interiors+sourcedecembers 2018

THE FUTURE ISSUE

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Untitled-2 3 11/8/18 1:24 PM contents | 12.18 | volume 34 | issue 12 interiors+sources

20 Report Reconnecting to Nature Wallcoverings are touching upon one of design’s hottest trends, biophilic design. Matt Bruno, director of the Wallcoverings Association, discusses how the industry is utilizing natural motifs and what designers should know about the trend. By Matt Bruno

26 Product in Placement It Takes a Village SBA recently designed a new Neonatology Intensive Care Unit in Boston, approaching the project from a collaborative standpoint for the benefit of the young patients and their families during trying times. By Robert Nieminen

31 Sources Readers’ Choice Awards The results are in! Every year, we ask readers to vote for their favorite products that By involving doctors, nurses, care specialists and patient families into our have graced the Sources decision-making processes, we were able to balance all their many needs pages in the last year. See “and concerns, eventually designing a space which will allow the best care who was voted best of the to be delivered the most efficiently and in an aesthetically pleasing and best in 2018. By i+s Editors soothing environment.” — Lyuba Sardanova, senior interior designer/manager at SBA

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DFM18037_InteriorsSources_DeltaPiv_Dec18.indd 1 11/2/18 1:30 PM Untitled-2 1 11/8/18 1:35 PM contents | 12.18 | volume 34 | issue 12 EDITORIAL | GRAPHIC DESIGN | PRODUCTION EDITOR-IN-CHIEF ART DIRECTOR Kadie Yale Elisa Geneser [email protected] [email protected] (530) 519-9720 PRODUCTION MANAGER MANAGING EDITOR Candy Holub Valerie Dennis Craven [email protected] [email protected] EDITORIAL CHIEF CONTENT ENGAGEMENT DIRECTOR (319) 861-5151 Christoph Trappe [email protected] CORPORATE OFFICE Editor’s Letter 8 615 Fifth St. SE, Cedar Rapids, IA 52401-2158 SENIOR WRITER 319.364.6167 FAX: 319.3644278 JOIN THE Janelle Penny CONVERSATION [email protected] FOR SUBSCRIPTIONS, VISIT http://subscribe.interiorsandsources.com Noteworthy 11 STAFF WRITER Adrian Thompson [email protected]

STAFF WRITER JOIN THE CONVERSATION 16 Sarah Kloepple Web interiorsandsources.com [email protected] i n t e r i o r s Facebook facebook.com/pages/Interiors-Sources/108083788393 STAFF WRITER Twitter twitter.com/InteriorsSource Rachel Kats LinkedIN linkedin.com/company/interiors-&-sources-magazine [email protected] Pinterest pinterest.com/iandseditors Theory EDITOR-AT-LARGE Instagram instagram.com/interiorssource Robert Nieminen Quieting the City 16 [email protected] CONTRIBUTING ORGANIZATIONS (561) 635-7095 ASID | IIDA | IDEC By Hanson Hsu ADVERTISING SALES

Report PUBLISHER | BRAND DIRECTOR INTEGRATED MEDIA CONSULTANT Steven Sloan Tom Davies The Wright Stuff 24 [email protected] [email protected] (319) 861-5046 (319) 861-5173

By Robert Nieminen DIRECTOR OF BUSINESS DEVELOPMENT SALES | MARKETING | EDITORIAL COORDINATOR Mike Stanley Allison Kundel [email protected] [email protected] 24 (800) 553-8878 INTEGRATED MEDIA CONSULTANT Karrie Laughlin s o u r c e s [email protected] (319) 899-8348

Product Evolution 40 ADMINISTRATION | AUDIENCE | INTERNET A Publication of Stamats Communications, Inc.

Reforest Design CEO | PRESIDENT FRONT-END WEB DEVELOPER Peter Stamats Adam DeMeulenaere [email protected] [email protected] EVP | CHIEF SALES OFFICER FRONT-END WEB DEVELOPER Product Breakdown 43 Tony Dellamaria Erin Haerther [email protected] [email protected] Flotech (319) 861-5047 WEB DEVELOPER 40 VICE PRESIDENT OF INFORMATION SERVICES Ben Grimes Kim Leonard [email protected] [email protected] Product Collaboration 44 DIGITAL CONTENT SPECIALIST ADMINISTRATIVE COORDINATOR Michael Leonard LG Electronics and Natuzzi Jeanette Kendall [email protected] [email protected] DIGITAL CONTENT SPECIALIST SENIOR MANAGER OF AUDEINCE DEVELOPMENT Katie Downing Barbara Schrafel [email protected] [email protected] DIGITAL | GRAPHIC DESIGNER contributions AUDIENCE MANAGER Kristi Kidd Chelsea Odegard [email protected] [email protected] SENIOR GRAPHIC DESIGNER WEBINAR EVENTS MANAGER Evan Brownfield, 43 ASID 46 Jessica Watts [email protected] [email protected] MARKETING MANAGER LIVE EVENTS DIRECTOR Robin Melichar IIDA 47 Karrie Laughlin [email protected] [email protected] (319) 899-8348 + On That Note 50 ADVISORY BOARD

Sally Augustin PhD., Principal, Design with Science By Adrian Thompson Todd Bracher Founder, Creative Director, Todd Bracher Studio Royce Epstein LEED AP, Industry IIDA | Director, Design Segment, Mohawk Group Todd Heiser IIDA. Principal Design Director, Gensler Charrisse Johnston ASID, LEED AP, Assoc. AIA | Principal, Steinberg Tom Marquardt IIDA, SBID | Design Principal—Chicago, HDR Jane M. Rohde AIA, FIIDA, ASID, ACHA, CHID, LEED AP BD+C, GGA-CIEB Tim Schelfe ASID, IIDA | CID Principal | Director of Interior Design, JDavis Lindsay Wilson Executive Managing Principal, Corgan FREE INFO 44 FOR SUBSCRIPTIONS, VISIT: http://www.interiorsandsources.com/subscribe Your resource Our corporate facility is for products and LEED certified services featured VOLUME 34 NUMBER 12 december 2018 ON THE COVER: interiors+sources in this issue. interiors+sources® (ISSN 1542-4219 [print]; A straight-up view 2470-6418 [online]) USPS 007-289 is published of the Frank Gehry- monthly by Stamats Communications Inc., THE FUTURE designed staircase 615 Fifth Street SE, PO Box 1888, Cedar ISSUE For high-quality, customized Stamats Marketing Services Rapids, IA 52406-1888. Periodical postage at the Art Gallery of reprints, please contact Stamats Marketing Services: 1-800-553-8878 | www.interiorsandsources.com/reprints paid at Cedar Rapids, IA and additional mailing Ontario in Toronto, offices. POSTMASTER: Send address Copyright 2018 by Stamats Communications Inc, ALL RIGHTS RESERVED. Contents may not be reproduced in any manner without prior written changes to interiors+sources, PO Box 1888, Canada. permission from Stamats Communications Inc. Subscription RATES: United States and its possessions: $144.00 for 1 year. All foreign countries $160.00 (US fund) (surface mail) for 1 year. Extra and back issue copies (when available) are $12.00 each, shipping and handling included—except on large/ Cedar Rapids IA 52406-1888. Publications bulk shipments. All orders must be PREPAID to: interiors+sources magazine, 615 Fifth St SE, Cedar Rapids IA 52401 or PO Box 1888, Cedar Rapids Mail agreement No. 41666041. IA 52406-1888. Attn: Subscription Department. 1-800-553-8878 ext. 5020.

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1218_TOC_Msthd.indd 6 11/19/18 1:48 PM USG Ceiling Solutions

USG ENSEMBLE™ ACOUSTICAL DRYWALL CEILING. Learn more at usg.com/ensemble

© 2018 USG Corporation and/or its a liates. All rights reserved. The trademarks USG, ENSEMBLE, IT’S YOUR WORLD. BUILD IT., the USG logo, the design elements and colors, and related marks are trademarks of USG Corporation or its a liates.

Untitled-2 1 11/8/18 1:39 PM USG, Ceilings Pages: FP - full bleed Creative: Ensemble Print Ad, Gallery Sculpture Trim: 9" x 10.875" 040USG1660_IS_2018May_Ensemble-fp-ad_v0.indd Live: 8.5" x 10" Account: Publication: Interiors + Sources (May issue) Bleed: 9.5" x 11.375" (.25") Production: Production Date: 3/27/18 Colors: 4/C Materials Due: 4/9/18 Prod designer: LM Proofreader: editorial | By Kadie Yale Make It So!

hile the general population had to go without during World War II, the post-war era saw the commercialization of new materials and technologies that could be used in the house- W hold, now that they were no longer needed for the war efforts. What’s more, the space race began a decade later when the Soviet Union launched Sputnik I. Utilizing new materials like laminates and aluminum, and motifs such as starbursts, the 1950s and 60s are characterized by an aesthetic that literally and figuratively reached for the moon. Architecture had dreamed outside the box for most of the 20th century, but the decades after the war gave new leeway. Designs like Frank Lloyd Wright’s “Key Plan for Ellis Island” (1959), Buckminster Fuller’s “Dome Over Manhattan” (1960) and Eliot Noyes’s plan for the Westinghouse Pavilion of the 1964 New York World’s Fair joined the ranks of nearly improbable (some being fully impossible) designs, such as the completion of skyscrapers. This idea of pushing toward impossible can seem almost quaint today. The mind-blowing TV affects that allowed Captain Kirk of the USS Enterprise to do futuristic tasks, like walk through a closed door that pulled open on its own, press a single button to see a cup of coffee materialize, or conjure information on a flat digital panel on demand and control it with both touch and speech, loses its punch when we realize that most three-year-olds today are able to unlock a tablet and pull up their favorite YouTube video faster than Kirk ever could. But in many ways, I think the general public has lost this sense of wonder for the future. In America, we’re hearing people demand things go back to the “good ol’ days”—but what made said “good ol’ days” (usually thought of as the post-war period) magnificent was the sense of wonder and excitement for trying something new. If you look at what the post-war period had and what made it great, it wasn’t the undiagnosed PTSD of war veterans, or the rampant racism and homophobia, or the knee-length dresses and pearls while vacuuming. It was the hope for the new, the optimism intrinsic to a world that had to rebuild after so much loss and devastation, and the excitement around new technologies. Those aren’t things that disappeared. We chose to use a shot of Frank Gehry’s spiral staircase in the Art Gallery of Ontario for the cover of our Future Issue because in a world of self-driving cars and smartphones, the future is in going back to nature. It’s in understanding the psychology of the spaces we inhabit and using that information to create healthier, more sustainable options for occupants. Like our Product Evolution (p. 40) featuring Reforest Design, a company that uses bamboo to cre- ate sustainable wood-free furniture. Or our Product in Placement (p. 26) where psychology of design was used to transform a heartbreaking place like a NICU into a place of peace and calm. But of course, we also had to add some technological advancements with our Product Collaboration (p. 44). We wanted to use this issue to look at inspiration for the future. So many things that are common- place today were the stuff of fiction in the 20th century. Therefore, it’s time to turn our eyes and imagi- nations to the next thing, the next ideals of how design and technology can transform the modern era and society, and reach beyond the stars. Live long and prosper,

Kadie Yale | Editor-in-Chief [email protected]

MISSION STATEMENT interiors+sources® is dedicated to the advancement of the commercial interior design profession. It connects design professionals with the projects, products, firms, and associations that shape the built environment and promotes the value of design services in the creation of functional, sustainable, and aesthetically pleasing environments. Each issue delivers relevant and timely information that equips design practitioners with the knowledge and tools necessary to reach design excellence in their own practices. Editorial ideas and contributions are welcome from all members of the design industry.

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Untitled-2 1 11/8/18 1:37 PM noteworthy Compiled by Adrian Thompson and Rachel Kats

Frangipani Flower-inspired Chair Wins the Samuel and Rhoda Chalfin Memorial Student Design Competition

he American Society of Interior Designers (ASID) New Jersey and It was the support and encouragement from her teacher that motivated the Chalfin family has revealed the winners of the 2018 Samuel and her to enter the competition (her first), and she says it has been a great TRhoda Chalfin Memorial Student Design Competition. learning experience. “My teacher Celeste always pushes us to be the Created to encourage the development of future designers, the best that we can be and always encourages us to compete in design competition challenges participants to design a piece of furniture – this competitions.” year it was a chair. Students had to clearly state their vision and provide The competition, which pays tribute to the parents of Samuelson supporting renderings and elevations. Furniture’s president, Lawrence Chalfin, who were long-time supporters Taking home the first place honor was Joanna Truszkowski from Brookdale of ASID NJ, is open to all interior design students currently enrolled in Community College with her chair titled Petal Hideaway. Grace Meyer, also from a program in New Jersey or those taking classes online to complete a Brookdale, took home second place with her creation, Green Chair; and third degree in interior design. It garnered several entries from schools that place winner, Lindsay Mazzeo from Kean University, impressed judges with included Berkeley College, Kean University, New Jersey Institute of the Grand Disc. All the winners were awarded a stipend to assist them with Technology and Brookdale Community College. educational costs. “It’s important to our family and our company that we continue to host Inspired by the Frangipani flower that grows in tropical and serene this competition,” says Michael Chalfin, vice president of Samuelson environments, Truszkowski wanted to make the Petal Hideaway chair a piece Furniture and grandson of Samuel and Rhoda Chalfin. “We really enjoy of furniture that would invite people to relax and forget about their worries. working with ASID NJ and it’s an honor to help the younger generation of “Many people are so frustrated and overwhelmed from their everyday lives designers find their career paths.” and need to take a moment to appreciate the life that they’re living,” she says. The winners were announced during a career day event in late October at the Center for the Visual Arts at Brookdale Community College. The competition was judged by ASID designers and educators and the Samuelson Furniture corporate team at its headquarters in New Jersey. The judging guidelines were based on points for the vision statement, execution of the project, creativity and functionality. In addition to the winners’ work, each entry received was on display at the career day event to showcase the hard work of all the students who participated in the competition. The career day schedule also included programming such as portfolio reviews, LEFT To win the competition students had to clearly state their vision and provide supporting renderings headshots, various panels and a keynote presentation called “My and elevations. RIGHT Brookdale Community College student Joanna Truszkowski displays her winning chair design titled Petal Hideaway. Road to Leadership Through ASID” with speaker Tim Schelfe. PHOTOGRAPHY COURTESY OF SAMUELSON FURNITURE

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Armstrong Expands its Portfolio of Sustainable Ceiling Systems

rmstrong Ceiling Solutions has added Dune and Mesa lines of acoustical ceiling panels to its portfolio of Sustain Ceiling ASystems. This brings the total number of Armstrong high- performance ceiling and suspension products to 1,025, all of which meet the industry’s most stringent sustainability compliance standards. By offering a broad collection of sustainable ceiling solutions, Armstrong makes it simple for architects and designers to find and specify ceiling products that have the environmental characteristics and documentation needed to comply with leading green building rating systems, including LEED v4, the Living Building Challenge and the WELL Building Standard. All products with the Sustain icon can be found in Mindful MATERIALS, a platform for architects and designers to source building

Armstrong Ceilings now offers over 1,025 products that meet the stringent sustainability standards and comply with leading green building rating systems, including LEED v4, the Living Building Challenge and the WELL Building Standard.

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IS_1218_Noteworthy.indd 12 11/20/18 9:56 AM Vectorworks Releases 2019 Design & BIM Armstrong Expands its Design As Part of

Software Inc. w/ silver or gold mirror ©2018 modularArts, Panel Portfolio of Sustainable ™ thelobal designClimate and BIM software Change solutions provider Vectorworks, Inc. Peale Ceiling Systems Gannounces the 2019 release of Vectorworks Architect, Landmark, Spotlight,Solution Fundamentals and Designer, as well as BraceworksTM and Vision. With a focus on increasing design efficiency through overall performance and quality, this new release offers innovations and products and their transparency documentation. “Finding products to enhancements to significantly improve the 3D and BIM modeling, 2D meet these standards can be challenging and time consuming,” says documentation and presentation workflows for designers in the architecture, Anita Snader, environmental sustainability manager for Armstrong with silver or gold mirror inserts landscape, entertainment and interior design industries. ™ World Industries. “The Sustain icon makes it easy to find products that ™ “For this release, we listened are both free of chemicals of concern and have all the transparency closely to our customers and documentation.” balanced new innovations To meet transparency requirements, all ceiling products in the Sustain with exceptional quality and portfolio have Environmental Product Declarations (EPDs) and Health performance improvements,” Product Declarations (HPDs). Sustain ceiling products also comply with said Vectorworks CEO Dr. the performance standards of the Living Building Challenge certification Biplab Sarkar. “Specifically, in program and the low emissions standards of the California Department Vectorworks 2019 we concen- of Public Health. All products in the Sustain portfolio also feature a

trated on our customers’ most PEALE MUDD

Declare label. Inc. ©2008 modularArts, Panel common workflows and usage ™ patterns owto increaseis the time their for far-reaching overall productivity action to controlwith Vectorworks global warming, products Mudd across theaccording board.” to a new report by the UN Intergovernmental Panel on NUsersClimate of all VectorworksChange (IPCC), products the leading will worldenjoy organizationsignificantly for faster assessing work- flowsthe science and improved related to software climate change. performance thanks to multiple core support

in theFor Vectorworksyears, climate Graphicschange has Module, been a newtrending layer topic and due class to asearch barrage and of ™ filternatural options, disasters, and and image the issuance effects. of international agreements committed ™

to limiting the rise of the Earth’s temperature to 1.5 degrees C (about 2.7 Inc. ©2015 modularArts, PANEL

Vectorworks Architect and Landmark customers will experience ™ PANEL ©2018 modularArts, Inc. ©2018 modularArts, PANEL ™

improveddegrees F). BIM This capabilities, report, however, including shows 3Dthat site goal model is now sculpting; impossible the to meetunique Linen abilitywithout to sweeping have BIM changes objects that display affect withenergy, varying land, levelstransportation, of detail industry in plan, Dakota elevationand buildings. and section drawings; enhanced open-BIM interoperability; and a new partnership integration with AutoTurn online for analyzing vehicle sweptDESIGN paths. AS Vectorworks PART OF THE Spotlight SOLUTION users will enjoy support of the new MyDesigners, Virtual Rig building (MVR) owners import and exportFMs know file format, all too aswell well the as economic, enhancements and health and safety impacts that climate-related changes can have to 3D modeling with Spotlight tools and commands. Braceworks users LINEN willon buildings,benefit from and support the people for bridle and propertyanalysis. thoseAnd users facilities of Vision shelter. will Being discover

anprepared improved for catastrophic user interface natural and disasters up to seven and embracingtimes faster green performance options to of DAKOTA thereduce previz a company’s application. carbon footprint are both part of the solution.

SUSTAINABILITY CALENDARGlobal warming has increased 1 C (1.8 F) since the Industrial Revolution. The BDNY change is attributedEd Spaces to greenhouse gasses (primarily methaneBDNY and carbon dioxide) brought about by human activity. The panel concludes—based on November 11-12 November 7-9 November 11-12 current levels of greenhouse gas emissions—that if aggressive action isn’t New York City Tampa, Florida New York City bdny.com taken, global warmingEd-spaces.com will increase to 1.5 C by 2030 andbdny.com 2 C (3.6 F) by 2050. They warn this will lead to catastrophic, irreversible changes. Greenbuild Fortunately, Healthcareemploying sustainable Design solutions and usingGreenbuild green products has become a mainstay in the design industry. Industry professionals and November 14-16 November 10-13 November 14-16 Chicago, Illinois companies arePhoenix, at the forefront Arizona of embracing sustainability,Chicago, whether Illinois it be greenbuildexpo.com through installingHcdexpo.com an on-site water recycling system, harnessinggreenbuildexpo.com solar energy or participating in the Living Building Challenge. Yet, more can be done. PANELS To read more ways designers are embracing sustainability visit Precisely interlocking, tough and lightweight. Class A cast rock with steel reinforced joints. interiorsandsources.com. modulararts.com 206.788.4210 [email protected] made in the USA

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IS_1118_Noteworthy.inddIS_1018_Noteworthy.indd 1315 10/18/189/19/18 1:598:44 PMAM IS_1218_Noteworthy.indd 13 11/20/18 9:53 AM noteworthy

Architectural Wonders for Rent

he new travel brand, The Plum Guide, scours hundreds of Neave Brown and built in the late 1960s. The development has been thousands of design homes across London, Paris, New York, given a rare Grade II listing by English Heritage in recognition of its T Los Angeles and Rome, selecting roughly 1 in every 100 to join its architectural significance. With its striking stepped concrete terraces, inventory of unique properties to rent. the Alexandra & Ainsworth Estate (also known as Rowley Way) is the most famous of the social housing schemes built during Camden’s To pass this quality test, each home goes through the rigorous Plum “golden age” in the 1960s and 1970s. Guide Test consisting of a proprietary 150-point criteria and multiple site visits, developed using hard data and expert human curation to Gordon House – Designed by Yale-educated American architect guarantee a perfect and soulful stay. MJ Long as an artist’s studio for the late Gordon House, this property is worth a visit. Located in Islington, London and completed in 1990, HERE ARE A FEW OF THE HOTTEST SPOTS: the studio features a double-height painting studio overlooked by an The Lew – This LA home was designed by the great Richard Neutra upper balcony that was designated for the creation and display of - the father of mid-century modernism and a teacher at Bauhaus in the graphic work. Now, the studio is a work-live space owned by artist 1920s. It’s furnished with pieces from numerous mid-century design Andrew James. Located on a wide residential street, it’s the perfect masters, including Vladimir Kagan and Harry Bertoia, and decorated with getaway from London’s busy crowds. art from some of LA’s best up-and-coming artists. To learn more about The Plum Guide, or to view selected rental Alexandra & Ainsworth Estate – Located in St John’s Wood in properties visit www.plumguide.com. London, this home was designed by the revered modernist architect

RIGHT The idea for Plum came after founder Doron Meyassed noticed that over 95 percent of Airbnb homes have a 4.5 or above rating- how can you tell the diamonds from the rough? Every property in The Plum Guide has been independently tested and reviewed by The Plum Guide's hospitality critics.

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IS_1218_Noteworthy.indd 14 11/20/18 9:57 AM Architectural Wonders for Rent

The Plum Guide, scours hundreds of thousands of holiday homes, selecting roughly one in every 100 to join their elite inventory of unique property for rent.

CALENDAR

Heimtextil January 8-11 Messe Frankfurt Frankfurt, Germany heimtextil.messefrankfurt.com

Maison&Objet January 19-23 Paris Nord Villepinte Paris, France maison-objet.com/en

Surfaces January 23-25 Mandalay Bay Convention Center Las Vegas, NV intlsurfaceevent.com

Cevisama January 29-Feburary 1 Feria Valencia Valencia, Spain cevisama.feriavalencia.com

Design Connections February 11-13 Ponte Vedra Inn & Club Ponte Vedra Beach, FL interiorsandsources.com/design-connections

Boutique Design West March 13-14 Los Angeles Convention Center Los Angeles, CA boutiquedesignwest.com

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IS_1218_Noteworthy.indd 15 11/19/18 1:44 PM interiors | THEORY | By Hanson Hsu | Images courtesy of shutterstock

QUIETING THE CITY

The health and well-being of over 50 percent of the world's population is now impacted by the urban soundscape, which tends to be full of environmental noise pollution.

ike many people who now live in a large Many decades later we have cars, subways, buses, trains, motorcycles and Sound has an immense city, I grew up in a suburb of a smaller airplanes. Essentially it has become a widespread use of mechanical devices, impact on health and city. It was essentially the countryside. mostly transportation related. While the industrial revolution was a boon to man- It wasn’t quite farmland, but less popu- kind’s ability to grow technologically, it has become chaos for the urban sound- wellness. Hanson Hsu L lated than a city and surrounded by a great deal scape and consequently our health and quality of life. discusses the ways in of undeveloped forest land. It was quiet, even in On the flip side, technology can have positive impact on the sound of our the daytime. You could hear the birds singing and world. Maglev trains, hybrid cars and electric vehicles are examples of individual which cities can be the wind in the trees. You could even hear a soft and mass transportation devices that are very quiet, especially in contrast to designed to provide drizzle of rain on the grass. their predecessors. Quiet mass transportation has the benefit of moving many It was quiet because there was no other noise people at once while also being quieter than traditional trains running on steel buffers to everyday to compete with the sounds of nature. The clos- tracks. Electric and hybrid vehicles have helped decrease traffic noise glob- est large street was a local two-lane avenue with ally. However, in the U.S., federal mandates are putting noise back into electric noise. a speed limit of 35 mph. All the loud elements of vehicles to decrease pedestrian accidents and protect the blind. a modern urban environment were far from my neighborhood. The largest nearby city center was u r ba n soundscapes : five miles away and had a population of 150,000 qua l i t y o f l i f e a n d h e a lt h i m pac t s people at best. The health and well-being of over 50 percent of the world's population is now Generally, rural areas tend to be quieter and urban areas noisier. The primary impacted by the urban soundscape. As we discussed previously, loud and reason is traffic noise. The European Union (EU) considers environmental noise repeating noise causes high blood pressure, stress, anxiety and sleep disorders to be the leading cause of pollution, with noise from traffic being the primary while quiet peaceful environments improve quality of life and consequently over- offender. Today, more people live in cities and dense urban environments, all health and happiness. Designing a building, structure or city has such great including more than half of EU residents, with projections showing continued potential to create environments that enhance our urban living experience, rath- population growth in these areas. er than spaces that chip away at our health bit by bit. In New York City, the most Before the industrial age, the loudest noise in a city was probably the sound loved parts of Manhattan are the quiet gardens such as Paley Park or the public of a horse and carriage going down a cobblestone street and people talking. parks that are serene, peaceful and quiet like Central Park. It’s conception ➤

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Untitled-1 1 11/15/18 11:00 AM interiors | THEORY

and construction are a legend in the history of both worldwide these complex urban settings can integrate the latest technol- city design and landscape architecture. ogy and design talents to create new, quieter, more green Everyone intuitively and innately knows that loud, reverber- places where man and nature can exist together with inspiring ant spaces can become agitating and stressful quickly. With designs, visually, acoustically and architecturally. little effort and great reward, both interior and exterior urban architecture can incorporate acoustics to integrate nature and s o l u t i o n s mankind’s urban surroundings to create a new environment. Tried and true solutions for creating holistic urban soundscapes that sound more like the country than that of a train station h i sto ry include: Landscape architects have long understood the benefits of • Water features create both an artistic piece or architectural trees, grass and plants as ways to control the acoustical element while masking city sounds and adding humidity to soundscape, as well as the use of earth and dirt as an acousti- dry areas. cal isolator. Nearly all of Central Park is surrounded by an earth • Grass, trees, ivy and drought resistant plants create oxygen, berm raised slightly above street level and blocking the sightline soften high frequency reflections and paint a landscape pic- of the lowered park to control the noise of traffic from entering ture more like nature and less like a concrete jungle. the park. In Paris water fountains are in most parks surrounded • Earth rooftops double as public park spaces and control by acres of grass and trees, while in Rome, they are designed ambient noise reflections from the city, while providing a into large sculptures in traffic roundabouts that are called piaz- touch of nature in an otherwise concrete environment. zas. The falling water creates white noise, effectively masking • Multifaceted building facades help decrease noise reflec- the sound of cars, trucks and busses. tions between tall structures, and integrating transportation hub design with city planning improves noise control in mass transportation areas of cities.

to day a n d to m o r row By the time nearly everyone on the planet lives in a city, it will be too late to retrofit everything to sound better. As with many things, the evolution of a city takes time, one building project at a time, so let’s start now. The EU has already been working on the issue of environmental noise control for many years, while here in the U.S. noise control and soundscaping is rarely of concern and barely enforced. Every day people are realizing the physiological impact of auditory stress and fatigue. Automotive traffic, trains and airports all increase noise at a level that directly cause cardio- vascular stress, cognitive dysfunction and learning disabilities. The good news is that architecture and city planning are begin- ning to implement more acoustic design into our urban world. Creating quieter urban soundscapes will improve our quality of life by decreasing stress, lowering blood pressure, relieving anxiety, improving sleeping patterns and overall improving both physical and psychological health. Acoustics is incredibly fun. As the science underlying all of sound, it brings us music, language and a wide world of Architects and city a rt + ac o u st i c s intriguing sounds. It can teach us to care for our health and planners are beginning Many cities require a certain percentage of commercial project improve our quality of life in many artistic and fascinating ways. to implement more acoustic design into our budgets to be allocated for city improvements such as “art in urban world. Creating public places.” In the future, perhaps these art pieces can be quieter urban sound- designed for dual purpose: acoustic control of city noise and Hanson Hsu is the principal acoustician and founder of Delta scapes will improve our artistic inspiration. Apparently, the French and Italians under- H Design Inc. (DHDI), a research, design, and build firm quality of life. stood centuries ago that parks and sculptures could provide providing design and consulting services for architecture and artistic and acoustic beauty to their public spaces. acoustics since 1998. DHDI specializes in facility design, If the worldwide trend continues, 80 percent or more of the studio design, transportation, products, and technology world’s population will live in cities and urban environments innovation. For more on Hanson Hsu and DHDI, please visit within the next 30 years. It seems natural that the design of deltahdesign.com

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Untitled-2 1 11/8/18 1:25 PM interiors | REPORT | By Matt Bruno | Images courtesy of the Wallcovering Association and its associated companies

other elements from nature. High-definition digital equipment realistically simulates every- thing from wood grains and earthy botanical RECONNECTING landscapes to striated stones and geodes. This detailed photo realism projects new levels of depth, dimension, color and texture. Raised inks are sometimes incorporated to add texture that brings images to life. TO NATURE At HD Walls, designers are focused on breaking the paradigm of sterile, her- metically sealed office space with wall murals featuring biophilic design creations. s technology continues to encroach on interior spaces, we in the The digital design team experimented with various examples from the natural world wallcoverings industry have seen more emphasis across all market such as ground cover, succulents, objects overgrown with vines and moss-covered segments to incorporate natural elements into our designs. Edward O. surfaces. Called Biophilic, the collection simulates actual living walls in spaces A Wilson popularized the term biophilia in his 1984 book by the same where the real thing would be too costly to install and maintain. name that suggests humans innately seek connections with nature and other “While it doesn’t replace the impact of real living plants, this affordable forms of life. The term, which means “love of life or living systems,” drives the approach provides access to a broader user base,” says Emily Carretta, senior vision of many design projects. The wallcoverings industry is keenly aware designer for HD Walls. “And these wallcoverings can be used in combination with that we are in a unique position to contribute to biophilic design by providing smaller living walls to cut costs while preserving visual appeal.” Each Biophilic wall large-expanse wall imagery that takes the practice from theory to reality. mural is produced on a base made of wood pulp, nonwoven fibers and repurposed postconsumer plastic. d i g i ta l d e s i g n s : b i g g e r t h a n l i f e Product designers in the wallcoverings industry are harnessing digital technologies n at u ra l i m ag e ry l i n k e d to o u t c o m e s to open new creative possibilities. “Bigger than life” is not just an idiom but a real- Our connection with the natural world has the potential to stimulate well- ity as designers supersize prints of minerals, plant life, trees, rock formations and being, health and productivity. While the benefits of biophilic design have just

Wallcoverings are facilitating one of today’s hottest trends: biophilic design.

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IS_1218_Report_Wallcoverings.indd 20 11/20/18 10:07 AM OPPOSITE PAGE AND LEFT High- definition printing has allowed nature to be reprinted on wall- coverings to look and feelings, our designers not only seek specific textures that hint at nature, but realistic, adding also nature-inspired color palettes.” biophilic elements wherever a flat surface exists. w e l l n e s s i n s p i r e s wallcovering The beauty of nature has inspired wallcoverings for decades, and the more recent focus on biophilia and wellness have only added impetus. Recently, MDC, York and Candice Olson teamed up to create and distribute a series called Living Well that celebrates the relaxing and restorative powers of natural imagery. With began to be quantified, some studies have linked interaction with nature with pattern names like Namaste and Serenity, these wallcoverings include references increased healing rates, gains in productivity and higher learning comprehension. to flowing florals, soft seascapes, bold plant life and iridescent shells. The collec- White papers including one by Terrapin Bright Green sustainable design strategists tion includes oversized prints made with digital technology as well as smaller scale noted improvements in the following markets: patterns and textures achieved via traditional rotogravure (rotary press). • Education – Increased attendance and higher test scores “Downtime created by this imagery gives us a break from technologies’ ever • Healthcare – An 8.5-percent reduction in hospital stays encroaching presence and helps restore balance in our lives,” says Carol Miller, • Corporate – Less mental stress and fatigue resulting in higher staff retention York product marketing manager. York’s use of biophilic designs is growing in • Retail – A 15-25-percent increase in the average spend per consumer “resimercial” crossover collections that appeal to commercial specifiers because • Hospitality – The enhancement of guest experience and increased guest they sooth the strong edges of techno-modern furnishings. Popular are grasses return rates and organic specialties with real wood veneers and leaves. Other York naturals “Since biophilic design acknowledges our instinctual and genetic connection to are dark florals, luxury lodge looks and tropical patterns, both modern and vin- nature, it can be used in any setting to becalm an overstimulated urban lifestyle,” tage in translation. “New to the scene are desert-inspired themes and colors says Joey Kelly, LSI Wallcovering creative director. “Its benefits can range from an including adobe as the new look of rustic,” Miller adds. “All emanate from the inspired sense of well-being to improved productivity and efficiency. In order to association with desert landscapes and desert spiritual retreats as the new build this restorative environment, one that’s engineered to positively affect moods garden of choice from emerging upmarket trends.” ➤

LEFT AND RIGHT Incorporating natural motifs or designs inspired by nature adds health and well- ness aspects to contemporary interiors, from yoga studios to hospitality spaces.

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IS_1218_Report_Wallcoverings.indd 21 11/20/18 10:07 AM interiors | REPORT

Various design motifs and aesthetics are available in biophilic design, from realistic illustrations of nature to historical imagery to high-definition printed photography. Examples shown from York Wallcoverings.

g ro u n d i n g t h e p ro j e c t i n i t s lo ca l e scenic mural while strolling along palm-tree-edged boardwalks lined with picnic In hospitality markets, natural references not only contribute to a sense of well- benches. The geodesic dome originally housed Howard Hughes’ Spruce Goose being but ground the structure in its geographic location. “It isn’t about just evok- seaplane, and you can see a replica today soaring through the 13-story expanse. ing a sense of nature, but representing the nature specifically found in the area of the project,” says Tricia Salyer, TRI-KES Vice President of Product Curation. “We h a r n e s s i n g h e a l i n g a e st h e t i c s are often called upon to help create unique patterns based on local flora, fauna As one would expect, nature-influenced wallcovering designs continue to dominate and attractions, ranging from murals artistically reflecting local mountain ranges in healthcare environments, senior living, spas and spaces centered on wellness. to wallcovering depicting specific types of trees native to the region. We accom- “Inspirations from nature in design concepts are a large influence in the creative pro- modate this through custom pattern creation as well as a well-rounded offering of cess for healthcare patterns,” says Jill Nelson, D.L.Couch Vice President of Product standard product which includes both natural materials and beautifully executed and Marketing. “Nature-inspired designs help define the space and create an inviting interpretations in useable color palettes.” environment such as wood textures, branches or deconstructed florals and leaves. Eykon Design Resources recently worked with Bermello Ajamil & Partners/ We continue to see warm, cozy neutrals with soft colors in healthcare with an occa- Miami to ground a Carnival Cruise Line Terminal in its Long Beach, California sur- sional bright poppy palette. A pop of color for a pediatric project is always needed.” roundings by creating a spectacular digital wallcovering that travels 360 degrees Wolf-Gordon notes that design efforts are getting away from the more literal, around the domed structure. California scenery inspired the 11-billion-pixel digital leaf-inspired patterns of the late 1990s and early 2000s to more subtle interpreta- mural of the iconic Sierra Nevada Mountains. It’s hard for cruise passengers to tions and natural materials incorporated into wallcovering substrates. remember they are indoors as they take in this 267-foot-long by 38-foot-high “We are bringing nature in via material simulations and materials such as our many cork, grasscloth and woven paper wallcoverings,” says Marybeth Shaw, Wolf-Gordon Chief Creative Officer. “We also have wood and abstracted wood simulations in Type II contract wallcovering. Very recently, we introduced exquisite geologically informed designs in digital print by Brenda Houston. The digital print patterns are generally quite bold, colorful and destined for feature walls in hotel rooms, lounges and restaurants, but I could also imagine them bringing life to Eykon Design healing environments.” Resources Shaw goes on to note that while Edward O. Wilson’s Biophilia book has been worked with an influence to her work in the wallcoverings industry, there are many other sourc- Bermello Ajamil & Partners/Miami es of inspiration. “Even before biophilia gained currency, a bit of research into the to cover Carnival tradition of bringing the outdoors into architecture yields exquisite work by the early Cruise Line's Moderns—Le Corbusier’s fenestration and terraces, Alvar Aalto’s Sanatorium at Long Beach Paimio and Frank Lloyd Wright’s ambiguous indoor/outdoor spaces. They were all Terminal with responding to the accelerating pace of 20th century life in the city at the expense a 360-degree print of the of our relationship to nature.” Sierra Nevada Today’s designers are certainly challenged by the incursion of technology into Mountains. interiors and the increasing need to reconnect occupants, isolated indoors for Images courtesty long hours, with the natural world. The wallcovering industry is in touch with these of Miami in Focus design needs and offers a multitude of products and design strategies to bring the outside in. The Wallcoverings Association offers free to designers and design students an educational sample book showing types of available wallcovering materials and backings and suggestions for applications, which can be accessed at wallcoverings.org/samplebooks.

Matt Bruno is director of the Wallcoverings Association, a nonprofit trade association representing wallcoverings manufacturers, distributors and suppliers. The WA educates consumers, designers and specifiers about the beauty and use of wallcoverings. The association keeps the industry at the forefront of sustainability with specifier tools such as NSF/ANSI 342 and Environmental Product Declarations.

22 interiors+sources december 2018 interiorsandsources.com

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Untitled-2 1 11/8/18 1:38 PM interiors | REPORT | By Robert Nieminen | Images courtesy of Vance Fox Photography

THE WRIGHT STUFF

The design team took painstaking detail to maintain the integrity of Frank Lloyd Wright’s original designs and vision both inside and out.

The Lodge at ne of the hallmarks of Frank Lloyd To complement the existing clubhouse and golf course, the Nakoma Wright’s genius was his ability to achieve Resort expanded with the opening of one of its newest additions, the Nakoma Resort a sense of visual cohesion both inside Lodge, a 24,000-square-foot, 42-room hotel that blends seamlessly with pays homage to O and outside of the iconic structures he Wright’s original plans for the resort. Given the project’s significance, built. Like many of his contemporaries during the sourcing the interior furniture and finishes to ensure consistency with the the legacy and Modernist movement, Wright’s design philosophy rest of the resort was critical. As such, the design team turned to global vision of Frank “focused on the complete integration of the house— hospitality and commercial furniture supply chain company, White Space, site and structure, interior and exterior, furniture, orna- to provide holistic interior solutions for the Lodge at Nakoma. Working Lloyd Wright, ment and architecture, every element of the design closely with the resort’s developer and design team, White Space pro- was connected,” according to the Frank Lloyd Wright vided all interior furniture, casework, lighting, stonework, tiling and archi- inside and out. Trust. “Incorporating furniture, lighting and decorative tectural finishes. arts into the structure of his buildings enabled Wright “We were brought on by The Schomac Group, the developers, who to achieve a harmonious and unified interior.” were impressed by our ability to deliver on the precise, bold designs that A perfect example of his integrated approach to paid all due respect to the architect, delivering an exquisite product on architecture and interiors can be both seen and expe- time, on spec, and of course, on budget,” said Aytan Litwin, founder and rienced in California’s Sierra Nevada, the site of the president of White Space. 1,280-acre Nakoma Resort. Originally conceived by Wright in 1923 and built in The partnership was the right move by all accounts, according to Ryan 2001 by his legacy architecture firm, Taliesin, the aging property was due for an Schoff, president of The Schomac Group. “Preserving and extending the update after it was purchased by The Schomac Group in 2010 with the intent genius of Frank Lloyd Wright at the Lodge at Nakoma is a special respon- of restoring it to its former glory with an eye toward future expansion. The sibility. We entrusted White Space with an essential part of that—delivering design team took painstaking detail to maintain the integrity of the architect’s the final product on all interior furniture, casework, lighting and architectural original designs and vision both inside and out. The centerpiece of the resort is finishes,” he explained. “The results are uniformly magnificent and deliver on the 24,000-square-foot clubhouse, the only one Wright ever designed. our goal of achieving a mountain-modern aesthetic.”

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IS_1218_Report_Nakoma.indd 24 11/20/18 7:53 AM preserving a legacy was charged with integrating the furniture and fixtures with the rest of the Litwin noted how Frank Lloyd Wright’s career famously evolved through vari- core and shell. Although it didn’t design the products that ultimately found ous styles and stages. When he designed the Nakoma Resort in the early their way into the Lodge, Litwin says White Space understood the need to 1920’s, it was a period during which the architect was building his celebrated respect the project’s design integrity while at the same time recognizing that Los Angeles houses and experimenting with an aesthetic that purposefully the furniture needed to stand up to contemporary standards. recalled the brutal monumentalism of ancient Mayan architecture, incorporat- “We had to deliver perfectly on the designs and specs delivered to us by ing grand ziggurats and pyramidal structures, such as Machu Picchu, for the project’s incredible architects,” Litwin said. “It was clear how lovingly they example. Wright often compressed space through claustrophobic hallways, were honoring Wright’s aesthetics, and we took special pride in bringing their then exploded it with sharply vaulted atriums to create an intentionally dra- work to life, whether it was standing aside the vision of the great master—or matic juxtaposition that plays on one’s sense of proportion, Litwin observed. in its shadow. To be clear, being anywhere near a Frank Lloyd Wright building As such, White Space referenced Wright’s early renderings to capture the we consider to be a tremendous privilege,” he added. essence of his approach for the Lodge’s interiors. “To pay respect to the original designs that our work was inspired by, we diving into history went back to Wright’s original drawings and blueprints, while also looking at Far from a run-of-the-mill hospitality space, the Lodge at Nakoma presented contemporary photos of the Storer and Hollyhock houses, which were built a unique opportunity for the team at White Space to work on a project during the same period,” Litwin recalled. “This allowed us to better understand “based on the work of a master,” Litwin said. “So, our approach began with Wright’s intent and see how the materials we deployed were originally used.” a deep dive into Wright’s oeuvre.” The Lodge at Nakoma interprets some of these design principles, while The period from which the Nakoma Resort was derived was one in which also drawing on some classic Wright motifs, such as wide, open, inviting Wright experimented with poured cement and stonework. As a result, the angles, acutely pitched roofs, and intricate stonework fireplaces and White Space team found themselves working with those materials, which tilework. The design criteria presented challenges for White Space, which Litwin says are not typical of most of their contemporary design projects. “But the Lodge at the Nakoma also drew on other elements of Wright’s design vocabulary, so we found ourselves working with quite a bit of glass and metal—not to mention wood,” he noted. Delving deep into a project’s DNA isn’t unusual for White Space, how- ever. The interior design solutions provider works exclusively with custom designs and prides itself on the precise delivery of the architectural vision established for each individual project, according to Litwin. “We actively manage the

TOP Wright often production of each and every piece we create, install- compressed space ing quality control teams on the floors of the factories through claustrophobic we work with, watching every step of the process hallways, then like a hawk, while also guiding the process.” He said exploded it with sharply vaulted White Space’s innovative approach to sourcing isn’t atriums to create a common in the industry, “but it’s maybe why we were dramatic juxtaposition. selected for this specific project, which was guided by BELOW Given the a precise architectural vision with absolutely no room project’s significance, for compromise.” sourcing the interior furniture and finishes Litwin added that the application of state-of-the-art to ensure consistency sourcing, production and manufacturing to an impor- with the rest of the tant part of design history—the fusion of past and resort was critical. present—made the work for the Lodge at Nakoma particularly thrilling.

an inspiration for the future In the end, Litwin’s hope is that the Lodge at Nakoma continues to serve as an inspiration not only for architects and Frank Lloyd Wright fans, but also for any developer thinking about raiding Wright’s archives for a project of their own. He noted that though incredibly prolific, there remains a great deal of incredible Frank Lloyd Wright designs that were not realized in his life- time. In fact, a past exhibit at the Guggenheim was dedicated specifically to these unbuilt masterpieces. “Of course, we also hope that the public enjoys—and appreciates—this architectural marvel,” Litwin concluded.

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IS_1218_Report_Nakoma.indd 25 11/20/18 7:54 AM interiors | PRODUCT IN PLACEMENT | By Robert Nieminen | Images courtesy of Edward Caruso Photography

using ceiling up-lights to provide a smooth, glare-free ambient lighting, dimmable LED’s for patient areas which can be attuned per each occupant, and feature light- ing in public areas to further expound upon the flower motifs. By giving them control over their lighting, it allowed for meeting individual needs for long-term visitation for It Takes a a myriad of tasks and personal preferences: exams, reading, nighttime and general ambient lighting. Casework cleverly conceals storage for fridges and personal items at each infant station, visible from both a central nurse station and other decentralized nurse stations, and each room features a comfortable guest chair and recliner. Village Lastly, designing a space that reflects the care of all those in the NICU—children, families and care givers—SBA specified materials which are ecologically friendly, such SBA utilizes a collaborative approach to the as non-vinyl fabrics, phthalate-free flooring, low-VOC paint, etc., and that perform well design of a new NICU in Boston for the benefit under high maintenance requirements. “SBA designs with care, and we believe that great aesthetics and a thoughtful of its young patients and their families. design approach can have great impacts and healing potential upon patients and staff, including making something that is special, unique, memorable and uplifting,” esigning a successful healthcare facility requires a sensitivity to and Sardanova concludes. understanding of the patient experience, and perhaps nowhere is that more relevant than in the Neonatology Intensive Care Unit. Fully under- D standing the importance of a project of this nature to its client, Beth Israel Deaconess Medical Center (BIDMC) in Boston, Steffian Bradley Architects (SBA) took a collaborative and open-minded approach to the hospital’s newly renovated and expanded NICU, with the ultimate goal of designing a space that reflects the care c e i l i n g s g l a s s and planning needs of its end users: tiny patients, families and care givers. In other FORMICA SKYLINE DESIGN words, this project echoes among the most important ideals of a NICU, reflected in SBA worked closely with its in-house graphic (Custom design by SBA) the familiar proverb: “It takes a village.” designer to create a successful graphic Glass art walls with custom graphics adorn for the cutout of the ceiling that is part of “By involving doctors, nurses, care specialists and patient families into our decision- the elevator lobby, while the design team the concept and can be easily executed to chose magnetic writable glass with custom making processes, we were able to balance all their many needs and concerns, achieve the glowing effect, while also having graphics for the patient rooms. eventually designing a space which will allow the best care to be delivered the most an accessible ceiling—a must from a mainte- skydesign.com efficiently and in an aesthetically pleasing and soothing environment,” says Lyuba nance perspective. Sardanova, senior interior designer/manager at SBA. formica.com In order to achieve a soothing environment within the NICU, SBA took a fresh approach to color, form and materiality. By selecting vibrant, yet soft and calming neutral colors and using them in strategic places, Sardanova says the design team was able to make the healthcare setting more aesthetically pleasing to its entire audience, as well as comforting too. Some uplifting accent colors are employed to energize certain spaces; however, relaxing colors are mainly used throughout to subliminally provide a sense of tranquility and healing. Additionally, Sardanova says designers are seeing a broader crossover from hospitality and residential trends flowing into healthcare settings. “Here, the SBA design team brought a ‘living room’ concept to the public area to create a more inviting and pleasant environment. When a patient enters a healthcare space, we believe they are seeking as many familiar comforts from home as possible through seating, finishes, lighting and other amenities.” Beyond a restful palette and residential touches, the project was shaped by four driving goals: privacy, connectivity, light and acoustics. Each of these goals were defined by the client to promote an optimal healing environment for patients and visitors, and a supportive working environment for caregivers. Further, creating a unique, memorable and uplifting experience for children was another driver. “This is an area where biophilic elements, like the lily and lotus motifs, helped to unify the spaces, playing a significant role throughout,” Sardanova explains. “This is f l o o r i n g f u r n i t u r e often a challenge, as the need for calming spaces and strict requirements of infection MILLIKEN OFS controls often renders these types of spaces as sterile and uninspiring. Here, we were (CARPET, FRETWORK) The lounge chair from OFS features a crisp reaching beyond to accomplish a balancing of the two.” Both flower carpets in the waiting and timeless design that invites patients’ area—“The Living room” and the family families to relax. Once the spaces were defined, Sardanova says the design team worked rooms—were furnished by Milliken. ofs.com collaboratively with lighting designers to emphasize these concepts and moments, floors.milliken.com

26 interiors+sources december 2018 interiorsandsources.com

IS_1218_PIP.indd 26 11/19/18 12:58 PM c e i l i n g s USG

(Custom design by SBA) The metal perforated ceiling meets the acoustics require- ment for a NICU facility. With the additional blanket specified (Acoustibond Black Baker) and proper micro perforation chosen, the metal perforated ceiling performs well. SBA worked closely with its in-house graphic designer to create an aesthetic visual custom graphic for the ceiling that is integrated within the concept and has the right percep- tion. usg.com

s o l i d s u r fa c e KRION Blue countertops of the entry desk and the nurse station are clad in colored solid surfaces from Krion. krion.com/us

p l a s t i c l a m i n at e WILSONART (Art walls with graphics - Custom design by SBA) This manufacturer worked with SBA to realize the original pieces provided for art walls and nurse station front graphics. wilsonart.com

f l o o r i n g a rt / photography a c o u s t i ca l pa n e l s ARMSTRONG CUSTOM DESIGN BY SBA CARNEGIE Warm neutrals, such as field color with SBA worked with a local photographer Acoustical panels around nurse stations splashes of Blue and Lilac Accent, create a and its in-house graphic designer to create and within the NICU corridor and waiting floor pattern in Lavender Color scheme with the visuals (art images) for the project’s area featured an NRC required rating to gentle curves that is tied to the concept and theme/concept. The design team began by help create a calming environment. supports wayfinding. researching flowers and their broad cultural carnegiefabrics.com armstrongflooring.com meanings, looking for an appropriate fit for a healing environment—a Lotus and a Water f u r n i t u r e Lily (because of their meaning: life, grace, purity, beauty, strength, promise). CONTRACT SOURCE SBA worked closely with a slew of manufac- Beside meeting the aesthetics and the turers—glass, plastic laminate and ceilings functionality, furniture supports the (Skyline, Wilsonart, USG)—to realize the built concept and the interior. SBA worked design in its finished form. closely with a COP dealer to outfit various furnishings throughout the NICU. Contractsource.com

CAROLINA FURNITURE Recliners from Carolina Furniture are characterized by clean, upscale designs that complement the subdued palette of the NICU. carolina.ofs.com

p r i va c y c u rta i n s DESIGNTEX The privacy curtains in all patient rooms are fitted with Designtex’s fabric in fresh colors that are tied to the design concept. designtex.com

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Untitled-1 1 11/20/18 9:59 AM i+s continuing education | By Robert Nieminen | Sponsored by National Office Furniture

i+s CEU learning objectives

interiors+sources’ Continuing Education Series articles allow design practitioners to earn NATIONAL OFFICE FURNITURE continuing education unit credits through the pages of the magazine. Use the following learning objectives to focus your study while reading this issue’s article. To receive one hour of continuing education credit (0.1 CEU) as approved by IDCEC or one learning unit (LU) as approved by AIA, read the article, then log on to take the associated exam.

After reading this article, you should be able to:

Home-ing from Work 1. Explore the evolution of the office, focusing on key influencers of residentially inspired design elements he Digital Revolution has made a tremendous impact on our lives in a Blending residential coming into the commercial myriad ways, not the least of which is how it has reshaped the landscape workplace. and hospitality design of the workplace. Thanks to the advent of wireless technology, employees are no longer tethered to their desks and now are able to work virtually into the workplace. T 2. Understand the main factors anywhere—and many of them increasingly choose to do so from home. driving more residentially inspired appeal in these In fact, Gensler’s 2016 U.S. Workplace Survey revealed that 40 percent of the U.S. commercial environments. workforce is estimated to be independently employed by 2020, and a new survey from AND CO and Remote Year found that 55 percent of respondents said they 3. Examine measurable results worked remotely 100 percent of the time, while 28 percent said they worked both of environments that have remotely and on-site. Interestingly, not only is work happening everywhere, but created more residentially everything is happening at work as well, according to Gensler’s 2018 Experience inspired spaces. Index. “Nearly all (49 out of 50) workers report doing non-work activities on a regular basis while in the office,” the report stated. 4. Educate designers with peer-insights on successful As people increasingly spend their time working between the home, the office and ways to incorporate residentially other third places, the design of the workplace is starting to look and feel a lot more inspired products into com- like home or your favorite hotel getaway. The influence of residential and hospitality mercial environments without design elements (a.k.a. residentially inspired) are coming onto the office scene compromising process, client- like never before. The kitchen island, for example, is inspiring new ways of creating expectation or the end result. more communal cafés, and the comforts of the living room are making their way into the places where people meet away from their desks (assuming they even have one assigned to them). Even the idea that someone could take a nap in the office to recharge is a not-so-subtle nod to the bedroom back home.

To read the rest of the article, take the associated exam, and earn CEU credit, visit interiorsandsources.com/home/CEUs

interiorsandsources.com december 2018 interiors+sources 29

IS_1218_CEU_.indd 29 11/19/18 12:10 PM We craft textiles with wild creativity.

The Portfolio Collection Harnessing spontaneity, creative artwork from the Stinson Studio provides the inspiration for Portfolio. Purveyors of Innovative Textiles cfstinson.com

Untitled-2 1 11/15/18 2:24 PM sources architectural .

Every month throughout the year, interiors+sources has brought you the latest in interior products, from applied surfaces to wireless wall chargers, in our Sources round-up pages. Each product featured has been hand- picked by our editors based on what designers need to get the job done.

From Oct. 5 to Nov. 2, we asked for your feedback in voting for your favorites from each category that has graced the Sources pages this year. The results are in, and in the following pages you’ll find the top picks in architectural, carpet, flooring, furniture, kitchen and bath, lighting, surfacing, textile and wallcovering design.

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1. EchoScreen Rolling Track from Kirei USA 2. Wireless Charger from Legrand 3. EchoCloud from Kirei USA Available for installation on ceilings, walls, The Wireless Charger from the radiant col- EchoCloud from Kirei USA was created for rolling tracks or glass-mounted, the Echo- lection by Legrand is the first-to-market difficult, high-volume ceilings. The customizable Screen Rolling Track from Kirei USA, featured in-wall wireless charger. Compatible with all cloud units help absorb sound within an open in November’s issue, provides creative Qi-enabled devices, the Wireless Charger space and reduce reverberation. Available in options to privacy screens. Made of sound- provides users with a simple cradle backed four different styles and multiple shapes, these absorbing EchoPanel (acoustic NRC ratings by a Qi-certified charging pad. An LED at clouds boost ceiling design capabilities and vary on configuration), EchoScreen provides the base indicates charging status—red for hide distracting mechanical fixtures. Echo- privacy and sound-buffering to open offices, charging, and green for when charging is Cloud is responsibly sourced and made from classrooms and public spaces. Choose from complete—so users can see whether their recycled materials. eight individual designs, their two triptychs device is ready from a distance. Designed KireiUSA.com (three panels that, when put together, create to replace an existing outlet without new a cohesive design), or customize the panel. electrical wiring, the Wireless Charger also Each screen comes in a standard 46-inch by provides two AC receptacles and a USB port 94-inch size with a thickness of 12 mm. Fire for multiple access points. rated ASTM E84 Class C, but Class A treat- Legrand.us ment is available. KireiUSA.com 3

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IS_1218_Sources.indd 31 11/16/18 10:48 AM carpet sources

1. Burnish from Bentley The Outskirts Collection from Bentley takes inspiration from natural materials, 1 then translates them into contemporary abstract forms. In June, the latest pattern to the collection, Burnish, was featured, showing off a multi-tonal texture in 17 colorways that beautifully compliment The Outskirts' existing motifs, Repose and Ritual. Available in broadloom and three tile sizes—9-inch by 36-inch, 18-inch by 36-inch, and 24-inch by 24-inch—Burnish is solution dyed and certified under the NSF/ANSI Standard 140-Sustainable Carpet Assessment, and manufactured in Bentley’s California mill. BentleyMills.com

2. Haven from Shaw Contract The Haven collection by Shaw Contract evokes the supple textures of a 1 favorite sweater or a graceful woven fabric. The inviting color palette and seven distinct patterns in the flooring line are understated and versatile. Haven’s carpet tiles are constructed using a multi-level pattern loop and can be upgraded with EcoLogix backing which is constructed from 100-percent recycled PET plastic bottles. ShawContract.com

3. Nutopia from Mohawk Group Mohawk Group’s Nutopia is a modular carpet plank system inspired by the idea of urban fabric where humankind co-exists with buildings and other infrastruc- ture. Nutopia can delineate spaces using variable material changes via pattern, color and texture. Gestural washes, accents, cool grays, warm taupes and textured group provide rich visual dimension. Six styles can be used together as a cohesive system or individually. MohawkGroup.com

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IS_1218_Sources.indd 32 11/16/18 10:49 AM flooring sources

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1. Legacy from Emser Tile Featured in our January issue, the Legacy Collection from 1 Emser Tile reimagines wood in a durable glazed porcelain tile. Using three-dimensional surface texture and high-resolution printing technology, Legacy allows designers to specify the look of wood without the upkeep. Five natural colorways—white, sand, havana, gray and brown—give an array of options for a large range of interior aesthetics. Available in 8-inch by 47-inch planks, the porcelain tiles have zero VOCs emissions and can contribute to LEED v4 certification. Emser.com

2. Material Paradox from Patcraft Patcraft’s modular carpet collection, Material Paradox, uses color filters that are overlaid to create scale and contrast. The products are designed with texture and tip shearing to produce a rich, tactile feel. Available in two planks and 10 colors, Material Paradox is inspired by the interaction between light and material. The line is backed with lifetime warranties against stain, colorfastness, static and abrasive wear. Patcraft.com

3. Boundary Metallics from Interface Boundary Metallics is Interface’s newest LVT line, a modern take on concrete that gives the appearance of a metallized, eroded surface. Inspired by industrial materials aged in the elements, Boundary Metallics serves as a striking counterpart to the natural textures that appear in Interface’s carpet tiles. Offered in 25-cm by 100-cm planks, the rectangular shape 3 provides more visual depth than traditional square tiles. Interface.com

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IS_1218_Sources.indd 33 11/16/18 10:49 AM furniture sources

1. KORE Work Cart from Kimball First showcased in October’s issue, KORE 1 Work Cart from Kimball was conceived by Swiss architect Daniel Korb. Designed to provide flexibility and privacy, the Work Cart joins the KORE line of products, including tables, benches and mobile carts to create an entire solution for collabora- tive work environments. The Work Cart features a rechargeable battery, which enables technology integration without tethering employees to one spot, and the surface can transition from sitting to stand- ing without the need for power. Standard availability is offered in six woodgrains, six solid colors, six metallic paints, six felt- and-paint options and four rims, as well as a wide variety of accessories, storage options and designs. Kimball.com

2. Alterna from Kimball Kimball’s latest casework collection, Alter- na, offers seamless and durable solutions for an entire facility, from public zones and workspaces to clinical areas and beyond. A broad spectrum of models in different widths and heights means Alterna can be 2 3 configured to best suit a space. Compo- nents can be removed and repurposed as needs change. Kimball.com

3. Square One from Indiana Furniture Square One from Indiana Furniture is a clean, simple way to provide space divi- sion, functionality and architectural design in any zone within a workplace. With individual building blocks that securely connect to one another and accessories like dry erase boards, acrylic inserts and tackable and acoustical panels, your per- sonalization of Square One is only limited to your imagination. IndianaFurniture.com

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IS_1218_Sources.indd 34 11/16/18 10:49 AM kitchen + bath sources

1. Floatation Tub from TOTO Luxury has a new look. TOTO’s Flotation Tub with Zero Dimension Technology, featured in the November issue, provides users with deep relaxation in a gravity-free state. Warm water is released in a gentle flow from below an ergonomic, adjust- able pillow, gently massaging the bather’s neck, shoulders and upper body. An LED lighting system along the base provides a gentle glow as users turn off the outside world. Perfect for high-end hotels and 1 resorts, the Flotation Tub brings the spa to the individual’s private room. TOTOUSA.com

2. The Corsano Culinary Series from California Faucets Though silver and gray-toned faucet finishes have traditionally dominated the kitchen, gold and brass finishes are making a splash right now. The Corsano Culinary Series from California Faucets features rich gold tones that infuse the kitchen with the look of luxury while brass tones radiate a more industrial or steam- punk vibe. CaliforniaFaucets.com

3. Venezia Collection from Fantini Designed by Matteo Thun for Fantini, the Venezia Collection mixes Murano blown 3 glass, geometric shapes and metal fin- ishes to create a beautifully complimentary and exciting range of bathroom products. FantiniUSA.com

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IS_1218_Sources.indd 35 11/16/18 10:50 AM lighting sources

1. Tracking Magnet EVO from FLOS Designed by FLOS Architectural, Tracking Magnet EVO—which first appeared in 1 October’s Sources—is a flexible system that can be arranged to create a variety of lighting options. Luminaires are installed via magnetic fasteners along architectural tracts in both vertical and horizontal direc- tions. Available in recessed, surface or pendant mounted applications, Tracking Magnet EVO provides designers with an all-encompassing and seamless solution to lighting that can blend in or stand out depending on how it is arranged. Architectural.FLOSUSA.com

2. THIN Chandelier from Juniper The THIN Chandelier from Juniper is a modular 12-arm contemporary interpreta- tion of the traditional chandelier. Each ultra-thin arm contains two hinges that can be articulated to form a series of biomorphic shapes and configurations. The long LED arrays produce a total of 6,500 lumens. juniper-design.com 2 3. MARIPOSA by Marcel Wanders from Roche Bobois Part of the Globe Trotter collection by Marcel Wanders, MARIPOSA is a suspen- sion light and table lamp. It is available in Supermirror and two-tone Gessato white striped cotton. roche-bobois.com

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IS_1218_Sources.indd 36 11/16/18 10:50 AM surfacing sources

1. Kuvio from Lumicor Our August Sources showcased Lumicor’s new Kuvio surfacing system. Seven shapes and 11 finishes are installed as three-dimensional patterns across part or all of a wall. Tiled together, the system creates an eye-catching texture, playing with shadows across the edges of the shapes. What’s more: shapes can be installed 1 vertically, horizontally or diagonally, providing multiple possibilities for each shape. Lightweight and easy to install, the only limits depend on the designer’s imagination. Lumicor.com

2. Craft Weathered Planks from Creative Mines Craft Weathered Planks is a brand-new line of masonry veneer from Creative Mines. The collection celebrates the American countryside by pulling inspiration from weath- ered barnwood and fences that have acquired a patina over time. CreativeMines.us

3. Quartz from Wilsonart Wilsonart Quartz offers 10 new patterns that marry material performance and natural- looking structures with today’s most sought-after colors. These designs honor the appeal of natural stone and combine it with popular neutrals. White, taupe, gray and black are paired with veining and movement to create interesting patterns and rich backgrounds. Wilsonart.com

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IS_1218_Sources.indd 37 11/16/18 10:50 AM textile sources

1. Portfolio Collection from CF Stinson Available in nine modern patterns, CF Stinson’s Portfolio collection—which appeared in the June issue—has been described by the company as “textiles with wild creativity.” Designed by their in-house studio, each design is inspired by modern line work, collage pieces, hand-cut paper fretwork and tiny stitches. The range of scales and textures provide designers with a swath of creative options to mix and match from. Woven to include non-PFOA soil and stain protec- tion and GREENGUARD Certified, each design exceeds 60,000 double-rubs. CFStinson.com

2. MorCare from Morbern Morbern adds to its popular healthcare vinyl line, MorCare, with three new 1 patterns: Abbey, Cinema and Nomad. These two chic vibrant patterns, plus one solid, come in a vast array of colors and feature antifungal and antimicrobial properties with which all MorCare prod- ucts are fabricated. Morbern.com

3. Cubitt from Designtex 2 3 Cubitt joins the Designtex portfolio of textiles. Created by London designers, Cubitt explores stripe patterns that are broken up by an intervention of rectangu- lar forms. The underlying geometric logic is enlivened by surprising color combina- tions. The bleach-cleanable upholstery is made from 75 percent post-consumer recycled polyester and 25 percent solution-dyed nylon. Designtex.com

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IS_1218_Sources.indd 38 11/16/18 10:51 AM wallcovering sources

1. Lacebark from Innovations Released in July and appearing in September’s issue, Lacebark from Innovations uses laser cutting technology to blend the natural with the manmade. The duality of nature and luxe materials added to the five colorways creates an eye-catching pattern that mimics the exfo- liation of tree bark. Used on a statement wall or across the entirety of a room, Lacebark adds depth and richness to any space. InnovationsUSA.com

2. WALLPLANKS from Belknap White Group 1 The Belknap White Group (BWG) now carries WALLPLANKS, a com- prehensive line in high quality peel-and-stick wood walls offering both rustic and modern looks. WALLPLANKS can be installed vertically, horizontally or diagonally. The product line is proudly made in the USA and only uses materials sourced in North America. belknapwhite.com

3. Geological Finds from Wolf-Gordon Geological Finds is a collaboration with designer and artist Brenda Houston and Wolf-Gordon. These mural wallcoverings give unique impressions when viewed in different colorways and at various scales. Four distinct patterns present a unique opportunity to explore nature. Wolf-Gordon.com 2 3

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IS_1218_Sources.indd 39 11/16/18 10:51 AM sources | PRODUCT EVOLUTION | By Rachel Kats | Images courtesy of Reforest Design

LEFT Reforest Design has an upholstery tile archive with 1000s of designs from artists all around the world. RIGHT Each upholstery tile has mortises and grooves, allowing for easy sliding between furniture frames, with a removable key for locking everything into place.

or Ewelina Pankowska, design is a puzzle that fuses creative expression with function. And as much as she loves art and its expression, the driving force behind her work has always been tackling physical and environmental F problems. Recognizing that the furniture industry is responsible for approximately 15 percent of Earth’s deforestation, Pankowska’s company Reforest Design is addressing these environmental concerns through its furniture design, material and manufacturing. The result of Reforest Design’s vision is a furniture line with a signature modular system that can be applied to all upholstery styles.

from idea to reality The idea for Reforest Design was inspired by the plethora of damaged and discarded furniture that Pankowska encountered during her days studying Environmental Design Architecture at OCAD University in Toronto, Canada. “I’d walk city streets and couldn’t help but notice all the different breeds of cast-off

Reforest Design creates a repair rather than replace furniture option. rather than replace a repair Design creates Reforest furniture,” she notes. “A majority of the furniture found on the curb was upholstered. If It's Broke, Fix It

EVOLUTION AND MILESTONES One of the biggest milestones was finalizing the uphol- There have been a series of changes, modifications and stery tile design for a patent, which up until that point milestones reached since Pankowska started her project has been kept a secret for at least six years. As soon as years ago. the patent – which is currently pending – was filed the For one, since the onset, the upholstery tiles have gone designs could be made public. through at least four major modifications. There was even a version of tiles with magnets, which did not work “This upholstery tile idea is so much fun I didn’t want to out, Pankowska says. “Through testing, the design has compromise its sustainable mission with someone mak- evolved to where it is today, and I am sure will continue ing a cheap plastic knock-off,” Pankowska explains. to improve.”

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IS_1218_ProdEvol.indd 40 11/14/18 9:36 AM Deforestation and Other Environmental Impacts of Furniture

• There is over 9.8 million tons of furniture waste created every year

• The furniture industry is responsible for approximately 15 percent of the world’s deforestation

• 1.5 acres of forest is cut down every second

• Half of the world’s tropical forests have been cleared in only 100 years

• At the rate of deforestation, it is estimated that in 100 years there will be no rainforests

*Information provided by Reforest Design founder and designer Ewelina Pankowska

It was either ripped, stained, pilled, worn or old fashioned. However, most frames of the furniture appeared to be in good condition.” She decided that upholstery needed to be her focus, first designing the modular cube cushions that could easily be repaired – an alternative to tossing out an entire piece of furniture if the upholstery became damaged. The option also allowed for customization and improved longevity; the furniture could always have the trendiest fabrics and allow for personal creativity. Wanting to make the whole product sustainable, Pankowska uses sustainably manufactured pressed bamboo, which grows faster and releases 35 percent more oxygen than a forest of trees equivalent in size. The upholstery combines 100-per- cent natural latex foam with natural and recycled fabrics, and the furniture is also designed to be flat-packed for assembly, with parts that are replaceable. “With this concept my furniture could be accessible for shipping worldwide, so anyone could have access to a sustainable product, and the company could take care of the furniture’s life by offering a recycling program for upholstery tiles and a repaired parts program to replace parts,” she explains. ➤

OTHER MILESTONES INCLUDE: lounge chairs, futons and more – all of which are FSC, CE, CARB and ISO certified • Officially launching September 10, 2018. It was the first day the products were • Selling Reforest Design furniture in select retailers across Canada and the U.S. made available for sale to the public through reforestdesign.com • Continuing to express her creativity through design and solve any problems that • Exhibited at the Vancouver Interior Design Show, September 26-29, 2018 come her way • Published within Milan’s DESIGN FOR 2019 Book • Releasing an upgraded website

LOOKING AHEAD “I hope to release a website that offers a 3D interactive design interface for Pankowska has plenty of plans and ambitions for Reforest Design in the months customization and preview of furniture,” she says. “Additionally, release an and years ahead including: online trading post and an extensive collection of fabric options in the upholstery • Releasing all her design ideas, which extend to headboards, benches, ottomans, tile archive.”

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IS_1218_ProdEvol.indd 41 11/14/18 9:37 AM sources | PRODUCT EVOLUTION

Reforest Design Product Fast Facts

• WOOD-FREE MATERIAL: Reforest Design uses bamboo (a grass), which has greater strength than most hardwoods, can be harvested within one to five years, grows back when cut, and produces 35 percent more oxygen than a tree during its lifespan.

• THOUSANDS OF CUSTOMIZABLE OPTIONS: Express creativity through an upholstery tile archive with thousands of designs from artists all around the world.

• REPLACEABLE AND INTERCHANGEABLE UPHOLSTERY TILES: Each upholstery tile has mortises and grooves, allowing for easy sliding between furniture frames, with a removable key for locking ABOVE Recycled and natural fabrics are used in Reforest Design's manufacturing, reducing the everything into place. Simply remove the key and slide away to release of potentially harmful chemicals. BELOW Reforest Design uses bamboo, which has greater strength than most hardwoods, and produces 35 percent more oxygen than a tree during its exchange tiles for repair. lifespan.

• TRADING POST AND RECYCLING PROGRAM: Trade upholstery tiles with friends or the online Reforest community and recycle tiles that you no longer desire. You will receive a discount on your new tile and usable parts of your old tile will be used in Reforest Design’s “second generation” upholstery tile line.

• GREENGUARD CERTIFIED FABRICS: Recycled and natural fabrics are used in Reforest Design’s manufacturing, reducing the release of potentially harmful chemicals, and protecting the health of you and your fellow Reforest Design furniture connoisseurs.

• LIFETIME REPAIR SERVICE: You could replace each frame part and upholstery tile so your furniture can last generations. Services for refinishing will also be available in the furniture. Reforest Design furniture will not end up in the dump.

• ONLINE DESIGN AND SHIPPING: An interactive website will be made available, enabling you to preview your design ideas with our design interface. Your furniture will be delivered right to your home.

*Information provided by reforestdesign.com

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IS_1218_ProdEvol.indd 42 11/14/18 9:39 AM sources | PRODUCT BREAKDOWN | Compiled by Rachel Kats | Images courtesy of Forbo Flooring

Walking Through Twilight Designer Philippe Starck and Forbo Flooring Systems team up to create the highly adaptable Flotex by Starck collection.

isionary designer Philippe Starck and Forbo’s product LEFT Philippe Starck development and design created a collection of three systems, team for Flotex Flocked V each of which Flooring have collaborated to create comes in four sepa- the Flotex by Starck collection. rate parts that can Combined, Starck’s rich designs be freely arranged. complement the technical benefits of BELOW The smooth, straight fibers of Flotex’s textile floor, which provides the Flotex do not trap hard-wearing and durable character- particles of soil, istics of a resilient floor, but also offers allowing them to the warmth and acoustical benefits of be removed without a carpet. The result is a product that is difficulty during cleaning. eye-catching, slip and stain resistant, waterproof and washable. Starck’s collection features three unique patterns, created by using a high-definition digital printing technique. By playing on scale and transition, each of these flooring designs challenges tradition and offers countless color and design combinations. That makes Flotex by Starck highly adaptable to many locations and projects. See how this product breaks down below.

3 design systems included in the collection: Vortex, Artist and Twilight 4 the number of parts each pattern is divided into 500 designs and bespoke capabilities offered in sheet, tile and plank formats 100% waterproof due to the closed-cell cushion backing 6.6 the type of Straight Nylon fibers used to create the flooring 70 million densely placed fibers per square meter 20 dB impact noise reduction 20 percentage of recycled content used to manufacture the Flotex sheet the width of the full pattern, which includes a center piece linked with a designed gradient that 10 meters can be applied on both sides fading onwards

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IS_1218_ProdBreakdown.indd 41 11/14/18 9:54 AM sources | PRODUCT COLLABORATION | By Adrian Thompson | Images courtesy of Natuzzi

AN INTELLIGENT INTERIOR

Italian furniture he Internet of Things is rapidly trans- says Natuzzi. “I reached out to LG because they are best-in-class in the world forming the concept of modern living of Artificial Intelligence and smart devices.” company – Amazon’s Alexa answers our questions Incorporating LG’s cutting-edge innovation in appliances and home enter- Natuzzi taps T and can connect us to nearby devices, tainment products, Smart Living project designer Mauro Lipparini created a apps show us who’s knocking at the door or if we complete family of minimalist furniture items. The focal point of the collection is LG Electronics forgot a light on, and in-home security devices are the Colosseo sofa, which consists of two enveloping shells of different heights easier to install than ever before. And now, there’s and shapes that embrace the seat and backrest cushions to create a compact as its partner intelligent furniture. overall design. The square shell is slightly raised on the backrest to form a kind in its first Introduced at Salone Del Mobile 2018 in April and of private area where the end user can shut themselves away. It also features resurging again for the first time in North America at a Zero Wall space-saving system. Internet of High Point Market in October is the Colosseo sofa, “When you sit on a Colosseo sofa with the Zero Wall system the seating a smart sofa that can interact with technological and backrest move forward, inclining as the sofa opens so there's no need to Things project: devices in one’s home. The furniture is part of the keep it away from the wall,” explains Natuzzi. “This allows you to place the the Colosseo Smart Living project, a collaboration between Italy’s sofa directly against the wall – additional wall clearance is not necessary.” largest furniture house, Natuzzi, and LG Signature, In the Natuzzi-LG Smart Living environment, a voice assistant recognizes smart sofa. LG’s premium product brand. Based on Internet of the voice of users and monitors the ergonomics of the sofa, changing the Things (IoT) technology, the Smart Living project position of the seat according to different customizable scenarios – like read- enables furniture like the Colosseo sofa to interact ing, resting and watching TV – and also according to the specific require- with connected LG Signature devices, such as the ments of each consumer and LG Signature devices at the same time. To LG Signature TV and LG Signature air purifiers or easily monitor and control the sofa, Natuzzi adds that users can download even an AI speaker or LG Smart Bulb. the LG Signature app on their smartphones or tablets. The first-ever partnership between the two brands has resulted in furni- From an inanimate object, the Colosseo sofa becomes what Natuzzi ture that is far more advanced than the average design of chairs and sofas dubs “a kind of relaxing robot,” offering different recline options and the cus- that may include a charging port and/or Bluetooth enabled speakers. To tomized adjustment of seat cushions, the backrest, headrest and footrest. enter the smart home market, Pasquale Junior Natuzzi, chief marketing offi- Available in fabric and fine Natuzzi leather, Colosseo comes in over 200 col- cer at Natuzzi, made the initial contact with LG whose base is in South Korea. ors and its seat modules can even be integrated with open storage units that “I personally approached LG because in the last five to six years of fully can act as an armrest or shelf. working in the industry – and deeply understanding its global context – I “We have always combined research, creativity, skilled craftsmanship and understood there was a big opportunity to create a new market segment technology in a process that has been perfected through years and years of where the Internet of Things could be merged into a smart furniture collection,” work,” says Natuzzi of the design. “Only through this, we are able to introduce

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IS_1218_ProdCollab.indd 44 11/14/18 9:51 AM sources | PRODUCT COLLABORATION | By Adrian Thompson | Images courtesy of Natuzzi

new projects that are years ahead of anything else on the market.” without compromising the design. The merging of the two is what makes this Natuzzi visited the LG Science Park in Seoul to experience first-hand just collaboration successful.” how LG Electronics represents technological innovation. “LG is marching While no specific release date has been revealed, Natuzzi adds that ever closer to having a smart house that does everything from cook to clean Colosseo should be made available this winter, and that one can expect more on our behalf,” he remarks. “From our side, we have a manufacturing know- collaboration and research between the two companies on the merging IoT how that allows us to create innovative solutions and realize motion furniture and interior industries.

INTERIOR

top Colosseo is available in a wide range of coverings in fabric and in fine Natuzzi leather in 200-plus colors. The sofa’s body is upholstered in real leather, also available in different colors.

below The sofa is totally modular and available in in-line and corner versions, with or without a relaxation function, satisfying a variety of spaces and style needs.

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IS_1218_ProdCollab.indd 45 11/14/18 9:46 AM ASID | BJ Miller, FASID, CCIM Chair | Images courtesy of ASID

LOOKING FORWARD

hen I was asked in 2008 to champion a multi-disciplinary Armed with the research garnered from these forward-thinking certificate program initiative at the University of As we move into 2019 projects and many like them, designers will have an increasingly Tennessee, the term “health and wellness” was not in and beyond, our desire important role in impacting lives through design well into the common use. Our team hypothesized then that as we future. The data will help all designers make more informed W and drive to create moved into the future, health and wellness would become as ubiquitous decisions on enhanced quality of life and human performance, and in architecture and interior design as the Americans with Disabilities Act generative space, to create forward-thinking projects focused on generative space. and “green design” had become before them. A decade later, that accounting for both In March of next year, ASID will honor the finalists and winners of a tipping point has been reached. physical and social brand-new initiative—the Outcome of Design Awards. In line with Now and into the future, building performance will be a common the trajectory of the design industry, the Awards will honor projects needs of occupants as element in design, and human performance will take center stage as that embrace and realize the ASID motto, “Design Impacts Lives.” research provides insights into the science behind design. As design well as a holistic sense Evaluating the design details, occupant experience and data- professionals, we own the user experience within a space, and that of the larger community driven results of each project, the Awards provide a blueprint for responsibility brings added value to our clients, additional revenue for the next generation of humancentric, impactful environments. impact, will become our business and growth opportunities for our profession. As we move into 2019 and beyond, our desire and drive to increasingly important. Rapid changes in our surroundings are pushing the need for create generative space, accounting for both physical and social repurposing and redefining environments, and as we move into the By combining the needs of occupants as well as a holistic sense of the larger com- future, design will improve well-being for all ages and those with diverse dedication and vision munity impact, will become increasingly important. By combining abilities. The 2018 ASID Foundation Transform Grants were awarded the dedication and vision of architects, designers and their of architects, designers to fund research on repurposing distressed urban malls for mixed-use clients with today’s leading technology and research, the future dementia friendly city centers (Oklahoma State University) and on and their clients with of design is limitless. redefining the modern healthcare model and venue (University of today’s leading Texas, Austin). HKS and its nonprofit research arm, CADRE, created technology and BJ Miller is chair of the ASID National Board of Directors, a past a prototype environment equipped with environmental and human ASID National Board Member, and past president of the ASID research, the behavior sensors (funded by 2016 ASID Foundation Transform Grant Tennessee chapter. With a wealth of interdisciplinary knowledge A) and further developed this into a sensory well-being hub to test future of design and a dedication to the built environment, BJ has represented the environment for adolescents with development disorders (funded is limitless. ASID as a speaker at High Point Market and KBIS and brings her by 2017 ASID Foundation Transform Grant B). expertise to this column for an outlook on the future of design

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IS_1218_ASID.indd 46 11/20/18 10:22 AM IIDA | By IIDA | Images courtesy of IIDA

TRENDS TO LOOK for IN 2019

Cheryl Durst and Future” isn’t just a buzzword. In fact, “future” is immersive and memorable experience, the word: that excites us, drives us and ultimate- incorporating all senses. John Czarnecki ly, inspires us. Creating for a more inclusive and sustainable future is a clear necessity, and savvy 5. Work and Play: The next phase of share design trend commercial interior designers and architects now design for on-site amenities: More than that ubiq- predictions for the all aspects of human wellness in shaping interiors for how uitous office foosball table, design for “we will live, work and adapt. workplace, healthcare and education year ahead and The “future of design” can no longer be siloed away will focus on experience-driven spaces beyond, and what into the abstract; a concept taken care of by marketing and that incorporate hospitality elements faceless corporate entities. The future of design is, in fact, such as spaces for massage therapy, they mean in the palpable, and it is driven by human beings for the better- full retail and entertainment. context of a people- ment of human beings. Keeping these realities in mind, IIDA Executive Vice . jo h n : friendly future. President and CEO Cheryl Durst, Hon. FIIDA, and IIDA 1. .Shop and Don’t Drop: The land- Deputy Director and Senior Vice President John Czarnecki, scape of retail is evolving for new genera- Hon. IIDA, Assoc. AIA, each share top five major design trends that they believe will tions and shopping preferences, but it is not dying. We now see brands that began be prevalent in 2019 and beyond, and what they mean in the context of our people- as online-only retailers developing and expanding brick-and-mortar stores in cities. friendly future. Examples include Amazon Go, Google Hardware Store and One King’s Lane. The design-oriented brand Hay will open an actual store soon in Portland, OR. c h e ry l : 1. Inclusion is Key: Designing spaces that are inclusive of everyone to improve qual- 2. Workplace Redesign: The advent of coworking is less than a decade old, but the ity of life and ease of use for demographics in race, gender and disability that have number and scope of coworking locations will grow exponentially in just the next previously been underrepresented. five years. The normalizing of startup culture will impact the way businesses are developed, the way workplaces are designed, the way a new generation of work- 2. Tech-Savvy: As technology becomes ever more integrated into our everyday lives, ers perceive the workplace, and the way commercial real estate is transacted with the border between finish and machine will continue to blur as monitors, touchpads shorter lease terms. and cameras continue to become blended seamlessly into designs for efficient use and clean aesthetics. Technology will 3. Changing Face: The demographics of the design industry, and our clients, will be part of the environment, rather than dramatically change. Today, we have five generations in the workplace, with the an accompaniment. Baby Boomers retiring from the workforce over the next decade plus. Gen X is now taking on leadership positions and the large generation of millennials and Gen Z will 3. Adaptable for Progress: The evolu- define the future workforce, which will become increasingly diverse and younger. tion of the garage office will continue with the use of compact and multifunc- 4. Data Delivers: The amount of data being collected, related to every aspect of tional furnishings that can easily adapt life, everywhere we go, and everything we do, will increase. This will inform design to different spaces and environments decisions for every type of commercial interior, from workplaces to hospitality and as young companies look for agility in healthcare. their offices. 5. Driven by Design: Speaking of data and technology, the driverless car is on its 4. Design All Around: Moving past just way, and the transformation related to our modes of transportation—and the human the visual and tactile, future-branded experience overall—will be radical and swift. Large firms in our design industry are design of spaces will also infuse audio, already working on this in a variety of ways. By 2030 or so, driving our own vehicles scent and even taste to create an may become a thing of the past.

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056_DesLib_AdIndx.indd 56 IS_1218_DesLib_AdIndx.indd 49 3/20/18 12:12 PM 11/20/18 10:01 AM +OnThatNote | By Adrian Thompson | Images courtesy of SPY

his year’s WestEdge Design Fair in Santa Monica, CA, kicked off with an opening night party that included more than just cocktails CHARITABLE and hors d’oeuvres. The festive evening also hosted an auction of T 15 one-of-a-kind Knoll Bertoia chairs, with the proceeds benefiting Safe Place for Youth (SPY). The organization’s mission is to inspire, nurture and CHAIRS empower the resilient human spirit of homeless youth by providing immediate and lasting solutions. WestEdge Design Fair’s opening night auction raises money for Founded in 2011, SPY was started by a group of volunteers and Founder/ homeless youth. Executive Director Alison Hurst offering hot food, clothing and socks to home- less youth in Venice Beach from volunteers’ cars. Today, it now consists of a professional staff of 26 employees who rely on support from donors, volun- teers and partner organizations like WestEdge. “SPY was approached by the WestEdge Design Fair team about the auc- tion and being the fair’s official charitable partner,” says Cody Metzger, SPY’s development officer. WestEdge, Knoll and LALA Magazine all partnered for the auction, titled “Take a Seat.” The auction began at the fair’s opening night party Oct. 18 and ran through- out the weekend. Artists, architects and designers came together to create the 15 chairs-turned-art using Knoll’s iconic and recently reissued Bertoia Molded Shell chair as their canvas. “All of the chairs were beautifully done, but a few standouts were the Ruben Rojas chair and Gensler LA’s project done in collaboration with SPY youth,” says Metzger. “Rather than modifying the Knoll Bertoia, Gensler used the chair as a platform to give voice to the very youth that SPY was serving. By sharing their stories, Gensler’s hope was that it would help us all understand and be inspired by the resilient human spirit of homeless youth.” Several youth members engaged in SPY’s Healing Arts Program also got to participate and design one of the chairs for the auction, which raised a total of $3,000 to support SPY’s mission. Metzger explains that the money will help carry out a continuum of care that includes street outreach and engagement, low-barrier drop-in services, case management, health and wellness care, and education and employment services. In 2018, nearly 1,400 individual homeless and at-risk youth received support across the spectrum of SPY programs.

ABOVE In addition to youth engaged in SPY's Healing Arts Program designing one of the how to get involved Knoll chairs, four youth were also given the The success of SPY’s work relies heavily on community involvement. It opportunity to staff the has several volunteer programs and events year-round that serve as a event.RIGHT In 2018 way to learn, network and, most importantly, provide critical resources alone, SPY has been to homeless youth. SPY has three signature events annually, in addition able to help nearly to smaller events surrounding particular campaigns. Learn about 2019 1,400 youth with sup- port from donors, events and how to participate at www.safeplaceforyouth.org. volunteers and partner organizations.

50 interiors+sources december 2018 interiorsandsources.com

IS_1218_Andonthatnote.indd 50 11/19/18 10:09 AM February 11-13, 2019 | Ponte Vedra Inn | Ponte Vedra Beach, FL

Design Connections is celebrating its 6th year in 2019.

We’ve taken your feedback and made tweaks to this proven format:

• Longer boardroom sessions • More breaks throughout the day • Experiences that take advantage of the local flavor - that means more activities on the beautiful Ponte Vedra beach! • Even more compelling content that earns you continuing education units

Speaking of content, expect some big new ideas in 2019 with our talented advisory board crafting an over-arching theme of disruption in design.

This is a wholly hosted event for approved attendees, meaning interiors+sources and our generous sponsors cover all your costs; including airfare, hotel, transfers to/from hotel, and meals. All on a beautiful Florida beach! Apply to attend today at www.dsignconnections.com

DesignConnections_houseAD.indd 1 11/19/18 1:16 PM KORE ™ WORK CART Designed by Daniel Korb

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Untitled-1 1 11/15/18 12:18 PM