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Registration Form Timetable Name: 9.00 Registration (Capital letters please) 9.30 Official opening by Mary Hanafin TD Title: Minister for Tourism, Culture and Sport Keynote address: Prof Mícheál Ó Súilleabháin Organisation: University of Limerick The Contemporary Music Centre Address: 10.15 Gerd Leonhard presents MediaFuturist and Author, Switzerland The Future of Music: Mobile, Video, Social, and...Paid ? Email: THE FUTURE 11.30 Coffee Telephone: 11.45 Andrew Dubber, Reader in Music Industries OF MUSIC Innovation, Birmingham City University Special needs (diet, access, etc) : The Future of the Music Business IN THE DIGITAL WORLD and other Fictions 13.00 Buffet Lunch AN INTERNATIONAL Delegate fees (including buffet lunch, refreshments and wine reception) 14.00 Performance: Métier Jazz Ensemble CONFERENCE €50 Concessions: €35 Early-bird discount * (Seniors, Students & Unwaged) 14.45 Bill Whelan, Composer, Ireland www.cmc.ie/future-of-music * Early bird discount of 10% if you book and pay by 7 May. Ireland and the Global Culture Market: As demand is expected to be high, payment is required in advance to secure your booking. Booking closes 28 May. A limited number of bursaries are available. A Creator’s View Please contact [email protected] for details 16.00 Coffee Payment type: Cheque * Credit Card With access to music now just a click away for most of 16.30 Panel discussion ( facilitator Andrew Conlan-Trant ) * Payable to Contemporary Music Centre us, very few of the tried and tested ways of accessing The Future of Music in Ireland music remain unchanged. Card Type (eg. Mastercard/Visa) : 17.30 Networking reception hosted by Culture Ireland Can we, or should we, attempt to predict the future? Card No. Address by Eugene Downes, CEO Have we even begun to deal with the present yet? Name on card (Please PRINT) : Expiry date: Friday, 11 June 2010 Security code: 9.00 – 17.30 Please return your form to: The Coach House, Dublin Castle, Dublin 2 The Contemporary Music Centre, Enquiries: [email protected] 19 Fishamble St, Tel: +353 (0)1 673 1922 Dublin 8, Fax: +353 (0)1 648 9100 Ireland www.cmc.ie/future-of-music Part of the Annual Conference of The International Association of Music Information Centres (IAMIC) Cancellation is possible until 28 May 2010. The amount paid will be reimbursed after deduction of administration charges. We regret that cancellations after that date cannot be refunded. Hosted by CMC Gerd Leonhard The Future of Music: THE FUTURE Mobile, Video, Social, and... Paid ? Andrew Dubber Reader in Music Industries Innovation, Birmingham City University As over two billion Internet users are shifting OF MUSIC towards mobile devices to get their music Andrew Dubber’s interests are the ways in which music organisations can anytime, anywhere, and as access to music is just innovate and be entrepreneurial in the digital age; and also the ways in IN THE DIGITAL WORLD a click away for many so-called digital natives, which music makes meaning for people and exists as an important part very few tried-and-true models will remain untouched. of culture and heritage, not simply as a commercial endeavour. He is the co-founder of MusicThinkTank.com and MusicAsCulture.org. www.cmc.ie/future-of-music When the digital copy is 'free' how will anyone make money with music? With the noise levels constantly increasing on social networks, how will andrewdubber.com anyone build their audience? Gerd Leonhard This major conference brings together high-level How will music production and music education change, and how MediaFuturist, Author and Musician, Basel, Switzerland international speakers to explore and debate exactly can the 'mobile and social' Internet be a boon for the creators and the industry? The Wall Street Journal calls Gerd ‘one of the leading Media Futurists in issues around the meaning of digital culture: the World’. He is considered an international expert on topics such as how it impacts on the creator and the performer, Mícheál Ó Súilleabháin social media, mobile content and commerce, digital content strategies and the implications for copyright in a world which and the development of next-generation business models in the Keynote address: communications & technology industries. has come to expect music to be free. A Vision for Music in Ireland www.mediafuturist.com www.twitter.com/gleonhard Who should attend ? www.gerdtube.net Bill Whelan Organisations and creative artists engaged in any Mícheál Ó Súilleabháin Ireland and the Global Culture Market: area of composition, performance, publishing or Professor of Music, University of Limerick and CMC Board of Directors A Creator’s View distribution across all forms of music in Ireland. Mícheál Ó Súilleabháin is one of Ireland's best-known musicians. In the face of a growing expectation among the He has over ten CD recordings on release of his own compositions and general public that music should be free, how will arrangements performed by the Irish Chamber Orchestra under his Speakers musicians’ and composers’ work be protected in direction. As a pianist, he is widely acknowledged as having originated the future? a unique Irish piano style out of an Irish traditional base. He is Professor of Music at the University of Limerick where he founded the Irish World As global confusion grows within the music business about how to deal Music Centre in 1994, which has now grown into the Irish World Andrew Dubber with copyright in the digital world, those who initiate creative works are Academy of Music and Dance. The Future of the Music Business in the eye of a storm concerning their future and that of the next generations of creators. For Ireland, as a country exporting music of all www.mosmusic.ie and other Fictions kinds into the global marketplace, these issues are crucial. http://www.ul.ie/~iwmc Predictions of coming changes to the music Bill Whelan industry are worse than useless. Métier Composer, Ireland If history has shown us anything it's that the Lunchtime concert Bill Whelan has worked extensively in theatre and film. His compositional 'unknown unknowns' are what shape technology With a line-up that convenes five of the strongest work in film includes Dancing at Lughnasa, Some Mother’s Son and and business opportunities. But we have enough on our plates trying to jazz musicians in Ireland today to play their own Lamb. His production and arranging credits include U2, Van Morrison, understand and manage the present of the music business before we go compositions, Métier is a potent assembly. Kate Bush, Richard Harris, Planxty and The Dubliners. As composer of around being fortune-tellers. Their appearance during The Future of Music conference underlines the the music for the internationally-successful show, Riverdance, he was ho- The best music business strategy is to understand and adapt to the real commitment of the International Association of Music Information Centres noured with the 1997 Grammy Award for ‘Best Musical Show Album’. He contemporary environment as it actually is. Only then will we be able to to music of all genres and reminds us that talking is all very well, but is currently working on a new theatre work which has been commissioned invent, rather than predict, the future. music is the universal language that we all believe in and work for. by the New York Metropolitan Opera and Lincoln Centre. www.billwhelan.com.
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