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L1 the ORIGINALS 490 9 November 2014 Arnold Rypens L1 THE ORIGINALS 490 9 november 2014 Arnold Rypens - Kirsten 2:18 1 The Promised Land (Berry) Chess CHUCK BERRY 18 Dit zijn The Originals bij L1 Radio, want The Promised Land is nu ook één van beide Chuck Berry-songs op de nieuwe van Jerry Lee Lewis, met wie alles goed gaat, dank u! 78 inmiddels, vorig jaar voor de zevende keer getrouwd, met een volle nicht voor de verandering, en om daarom alimony te kunnen blijven opbrengen voor zes vrouwen(!), komt er dus af en toe weer eens iets nieuws van hem uit. Veel nieuws levert dat niet op, maar er staan wel een paar verrassingen op. 2 Mississippi Kid (Kooper/Van Zant/Burns) MCA LYNYRD SKYNYRD Mississippi Kid van de debuut-lp van Lynyrd Skynyrd, nu mee op de jongste cd van Jerry Lee Lewis, geboren in Louisiana maar zijn ranch staat in Nesbit, Mississippi en zijn jongste woonst in Natchez, Mississippi. Ook covert Jerry Lee zijn voormalige Million Dollar Quartet buddy Johnny Cash. Folsom Prison Blues doet ie, maar The Originals weten wel beter: deel van die tekst én zelfs melodie komen van deze Crescent City Blues van twee jaar eerder. 3:37 3 Crescent City Blues (Jenkins) Decca BEVERLY MAHR L33 1 Beverly Mahr op concept-album Seven Dreams uit 1954 en Crescent City Blues waarvan de melodie - ook al is ze trager - duidelijk die van Folsom Prison Blues werd bij Johnny Cash! Die beroemde "I shot a man in Reno just to watch him die" even buiten beschouwing gelaten, nam Johnny ook de tekst gedeeltelijk over. Een andere cover waar iets over te zeggen valt op die jongste van Jerry Lee Lewis is een Dylan song die Dylan zelf nooit uitbracht, wel een aantal keren live bracht in 1978: Stepchild of Am I Your Stepchild zoals het bij hem toen nog heette. De enige versie tot nu toe was die van Solomon Burke op zijn Don't Give Up On Me album uit 2002. 5:09 4 Stepchild (Dylan) ANTI SOLOMON BURKE 8 Stepchild, Solomon Burke samen met Daniel Lanois op gitaar; was hij misschien de link met Dylan toen? Thans dus ook gecoverd door Jerry Lee Lewis op Rock & Roll Time, zijn jongste cd. Dat titelnummer is geschreven door Roger McGuinn, Kris Kristofferson en Bob Neuwirth, die ook alle drie een eigen versie uitbrachten maar Kristofferson als eerste. 5 Rock & Roll Time (McGuinn/Kristofferson) Monument KRIS KRISTOFFERSON Rock & Roll Time, sluitstuk van Kris Kristofferson's Spooky Lady's Sideshow album uit 1974. Kwam toen uit op Monument records en dat komt ons goed uit want komende zes nummers kwamen daar ook op uit. Te beginnen bij een obscure: N-U-T-H-I-N-G klinkt behoorlijk nihilistisch voor zijn tijd, 1959, had achteraf net zo goed een punk-icoon kunnen worden als No Future. Stan Robinson. 2:31 6 N-U-T-H-I-N-G (Robinson) Monument STAN ROBINSON A19 Vreemd genoeg nooit gecoverd deze N-U-T-H-I-N-G, zelfs niet in de punkjaren, en dan blijkt die Stan Robinson ook nog eens de vader te zijn van Chris & Rick Robinson van The Black Crowes! Of hoe Monument Records meer is dan zomaar het label van Kris Kristofferson en Roy Orbison. Lana, waarmee Roy een hit had in 1966, kwam vijf jaar eerder op plaat uit voor The Velvets, Roy's vocale backing groep. 2:30 7 Lana (Orbison/Dees) Monument VELVETS B20 1:56 8 Midnight Bus (Loudermilk) Monument BILLY GRAVES B8 Monument time in The Originals, na Lana van The Velvets, Midnight Bus van Billy Graves. Gaat over de bus die jongeren uit Durham in North Carolina naar South Carolina namen om er te kunnen trouwen (dat mocht daar vanaf de leeftijd van 14 jaar). John D. Loudermilk schreef dit en nam het zelf ook op, maar de grootste Midnight Bus was ongetwijfeld die van Betty McQuade die er in Australië in 1965 zo'n grote hit mee scoorde dat die ginder als 'rock single of the century' wordt aanzien. Nog een John D. Loudermilk song met een Monument origineel is zijn Ma Baker's Little Acre: zijn sessiepianist Norris Wilson mocht hiermee het pad effenen als Ma Baker's Island. 2:00 9 Ma Baker's Island (Loudermilk) Monument NORRIS WILSON A16 3:06 10 The Grand Tour (Wilson/Taylor) Columbia GEORGE JONES 23 The Grand Tour van George Jones wat ons even van het Monument pad doet afwijken want dat was Epic/Columbia stuff. Maar het is wel geschreven door diezelfde Norris Wilson van de vorige original Ma Baker's Island. Van The Grand Tour naar Mexico en opnieuw op Monument Records: Bob Moore in 1961. 2:37 11 Mexico (Boudleaux) Monument BOB MOORE A15 Bob Moore, vaste waarde binnen de houseband van Owen Bradley's studio in Nashville en een sideman van zowel Roy Orbison als Elvis Presley, met zijn opzettelijk valse trompetten zoals in Mexico zelf. Moet Herb Alpert (met zijn Tijuana Brass) én Johnny Cash (met zijn Ring Of Fire) op ideeën hebben gebracht! En Willy Schobben natuurlijk die hier in Nederland een n°1 mee scoorde. Laatste enigszins verrassende Monument: Paul Clayton's Who's Gonna Buy You Ribbons (When I'm Gone), waar Bob Dylan achteraf nog heeft mogen voor dokken omwille van zijn Don't Think Twice It's All Right. Luister maar. 2:56 12 Who's Gonna Buy You Ribbons (Clayton) Monument PAUL CLAYTON B1 3:56 13 I Shall Be Released (Dylan) Columbia BOB DYLAN 13 I Shall Be Released, de originele demo van Bob Dylan met The Band, samen in de kelder van het huis in upstate New York dat één jaar later zijn naam zou geven aan de eerste plaat van The Band mét daarop hun versie zonder Dylan. Staat ongetwijfeld mee op de Complete Basement Tapes boxset die Dylan's elfde Bootleg Series uitmaakt (6 cd's!) en waar we ongetwijfeld uitgebreid op terugkomen eenmaal we ons daar grondig hebben kunnen doorworstelen. Maar die I Shall Be Released demo stond in 1991 ook al op Dylan's eerste worp in de Bootleg Series! Immers, wist zelfs hij veel dat meer dan twintig jaar later die hele hap toch nog eens opnieuw zou worden uitgebracht! 3:29 14 This Wheel's On Fire (Dylan/Danko) Mojo JULIE DRISCOLL 1 Julie Driscoll, Brian Auger & The Trinity, de eersten die destijds Dylan's This Wheels On Fire konden uitbrengen. Dat zat zo: ook dat was een nummer van de Basement Tapes, nummers die noch door Dylan, noch door The Band waren bedoeld om zelf ooit uit te brengen. Hun opnamen dienden uitsluitend om muziekuitgevers hiervoor warm te krijgen en zo belandde er toen ook een demo bij Feldman's Music in Charing Cross Road in Londen. Feldman's hield kantoor recht tegenover Dobbel's, de beste locale platenzaak gespecialiseerd in blues en jazz. Bij Dobbel's wisten ze van die Dylan demo's aan de overkant en verklapten ze dat aan hun goeie klanten Brian Auger, Julie Driscoll, maar ook aan Manfred Mann! 2:17 15 Quinn The Eskimo (Dylan) Columbia BOB DYLAN 3 Quinn The Eskimo the Original, Dylan in de Basement van Big Pink, het huis in West Saugerties, New York waar al die tapes werden opgenomen die nu voor het eerst integraal & officieel bijeen staan op zijn Bootleg Series Vol. 11. Meer daarover zo gauw we daartoe de kans zien. Deze kwam gewoon uit de Biograph box uit 1985. EINDAFK. Maar ook ons slotnummer heeft een link met Manfred Mann. Zowel hij als de groep Alabama Shakes in de film 12 Years A Slave coverden deze Driva' Man van jazzdrummer Max Roach samen met Abbey Lincoln en Coleman Hawkins. Maakte in 1960 deel uit van Max's Freedom Now Suite, zijn vijfdelige ode aan de Civil Rights Movement. 16 Driva' Man (Roach/Brown Jr.) Candid MAX ROACH .
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