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Bradley Syllabus for South
Special Topics in African American Literature: OutKast and the Rise of the Hip Hop South Regina N. Bradley, Ph.D. Course Description In 1995, Atlanta, GA, duo OutKast attended the Source Hip Hop Awards, where they won the award for best new duo. Mostly attended by bicoastal rappers and hip hop enthusiasts, OutKast was booed off the stage. OutKast member Andre Benjamin, clearly frustrated, emphatically declared what is now known as the rallying cry for young black southerners: “the South got something to say.” For this course, we will use OutKast’s body of work as a case study questioning how we recognize race and identity in the American South after the civil rights movement. Using a variety of post–civil rights era texts including film, fiction, criticism, and music, students will interrogate OutKast’s music as the foundation of what the instructor theorizes as “the hip hop South,” the southern black social-cultural landscape in place over the last twenty-five years. Course Objectives 1. To develop and utilize a multidisciplinary critical framework to successfully engage with conversations revolving around contemporary identity politics and (southern) popular culture 2. To challenge students to engage with unfamiliar texts, cultural expressions, and language in order to learn how to be socially and culturally sensitive and aware of modes of expression outside of their own experiences. 3. To develop research and writing skills to create and/or improve one’s scholarly voice and others via the following assignments: • Critical listening journal • Nerdy hip hop review **Explicit Content Statement** (courtesy: Dr. Treva B. Lindsey) Over the course of the semester students will be introduced to texts that may be explicit in nature (i.e., cursing, sexual content). -
Canceled: Positionality and Authenticity in Country Music's
Graduate Theses, Dissertations, and Problem Reports 2021 #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Ethnomusicology Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Social Media Commons Recommended Citation Saporito, Gabriella, "#Canceled: Positionality and Authenticity in Country Music’s Cancel Culture" (2021). Graduate Theses, Dissertations, and Problem Reports. 8074. https://researchrepository.wvu.edu/etd/8074 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Musicology Travis D. Stimeling, Ph.D., Chair Jennifer Walker, Ph.D. Matthew Heap, Ph.D. -
Outkast'd and Claimin' True
OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIPHOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON (Under the direction of Judith Preissle) ABSTRACT The hiphop community of practice encompasses a range of aesthetic values, norms, patterns, and traditions. Because of its growth over the last three decades, the community has come to include regionallyspecific networks linked together by community members who engage in meaningful practices and experiences. Expressed through common language ideologies, these practices contribute to the members’ communal and individual identity while simultaneously providing platforms to articulate social understandings. Using the constructs of community of practice and social networks, this research project is an interpretive study grounded primarily in the use of lyrics and interviews to investigate the linguistic patterns and language norms of hip hop’s southern network, placing emphasis on the Atlanta, Georgia southern hiphop network. The two main goals are to gain an understanding of the role of school in the cultivation of the network and identify the network’s relationship to schooling and education. The purpose is to identify initial steps for implementing a hiphop pedagogy in curriculum and instruction. INDEX WORDS: Hiphop community of practice, social network, language ideology, hiphop generation, indigenous research, schooling, education OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIPHOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON B.S., The University of Georgia, 1996 M.A., Pepperdine University, 1998 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2007 ã 2007 Joycelyn A. -
EDUBB [email protected]
For Booking Contact: Robert Mattocks Booking Agent Produced by Deuce 386-299-0547 EDUBB [email protected] Biography Trendsetters, music makers and nationwide party starters are all words to describe new rap trio, EDUBB. Known as Almighty Dolla, Johnny BOI and Nem, they collectively make up the group EDUBB (pronounced E-Dubb). With more than 4 million views on-line from their hit single and video "Whooty," the group has swiftly become a TMZ favorite. Multiple magazines across the country from URB to OZONE have featured EDUBB as the group most likely to succeed in the music industry. It all began in a free-style session in Atlanta, Georgia when cousins Nem and Dolla produced their first recording on a 4 track. Excited about their new found music career they reached out to Dolla's brother Johnny BOI who had been sent to the Military Academy. They wrote letters to Johnny about their experiences and offered him a position as the third member of the group. Growing up around the music industry and witnessing the development of groups like the Ying Yang Twins and the Hard Boys allowed firsthand knowledge of what to expect as an artist and configure what was missing within the music industry. "At one time, music had stop being fun and simply got really violent or extremely x-rated. We knew there was a gap and our goal is to seal it," says Johnny BOI. With a Southern Hip-Hop, Pop, R&B and Rock sound EDUBB have created a new genre called Hip-Hop Fusion. -
Music 18068 Songs, 47.6 Days, 99.18 GB
Music 18068 songs, 47.6 days, 99.18 GB Name Time Album Artist A. F. U. (Naturally Wired) 4:31 Ou812 Van Halen A.B.C. 3:52 Coolin' At The Playground Ya' Know! Another Bad Creation ABC 2:56 The Ultimate Collection The Jackson 5 Abi Gezundt (A Bee Gezindt) 2:48 The King Of Hi-De-Ho 1934-1937 Cab Calloway Abigail Beecher 2:25 The EP Collection Freddy Cannon Abilene 2:15 Billboard Top Country Hits - 1963 George Hamilton IV About You (Feat. Will.I.Am and Nina Sim... 4:05 The Breakthrough Mary J. Blige Above the Rim 3:38 Hootie Mack Bell Biv DeVoe Abracadabra 3:39 Now That's What I Call The 80s Steve Miller Abracadabra 5:06 Steve Miller Band Abscretions 7:03 Music, Inc. Big Band Music Inc. Absolutely Nothing's Changed 3:43 Twenty Four Seven Tina Turner AC 3e 7:1010000 Days Tool Acapulco 1922 2:42 Definitive Hits Herb Alpert Accidentally In Love 3:09 Shrek 2 Counting Crows Accidently On Purpose 2:23 Best of Vol. 1: Hardcore Honky George Jones According To You (Top 40 Edit) 3:20 Promo Only Mainstream Radio December Orianthi Ace in the Hole 2:35 50 Number Ones Disc 1 George Strait Ace in the Hole 5:44 One Trick Pony Paul Simon Ace Of Hearts 3:06 Here In The Real World Alan Jackson Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Aching, Breaking, Heart 2:49 Best of Vol. -
Download File
Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music Kevin C. Holt Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts & Sciences COLUMBIA UNIVERSITY 2018 ©2018 Kevin C. Holt All rights reserved ABSTRACT Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music Kevin C. Holt This dissertation offers an aesthetic and historical overview of crunk, a hip- hop subgenre that took form in Atlanta, Georgia during the late 1990s. Get Crunk! is an ethnography that draws heavily on methodologies from African-American studies, musicological analysis, and performance studies in order to discuss crunk as a performed response to the policing of black youth in public space in the 1990s. Crunk is a subgenre of hip-hop that emanated from party circuits in the American southeast during the 1990s, characterized by the prevalence of repeating chanted phrases, harmonically sparse beats, and moderate tempi. The music is often accompanied by images that convey psychic pain, i.e. contortions of the body and face, and a moshing dance style in which participants thrash against one another in spontaneously formed epicenters while chanting along with the music. Crunk’s ascension to prominence coincided with a moment in Atlanta’s history during which inhabitants worked diligently to redefine Atlanta for various political purposes. Some hoped to recast the city as a cosmopolitan tourist destination for the approaching new millennium, while others sought to recreate the city as a beacon of Southern gentility, an articulation of the city’s mythologized pre-Civil War existence; both of these positions impacted Atlanta’s growing hip-hop community, which had the twins goals of drawing in black youth tourism and creating and marketing an easily identifiable Southern style of hip-hop for mainstream consumption; the result was crunk. -
BOOK THESE ARTIST(S) in YOUR City SUBMIT ALL OFFERS TO
BOOK THESE ARTIST(S) IN YOUR City SUBMIT ALL OFFERS TO: Email: Tony H. [email protected] (209)408-9843 Charles fishero [email protected] (818)-808-9955 All Prices Are Subject to Change at Artist(s)/Manager’s Discretion!!! ARTIST TALENT OF THE WEEK : SPICE 1 Young Buck Accepting Offers Young Dro “5.5k” Lil Ru 3.5k plus rider Fabolous Ace Hood “Acceptin Offers” 27.5k For Performance Young Joc Yung LA Chamillionaire 10k Plus Rider 5k Plus Rider 9k plus rider Gorilla Zoe 7k plus rooms Young Money -15k plus rider Nikki Menaj 38.5 plus rider Fiend (Formerly of No Limit) Big Boi of Outkast E-40 9k plus rider 3.5k plus travel 22k all in to host or 17k plus 6 rooms 50 Cent -140k plus rider Lyfe Jennings 22k/27.5 live band Dream 38.5 plus rider Bun B 14k plus rider Lil Webbie 6k plus rider Scarface Ask About Bad Chick Party Hosting 11k plus rider/14k all in Slim Thug Rick Ross Bloodraw 7500 plus rider/best offer 44k plus rider 3.5k or best offer Yo Gotti Gucci Mane Big Tigger 22k plus ground travel 65k all in Roscoe Dash 13.5 k plus rider Party Boyz 7k all in Twist & Lil Chuckee (Young Money) 8Ball & MJG 7k plus rider Project Pat 3k plus rooms Kandi – 6k plus travel Rich Boy David Banner 7k plus rider Lil Jon 11k plus 6 traveling Hosting Only Jim Jones 9k plus rider J.Holiday 11k plus rider Jaheim 38.5k-44k live band show Baby aka Birdman Vinnie The Shark & Maal The Pimp Juelz Santana DJ Unk 5.5k plus travel Lil Duval 6k/stand up show Maria Carey 880k AJ Johnson 6k/stand up show Tyrese 38.5k plus rider Lloyd 11k plus rider Omarion 19k plus rider Fabo 5.5k plus travel John Legend 110k plus rider OJ Da Juice Man Lil Flip Shop Boyz 7.5k plus rider 6k plus rider 5k Plus travel Jasmine Sullivan 27.5k all in Gary Jenkins of Silk 4k plus 2 rooms Urban Mystic 3k plus 3 rooms Fox 2.5k plus 3 rooms Ice Cube 22k plus rider Monica 17k-20k plus travel Calvin Richardson 6k plus rooms Keith Sweat 30k-35k plus travel Ray J 16.5k plus travel Slim of 112 6k or 9k all in Jaguar “Ray J” 2k plus travel David Mann aka Mr. -
The Creators of “Whooty”
For Booking Contact: Robert Mattocks Booking Agent Produced by Deuce 386-299-0547 EDUBB [email protected] The Creators of “Whooty” Biography Trendsetters, music makers and nationwide party starters are all words to describe new rap trio, EDUBB. Known as Almighty Dolla, Johnny BOI and Nem, they collectively make up the group EDUBB (pronounced E-Dubb). With more than 4 million views on-line from their hit single and video "Whooty," the group has swiftly become a TMZ favorite. Multiple magazines across the country from URB to OZONE have featured EDUBB as the group most likely to succeed in the music industry. It all began in a free-style session in Atlanta, Georgia when cousins Nem and Dolla produced their first recording on a 4 track. Excited about their new found music career they reached out to Dolla's brother Johnny BOI who had been sent to the Military Academy. They wrote letters to Johnny about their experiences and offered him a position as the third member of the group. Growing up around the music industry and witnessing the development of groups like the Ying Yang Twins and the Hard Boys allowed firsthand knowledge of what to expect as an artist and configure what was missing within the music industry. "At one time, music had stop being fun and simply got really violent or extremely x-rated. We knew there was a gap and our goal is to seal it," says Johnny BOI. With a Southern Hip-Hop, Pop, R&B and Rock sound EDUBB have created a new genre called Hip-Hop Fusion. -
DJ Kontrol USB List
DJ Kontrol 32GB USB! ! WAV Versions! ! BLENDS & MASH-UPS:! ! ! 1.! 2 Live Crew x New World Sound x Timmy Trumpet - Me So Horny Buzz (DJ Kontrol Show Edit)! ! 2.! 8Ball & MJG vs. Dada Life - Kick Out The Epic Drama (DJ Kontrol Mash) (Dirty)! ! 3.! 8Ball & MJG vs. Dada Life - Kick Out The Epic Drama (DJ Kontrol Mash) (Mixtape Edit) (Dirty)! ! 4.! A Tribe Called Quest x Big Sean - Can I Kick It (DJ Kontrol Blend) (Clean)! ! 5.! A Tribe Called Quest x Erykah Badu - Soldier x 1nce Again (DJ Kontrol & DJ Highmaintenance Blend) (Clean) #RIPPhife! ! 6.! A Tribe Called Quest x Erykah Badu - Soldier x 1nce Again (DJ Kontrol & DJ Highmaintenance Blend) (Dirty) #RIPPhife! ! 7.! Adele x Busta Rhymes - Set Fire To Your Ass In The Rain (DJ Kontrol Mash) (Clean)! ! 8.! Afrojack f. Eva Simons vs. Zedd vs. Basemant Jaxx - Shave It Over Kontrol (DJ Kontrol Mash) (Clean) (Extended Mix)! ! 9.! Ariana Grande f. Zedd vs. Joel Fletcher - Break Free Jump! (DJ Kontrol Edit)! ! 10.! Ariana Grande x Sage The Gemini - College Drop Problem (DJ Kontrol Mash) (Clean)! ! 11.! Awolnation vs. Soulja Boy - Pretty Boy Sail (DJ Kontrol Mash)! ! 12.! Bad Meets Evil f. Bruno Mars vs. Shabba Ranks & Serani - Lighters In The Dancehall (DJ Kontrol Blend) (Clean)! ! 13.! Bad Meets Evil f. Bruno Mars vs. Shabba Ranks & Serani - Lighters In The Dancehall (DJ Kontrol Blend) (Dirty)! ! 14.! Bastille vs. Blasterjaxx - Pompeii (DJ Kontrol Show Edit)! ! 15.! Bebe Rexha x Bruno Mars - Treasure Me, Myself & I (DJ Kontrol Mash) (Clean)! ! 16.! Bebe Rexha x Bruno Mars - Treasure Me, Myself & I (DJ Kontrol Mash) (DJ Intro) (Clean)! ! 17.! Beyonce f. -
The Tusker Tribune the Student Newspaper of Somers Middle School
The Tusker Tribune The Student Newspaper of Somers Middle School Issue Number 19 http://somersschools.org/domain/995 Winter 2019 NBA Mid-Season Status Report By Michael Abrams Tusker Tribune Staff Who leads the league in average rebounds Midway through the NBA season per game? and we have a LOT of things to talk about. Let’s go! 1. Andre Drummond 2. Deandre Jordan Who are the top 3 players in 3. Anthony Davis average points per game? 1. James Harden: 36.3 Points per Who leads the league game in average steals per game? 2. Antony Davis: 29.3 3. Steph Curry: 29.3 1. Paul George 2. Russel Westbrook Who are the leaders in av- 3. Robert Covington erage assists? Who leads the league in average blocks per 1. Russel Westbrook game? 2. Kyle Lowry 3. Ben Simmons 1. Myles Turner 2. Anthony Davis 3. Hassan Whiteside Continued on Page 2 Super Bowl LII is This Weekend By Arjun Ojha That game Tusker Tribune Staff was won by February 3rd is a big day for foot- Greg Zuer- ball fans worldwide. It’s a big day because lein. He hit a it’s Super Bowl Sunday. 57-yard field It’s a big day for the two teams in goal to win the Super Bowl because they know that they’ll the game in have a chance to be victorious and come away overtime. with the Lombardi Trophy. The New England Patriots finished the The Super Bowl will be played on February season 11-5, beating the Los Angeles Chargers 41- 3rd, 2019 at Mercedes-Benz Stadium down in At- 28 and the Kansas City Chiefs 37-31 in the lanta, GA. -
They Schools: Hip Hop As a Pedagogical Process for Youth in Juvenile Detention Centers
CHAPTER THREE They Schools: Hip Hop as a Pedagogical Process for Youth in Juvenile Detention Centers TRAVIS HARRIS AND DANIEL WHITE HODGE “We ready! We ready! We ready!” echoed throughout the Prince William County Juvenile Detention Center (PWCJDC) as Travis Harris and the young men rhythmically jumped up and down and chanted. Harris hyped them up to believe that they could live a life of purpose and meaning. The chant was popularized by Dirty South rapper Pastor Troy’s song “No Mo Play in G.A.” and the familiarity contributed to a euphoric moment. In the detention center for juveniles, the atmo- sphere burst with feelings of freedom and worth. They were getting ready to go out and live free. This opening scene portrays a high point in my (Harris) training at the PWC- JDC while working with Youth Outreach Services. Although I was not aware of the concept of Hip Hop Based Education (HHBE) at the time, it was my primary pedagogical approach. In this chapter, we argue that in focusing on break- ing the cyclical oppression of the school-to-prison pipeline (STPP) at the stage of juvenile justice, HHBE (Hill, 2009) can be used as an effective pedagogical tool to empower teenagers to obtain their freedom. HHBE is a culturally relevant approach that allows practitioners to educate the whole being of young people. While juvenile detention centers have inherent limitations to the ways in which a Hip Hop culture can be constructed, the fluidity between Hip Hop and space overcomes this shortcoming. The most decisive factor in implementing HHBE in juvenile detention centers is the instructor. -
Biiiboard° TOP R&B/HIP-HOP
JUNE 26 i . I . 2004 ' BiIIboard Ti .. - TM Sales data compiled from a national subset ke se panel R W of core &B /Hip -Hop stores by Nielsen z W W< z c 3 ti 3 3 SoundScan E fÿ ARTIST Title ti Ñ ARTIST Title y 3 h 3 g 5 IMPRINT & NUMBER/DISTRIBUTING LABEL d E 5 N IMPRINT & NUMBER/DISTRIBUTING LABEL d A. %tr-, NUMBER 1 e- 8 Weeks At Number 1 X- ECUTIONERS COLUMBIA 8 7136 /SONY MUSIC (12.98EQ CD) Revolutions 50 1 1 USHER A° LAFACE 52141/ZOMBA 112.98/18.981 Confessions 1 55 49 SEAN PAUL A2 VP /ATLANTIC83620 /AG 112.98/18.98) Dutty Rock 4 2 2 8 BAD BOY 48 R. JIVE 55077/ZOMBA 118.98 CD) The R. In R&B Collection: Volume One 2 I BALL &MJG 00238'N9MRG112.98CD) Living Legends 1 52 38 KELLY A 3 4 TEENA MARIE CASH MONEY CLASSICS W2552/UMRG112.98COI La Dona 3 53 45 50 PASTOR TROY KHAOTIC GENERATION/UNIVERSAL 007297'NMR611298CD) By Any Means Necessary 7 tilt' HOT SHOT DEBUT =:l7` 54 53 53 LIL JON & THE EAST SIDE BOYZ A2 BME2370/NT113.98/17.981 Kings Of Crook 2 FRED HAMMOND VERITY /JIVE51374420MBA 111.98/17.981 Somethin' Bout Love 4 ® 56 51 50 CENT A6 SHADY /AFTERMATH 493544/INTERSCOPE(8.98/12.98) Get Rich Or DieTryin' 1 56 LEGAL HUSTLE 5727/KOCH (16.98 CD) Legal Hustle 9 10 JUVENILE CASH MONEY 001718IUMRG112.98CD) Jove The Great 4 48 22 CORMEGA 22 MOTOWN067516/UMRG18.98/12.98) 6 7 6 D12 SHADY 002404/INTERSCOPE(8.98/12.98) D12 World 1 57 51 55 KEM 1H] Kemistry 14 63 59 S -CURVE 4223419.98CDIEH] The Soul Sessions (EP) 7 4 3 METHOD MAN DEF JAM 548405 /IDJMG(8.98/13.9431 Tical 0: The Prequel 1 JOSS STONE 38 TARRALYN RAMSEY CASABLANCA /UNIVERSAL 001536/UMRG113.98CD)