32.2019.99-120 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de Casanova: A Case Study of Celebrity in 18th Century Europe Nicola Vinovrški ∗ Abstract: »Casanova: Eine Fallstudie zu Berühmtheit im Europa des 18. Jahrhun- derts«. Historical studies of celebrity, or particular instances of it, focus on fig- ures who had fame which could be tied to a particular achievement or ascribed status; for example, writers, politicians, actors, artists, composers, musicians, and monarchs. These studies suggest that there were certain shifts which oc- curred during the 18th century which allowed celebrity to develop, that there were many theatrical and literary celebrities during this period and that the phenomenon really gained traction in the Romantic era. These studies put paid to the idea that celebrity is a very recent phenomenon, the product of techno- logical developments (though many still do make the claim). What they have not done adequately is test the edges of the phenomenon of celebrity.
    [Show full text]