“Uptown Funk” — Mark Ronson Featuring Bruno Mars

Total Page:16

File Type:pdf, Size:1020Kb

“Uptown Funk” — Mark Ronson Featuring Bruno Mars RECORD OF THE YEAR “Really Love” — D’Angelo and the Vanguard WINNER: “Uptown Funk” — Mark Ronson featuring Bruno Mars “Thinking Out Loud” — Ed Sheeran “Blank Space” — Taylor Swift “Can’t Feel My Face” — The Weeknd ALBUM OF THE YEAR Sound & Color — Alabama Shakes To Pimp a Butterfly — Kendrick Lamar Traveller — Chris Stapleton WINNER: 1989 — Taylor Swift Beauty Behind the Madness — The Weeknd BEST NEW ARTIST Courtney Barnett James Bay Sam Hunt Tori Kelly WINNER: Meghan Trainor BEST ROCK PERFORMANCE WINNER: “Don’t Wanna Fight” — Alabama Shakes “What Kind of Man” — Florence & The Machine “Something From Nothing” — Foo Fighters “Ex’s & Oh’s” — Elle King “Moaning Lisa Smile” — Wolf Alice BEST MUSICAL THEATER ALBUM An American in Paris Fun Home WINNER: Hamilton The King And I Something Rotten! PHOTOS: Grammys 2016 Red Carpet: Wildest Fashion and Beauty Looks SONG OF THE YEAR “Alright” — Kendrick Lamar “Blank Space” — Taylor Swift “Girl Crush” — Little Big Town “See You Again” — Wiz Khalifa featuring Charlie Puth WINNER: “Thinking Out Loud” — Ed Sheeran BEST COUNTRY ALBUM Montevallo — Sam Hunt Pain Killer — Little Big Town The Blade — Ashley Monroe Pageant Material — Kacey Musgraves WINNER: Traveller — Chris Stapleton BEST RAP ALBUM 2014 Forest Hills Drive — J. Cole Compton — Dr. Dre If You’re Reading This It’s Too Late — Drake WINNER: To Pimp A Butterfly — Kendrick Lamar The Pinkprint — Nicki Minaj BEST POP DUO/GROUP PERFORMANCE “Ship to Wreck” — Florence & The Machine “Sugar” — Maroon 5 WINNER: “Uptown Funk” — Mark Ronson featuring Bruno Mars “Bad Blood” — Taylor Swift featuring Kendrick Lamar “See You Again” — Wiz Khalifa featuring Charlie Puth PHOTOS: Awards Show Audience Reactions: Funniest Celebrity Faces in the Crowd BEST POP SOLO PERFORMANCE “Heartbeat Song” — Kelly Clarkson “Love Me Like You Do” — Ellie Goulding WINNER: “Thinking Out Loud” — Ed Sheeran “Blank Space” — Taylor Swift “Can’t Feel My Face” — The Weeknd BEST RAP SONG “All Day” — Kendrick Lamar and Kanye West WINNER: “Alright” — Kendrick Lamar featuring Pharrell Williams “Energy” — Drake “Glory” — Common & John Legend “Trap Queen” — Fetty Wap BEST MUSIC VIDEO “LSD” — A$AP Rocky “I Feel Love (Every Million Miles)” — The Dead Weather “Alright” — Kendrick Lamar WINNER: “Bad Blood” — Taylor Swift Featuring Kendrick Lamar “Freedom” — Pharrell Williams BEST RAP PERFORMANCE “Apparently” — J. Cole “Back To Back” — Drake “Trap Queen” — Fetty Wap WINNER: “Alright” — Kendrick Lamar “Truffle Butter” — Nicki Minaj featuring Drake & Lil Wayne “All Day” — Kanye West featuring Theophilus London, Allan Kingdom & Paul McCartney BEST MUSIC FILM Mr. Dynamite: The Rise of James Brown Sonic Highways What Happened, Miss Simone? The Wall WINNER: Amy BEST POP VOCAL ALBUM Piece By Piece — Kelly Clarkson How Big, How Blue, How Beautiful — Florence & The Machine Uptown Special — Mark Ronson WINNER: 1989 — Taylor Swift Before This World — James Taylor BEST COMPILATION SOUNDTRACK FOR VISUAL MEDIA Empire: Season 1 Fifty Shades of Grey WINNER: Glen Campbell: I’ll Be Me Pitch Perfect 2 Selma BEST SCORE SOUNDTRACK FOR VISUAL MEDIA WINNER: Birdman The Imitation Game Interstellar The Theory of Everything Whiplash PHOTOS: Adele's Stunning Transformation BEST SONG WRITTEN FOR VISUAL MEDIA “Earned It (Fifty Shades of Grey)” — The Weeknd WINNER: “Glory” — Common & John Legend “Love Me Like You D” — Ellie Goulding “See You Again” — Wiz Khalifa featuring Charlie Puth “Til It Happens To You” — Lady Gaga BEST URBAN CONTEMPORARY ALBUM Ego Death — The Internet You Should Be Here — Kehlani Blood — Lianne La Havas Wildheart — Miguel WINNER: Beauty Behind the Madness — The Weeknd BEST GOSPEL PERFORMANCE/SONG “Worth [Live]” —Anthony Brown & Group Therapy WINNER: “Wanna Be Happy?” — Kirk Franklin “Intentional” — Travis Greene “How Awesome is Our God [Live]” — Israel & NewBreed featuring Yolanda Adams “Worth Fighting For [Live]” — Brian Courtney Wilson BEST LATIN POP ALBUM Terral — Pablo Alborán Healer — Alex Cuba WINNER: A Quien Quiera Escuchar (Deluxe Album) — Ricky Martin Sirope — Alejandro Sanz Algo Sucede — Julieta Venegas BEST LATIN ROCK, URBAN OR ALTERNATIVE ALBUM Amanecer — Bomba Estereo Mondongo — La Cuneta Son Machín WINNER: Hasta La Raíz — Natalia Lafourcade Caja de Música — Monsieur Periné Dale — Pitbull BEST REGIONAL MEXICAN MUSIC ALBUM (INCLUDING TEJANO) Mi Vicio Mas Grande — Banda El Recodo De Don Cruz Lizarraga Ya Dime Adiós — La Maquinaria Norteña Zapateando — Los Cojolites WINNER: Realidades (Deluxe Edition) —Los Tigres Del Norte Tradición, Arte Y Pasión — Mariachi Los Camperos De Nati Cano BEST TROPICAL LATIN ALBUM Tributo A Los Compadres: No Quiero Llanto — José Alberto “El Canario” & Septeto Santiaguero WINNER: Son De Panamá — Rubén Blades with Roberto Delgado & Orchestra Presente Continuo — Guaco Todo Tiene Su Hora — Juan Luis Guerra 4.40 Que Suenen Los Tambores — Victor Manuelle BEST AMERICAN ROOTS PERFORMANCE “And Am I Born To Die” — Béla Fleck & Abigail Washburn “Born to Play Guitar” — Buddy Guy “City Of Our Lady” — The Milk Carton Kids “Julep” — Punch Brothers WINNER: “See That My Grave Is Kept Clean” — Mavis Staples BEST AMERICAN ROOTS SONG “All Night Long” — The Mavericks “The Cost Of Living” — Don Henley & Merle Haggard “Julep” — Punch Brothers “The Traveling Kind” — Emmylou Harris & Rodney Crowell WINNER: “24 Frames” — Jason Isbell BEST AMERICANA ALBUM The Firewatcher’s Daughter — Brandi Carlile The Traveling Kind — Emmylou Harris & Rodney Crowell WINNER: Something More Than Free — Jason Isbell Mono — The Mavericks The Phosphorescent Blues — Punch Brothers BEST BLUEGRASS ALBUM Pocket Full of Keys — Dale Ann Bradley Before The Sun Goes Down — Rob Ickes & Trey Hensley In Session — Doyle Lawson & Quicksilver Man of Constant Sorrow — Ralph Stanley & Friends WINNER: The Muscle Shoals Recordings — The Steeldrivers BEST BLUES ALBUM Descendants of Hill Country — Cedric Burnside Project Outskirts of Love — Shemekia Copeland WINNER: Born to Play Guitar — Buddy Guy Worthy — Bettye LaVette Muddy Waters 100 — John Primer & Various Artists BEST FOLK ALBUM Wood, Wire & Words — Norman Blake WINNER: Béla Fleck And Abigail Washburn — Béla Fleck & Abigail Washburn Tomorrow Is My Turn — Rhiannon Giddens Servant of Love — Patty Griffin Didn’t He Ramble — Glen Hansard BEST REGIONAL ROOTS MUSIC ALBUM WINNER: Go Go Juice — Jon Cleary La La La La — Natalie Ai Kamauu Kawaiokalena — Keali’i Reichel Get Ready — The Revelers Generations — Windwalker And the MCW Justin Bieber Gives High-Energy Performance of 'Love Yourself' and 'Where Are Ü Now' at Grammys 2016 BEST INSTRUMENTAL COMPOSITION WINNER: “The Afro Latin Jazz Suite” — Arturo O’Farrill & The Afro Latin Jazz Orchestra featuring Rudresh Mahanthappa “Civil War” — Bob Mintzer Big Band “Confetti Man” — Turtle Island Quartet “Neil” — University of North Texas One O’Clock Lab Band “Vesper” — Marshall Gilkes & WDR Big Band BEST ARRANGEMENT, INSTRUMENTAL OR A CAPELLA “Bruno Mars” — Vocally Challenged WINNER: “Dance of the Sugar Plum Fairy” — Pentatonix “Do You Hear What I Hear” — Committed “Ghost of A Chance” — Bob James & Nathan East “You and the Night and the Music” — John Fedchock New York Big Band BEST ARRANGEMENT, INSTRUMENTS AND VOCALS “Be My Muse” — Lorraine Feather “52nd & Broadway” — Patrick Williams featuring Patti Austin “Garota De Ipanema” — Catina DeLuna featuring Otmaro Ruiz WINNER: “Sue (Or in a Season of Crime) — David Bowie “When I Come Home” — Jimmy Greene with Javier Colon PRODUCER OF THE YEAR, CLASSICAL Blanton Alspaugh Manfred Eicher Marina A. Ledin, Victor Ledin Dan Merceruio WINNER: Judith Sherman BEST RECORDING PACKAGE Alagoas — Alagoas Bush — Snoop Dogg How Big, How Blue, How Beautiful (Deluxe Edition) — Florence + The Machine My Happiness — Elvis Presley WINNER: Still the King: Celebrating the Music of Bob Wills and his Texas Playboys — Asleep At The Wheel Lady Gaga Gets New David Bowie Tattoo Ahead of Her Grammys 2016 Tribute: See the Photo! BEST ALBUM NOTES Folksongs of Another America: Field Recordings From the Upper Midwest, 1937-1946 — Various Artists Lead Belly: The Smithsonian Folkways Collection — Lead Belly WINNER: Love Has Many Faces: A Quartet, A Ballet, Waiting to be Danced — Joni Mitchell Portrait of an American Singer — Tennessee Ernie Ford Songs of the Night: Dance Recordings, 1916-1925 — Joseph C. Smith’s Orchestra BEST BOXED OR SPECIAL LIMITED EDITION PACKAGE Beneath the Skin (Deluxe Box Set) —Of Monsters And Men I Love You, Honeybear (Limited Edition Deluxe Vinyl) — Father John Misty WINNER: The Rise & Fall of Paramount Records, Volume Two (1928-32) — Various Artists Sticky Fingers (Super Deluxe Edition) — The Rolling Stones 30 Trips Around the Sun — Grateful Dead What A Terrible World, What A Beautiful World (Deluxe Box Set) — The Decemberists BEST HISTORICAL ALBUM WINNER: The Basement Tapes Complete: The Bootleg Series Vol 11 — Bob Dylan and the Band The Complete Concert by the Sea — Erroll Garner Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966-1985 — Various Artists Parchman Farm: Photographs and Field Recordings, 1947-1959 — Various Artists Songs My Mother Taught Me — Fannie Lou Hamer BEST ENGINEERED ALBUM, NON-CLASSICAL Before this World — James Taylor Currency of Man — Melody Gardot Recreational Love — The Bird and the Bee WINNER: Sound & Color — Alabama Shakes Wallflower — Diana Krall BEST REMIXED RECORDING, NON-CLASSICAL “Berlin by Overnight (CFCF Remix)” “Hold On (Fatum Remix)” “Runaway (U & I) (Kaskade Remix)” “Say My Name (RAC Remix)” WINNER: “Uptown Funk (Dave Audé Remix)” BEST
Recommended publications
  • George Harrison
    COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they
    [Show full text]
  • 10 April VLUS Weekly
    http://vassallane.cpsd.us/school_news/school_newspaper/ April 10, 2015 VLUS WEEKLY Stories by and About the Vassal Lane Upper School’s Scholars Vassal Lane Upper School, 197 Vassal Lane, Cambridge, MA 02138 Image by Susan Peloquin Connect to the VLUS Update on the April 17th VLUS Day of Silence Weekly: By Susan Peloquin http://vassallane.cpsd.us/ school_news/school_newspaper/ Just a reminder that VLUS students and staff will be participating in the National Day of Silence as part of our In this issue of the work in the Gay Straight Alliance next Friday, April 17. VLUS Weekly: Students can choose to participate in 2 ways. The first is to wear a sticker stating that the student pledges to be silent Essays! Reviews! that day to recognize the silence that LGBTQ peers and Articles by New families feel regularly. The second is to wear a sticker that Authors! states the student supports the Day of Silence and its Our First Reader’s purpose but isn't committing to be silent. Teachers will be Write Original Story! modifying the classes that day to allow for students who are choosing to be silent to be able to participate through writing. http://vassallane.cpsd.us/school_news/school_newspaper/ !1 http://vassallane.cpsd.us/school_news/school_newspaper/ April 10, 2015 On the Road Again: Journalism for a Moving World Effects on Streets By Fiona O’Loughlin Image by Fiona O’Loughlin After three weeks of almost constant blizzards and snow, Cambridge streets were nearly impassable. Plows pushed snow to the sides of streets, causing them to lose one or more lanes of traffic.
    [Show full text]
  • Incursiona En Los Cómics
    funcion@gimm ABC . c om.m INCURSIONA EN LOS CÓMICS x Figuras como Stan Lee, James Cameron y Ryan Reynolds, entre otros, además de @Funcion_Exc producciones como Guardianes de la Galaxia, Dr. Strange y Agents of S.H.I.E.L.D. estarán presentes en la Comic Con 2016, a la cual puedes asistir después de conocer nuestras recomendaciones. Entérate qué es lo que necesitas para disfrutar de este evento que se llevará a cabo en el Centro de Convenciones de San Diego del 21 al 24 de julio >4 3 EXCELSIOR DISCOS SÁBADO 9 DE JULIO tiene en su carrera la DE 2016 agrupación sueca. Foto: Clasos Foto: VA AL QUIRÓFANO Luego de haber sido dada de alta hace unas semanas por una neumonía, Evita Muñoz Chachita regresó al hospital para ser sometida a una operación de vesícula. La actriz, de 79 años, se recupera de manera satisfactoria de la intervención, informó Lourdes Pellegrino, secretaria de Previsión Social de la ANDA. (De la Redacción) apoya A a la Unicef GHOST Foto: Archivo Foto: NUEVA YORK.- Thalía fue nombrada embajadora de buena voluntad del Fondo de las Naciones Unidas para la Infancia (Unicef), con lo que redoblará sus esfuerzos en favor de VENCE LA los programas que se desarrollan. En una ceremonia realizada en la sede del organismo en Nueva York, la cantante y actriz expresó su beneplácito de poder llevar el mensaje de la organización a su gran cantidad CENSURA de seguidores. (NTX) A pesar de los obstáculos que ha encontrado en EU por el contenido de sus letras y su imagen, la banda de heavy metal ya logró tres Grammy.
    [Show full text]
  • Meliora Ghost Album Download Meliora (Album) Ghost Began Crafting Their Third Studio Album, the Follow-Up to 2013'S Infestissumam, at the End of 2014
    meliora ghost album download Meliora (album) Ghost began crafting their third studio album, the follow-up to 2013's Infestissumam, at the end of 2014. The impetus for its "futuristic" theme came to a Nameless Ghoul a month or so prior to starting the Infestissumam tour. While trying out a new guitar rig during a rehearsal, the Ghoul created a "spacey echoed" effect that made a guitar riff sound "futuristic [and] sci-fi". At this point, he had the idea for their next album. A Nameless Ghoul said that, because guitar took a backseat on Infestissumam, the band focused on guitar riffs from the beginning of the new album. He explained that part of this was achieved by having four different guitars, each played through three different amps, making four performances going through 12 amplifiers. They used two Gibson SGs, one from the early 1980s and the other from the 1960s; a 1962 Gibson Les Paul; and a Fender Telecaster. Discussing the selection of Klas Åhlund as producer, the Ghoul said that despite his reputation for working with pop singers and having never produced a heavy metal band before, Åhlund had many of the same musical interests as Ghost. [4] A band member also said, "I definitely think that we got a lot of ideas and a lot of new angles that we wouldn't have had, had we worked with a more established rock producer". A member of the band said that the pre-production, writing and arranging of Meliora took a long time, not allowing for the luxury of recording any non-album songs with the exception of "Zenith", which was left off the main album but added as an extra track to a limited edition.
    [Show full text]
  • J Cole Album Forest Hills Drive Download J Cole Album Forest Hills Drive Download
    j cole album forest hills drive download J cole album forest hills drive download. 1) Select a file to send by clicking the "Browse" button. You can then select photos, audio, video, documents or anything else you want to send. The maximum file size is 500 MB. 2) Click the "Start Upload" button to start uploading the file. You will see the progress of the file transfer. Please don't close your browser window while uploading or it will cancel the upload. 3) After a succesfull upload you'll receive a unique link to the download site, which you can place anywhere: on your homepage, blog, forum or send it via IM or e-mail to your friends. 2014 Forest Hills Drive. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $9.99. 2014 Forest Hills Drive. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. J. Cole, Associated Performer, Main Artist, Producer - Jermaine Cole, Composer, Executive Producer, Lyricist - James Rodgers, Bass, Trombone - Casey James, Saxophone - Travis Antoine, Trumpet - Ronald Gilmore, Producer - Juro "Mez" Davis, Mixing Engineer, Recording Engineer - Jeremy Cimino, Assistant Engineer - Jack Mason, Assistant Engineer, Recording Engineer - Dreamville, Executive Producer - Mark Pitts, Executive Producer - Roc Nation, Executive Producer - Brian Gardner, Mastering
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations.
    [Show full text]
  • Kelley-Stephin-To-Kent-William.Pdf
    - ·t?) !>asset , / Suspended} - 7 'I <t .f' r N. P. D. Ralsey ,- ,..-y- Deprived} v _.. ,:, -'/ "} ..J N. P.D. Affiliated Suspended} U.M.C. Reinstated Expelled Rest::a ' ft1J-/'f70/ J)A'U 1\cLMAlHVr /J?v . Re m"(~ 7 -j 'f -'/ Cj () 7 Nome Kelley, Stephen T 9.7 Lodge No 51-- -St- . John ' s Initiated - -- • Dlmltted Official Record 4- 5- 1 948 Suspended} N. P . D . Deprived} N.P.D. Suspended} U.M. C . Relnuated Expelled Name Kelley, Stewart Et.'-AR::D LodieNo. 81 Atlantic Dlmitted Official Record lnitiatr _ 'llf -s0 1 7 Passed Suspended} N.P.D. Raised Deprived} N.P.D. Affiliated Suspended} U.M.C. Reinstated Expelled Restored Died Remark~ /' - 'i' )' 1 CJ Y 1 - Initiate _ j / -/ '1 'f 3 S uspended} Pnsaeds- --S ~/ 1 '-/ :5 N.P.O. Raised L/ J Deprived} N . P. O. 5 ~J i -/ 'j I Afflllnled Suspended} U.M. C. Reinslnled Expelled .TBBODOKE K. KELLEY CUMBERLAND - Theodore R . Kelley, 83, of 85 Orchp.rd Hlll Road, ·died yesterday ln a Portland hospital after a long Ulneaa. · He wu born 1n Mars Hill Dee. 1, 1905, son of Gordon and Sarah White Kelley, and attended Mars HUla schools. He lived for many years 1n Westbrook, coming to Cumber­ land in 1952. Until shortly be­ fore his death Mr. Kelley was employed as a maintenance man for the Portland Gas l.Jght Co. He was a member of War­ ren-Phillips Lodge, AF & AM, for more than 25 yeap. Besides his Wife, the former Marton Stiles, ' he Is survived by two sons, Donald F.
    [Show full text]
  • Musikindustrie in Zahlen
    INHALT | 1 INHALT 2 6 8 EDITORIAL EIN BLICK UMSATZ ZURÜCK 16 20 24 ABSATZ MUSIK- MUSIK- FIRMEN NUTZUNG 28 34 38 MUSIK- MUSIK- REPERTOIRE KÄUFER HANDEL & CHARTS 57 58 59 JAHRES- VORSTAND & IMPRESSUM RÜCKBLICK GESCHÄFTS- FÜHRUNG EDITORIAL | 2 DIE MISCHUNG MACHT’S! Zum vierten Mal in Folge Wachstum für die deutsche Musikindustrie 2016: nach fünfzehn Jahren. Zum zweiten Mal in Folge auch ein nennens- wertes Wachstum: ein Plus von 3 Prozent. Das liegt auch in diesem Jahr am Audio-Strea- ming – einerseits. Andererseits liegt es am weiter verhältnismäßig stabilen physischen Markt, der Ende 2016 62,1 Prozent der Umsätze ausmachte. Die CD allein erreicht trotz ei- nes Minus von knapp 9 Prozent immer noch rund 54 Prozent Umsatzanteil im Gesamt- markt, Vinyl kommt durch ein Plus von 40 Prozent inzwischen auf 4,4 Prozent. Daneben liegt das Audio-Streaming bei inzwischen 24,1 Prozent Umsatzanteil am Gesamtmarkt, die Downloads liegen bei noch 12,2 Prozent. EDITORIAL | 3 Aktuell harmonieren musikalische On- und Offlinewelt. die den „Content“ produzieren – kreieren, entwickeln und Dies ist gar nicht so überraschend, denn Musikfans sind finanzieren – und so die Geschäftsmodelle vieler Internet- Menschen, und Menschen sind komplex: Sie hören am unternehmungen überhaupt erst möglich machen, auch Morgen Musik im Radio, nutzen auf dem Weg zur Arbeit entsprechend an den Einnahmen beteiligt werden, die ihre einen Streaming-Dienst über das Smartphone und legen Inhalte generieren. Das digitale Lizenzgeschäft, gekoppelt am Abend zu Hause vielleicht eine Schallplatte auf. Und an das digitale Transaktionsgeschäft, braucht weit über für dieses Nutzungsverhalten stellt die Musikindustrie seit die Branche hinaus Klarheit.
    [Show full text]
  • U.S. National Tour of the West End Smash Hit Musical To
    Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards.
    [Show full text]
  • The ERA Entertainment Chart Can Be Downloaded Here
    EMBARGOED TIL 00.01 FRIDAY 15 JULY 2016 THE FORCE AWAKENS IN ENTERTAINMENT SALES AS STAR WARS IS 2016’s BIGGEST HIT SO FAR 15 July 2016: Star Wars: The Force Awakens was the biggest-selling entertainment product in the first six months of 2016, according to research from the Entertainment Retailers Association (ERA). ERA’s exclusive Entertainment Chart combines sales of music, video and games to provide a definitive ranking of the UK’s most successful entertainment products. Star Wars: The Force Awakens leads a Top 40 for the first half of 2016 dominated by video, accounting for 19 of the 40, followed by music albums (12) and games (nine). The seventh episode in the Star Wars franchise sold 1,818,949 DVDs and Blu-ray discs between January and June, more than 20% ahead of second-placed Bond movie Spectre and with more than double the number of sales of third-placed Now That’s What I Call Music 93. In total the Top 40 most popular entertainment titles sold 15.8m units. Overall games accounted for 16.6% of the unit sales of the Top 40 titles and music accounted for 25.2%, while video sales accounted for 58.2% of the total. The top six titles and nine of the Top 10 were titles released in 2016, although in what was a quiet first half for major music releases eight of the 12 best-selling music titles were released in 2015 or in the case of David Bowie’s Best of Bowie as long ago as 2008.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Review of Barre Phillips and Motoharu Yoshizawa, Oh My, Those Boys
    which issued a string of quality recordings in the ‘90s dialogue between saxophone and trumpet, in stop- and returned in more recent years, notably for a series time, provides the envoi to this album. Backing the of co-productions with Universal Japan in 2015 titled co-leaders is a muscular, hard-driving rhythm section “Free Jazz Japan in Zepp”. Lately, Chap Chap has been anchored by drummer Billy Drummond, who worked collaborating with NoBusiness, helping to cement the with Nat Adderley, bassist Nat Reeves and pianist Lithuanian label as a premier destination for archival David Hazeltine. avant garde material. Along with “Work Song”, this quintet also essays Oh My, Those Boys! adds to an early Chap Chap Cannonball’s “Sack O’Woe”, another soul jazz down- CD, Motaharu Yoshizawa’s Live “Okidoki”, which home classic with a fat backbeat, notable here for Pelt’s Laid Black contained 40 minutes of the bass duet with Barre driving solo and Hazeltine’s interaction with Marcus Miller (Blue Note) Phillips featured here, recorded in 1994 at Café Amores Drummond during the pianist’s solo turn. Soul jazz by Anna Steegmann in the Southwest Japan city of Hōfu. The release birthed various rhythms, among them the boogaloo contains two long free improvisations, the first one shuffle. Rather than reprise one of Cannonball’s Laid Black, bassist Marcus Miller’s 23rd album, is as abridged to 30 minutes on the LP version, which would boogaloos, Pelt has written his own, “Party Time”, an laid-back as it gets—the perfect soundtrack for an therefore be recommended only to hardened vinyl original that opens this CD and introduces us to easygoing summer.
    [Show full text]