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Sept Oct Cover Layout 06 8/11/06 4:14 PM Page 1 NHT Xd Loudspeaker System Software Changes Are Delivered Via E-Mail to Any Host Computer with a USB Connector
Sept Oct Cover Layout 06 8/11/06 4:14 PM Page 1 NHT Xd Loudspeaker System Software changes are delivered via e-mail to any host computer with a USB connector. Software is Manufacturer: NHT, 6400 Goodyear Road, Benicia, supplied by NHT to be loaded on the host computer. CA 94510; 800/648-9993; www.nhtxd.com This software is used to transfer the file in the email Price: 6-piece satellite/subwoofer system including to the XdA USB port. Updates are produced active electronics in a separate enclosure and approximately once a year. Soft keys on front panel dedicated stands, $6,000; extra XdW for stereo implement four possible boundary compensation subwoofer applications, $1,200; extra XdS, $900. modes for XdS woofer. These can be adjusted Source: Manufacturer Loan independently for each channel. As-configured Reviewer: David Arthur Rich crossover frequencies are at 110 Hz and 2.1 kHz. As-configured subwoofer output is mono for single Features and Notes: subwoofer. Unit has added electronics to support XdS satellite speaker: 1" aluminum dome stereo powered subwoofers. (3) 6 digital to analog tweeter with heat sink. Driver is directly connected converters (three for each channel). Two of the DAC to the banana jacks at the back of the speaker. 5.25" channels are assigned to drive a pair of subwoofers magnesium cone midrange unit with direct through balanced and single-ended outputs on the connections to the banana jacks at the back of the back of the XdA. Summation of subwoofer signals speaker. Molded composite acoustic-suspension for single subwoofer operation is set by a switch on enclosure. -
Transition to Digital Digital Handbook
TRANSITION TO DIGITAL DIGITAL HANDBOOK Audio's video issues tion within one audio sample, the channels of audio over a fiber-optic in- There can be advantages to locking preambles present a unique sequence terface. This has since been superseded the audio and video clocks, such as for (which violate the Biphase Markby AES 10 (or MADI, Multichannel editing, especially when the audio and Code) but nonetheless are DC -freeAudio Digital Interface), which sup- video programs are related. Althoughand provide clock recovery. ports serial digital transmission of 28, digital audio equipment may provide 56, or 64 channels over coaxial cable or an analog video input, it is usually bet- Like AES3, but not fiber-optic lines, with sampling rates ter to synchronize both the audio and A consumer version of AES3 -of up to 96kHz and resolution of up to the video to a single higher -frequencycalled S/PDIF, for Sony/Philips Digi-24 bits per channel. The link to the IT source, such as a 10MHz master refer-tal Interface Format (more formallyworld has also been established with ence. This is because the former solu- known as IEC 958 type II, part of IEC- AES47, which specifies a method for tion requires a synchronization circuit60958) - is also widely used. Essen- packing AES3 streams over Asynchro- that will introduce some jitter into thetially identical to AES3 at the protocol nous Transfer Mode (ATM) networks. signal, especially because the video it- level, the interface uses consumer - It's also worth mentioning Musical self may already have some jitter. To ac- friendly RCA jacks and coaxial cable.Instrument Digital Interface (MIDI) for broadcast operations. -
A Nearly Complete Case for the Horn Beginning with the Driver High
Earo High Definition Audio A nearly complete case for the horn This paper attempts to describe , in least complex scientific terms, the challenge of converting an electrical audio signal to an acoustic one. In doing so it also attempts to explain the rationale behind the principles of horn loading and why Earo bases most of its designs on this method. Beginning with the driver You are invited to join in on a jo urney that will take you to some insights on why speakers are designed they way they are and why old school wisdom can be combined with state of the art technology to create outstanding realism in audio reproduction. We need to begin where the rubber hits the tarmac, with the loudspeaker driver. It appears to be simple in concept and implementation, that’s deceptive as we will show. In the picture below we can structure the speaker into two significant section, the frame and the moving parts. The frame consis ts of the basket which is the driver chassis. It holds the magnetic circuit and the two flexible joints that allow the moving parts to move. The lower moving part both cent ers and acts as a return spring to the cone assembly. It is termed “spider” which is strange as it does not resemble one at all. At the other end of the cone is the other joint suitably termed the “surround” . We won’t dig too deep into the exciting world of the magnetic circuitry and will rest to say that regardles s of what source of magnetism is used, its purpose is to direct as much as possible of it into a circular airgap in which the voice coil moves. -
11C Software 1034-1187
Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185 -
Packburn Audio Noise Suppressor Model 323 Aa
PACKBURN AUDIO NOISE SUPPRESSOR MODEL 323 AA MODEL 323 A WITH REPLACEMENT BOARDS Packburn is Registered in U.S. Patent and Trademark Office 1-06 A single-ended noise suppressor designed to eliminate or reduce noises due to imperfections in and damage to sound recordings in all analog audio media, including cylinder, disk, film wire and tape recordings, monophonic and stereophonic. It is also applicable to broadcasts, digital tapes and CD records from these sources. It is designed for both audiophile and professional use. Model 323AA contains three processors designed to Blanker. This is designed to cope with transient noises from suppress transient noises (ticks, pops, clicks, crackle, any source: whether from the output of the Switcher, where scratch) encountered in some 100 years of phonograph noises remain that were common to both side walls of the recordings, wherever and however made, as well as the groove, or from a stereophonic disk recording. Also, it is audible hiss familiar in all audio media prior to the applicable to a monophonic tape, a broadcast or a CD development of successful encode/ decode noise record of a disk recording that has transient noises. Note suppression systems and, more recently, digital audio. that the Packburn Blanker works from any program source, in contrast to some devices that require the vertical component of a stereophonic disk to trigger their action. Model 323AA also incorporates a number of necessities and conveniences for the optimum playback of disk and cylinder recordings and for the achievement of optimum results with The Blanker clips the amplitude of each individual the Audio Noise Suppressor. -
Downloadable Preview
AES47-2006 (r2011) AES standard for digital audio — Digital input-output interfacing — Transmission of digital audio over asynchronous transfer mode (ATM) networks Published by Audio Engineering Society, Inc. Copyright ©2005 by the Audio Engineering Society Preview only Abstract This document specifies the method of carrying multiple channels of audio in linear PCM or AES3 format in calls across an asynchronous transfer mode (ATM) network to ensure interoperability. The specification includes the method of conveying information concerning the format and sampling frequency of the digital audio signal when setting up the calls. An AES standard implies a consensus of those directly and materially affected by its scope and provisions and is intended as a guide to aid the manufacturer, the consumer, and the general public. The existence of an AES standard does not in any respect preclude anyone, whether or not he or she has approved the document, from manufacturing, marketing, purchasing, or using products, processes, or procedures not in agreement with the standard. Prior to approval, all parties were provided opportunities to comment or object to any provision. Attention is drawn to the possibility that some of the elements of this AES standard or information document may be the subject of patent rights. AES shall not be held responsible for identifying any or all such patents. Approval does not assume any liability to any patent owner, nor does it assumewww.aes.org/standards any obligation whatever to parties adopting the standards document. This document is subject to periodic review and users are cautioned to obtain the latest printing. Recipients of this document are invited to submit, with their comments, notification of any relevant patent rights of which they are aware and to provide supporting documentation. -
KHMA 200301.Indd
200301 FROM THE DESK OF URATOR’S Jim Hunter, Curator THE PRESIDENT CORNER Richard Groves, KHMA President Each year, hundreds of Klipsch fanatics make the trek to Hope, Arkansas to Donations & Acquisitions: celebrate Paul W. Klipsch and the speakers that produce the sound that has On February 14th, Brenda Jordan captured our emotions. We call this event “The Pilgrimage” and it’s taking donated a near mint Klipsch place March 19-21. This year’s Pilgrimage is being planned and managed Hobbit t-shirt. This is probably by Travis Williamson and Roy Delgado and includes components of the the second most desired Klipsch many adventurous projects to come for KHMA. A very special thanks to t-shirt, just behind the infamous Travis and the Museum Pilgrimage team for the hundreds of volunteer hours BS Klipschirt. It immediately went they have spent working to bring the Pilgrimage into the City of Hope. on display with our Klipschirt. Thursday, March 19: Dinner and listening session at the KHMA Thanks, Brenda! Education Center, sponsored by Klipsch. We also received a complimentary Friday, March 20: Tours at the Klipsch factory, followed by dinner copy of the new book, High Quality and a concert at the PWK Auditorium. Horn Loudspeaker Systems, by Saturday, March 21: Lunch and learn event with Chief Bonehead, Kolbrek and Dunker. Wow! The Roy Delgado at the KHMA Education Center, followed by dinner and history they have produced from a spin session that evening at the PWK Auditorium. Klipsch em- the Bell Labs Archives is amazing. ployees Mark Casavant and Matt Sommers are hosting. -
Public Address & Voice Alarm System Product Catalogue 2015
Public Address & Voice Alarm System Product Catalogue 2015 Speakers | Amplifiers | Audio Sources | Microphones | Controllers Extending Leadership Into Acoustic Excellence 2015 Honeywell International Inc. Extend leadership into acoustic excellence! Honeywell is a Fortune 100 company that invents and manufactures technologies to address tough challenges linked to global macro trends such as safety, security, and energy. With approximately 122,000 employees worldwide, including more than 19,000 engineers and scientists, we have an unrelenting focus on quality, delivery, - Cabinet Loudspeaker - value, and technology in everything we make and do. - Ceiling Loudspeaker - Honeywell Public Address & Voice Alarm products are manufactured by Honeywell Audiovisuals which specializes in acoustics and public address systems and provides customers a better public communication management - Horn Loudspeaker- solution for all occasions where sound is a major intermediary to spread information and a way to improve environmental conditions. Honeywell represents cutting-edge innovation, superior quality and uncompromising - Projection Loudspeaker - safety. No matter what you are looking for, extraordinary sound performance, easy installation and maintenance, cost effectiveness, or just one handsome looking design, Honeywell always has a choice up to your requirement. - Column Loudspeaker - - Pendant Loudspeaker- With an experienced team of experts researching, developing and testing in our fully equipped anechoic rooms, Honeywell Leadway series loudspeakers -
Lonely Sounds: Recorded Popular Music and American Society, 1949-1979
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 4-18-2008 Lonely Sounds: Recorded Popular Music and American Society, 1949-1979 Chris R. Rasmussen University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the History Commons Rasmussen, Chris R., "Lonely Sounds: Recorded Popular Music and American Society, 1949-1979" (2008). Dissertations, Theses, & Student Research, Department of History. 16. https://digitalcommons.unl.edu/historydiss/16 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 by Christopher Rasmussen A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska-Lincoln In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: History Under the Supervision of Professor Benjamin G. Rader Lincoln, Nebraska May, 2008 ii LONELY SOUNDS: POPULAR RECORDED MUSIC AND AMERICAN SOCIETY, 1949- 1979 Christopher Rasmussen, Ph.D. University of Nebraska-Lincoln, 2008 Adviser: Benjamin G. Rader Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 examines the relationship between the experience of listening to popular music and social disengagement. It finds that technological innovations, the growth of a youth culture, and market forces in the post- World War II era came together to transform the normal musical experience from a social event grounded in live performance into a consumable recorded commodity that satisfied individual desires. -
Maintaining Audio Quality in the Broadcast/Netcast Facility
Maintaining Audio Quality in the Broadcast and Netcast Facility 2019 Edition Robert Orban Greg Ogonowski Orban®, Optimod®, and Opticodec® are registered trademarks. All trademarks are property of their respective companies. © Copyright 1982-2019 Robert Orban and Greg Ogonowski. Rorb Inc., Belmont CA 94002 USA Modulation Index LLC, 1249 S. Diamond Bar Blvd Suite 314, Diamond Bar, CA 91765-4122 USA Phone: +1 909 860 6760; E-Mail: [email protected]; Site: https://www.indexcom.com Table of Contents TABLE OF CONTENTS ............................................................................................................ 3 MAINTAINING AUDIO QUALITY IN THE BROADCAST/NETCAST FACILITY ..................................... 1 Authors’ Note ....................................................................................................................... 1 Preface ......................................................................................................................... 1 Introduction ................................................................................................................ 2 The “Digital Divide” ................................................................................................... 3 Audio Processing: The Final Polish ............................................................................ 3 PART 1: RECORDING MEDIA ................................................................................................. 5 Compact Disc .............................................................................................................. -
Immersive 3D Sound Optimization, Transport and Quality Assessment Abderrahmane Smimite
Immersive 3D sound optimization, transport and quality assessment Abderrahmane Smimite To cite this version: Abderrahmane Smimite. Immersive 3D sound optimization, transport and quality assessment. Image Processing [eess.IV]. Université Paris-Nord - Paris XIII, 2014. English. NNT : 2014PA132031. tel- 01244301 HAL Id: tel-01244301 https://tel.archives-ouvertes.fr/tel-01244301 Submitted on 17 Dec 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Université Paris 13 N◦ attribué par la bibliothèque THÈSE pour obtenir le grade de DOCTEUR DE l’UNVERSITÉ PARIS 13, SORBONNE PARIS CITÉ Discipline : Signaux et Images présentée et soutenue publiquement par Abderrahmane SMIMITE le 25 Juin, 2014 Titre: Immersive 3D sound Optimization, Transport and Quality Assessment Optimisation du son 3D immersif, Qualité et Transmission Jury : Pr. Azeddine BEGHDADI L2TI, Directeur de thèse Pr. Ken CHEN L2TI, Co-Directeur de thèse Dr. Abdelhakim SAADANE Polytech Nantes, Rapporteur Pr. Hossam AFIFI Telecom SudParis, Rapporteur Pr. Younes BENNANI LIPN-CNRS, Examinateur Mr. Pascal CHEDEVILLE Digital Media Solutions, Encadrant Declaration of Authorship I, Abderrahmane SMIMITE , declare that this thesis titled, ’Immersive 3D sound Optimization, Transport and Quality Assessment’ and the work presented in it are my own. -
Aesjournal of the Audio Engineering Society Audio
JOURNAL OF THE AUDIO ENGINEERING SOCIETY AES AUDIO/ACOUSTICS/APPLICATIONS VOLUME 50 NUMBER 1/2 2002 JANUARY/FEBRUARY CONTENT President’s Message........................................................................................................Garry Margolis 3 PAPERS Fourth-Order Symmetrical Band-Pass Loudspeaker Systems ....................................................................................................Grzegorz P.Matusiak and Andrzej B. Dobrucki 4 The analysis of fourth-order band-pass loudspeaker systems based on the well-known Thiele, Small, and Benson theory is presented using a reactance transformation method. By comparing the acoustic analog circuit with the transfer function obtained from the reactance transformation, the results allow the symmetry condition to be determined. The resulting system has advantages over closed-box and vented-box high-pass systems in terms of power and efficiency. Maximizing Performance from Loudspeaker Ports .......Alex Salvatti, Allan Devantier, and Doug J. Button 19 The low-frequency performance of a loudspeaker is significantly enhanced by the use of tapered ports, but there are numerous trade-offs involving the size of the port and the input and output tapers. Design issues include the effectiveness of heat transfer, amount of turbulence created, air velocity, smoothness of the taper, symmetry of the two tapers, effective mass in the port, and the contribution to the frequency response. Suggested design rules are based on extensive empirical studies. ENGINEERING REPORTS Wavetable Matching of Inharmonic String Tones ............................Clifford So and Andrew B. Horner 46 A new wavetable matching technique for inharmonic music tones, such as a violin with vibrato, shows good spectral matching and adequate frequency resolution. Confirmation with listening tests significantly improves the perceived matching but degrades performance on harmonic trumpet tones compared to simple wavetable matching.