The Isley Brothers Twist and Shout

Total Page：16

File Type：pdf, Size：1020Kb

Twist and Shout The Isley Brothers Shake it up, baby, now (Shake it up, baby) Twist and shout (Come on and twist and shout) Come on baby, now (Come on baby) Come on and work it on out (Come on and work it on out) Well, work it on out, honey (Work it on out) Yeah, you look so good (You know you look so fine) Child, you know you got me goin', now (You known you got me goi n') Just like I knew you would. (Just like I knew you would) Shake it up, baby, now, (shake it up, baby) Twist and shout (You know you twist and shout) C'mon, c'mon, c'mon, baby, now (come on baby) Come on and work it on out (Come on and work it on out) Well, listen little girl (Listen little girl) You know you twist so fine (You know you twist so fine) Come on and twist a little closer (Come on and twist a little c loser) Come on and show me you that you're mine (Come on and show me y ou’re mine) Ahhhhhhhhhh Shake it up, baby, now (Shake it up, baby) Shake it up, baby, now (A twist and shout) Shake it up, baby, now (Shake it up, baby) Come on and work it on out (A twist and shout) Come on baby, shake it shake it shake it (Oh come on baby) Shake it shake it baby, now (Twist and shout) Shake it, shake it, shake it, baby (Shake it up baby) Work it on out (Come on and work it on out) Shake it, shake it, baby (Shake it up baby) Shake it, shake it, baby (Shake it up baby) Shake it, shake it, Woo! (Shake it up baby) Brrrrrrrr shake it baby (Shake it up baby) Brrrrrr, brrrrrr, brrrrrrr, (Shake it up baby) Tištěno z pisnicky-akordy.cz Sponzor: www.srovnavac.cz - vyberte si pojištění online! Powered by TCPDF (www.tcpdf.org).

Copy Link

Recommended publications

IV. We Find No Violation of Ferdinand's Right to Effective
THREE BOYS MUSIC CORP. v. BOLTON 477 Cite as 212 F.3d 477 (9th Cir. 2000) IV. of substantial similarity was not clearly erroneous; (3) defendants did not rebut We find no violation of Ferdinand’s right presumption of copying with evidence of to effective assistance of counsel or any violation of the Ex Post Facto Clause, and independent creation; (4) jury could find therefore Ferdinand’s § 2254 petition was that plaintiff deposited complete copy of properly denied. Accordingly, we affirm song with copyright office; (5) jury’s attri- the judgment of the district court. bution of profits was not clearly erroneous; (6) record company was not entitled to deduct its Net Operating Loss Carry-for- ward (NOL) in connection with award of , profits; and (7) defendants were not enti- tled to new trial. Affirmed. THREE BOYS MUSIC CORPORA- 1. Copyrights and Intellectual Property TION, Plaintiff–Appellee, O51 Copyright plaintiff must prove (1) v. ownership of the copyright; and (2) in- Michael BOLTON, individually and fringement, meaning that the defendant d/b/a Mr. Bolton’s Music, Inc.; An- copied protected elements of the plaintiff’s drew Goldmark; Non–Pareil Music, work. Inc.; Warner–Chappell Music Limit- 2. Copyrights and Intellectual Property ed; Warner–Tamerlane Publishing 83(3.1) Corp.; WB Music Corp.; and Sony O Music Entertainment, Inc., Defen- Absent direct evidence of copying, dants–Appellants. proof of copyright infringement involves fact-based showings that the defendant Nos. 97–55150, 97–55154 had access to the plaintiff’s work and that United States Court of Appeals, the two works are substantially similar.
[Show full text]
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
[Show full text]
Top 100 Hits of 1968 Baby the Rain Must Fall— Glen Yarbrough 1
Deveraux — Music 67 to 70 1965 Top 100 Hits of 1968 Baby the Rain Must Fall— Glen Yarbrough 1. Hey Jude, The Beatles Top 100 Hits of 1967 3. Honey, Bobby Goldsboro 1. To Sir With Love, Lulu 4. (Sittin' On) The Dock of the Bay, Otis Redding 2. The Letter, The Box Tops 6. Sunshine of Your Love, Cream 3. Ode to Billie Joe, Bobby Gentry 7. This Guy's In Love With You, Herb Alpert & The Tijuana Brass 5. I'm a Believer, The Monkees 8. The Good, The Bad and the Ugly, Hugo Montenegro 6. Light My Fire, The Doors 9. Mrs. Robinson, Simon and Garfunkel 9. Groovin', The Young Rascals 11. Harper Valley P.T.A., Jeannie C. Riley 10. Can't Take My Eyes Off You, Frankie Valli 12. Little Green Apples, O.C. Smith 13. Respect, Aretha Franklin 13. Mony Mony, Tommy James and The Shondells 24. Ruby Tuesday, The Rolling Stones 14. Hello, I Love You, The Doors 25. It Must Be Him, Vicki Carr 20. Dance to the Music, Sly and The Family Stone 30. All You Need Is Love, The Beatles 25. Judy In Disguise (With Glasses), John Fred & His 31. Release Me (And Let Me Love Again), Engelbert Humperdinck Playboy Band 33. Somebody to Love, Jefferson Airplane 27. Love Child, Diana Ross and The Supremes 35. Brown Eyed Girl , Van Morrison 28. Angel of the Morning, Merrilee Rush 36. Jimmy Mack, Martha and The Vandellas 29. The Ballad of Bonnie & Clyde, Georgie Fame 37. I Got Rhythm, The Happenings 30.
[Show full text]
Copyrighted Material
c01.qxd 11/20/04 3:39 PM Page 11 PART ONE Art and Culture: Use Only as Directed Copyright and trademark law is an important tool in incubating new cre- ativity and building a culture. By giving creators a property right in their works, the law stimulates the development of all sorts of new works. What is not appreciated as much is how overly broad copyright and trademark laws can sabotage creative production. Artists necessarily must draw upon works of the past.They also must be able to modify and trans- form prior works and collaborate and share with fellow artists. Since copyrights and trademarks are essentially monopoly rights, the question thus becomes: How far should intellectual property protection extend? What is the proper balance? As the stories of Part One illustrate, the intended balance of copyright and trademark law has gotten seriously out of whack. The chief propo- nents of broader, longer, and stricter forms of protection are the various “content industries” that produce music, film, photographs, literature, journalism, and entertainment. They like broad legal protection for their works because it makes those works more valuable. Owning the copy- right on, say, a Beatles tune for an extra twenty years could easily be worth a fortune. Broader protection also privileges commodified works over “nonmarket”COPYRIGHTED creativity such as folk traditions,MATERIAL public dialogue, art, scholarship, and the works of online communities. It is a complicated business drawing the lines of protection properly. But the following stories show that appropriate limits for copyright and trademark protection have been transgressed time and again.
[Show full text]
The Top 200 Greatest Funk Songs
The top 200 greatest funk songs 1. Get Up (I Feel Like Being a Sex Machine) Part I - James Brown 2. Papa's Got a Brand New Bag - James Brown & The Famous Flames 3. Thank You (Falletinme Be Mice Elf Agin) - Sly & The Family Stone 4. Tear the Roof Off the Sucker/Give Up the Funk - Parliament 5. Theme from "Shaft" - Isaac Hayes 6. Superfly - Curtis Mayfield 7. Superstition - Stevie Wonder 8. Cissy Strut - The Meters 9. One Nation Under a Groove - Funkadelic 10. Think (About It) - Lyn Collins (The Female Preacher) 11. Papa Was a Rollin' Stone - The Temptations 12. War - Edwin Starr 13. I'll Take You There - The Staple Singers 14. More Bounce to the Ounce Part I - Zapp & Roger 15. It's Your Thing - The Isley Brothers 16. Chameleon - Herbie Hancock 17. Mr. Big Stuff - Jean Knight 18. When Doves Cry - Prince 19. Tell Me Something Good - Rufus (with vocals by Chaka Khan) 20. Family Affair - Sly & The Family Stone 21. Cold Sweat - James Brown & The Famous Flames 22. Out of Sight - James Brown & The Famous Flames 23. Backstabbers - The O'Jays 24. Fire - The Ohio Players 25. Rock Creek Park - The Blackbyrds 26. Give It to Me Baby - Rick James 27. Brick House - The Commodores 28. Jungle Boogie - Kool & The Gang 29. Shining Star - Earth, Wind, & Fire 30. Got To Give It Up Part I - Marvin Gaye 31. Keep on Truckin' Part I - Eddie Kendricks 32. Dazz - Brick 33. Pick Up the Pieces - Average White Band 34. Hollywood Singing - Kool & The Gang 35. Do It ('Til You're Satisfied) - B.T.
[Show full text]
Interdisciplinary Lesson: “Twist and Shout”
INTERDISCIPLINARY LESSON: “TWIST AND SHOUT” OVERVIEW ESSENTIAL QUESTION What role did cover songs like “Twist and Shout” play early in the Beatles’s career, and how did their experiences growing up in post- WWII Liverpool and performing in Hamburg nightclubs help them to develop as a professional musical ensemble? OVERVIEW People: The Beatles In late-1950s Liverpool, a teenage John Lennon teamed up with Paul McCartney to form the Quarrymen, a group that by 1960 would become the Beatles. As teenagers, Lennon and McCartney were initially drawn to Skiffle music. Skiffle, which developed in Britain after World War II, was a kind of street music that relied on homemade or inexpensive instruments—often a washtub bass, a washboard, a banjo and an acoustic guitar—and combos generally played covers of Folk and Blues- style songs. Similar in ways to Punk and Hip Hop, Skiffle players were not always reliant on traditional venues, expensive equipment or in-depth knowledge of an instrument. Because of this, young musicians without much money or experience, including Lennon and McCartney, found the genre accessible. It was their door in. By 1960, Lennon and McCartney had transformed their band into a more professional operation. Now calling themselves the Beatles, their ensemble included lead guitarist George Harrison and drummer Pete Best, who would later be replaced by Ringo Starr. The group had incorporated more Rock and Roll and Rhythm and Blues covers into their repertoire and were soon performing gigs in dancehalls and nightclubs. Between 1960 and 1962, the Beatles were hired to play several residencies at nightclubs in Hamburg, Germany, including the Kaiserkeller and the Indra Club.
[Show full text]
Twist and Shout -The Beatles– Notes 
Twist and Shout -The Beatles– Notes Activity type: gap fill, listening for specific words. Time: 15 mins. This song was made famous by the Isley Brothers in 1962, then covered by The Beatles, who used it to end many of their early live performances. 1) Write the following words on the board: twist work 2) Play the first verse of the honey song. Students put the look like words in the correct order they hear them, then check shake with a partner. 3) Write the following words on the board: twist out 4) Play the second verse of fine closer the song. Students put the words in the correct baby order they hear them, then mine check with a partner. girl 5) Give each student a copy of the worksheet. Students complete the text based on their answers to the previous steps. 6) Correct. Point out the difference between your and you’re. 7) Sing together. Try to get half the students to sing the lead, and the other half to sing the backing. This worksheet is to be used for educational purposes only Activity © Tune into English 2007 – www.tuneintoenglish.com Worksheet written by Prof. Analía Massa, Buenos Aires, Argentina Twist and Shout -The Beatles (written by Russell and Medley) Verse 1 Well, _________ it up, baby, now (_________ it up, baby) _________ and shout (_________ and shout) C’mon, c’mon, c’mon, c’mon, baby, now (come on baby) Come on and _________ it on out (_________ it on out) Well, work it on out, _________ (work it on out) You know you _________ so good (_________ so good) You know you got me going, now (got me going) Just _________
[Show full text]
It's All Good Chicago , Illinois, 31 October 2009
IT’S ALL GOOD BOB DYLAN 2009 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. It’s All Good — Bob Dylan 2009 page 2 of 133 1 INTRODUCTION .............................................................................................................................. 4 2 2009 AT A GLANCE ......................................................................................................................... 4 3 THE 2009 CALENDAR ..................................................................................................................... 4 4 NEW RELEASES AND RECORDINGS........................................................................................... 6 4.1 Together Through Life ................................................................................................................. 6 4.2 Christmas In The Heart ................................................................................................................ 7 4.3 The People Speak ......................................................................................................................... 7 4.4 Web Bob ....................................................................................................................................... 8 4.5 New recordings in circulation 2009 ............................................................................................
[Show full text]
THE ISLEY BROTHERS: FINE DINING FUNK - the Audiophile Man 24.11.17, 1418
THE ISLEY BROTHERS: FINE DINING FUNK - The Audiophile Man 24.11.17, 14(18 HEADLINE HIP HOP/FUNK REVIEW VINYL COMPETITION THE ISLEY BROTHERS: FINE DINING FUNK Posted on 24th November 2017 MESSAGES FROM SPONSORS Title: The Heat is On Label: Speakers Corner I was surprised to see this reissue from the German audiophile outfit. Maybe I’ve been looking the other way for too long but I can’t remember when I last saw a reissue from this superlative R&B/funk outfit. A highly influential band, they spanned many years and a whole heap of evolution during that period. Why influential? Right from their early days, the band were lauded by the fans andHOME their∠ contemporaries. NEWS ∠ FEATURES You just have∠ to hearHIFI REVIEWSThe Beatles’∠ Twist MUSIC and REVIEWSShout and∠ Lulu’s DVD Shout & BOOK for REVIEWS ∠ # $ % " http://theaudiophileman.com/isley/ Seite 1 von 6 THE ISLEY BROTHERS: FINE DINING FUNK - The Audiophile Man 24.11.17, 14(18 evidence of that. Even the likes of Jimi Hendrix would make his first recordings with the Isleys. Never mind the band’s classics such as Summer Breeze, It’s Your Thing, That Lady, Harvest for the World and many more. This album was released in 1975 and was infused with a sound that blended both soul and rock with guitar fiend, Ernie Isley actually taking a lot from his time with Hendrix. This album included the hit, Fight the Power but there is far more to this LP than that hit such as the ballad, Make Me Say It Again Girl and the jam-like For The Love Of You.
[Show full text]
2021 Top Song List
Thursday, April 1, 2021 2021 Top Song List 1. Ain’t No Mountain High Enough (Marvin Gaye/ Tammi Terrell) + 2. Ain’t Nobody (Chaka Khan) - E/ Eb ? + 3. Ain’t Too Proud to Beg (The Temptations) - B 4. All Night Long (Lionel Ritchie) - Ab 5. American Girl (Tom Petty) - D 6. At Last (Etta James) - F + 7. Be Young Be Foolish Be Happy (The Tams) - Bb 8. Better Together (Jack Johnson) - F 9. Beast of Burden (The Rolling Stones) - E 10. Billie Jean (Michael Jackson) - F# min 11. Blurred Lines (Robin Thicke) - G 12. Boogie on Reggae Woman (Stevie Wonder) - G 13. Boogie Shoes (KC & The Sunshine Band) - B 14. Brown Eyed Girl (Van Morrison) - G 15. Bust a Move (Young MC) - E 16. Can’t Feel My Face (The Weeknd) - C 17. Can’t Stop The Feeling (Justin Timberlake) - B 18. Can’t Take My Eyes Off You (Frankie Valli) - E + 19. Carolina Girls (Chairmen Of The Board) - D 20. Come Together (The Beatles) + 21. Cut The Cake (Average White Band) 22. Dancing in the Moonlight (King Harvest) 23. Dancing in the Street (Martha & The Vandellas) - E + 24. Days Like This (Van Morrison) - Eb 25. Domino (Van Morrison) 26. Don’t Stop Believin’ (Journey) - E + 27. Don’t Stop Til You Get Enough (Michael Jackson) - B + Page !1 of !4 28. Electric Feel (MGMT) - C min 29. Feelin’ Alright (Trafﬁc/Joe Cocker) - C or C# ? 30. Fly Me to the Moon (Frank Sinatra) - A min 31. Friends In Low Places (Garth Brooks) - A 32. Georgia On My Mind (Ray Charles) 33.
[Show full text]
THREE BOYS MUSIC CORPORATION V. MICHAEL BOLTON
THREE BOYS MUSIC CORPORATION v. MICHAEL BOLTON 212 F.3d 477 (9th Cir. 2000) D.W. NELSON, Circuit Judge: In 1994, a jury found that Michael Bolton's 1991 pop hit, "Love Is a Wonderful Thing," in- fringed on the copyright of a 1964 Isley Brothers' song of the same name. The district court denied Bolton's motion for a new trial and affirmed the jury's award of $ 5.4 million. Bolton, his co-author, Andrew Goldmark, and their record companies ("Sony Music") appeal, arguing that the district court erred in finding that: (1) sufficient evidence supported the jury's find- ing that the appellants had access to the Isley Brothers' song; (2) sufficient evidence supported the jury's finding that the songs were substantially similar; (3) subject matter jurisdiction existed based on the Isley Brothers registering a complete copy of the song; (4) sufficient evidence supported the jury's attribution of profits to the infringing elements of the song; (5) Sony Music could not deduct its tax liability; and (6) the appellants' motion for a new trial based on newly discovered evidence was unwarranted. We affirm. I. BACKGROUND The Isley Brothers, one of this country's most well-known rhythm and blues groups, have been inducted into the Rock and Roll Hall of Fame. They helped define the soul sound of the 1960s with songs such as "Shout," "Twist and Shout," and "This Old Heart of Mine," and they mastered the funky beats of the 1970s with songs such as "Who's That Lady," "Fight the Power," and "It's Your Thing." In 1964, the Isley Brothers wrote and recorded "Love is a Wonderful Thing" for United Artists.
[Show full text]
Pdf, 182.56 KB
00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:19 Jesse Host It’s Bullseye. I’m Jesse Thorn. The Isley Brothers’ first hit was Thorn “Shout”. Rock and roll was new, soul was even newer, and Ernie Isley, Cincinnati’s own, was seven years old. [“Huddle Formation” fades out to be replaced by “Twist and Shout”.] It was 1959. 00:00:34 Music Music “Twist and Shout” by the Isley Brothers. You know you make me wanna (Shout!) Kick my heels up and (Shout!) Throw my hands up and (Shout!) Throw my head back and (Shout!) [Volume decreases and continues underneath the dialogue then fades out.] 00:00:41 Jesse Host In the ‘60s, they had “Twist and Shout” and a run with Motown. For a while, Jimi Hendrix was their lead guitarist and lived in their Mom’s spare room. Then, in 1969, they reintroduced themselves to the world. They weren’t a singing group anymore, they were a band—with little brother, Ernie, on bass. The song was “It’s Your Thing”. 00:01:03 Music Music “It’s Your Thing” by the Isley Brothers. It's your thing, do what you wanna do I can't tell you, who to sock it to If you want me to love you, maybe I will Believe me woman… [Volume decreases and continues underneath the dialogue then fades out.] 00:01:18 Jesse Host Ernie Isley, brother of Marvin Isley, and brother-in-law Chris Jasper, reinvigorated the band, starting in the early 1970s.
[Show full text]