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P Arsons 72-Hour Sale!
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Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
J. Michael Straczynski SEE RANK Writer | Producer | Miscellaneous Crew
Find Movies, TV shows, Celebrities and more... All | Help IMDb Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Sign in J. Michael Straczynski SEE RANK Writer | Producer | Miscellaneous Crew Official Photos » J. Michael Straczynski was born on July 17, 1954 in Paterson, New Jersey, USA as Joseph Michael Straczynski. He is a writer and producer, known for Thor (2011), World War Z (2013) and Babylon 5 (1994). See full bio » Born: Joseph Michael Straczynski July 17, 1954 in Paterson, New Jersey, USA ad feedback More at IMDbPro » Contact Info: View agent, publicist and company Quick Links Biography Photo Gallery Awards Filmography (by Job) Message Boards Trailers and Videos Explore More 15 photos | 8 videos | 1009 news articles » Scary Good: IMDb's Guide to Horror Nominated for 1 BAFTA Film Award. Another 5 wins & 5 nominations. See more awards » Known For Can't get enough of movies and television shows that scare up a good Thor (2011) World War Z (2013) Babylon 5 (1994) Changeling (2008) fright? Check out Scary Good, IMDb's Horror Entertainment Guide. Being terrified was never so much fun. Filmography Show all | Show by... | Edit Enter if you dare » Jump to: Writer | Producer | Miscellaneous Crew | Director | Actor | Soundtrack | Thanks | Self J. Michael Straczynski on Twitter Writer (34 credits) Hide Red Mars (TV Series) (created by - 1 episode) (pre-production) H id2e0 16 Follow @straczynski 25.5K followers W- Priloit e..r. ((cr3e4at ocrr)edits) Rod Serling's Night Gallery (TV Mini-Series) (pre-production) 2015 Share this page: Sense8 (TV Series) (created by - 22 episodes, 2015 - 2016) (written by - 22 episodes, 249 people like this. -
MHRD-Annual Report 2012-13.Pdf
ANNUAL REPORT 2012-13 Department of School Education & Literacy Department of Higher Education Ministry of Human Resource Development Government of India ANNUAL REPORT 2012-13 Department of School Education & Literacy Department of Higher Education Ministry of Human Resource Development Government of India DR. M. MANGAPATI PALLAM RAJU MINISTER OF HUMAN RESOURCE DEVELOPMENT GOVERNMENT OF INDIA ANNUAL REPORT – 2012-13 DR. SHASHI THAROOR HON'BLE MINISTER OF STATE FOR HUMAN RESOURCE DEVELOPMENT SHRI JITIN PRASADA HON'BLE MINISTER OF STATE FOR HUMAN RESOURCE DEVELOPMENT ii ASHOK THAKUR SECRETARY DEPARTMENT OF HIGHER EDUCATION ANNUAL REPORT – 2012-13 R. BHATTACHARYA SECRETARY DEPARTMENT OF SCHOOL EDUCATION & LITERACY iii ANNUAL REPORT – 2012-13 L to R (sitting): Shri Ashok Thakur, Secretary(HE), Dr. M.M. Pallam Raju, Hon’ble HRM, Shri R. Bhattacharya, Secretary (SE&L). LtoR:Ms. Amita Sharma, Additional Secretary, Ms. Vrinda Sarup, Additional Secretary, Shri J. Alam, Joint Secretary, Shri R.C. Meena, Economic Adviser, Shri Anil Kumar Singhal, PS to HRM, Dr. Nagesh Singh, Economic Adviser, Shri Amit Khare, Joint Secretary, Shri Yogendra Tripathi, Joint Secretary & Financial Adviser, Dr. Amarjeet Singh, Additional Secretary, Shri R.P. Sisodia, Joint Secretary, Ms. Shakila T. Shamshu, OSD, Ms. S. Radha Chauhan, Joint Secretary, Ms. Veena Ish, Joint Secretary. iv CONTENTS Contents CHAPTER-10 CHAPTER-1 Initernational Cooperation Overview 1 and UNESCO 129 CHAPTER-2 CHAPTER-11 Major Initiatives 7 Skill Development 141 CHAPTER-12 CHAPTER-3 Education -
PDF of Credits
ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER MOTION PICTURES EUROVISION (Music Producer, Vocal Arranger) David Dobkin, dir. Netflix THE ADDAMS FAMILY (Music Producer) Greg Tiernan, Conrad Vernon, dirs. MGM GOOD BOYS (Executive Music Producer) Gene Stupnitsky, dir. Universal Pictures PITCH PERFECT 3 (Executive Music Producer) Trish Sie, dir. Universal Pictures POMS (Executive Music Producer) Zara Hayes, dir. STX ISN’T IT ROMANTIC (Music Producer) Todd Strauss-Schulson, dir. Warner Bros. THE SECRET LIFE OF PETS (Producer “We Go Together”) Chris Renaud, dir. Universal Pictures PITCH PERFECT 2 (Arranger/Vocal Arranger) Elizabeth Banks, dir. Universal Pictures ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Executive Music Producer) Walt Becker, dir. Fox 2000 PITCH PERFECT (Additional Vocal Arranger) Jason Moore, dir. Universal Pictures HANNAH MONTANA: THE MOVIE (Producer “Let’s Do This”) Peter Chelsom dir. Walt Disney Studios 3349 Cahuenga Blvd. West Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER TELEVISION JULIE AND THE PHANTOMS (Vocal Arranger/Vocal Producer, Songwriter) Kenny Ortega, dir. Netflix TROLLS: THE BEAT GOES ON (Executive Music Producer, Songwriter) Hannah Friedman, creator Netflix DWA UNNANOUNCED SHOW (Executive Music Producer, Songwriter) DreamWorks Animation ALVINNN!!! AND THE CHIPMUNKS (Executive Music Producer, Songwriter) Janice Karman, creator Nickelodeon LIVE SHOW TROLLS LIVE TOURING SHOW (Music Producer) SONGWRITER NAKED (Writer “Nobody But You”) Michael Tiddes, dir. Netflix STAR (TV) (Writer “Honeysuckle”) Lee Daniels, Tom Donaghy, creators Fox ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Writer “Home”) Walt Becker, dir. Fox 2000 POWER (TV) (Writer “Old Flame”) Courtney A. Kemp, creator Starz FIFTY SHADES OF GREY (Writer “Awakening”) Sam Taylor-Johnson, dir. -
Newsletter 02/16 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 02/16 DIGITAL EDITION Nr. 354 - Februar 2016 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 02/16 (Nr. 354) Februar 2016 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Kennen Sie den Mann auf dem Titel- bild? Nein? Aber bestimmt kennen Sie ein paar seiner Filme. Denn Christian Duguay hat schon einige handfeste Action-Filme inszeniert, wie beispiels- Eine kurze Information an alle Cinera- Zu guter Letzt möchten wir gerne noch weise THE ART OF WAR, ma-Fans, die ungeduldig auf die noch Ihren Blick auf die nächste Seite len- HYDROTOXIN oder SCREAMERS. fehlenden beiden Titel CINERAMA’S ken. Denn dort spricht unsere Kolum- Vor zwei Wochen hatten wir Gelegen- RUSSIAN ADVENTURE und THE nistin Anna wieder einmal mit Holly- heit, uns mit dem gebürtigen Kanadier BEST OF CINERAMA warten. Flicker wood. Ihre Kolumne steht dabei dieses in Stuttgart zu unterhalten. Denn ge- Alley wird diese beiden DVD/BD- Mal ganz im Zeichen des Valentinstags. nau dort stellte der renommiere Regis- Releases nicht vor Herbst veröffentli- Wir haben uns jedenfalls beim Lesen seur seinen neuesten Film, den packen- chen. Hauptgrund dafür ist die schöne des Textes großartig amüsiert. Und den Abenteuerfilm SEBASTIAN UND Tatsache, dass man bei RUSSIAN jetzt Sie dran! DIE FEUERRETTER, dem begeisterten ADVENTURE unverhofft auf die Publikum persönlich vor. Natürlich hat- Originalnegative gestoßen ist und sich Ihr Laser Hotline Team ten wir wieder unsere Kamera vor Ort Experte David Strohmaier der besseren und haben das alles für Sie in Bild und Qualität wegen für eine komplette Ton festgehalten. -
Looking at Popular Muslim Films Through the Lens of Genre
Rupkatha Journal on Interdisciplinary Studies in Humanities, Vol. IX, No. 1, 2017 0975-2935 DOI: https://dx.doi.org/10.21659/rupkatha.v9n1.17 Full Text: http://rupkatha.com/V9/n1/v9n117.pdf Is Islamicate a Genre? Looking at Popular Muslim Films through the Lens of Genre Asmita Das Department of Film Studies, Jadavpur University, Kolkata. ORCID: 0000-0002-7307-5818. Email: [email protected] Received February 25, 2017; Revised April 9, 2017; Accepted April 10, 2017; Published May 7, 2017. Abstract This essay engages with genre as a theory and how it can be used as a framework to determine whether Islamicate or the Muslim films can be called a genre by themselves, simply by their engagement with and representation of the Muslim culture or practice. This has been done drawing upon the influence of Hollywood in genre theory and arguments surrounding the feasibility / possibility of categorizing Hindi cinema in similar terms. The essay engages with films representing Muslim culture, and how they feed into the audience’s desires to be offered a window into another world (whether it is the past or the inner world behind the purdah). It will conclude by trying to ascertain whether the Islamicate films fall outside the categories of melodrama (which is the most prominent and an umbrella genre that is represented in Indian cinema) and forms a genre by itself or does the Islamicate form a sub-category within melodrama. Keywords: genre, Muslim socials, socials, Islamicate films, Hindi cinema, melodrama. 1. Introduction The close association between genre and popular culture (in this case cinema) ensured generic categories (structured by mass demands) to develop within cinema for its influence as a popular art. -
Bullet to the Head Dvd Cover
Bullet to the head dvd cover Free Bullet To The Head DVD Cover () R1 Custom ready to download and print. Free online custom movie dvd covers art archive. After watching their respective partners die, a New Orleans hitman and a Washington D.C. detective form an alliance in order to bring down. The best in the world DVD COVERS. Only high quality custom cover!!! DVD | BLU RAY | LABEL. Order your covers totality for free in CoverCity. Digital Copy Notice: The purchase of this DVD or Blu-ray disc comes with rights to access a complimentary digital version from the production company. Carátula Dvd El Ejecutor - - Custom - V3, Cover gratis subido por GAELOsolcon - Película Una bala en la cabeza, Bullet to the Head, Walter Hill, Sylvester. Japanese dvd cover image for Bullet to the Head. The image measures * pixels and was added on 18 March ' Bullet To The Head Dvd Cover | Info. bullet to the head dvd cover. Popular pictures. Horse Shoe Clip Art · Kate Beckinsale Hair Updo · Santorini Greece Hotels. Bullet To The Head HD wallpapers, desktop and phone wallpapers. In this Movie To The Head #6. | x px KB | Bullet to the Head Movie Poster. When their respective partners are viciously murdered, a New Orleans hitman (Sylvester Stallone) and a young Washington DC cop (Sung Kang) put aside their. Bullet to the Head dvd label, created by artist TomKru R.I.P.. (id: ). Bullet to the Head is a film directed by Walter Hill with Sylvester Stallone, Sung Kang, Jason Momoa, Sarah Shahi, . Year: Original title: Bullet to the Head. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
JOMEC Journal Journalism, Media and Cultural Studies
JOMEC Journal Journalism, Media and Cultural Studies Pacific Crossings: Remaking Bodies and Cultures Through Film Jane Chi Hyun Park University of Sydney Email: [email protected] Twitter: @jchihyunpark Keywords Diaspora Transnationalism Crossover Orientalism Hallyu Cultural Translation Hollywood Australian Film Masculinity Abstract This paper draws on scholarship from Inter-Asia and Asian diasporic cultural studies to look at two recent attempts by East Asian performers to appeal to Western audiences on the big screen, reading their crossover attempts as embodied forms of cultural and aesthetic translation. The first considers the ‘success’ of an Australian film, Mao’s Last Dancer, based on the life of a male Chinese diasporic ballet dancer, and the second, the ‘failure’ of two Hollywood films, Blood: The Last Vampire and Ninja Assassin which star Korean actors, Jeon Ji-hyun (Gianna Jun) and Jung Ji-hoon (Rain), Focusing on the ways in which these stars were produced and consumed transnationally, the paper questions the cultural, institutional and generic terms through which western films showcasing non- western bodies and themes are deemed to fail or succeed. It argues, ultimately, that a close examination of how certain narratives, genres, stars and performances are (mis)translated across different cultures demonstrates the continued existence of cultural and national differences in a supposedly swiftly globalizing world. Contributor Note Jane Chi Hyun Park is Senior Lecturer in the Department of Gender and Cultural Studies, University of Sydney and has published widely on the social uses of media technologies, the cultural impact of minority representations, and transnational flows of popular film, music, and television, with a particular focus on East Asia and Asian America. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Movie Review
CRITICAL ANALYSIS The three movies taken up for this Analysis are as follows: A BEAUTIFUL MIND Written by: Akiva Goldsman Directed by: Ron Howard (English) ONE FLEW OVER THE CUCKOO’S NEST Written by: Lawrence Hauben and Bo Goldman Directed by: Milos Foreman (English) SURAJ KA SATVAN GHODA Written by: Dharamveer Bharati Directed by: Shyam Benegal (Hindi) PREMISE of the movie A beautiful Mind: Based loosely on a true story, A Beautiful Mind tells of a brilliant young mathematician named John Nash (Russell Crowe) who lived a life of genius tainted by mental breakdown. Married to his ever- faithful sweetheart Alicia (Jennifer Connelly) Nash lived a secret life as a Government agent, deciphering codes for the mysterious William Parcher (Ed Harris) in order to help the United States win the Cold War. The story begins in the early years of Nash's life at Princeton University as he develops his "original idea" that will revolutionize the world of mathematics. Early in the movie, Nash begins developing paranoid schizophrenia and endures delusional episodes while painfully watching the loss and burden his condition brings on his wife and friends. Suraj ka satvan ghoda: In this movie, the narrator, Manek Mullah (Rajit Kapur) tells three stories of the three women, Neena Gupta (the poor), Pallavi Joshi (the intellectual) and Rajeshwari Sachdev (middle class), he had met in his life at different times. These three stories are nothing but a single story seen from stands of different characters of the film. The lowest, slowest or the weakest in a group or society determines the speed or progress of the whole.