BRT Past Schedule 2012
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Annabel Moynihan Was Living in Portland Oregon
Inside the Artist - which plays mostly Irish traditional music in the style as its I started playing Irish traditional music about 25 years ago when I played here in Vermont. Locally I also teach and I love doing Annabel Moynihan was living in Portland Oregon. I studied with Kevin Burke, who that! I am inspired and learn so much from my students every February 2017 was the founding member of the Bothian Band who is an week. And I have been glad to be a part of the Suzuki teacher’s amazing and influential fiddle player with whom I was lucky community with the Burlington Vermont Suzuki Violins who have enough to study. I played out there in a band that played been really helpful and supportive for me. So I’ve been teaching traditional Irish and Scottish music with a Scottish singer. That for ten years now. I have a studio in Waterbury. I also have was a bar band and we played 4 or 5 nights a week--all Irish given classes as a part of the Vermont School of Irish Traditional music, all Scottish music, and lots of country western music. No Music, which is run by Hilary Ferrington and Benedict Kohler, English music (laughs). I also play the electric violin in a number and they’ve been teaching classes on Irish traditional music and After discussing the program she is helping to produce for a th of different experimental and electronic music bands and with Irish repertoire which has been a boon to our Irish music March 17 St. -
Kevin Burke and Cal Scott
WWhhaatt TThheeyy’’rree SSaayyiinngg aabboouutt KKeevviinn BBuurrkkee THE NEW YORK TIMES THE WASHINGTON POST A Big Wide World KEVIN BURKE & CAL SCOTT of Music "Across the Black River" Loftus Friday, May 11, 2007; Page WE09 By JON PARELES Published: June 29, KEVIN BURKE IS ONE of the greatest Irish 2007 fiddlers of the past half-century, but he has lived in Jack Vartoogian/ FrontRowPhotos Ireland for only five of his 57 years. He was raised in London by parents from County Sligo, and he has What follows is a lived in Portland, Ore., since 1979. He is thus a selection of some of the perfect exemplar for the far-flung Irish diaspora and most notable world weaves the multinational strands of today's "Irish" music CDs released over music into his impressive new album, "Across the the last year. Black River," a collaboration with Portland film composer Cal Scott. KEVIN BURKE AND CAL SCOTT "Across the Black River" (Loftus) Scott composed three of the instrumental album's tunes, including the spellbinding "The Lighthouse Born in England to Irish parents and now living in Keeper's Waltz," and plays graceful guitar, mandolin Portland, Ore., Kevin Burke is one of the great and bouzouki throughout. But the dominant voice is living Celtic fiddlers. His first album on his own that of Burke's violin, which never wavers in pitch or label is a collaboration with the self-effacing guitarist timbre but sings out with a confidence that allows the Cal Scott and various guests that's cozy and mature, listener to relax. -
Friday 7Th March 2014
Vol. 13 Edition 10: Friday 7th March 2014 : www.killarneyoutlook.com 07.03.14 1 Killarney Outlook Sales: Des 087 659 3427 or Email: [email protected] ARE YOU ONE OF THE 35,000 PEOPLE THAT READ THE BEST FREE PUBLICATION IN KERRY... THE KILLARNEY OUTLOOKDON’T DONT MISS OUT ON COLLECTING YOUR WEEKLY EDITION OF KERRY’S BRIGHTEST AND MOST READ PUBLICATION….. THE KILLARNEY OUTLOOK. THE GLOSSY MAGAZINE IS DELIVERED TO BUSINESS OUTLETS EVERY FRIDAY AND IS SNAPPED UP WITHIN MINUTES OF DELIVERY. FARRANFORE Urban Optics Tru-Care Cleaners Bowler’s Garage BEAUFORT JLT Tiles Torc Travel Daybreak Shop (top of High Street) Our-House.ie Beaufort Bar Farranfore Garden Centre Golden Chopsticks Gallivan Murphy Hooper Dolan MUCKROSS ROAD In-Between Pub Londis Moriarty’s Food Fayre Café NEW STREET Handy Stores Carson’s Supermarket Liam Lynch Garage COLLEGE SQUARE / PLUNKETT Presbytery near Bishop Palace Tom Spillane Kilgobnet Breen’s Shop KILLARNEY STREET Hennigan’s Auctioneers Amber Station Muckross rd quick O’Sullivan’s Shop Murphy’s Garage Sean Leo’s Auctioneers Killarney Photographic pick MILLTOWN Amber Centra O’Leary Electrical Killarney Med Centre Carry Out Licence Londis Top Shop Carry Out Licence White-Heather Florist Pharmacy (O’Sullivan) Ross Golf Course Milltown Farmer’s Market (old Chinese Restaurant Allegro Kennelly’s Pharmacy Randles Court Hotel church) Topaz Centra Music Express Dunnes Stores Randles Nissan Garage Café Beag Maher’s Butchers Joevany Leather Goods Healy’s Newsagents Doyle Shop O’Shea’s Pub Kennelly’s Pharmacy Gallivan Auctioneers Sarah Jane Brehon Hotel Pharmacy Sean Taffee Reens (Chemist) Jasmine Boutique Gleneagle Burke’s Butchers I.C. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
BLUETONES! O L
The Weekly Arts and Entertainment Supplement to the Daily Nexus Are you worried at all about coming to America to try and find success? SM: I think if you go anywhere, you go open-minded just to see what the people are like. You don’t go with preconceptions. I think we’re just waiting. We’re waiting for when there’s a demand and when people do actually want to go and see us. I’m talking about the fans. _ How would you describe your music to someone from California? EC: It’s rock ’n’ roll, really. The Bluetones are a band from Houndslow, England, which, in case your English SM: Melodic guitar rock. Pop music. We’re influenced by a lot of West Coast Ameri geography is not up to par, is near Heathrow Airport in London. This fine quartet, com can stuff from the ’60s— Crosby, Stills & Nash, Buffet, The Byrds, Buffalo Springfield. prised of singer/lyricist Mark Morriss, bassist Scott Morriss, drummer Eds Chesters Do you see yourself as a primarily English band? and guitarist Adam Devlin, gets my vote for the best new pop band out of Britain. SM: We don’t like flying flags in foreign countries or anything. That’s a load of rub They’ve honed their skills on tour with the likes of Supergrass, while the less talented bish. The thing that’s happening is that they’re trying to promote “Britpop” in America scruffs got all the attention. right now. However, in January, the hounds were released in the form of the Bluetones’ first EC: It’s bollocks. -
BRT Past Schedule 2016
Join Our Mailing List! 2016 Schedule current schedule 2015 past schedule 2014 past schedule 2013 past schedule 2012 past schedule 2011 past schedule 2010 past schedule 2009 past schedule JANUARY 2016 NOTE: If a show at BRT has an advance price & a day-of-show price it means: If you pre-pay OR call in your reservation any time before the show date, you get the advance price. If you show up at the door with no reservations OR call in your reservations on the day of the show, you will pay the day of show price. TO MAKE RESERVATIONS, CALL BRT AT: 401-725-9272 Leave your name, number of tickets desired, for which show, your phone number and please let us know if you would like a confirmation phone call. Mondays in January starting Jan. 4, $5.00 per class, 6:30-7:30 PM ZUMBA CLASSES WITH APRIL HILLIKER Thursday, January 7 5:00-6:00 PM: 8-week class Tir Na Nog 'NOG' TROUPE with Erika Damiani begins 6:00-7:00 PM: 8-week class SOFT SHOE TECHNIQUE with Erika Damiani begins 7:00-8:00 PM: 8-week class Tir Na Nog GREEN TROUPE (performance troupe) with Erika Damiani begins Friday, January 8 4:30-5:30 PM: 8-week class Tir Na Nog RINCE TROUPE with Erika Damiani begins 5:30-6:30 PM: 8-week class BEGINNER/ADVANCED BEGINNER HARD SHOE with Erika Damiani begins 6:30-7:30 PM: 8-week class SOFT SHOE TECHNIQUE with Erika Damiani begins 7:30-8:30 PM: 8-week class Tir Na Nog CEOL TROUPE with Erika Damiani begins Saturday, January 9 9:00 AM: 8-week class in BEGINNER IRISH STEP DANCE for children 5-10 with Erika Damiani begins 10:00 AM: 8-week class in CONTINUING -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
Guitarist Sharon Isbin to Star with Santa Rosa Symphony
Guitarist Sharon Isbin to star with Santa Rosa Symphony By DIANE PETERSON THE PRESS DEMOCRAT Published: Thursday, January 20, 2011 at 3:00 a.m. WWW.SHARONISBIN.COM/ J. HENRY FAIR Sharon Isbin serves as the American ambassador of the classical guitar, performing everywhere from the concert hall to the White House. It's a job that no one else really wanted. That's because most Americans are exposed to the guitar through rock and folk music and then fall in love with classical guitar by accident. “That's changing now, but that certainly has been part of the history of classical guitar in this country,” Isbin said in a phone interview from her home in New York City. “Europe has a much longer tradition of classical guitar, going back to Spain and Italy and the U.K., so that the roots have had time to blossom and flourish.” For the Santa Rosa Symphony's fourth concert set this weekend, Isbin will whisk the audience off to the gardens of Spain during a performance of Joaquin Rodrigo's passionate “Concierto de Aranjuez.” “The Rodrigo is one of the most popular works of any works for orchestra,” she said. “The second movement is so powerfully moving and emotionally raw, with great nuances and musical inspiration. It's something that really touches people in unusual ways.” Led by guest conductor and Mexico native Enrique Arturo Diemecke, the south-of-the- border program also includes Astor Piazzolla's seductive “Tangazo, Variations on Buenos Aires” and the Fourth Symphony of composer Carlos Chavez, considered to be the founder of modern Mexican music. -
Brittany Haas: Violin & Vocals Susie Petrov: Piano & Accordion
abdesign bc A Proud Supporter of The New Harmony Music Festival & School -Informing Citizens -Empowering Families -Strengthening Community Listen Live at WNIN.ORG TV 9.1 & 9.2, Cable 12 &13 FROM THE FESTIVAL DIRECTOR christopher layer Welcome to season three... Celebrating Life In The Presence Of Music...And Architecture! elcome festival friends to the third New Harmony Music Festival & School! Welcome Wto community, freedom, and the harmony of sounds in soaring spaces, old ballads in historic theaters, and morning serenades out of doors while nature bestows her gifts upon us in this harmonious spiritual mecca for the soul. I invite you to bring your own joy and enthusiasm for musical creation to bear on our offerings in this cradle of life and sharing. Drink deep from the font of exploration and linger long in the land of things creative. On behalf of Clem Penrose and all of the New Harmony Artists Guild, dear listener, you are invited! This season... his year we celebrate the bicentennial of the town of New Harmony and the unique ways our historic Tsurroundings and structures shape how our ears receive our music. Stephanie Meeks, the Director of the National Trust For Historic Preservation, has graciously written a short letter of greeting to the festival, as we feature some our special architecture around town during festival. We are thrilled to be performing an outdoor concert at 9 o’clock on Saturday morning, July 12 in the Philip Johnson Roofless Church featuring a nine foot Steinway piano courtesy of H & H Music in Evansville. Classical and traditional music inspired by works of architecture through history will fill the bill of fare for this very special “first” in festival history. -
Apollonia 6 12' Albums Download Apollonia 6
apollonia 6 12' albums download Apollonia 6. Apollonia 6 was a 1980s female singing trio created by Prince as a continuation of a previous group, Vanity 6. After a number of disputes with Prince, Denise Matthews, also known as Vanity, the lead singer of Prince-created Vanity 6, fled the Prince entourage in 1983 to pursue solo endeavors recording with Motown Records and acting in films. She left open an acting position for the role written for her by Prince in the film Purple Rain. After a number of disputes with Prince, Denise Matthews, also known as Vanity, the lead singer of Prince-created Vanity 6, fled the Prince entourage in 1983 to pursue solo endeavors recording with Motown Records and acting in films. She left open an acting position for the role written for her by Prince in the film Purple Rain. After a frantic casting call, the film's director met actress and model Patricia Kotero. Renamed by Prince as "Apollonia", Kotero stepped into Vanity's role in the film Purple Rain, as well as in the fragmented group, Vanity 6. The other two members of Vanity 6, Brenda Bennett and Susan Moonsie, joined Apollonia and reformed the group as Apollonia 6 for the film and one album. During this time it was rumored that Apollonia and Prince were romantically involved with one another, but it was later revealed that Apollonia was actually married. Her "relationship" with Prince had been more of a PR stunt for the film than anything serious. Apollonia 6 only had one hit with "Sex Shooter" in 1984. -
FW May-June 03.Qxd
IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age. -
Pokey Lafargelafarge
Revue de Musiques Américaines Eté 2020 165 LE DU COYOTE PokeyPokey LaFARGELaFARGE Rob Ickes - Susan Alcorn François Robert - Benjamin Smith Jonathan Wilson - Thomas HineHine Eliza Neals - Sophie Louvet - Little Richard Country Avenue - Bluegrass & C° - Lone Riders Carolina Coyote - Du Côté de chez Sam Disqu'Airs - Cabas du Fana - Coyothèque SantéSanté && MédecineMédecine Heaven's Door - Coyot'Elle - Concerts - News dansdans lala CountryCountry MusicMusic Sommaire n°165 Editorial Jacques Brémond 02 Editorial & Plumes 03 Antibiotique en blanc Bonjour, 08 Pokey LaFarge Le numéro de printemps a été posté la veille du confi nement, et il a été particuliè- 10 Avenue Country rement apprécié en ces circonstances de "lecture à domicile". Merci à celles et ceux 14 François Robert qui ont depuis renouvelé leur confi ance en notre vaillant petit fanzine face aux événe- 18 Lone Riders ments du monde ! Nous continuerons, et sur papier, tant que nous le pourrons ! 20 Benjamin Smith 22 Coyothèque Même avec 60 pages bien pleines et une section Concerts touchée par le virus, la 23 Rob Ickes place manque pour publier tout ce qu'on voudrait... comme des portraits de musiciens 25 Du Côté de chez Sam qui nous quittent (ajoutons Jimmy Capps et James Hand récemment). Cet éditorial est 29 Jonathan Wilson donc réduit à quelques annonces, et je vous laisse découvrir la richesse du sommaire. 30 Plumes de Coyotes L’annulation de la musique “live” nous prive non seulement du plaisir des concerts et 31 Bluegrass & C° des rencontres entre amis, mais elle atteint une large partie des musiciens et techni- 36 Carolina Coyote ciens dans leur survie fi nancière.