July 1951 • Vol. 9, No. 7 News
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City of West Hollywood Appendix J
R2, R3, R4 Multi-Family Survey Report City of West Hollywood Appendix J: 1986-87 Survey Context, prepared by Johnson Heumann Research Associates Appendices November 2008 ARCHITECTURAL RESOURCES GROUP Architects, Planners & Conservators, Inc. when a small group of citizens formed the West Hollywood Incorporation Committee. By November of that year, studies by the Local Agency Formation Commission confirmed that incorporation was indeed economically feasible. Tenants led by the Coalition for Economic Survival, homeowners concerned with planning issues and the gay community were among the leading advocates of cityhoog. Formal application was made on April 4, 1984. On November 4, 1984, by a 4:1 favorable margin, the voters approved incorporation . One of the new city's first tasks was to begin to draft a General Plan , the land use policy document for the municipality required· by State law. In January of 1985, the city began the process of preparing the Plan, noting that the physical environment, social character and quality of life within the City would be influenced by the General Plan. It was a stated goal to link land use and urban design, emphasizing the relationship between parcels and uses throughout the city. A reduction of density from those outlined in the West Hollywood Community Plan, .---- prepared before incorporated by the County of Los Angeles, was planned. As an i ntegral part of this planning process. the city of West Hollywood applied for c survey grant from the State Off ice of Historic Preservation in November of 1985 . 1.2 DEVELOPMENT HISTORY The area now known as West Hollywood has played a key role in t h e development of Los Angeles County west of Los Angeles . -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
West Hollywood, California's Go-To-Guide to the City's Three
West Hollywood, California’s go-to-guide to the City’s Three Districts The Sunset Strip After decades of notoriety, the Sunset Strip continues to blaze its own path as a world-famous cultural landmark, setting trends in music, hotels, dining and shopping. This most famous stretch of Sunset Boulevard begins and ends in West Hollywood, and like the city it calls home, it is constantly breaking new ground and reinventing itself. Though it’s often been portrayed in movies like Sunset Boulevard, Almost Famous and Rock of Ages, visitors say that nothing compares to seeing the Sunset Strip up close and in person. Bordered on the west by Beverly Hills and on the east by Hollywood, this iconic 1.5 mile stretch of Sunset Boulevard features an array of world-class hotels, nightclubs, restaurants, shops and spas. Through the years, the Sunset Strip has seen it all, starting with the seedy glitz of the 1920s, when Prohibition fueled the rise of nightclubs and speakeasies. Because West Hollywood was not yet an incorporated city, this strip of Sunset Boulevard was lightly policed, making the Strip the perfect playground for the rebellious denizens of early Hollywood. By the 1940s, swanky nightclubs like Ciro’s, Trocadero and Mocambo reigned supreme, attracting A-list celebrity clientele like Marilyn Monroe along with less savory characters like gangster Bugsy Siegel, who called the Strip his stomping grounds. In the 1960s, the Sunset Strip became the major gathering place for the counterculture movement in Los Angeles. Janis Joplin, Jimi Hendrix and Jim Morrison were fixtures of the Strip and the surrounding West Hollywood landscape. -
Topical Weill: News and Events
Volume 15 Number 2 topical Weill Fall 1997 A supplement to the Kurt Weill Newsletter news &news events Mark your calendars—18 October 1998 is Lenya’s 100th Birthday! &news events Publications CD features the legendary Verlag Kiepenheuer & Witsch of Cologne will publish recordings that Lenya the German edition of Speak Low (When You Speak made for Philips in Ham- Love): The Letters of Kurt Weill and Lotte Lenya in the burg in 1955 and 1956, and fall of 1998. Entrusted to editors and translators Kim the booklet includes never- H. Kowalke and Lys Symonette by Lenya on her before-published photos of deathbed in 1981, these letters are testimonies to one of the recording sessions. the century’s most legendary artistic partnerships. The Lenya’s performances are German version contains minor revisions along with indeed “masterworks” and some new material. continue to be held up by The University of California Press gets a head start music critics as bench- on the centenary by reissuing the English version of marks of Weill interpreta- Speak Low in a paperback edition this month. Critics tion. from around the world praised the 1996 hardcover edi- tion as an outstanding achievement. Events Overlook Press will publish Lenya the Legend: A Pic- The New York-based torial Autobiography in the summer of 1998, an illustrat- American Foundation for ed narrative of Lenya’s life, told in her own words, AIDS Research (AmFAR) assembled entirely from interviews, correspondence, will be the beneficiary of autobiographical notes, and other writings. Compiled an all-star Broadway gala and edited by David Farneth, director of the Weill-Lenya tribute to Lenya on 18 Research Center, the book features nearly 350 photos October 1998 at the Majes- (300 black-and-white and 50 color) showing Lenya’s tic Theatre. -
Frank's World
Chris Rojek / Frank Sinatra Final Proof 9.7.2004 10:22pm page 7 one FRANK’S WORLD Frank Sinatra was a World War One baby, born in 1915.1 He became a popular music phenomenon during the Second World War. By his own account, audiences adopted and idol- ized him then not merely as an innovative and accomplished vocalist – his first popular sobriquet was ‘‘the Voice’’ – but also as an appealing symbolic surrogate for American troops fighting abroad. In the late 1940s his career suffered a precipitous de- cline. There were four reasons for this. First, the public perception of Sinatra as a family man devoted to his wife, Nancy, and their children, Nancy, Frank Jr and Tina, was tarnished by his high-octane affair with the film star Ava Gardner. The public face of callow charm and steadfast moral virtue that Sinatra and his publicist George Evans concocted during his elevation to celebrity was damaged by his admitted adultery. Sinatra’s reputation for possessing a violent temper – he punched the gossip columnist Lee Mortimer at Ciro’s night- club2 and took to throwing tantrums and hurling abuse at other reporters when the line of questioning took a turn he disap- proved of – became a public issue at this time. Second, servicemen were understandably resentful of Sina- tra’s celebrity status. They regarded it as having been easily achieved while they fought, and their comrades died, overseas. Some members of the media stirred the pot by insinuating that Sinatra pulled strings to avoid the draft. During the war, like most entertainers, Sinatra made a virtue of his patriotism in his stage act and music/film output. -
National Delta Kappa Alpha
,...., National Delta Kappa Alpha Honorary Cinema Fraternity. 31sT ANNIVERSARY HONORARY AWARDS BANQUET honoring GREER GARSON ROSS HUNTER STEVE MCQUEEN February 9, 1969 TOWN and GOWN University of Southern California PROGRAM I. Opening Dr. Norman Topping, President of USC II. Representing Cinema Dr. Bernard R. Kantor, Chairman, Cinema III. Representing DKA Susan Lang Presentation of Associate Awards IV. Special Introductions Mrs. Norman Taurog V. Master of Ceremonies Jerry Lewis VI. Tribute to Honorary l\llembers of DKA VII. Presentation of Honorary Awards to: Greer Garson, Ross Hunter, Steve McQueen VIII. In closing Dr. Norman Topping Banquet Committee of USC Friends and Alumni Mrs. Tichi Wilkerson Miles, chairman Mr. Stanley Musgrove Mr. Earl Bellamy Mrs. Lewis Rachmil Mrs. Harry Brand Mrs. William Schaefer Mr. George Cukor Mrs. Sheldon Schrager Mrs. Albert Dorskin Mr. Walter Scott Mrs. Beatrice Greenough Mrs. Norman Taurog Mrs. Bernard Kantor Mr. King Vidor Mr. Arthur Knight Mr. Jack L. Warner Mr. Jerry Lewis Mr. Robert Wise Mr. Norman Jewison is unable to be present this evening. He will re ceive his award next year. We are grateful to the assistance of 20th Century Fox, Universal studios, United Artists and Warner Seven Arts. DEPARTMENT OF CINEMA In 1929, the University of Southern California in cooperation with the Academy of Motion Picture Arts and Sciences offered a course described in the Liberal Arts Catalogue as : Introduction to Photoplay: A general introduction to a study of the motion picture art and industry; its mechanical founda tion and history; the silent photoplay and the photoplay with sound and voice; the scenario; the actor's art; pictorial effects; commercial requirements; principles of criticism; ethical and educational features; lectures; class discussions, assigned read ings and reports. -
Race, Nation, and Popular Culture in Cuban New York City and Miami, 1940-1960
Authentic Assertions, Commercial Concessions: Race, Nation, and Popular Culture in Cuban New York City and Miami, 1940-1960 by Christina D. Abreu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in The University of Michigan 2012 Doctoral Committee: Associate Professor Jesse Hoffnung-Garskof Associate Professor Richard Turits Associate Professor Yeidy Rivero Associate Professor Anthony P. Mora © Christina D. Abreu 2012 For my parents. ii Acknowledgments Not a single word of this dissertation would have made it to paper without the support of an incredible community of teachers, mentors, colleagues, and friends at the University of Michigan. I am forever grateful to my dissertation committee: Jesse Hoffnung-Garskof, Richard Turits, Yeidy Rivero, and Anthony Mora. Jesse, your careful and critical reading of my chapters challenged me to think more critically and to write with more precision and clarity. From very early on, you treated me as a peer and have always helped put things – from preliminary exams and research plans to the ups and downs of the job market – in perspective. Your advice and example has made me a better writer and a better historian, and for that I thank you. Richard, your confidence in my work has been a constant source of encouragement. Thank you for helping me to realize that I had something important to say. Yeidy, your willingness to join my dissertation committee before you even arrived on campus says a great deal about your intellectual generosity. ¡Mil Gracias! Anthony, watching you in the classroom and interact with students offered me an opportunity to see a great teacher in action. -
Memories from “CHITARRE ACUSTICHE D’ITALIA”
Art Phillips Music Design PO Box 219 Balmain NSW 2041 Tel: +61 2 9810-6611 Fax: +61 2 9810-6511 Cell: +61 (0) 407 225 811 ART PHILLIPS – memories from “CHITARRE ACUSTICHE D’ITALIA” Each of the songs included in “ Chitarre Acustiche d’Italia ” have been an important element for the music career of the two-time Emmy and APRA awarded artist composer Art Phillips (Arturo Di FIlippo). The Italian heritage of his father and grandfather and their love for music, drove Art into the music scene and inspired him to create, after more than 30 years of global success, a tribute album like this. This album is the story of Italian family memories and traditions. Below, Art Phillips explains the feelings and memories related to each track contained on the album. 1. Tra Veglia e Sonno (Between Wakefulness and Sleep) A piece I learnt from my father and grandfather in my very early years. They would play this every time they got together in my grandfathers kitchen with their guitar and mandolin, where live music would be an important part in our family life. Grandpa lived just around the corner from my home where our backyards connected, in fact he was also a carpenter and brick mason and built our home as well as all the other homes located around our block. Most of his children lived next door or just around the corner with connecting back yards. We would visit my grandpa and grandma each and every day, and there would not be many days in passing that my guitar wouldn’t join into the family’s musical moments. -
Max Baer Recordings
http://oac.cdlib.org/findaid/ark:/13030/c8jd52gm Online items available Guide to the Max Baer Recordings Collection processed by Center for Sacramento History 551 Sequoia Pacific Blvd. Sacramento, California 95811-0229 Phone: (916) 808-7072 Fax: (916) 264-7582 Email: [email protected] URL: http://www.centerforsacramentohistory.org/ © 2016 Center for Sacramento History. All rights reserved. Guide to the Max Baer Recordings 2000/189 1 Guide to the Max Baer Recordings Collection number: 2000/189 Center for Sacramento History Sacramento, CA Processed by: Alexander C. Guilbert Date Completed: 2016 Encoded by: Alexander C. Guilbert © 2016 Center for Sacramento History. All rights reserved. Descriptive Summary Title: Max Baer Recordings Dates: 1934-1958 Bulk Dates: 1951/1956 Collection number: 2000/189 Creators: Cindy Armstrong and Maxine Carlin Collection Size: Repository: Center for Sacramento History Sacramento, California 95811-0229 Abstract: The Max Bear Recordings document Baer's recorded life, including his boxing career, interviews, guest appearances, Baer's own radio programs, and family. Physical location: 01:K:02 Languages: Languages represented in the collection: English Access The collection is open for research use. Publication Rights All requests to publish or quote from private manuscripts held by the Center for Sacramento History (CSH) must be submitted in writing to the archivist. Permission for publication is given on behalf of CSH as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the patron. No permission is necessary to publish or quote from public records. Preferred Citation [Identification of item and/or item number], [box and folder number], Max Baer Collection, 2000/189, Center for Sacramento History. -
Joint Concurrent House Resolution with Backing
State of Vermont House of Representatives Montpelier, Vermont Concurrent House Resolution H.C.R. 52 House concurrent resolution designating March 4, 2017 as Carleton Upham Carpenter Jr. Day in Vermont Offered by: Representatives Morrissey of Bennington, Botzow of Pownal, Browning of Arlington, Corcoran of Bennington, Fields of Bennington, Keefe of Manchester, Miller of Shaftsbury, Morris of Bennington, and Sullivan of Dorset Offered by: Senators Campion and Sears Whereas, Carleton Carpenter was born in Bennington on July 10, 1926 and has achieved great success in the literary, musical, and performing arts, and Whereas, his talents as a thespian, as well as a magician, impressed theatrical professionals, and they took a chance on this Vermont teenager’s acting potential, and Whereas, his 1944 Broadway debut, prior to his graduating from Bennington High School, was in David Merrick’s first production, Bright Boy, and Whereas, after World War II service in the U.S. Navy, Carleton Carpenter appeared on stage with Ray Bolger in Three to Make Ready and in Hotel Paradiso with Bert Lahr and Angela Lansbury, and Whereas, in 1949, the independent film producer Louis de Rochemont brought the still-young, but now theatrically experienced, Carleton Carpenter to Hollywood to play the boyfriend in the film Lost Boundaries, and his subsequent films included Father of the Bride, with Spencer Tracy, Judy Garland, and Gene Kelly; Summer Stock, with James Garner; and several films with Burt Lancaster, and Whereas, many movie aficionados will remember his -
Stormy Weather: Lena Horne, Dorothy Dandridge and the Cultural Politics of Stardom
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1999 Stormy Weather: Lena Horne, Dorothy Dandridge and the Cultural Politics of Stardom Amy L. Howard College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, Film and Media Studies Commons, History Commons, Music Commons, and the Women's Studies Commons Recommended Citation Howard, Amy L., "Stormy Weather: Lena Horne, Dorothy Dandridge and the Cultural Politics of Stardom" (1999). Dissertations, Theses, and Masters Projects. Paper 1539626198. https://dx.doi.org/doi:10.21220/s2-04ve-6q26 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. STORMY WEATHER: LENA HORNE, DOROTHY DANDRIDGE AND THE CULTURAL POLITICS OF STARDOM A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master o f Arts by Amanda L. Howard 1999 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Amanda L. Howard Approved, April 1999 History ----- Kimberly L. Phillips History TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv ABSTRACT v ILLUSTRATIONS 45 WORKS CONSULTED 49 iii ACKNOWLEDGMENTS I would like to thank Professor Arthur Knight for his guidance, patience, and careful criticism. -
James W. Phillips Collection
JAMES W. PHILLIPS COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gigi Monacchino, spring 2013 Revised by Gail E. Lowther, winter 2019 1 TABLE OF CONTENTS Description of Collection . 3 Description of Series . 5 INVENTORY Sub-Group I: Composer Subdivision Series 1: Irving Berlin . 7 Series 2: George Gershwin, Victor Herbert, and Jerome Kern . 35 Series 3: Jerome Kern and Cole Porter . 45 Series 4: Cole Porter and Richard Rodgers . 60 Series 5: Richard Rodgers . 72 Series 6: Richard Rodgers and Sigmund Romberg . 86 Sub-Group II: Individual Sheet Music Division . 92 Sub-Group III: Film and Stage Musical Songs . 214 Sub-Group IV: Miscellaneous Selections . 247 2 DESCRIPTION OF COLLECTION Accession no. 2007/8/14 Shelf location: C3B 7,4–6 Physical extent: 7.5 linear feet Biographical sketch James West Phillips (b. August 11, 1915; d. July 2, 2006) was born in Rochester, NY. He graduated from the University of Rochester in 1937 with distinction with a Bachelor of Arts in Mathematics; he was also elected to the academic honors society Phi Beta Kappa. In 1941, he moved to Washington, DC, to work in the Army Ordnance Division of the War Department as a research analyst. He left that position in 1954 to restore a house he purchased in Georgetown. Subsequently, in 1956, he joined the National Automobile Dealers Association as a research analyst and worked there until his retirement in 1972. He was an avid musician and concert-goer: he was a talented pianist, and he composed music throughout his life.