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Historicizing Freedom, Fear, and Sexuality in Native Son and Mumbo

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    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml48106-1346 USA 3131761-4700 800!521-0600 Order Number 9406702 Naturalism, the new journalism, and the tradition of the modern American fact-based homicide novel Whited, Lana Ann, Ph.D.
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  • Native Son (Questions)
    Native Son (Questions) 1 Wright writes of Bigger Thomas: “these were the rhythms of his life; indifference and violence; periods of abstract brooding and periods of intense desire; moments of silence and moments of anger” … Does Wright intend us to relate to Bigger as a human being – or has he deliberately made him an embodiment of oppressive social and political forces? Is there anything admirable about Bigger? Does he change by the end of the book? 2 James Baldwin, an early protégé of Wright’s, later attacked the older writer for his self-righteousness and reliance on stereo-types… In his famous essay “Everybody’s Protest Novel” Baldwin compared Bigger to Harriet Beecher Stowe’s Uncle Tom, and dismissed Native Son as “protest” fiction. Do you agree? 3 When Bigger stands confronted by his family in jail, he thinks… they ought to be glad he was a murderer; “had he not taken on himself the crime of being black?” Talk about Bigger as a victim and sacrificial figure. If Wright wanted us to pity Bigger, why did he portray him as so brutal? 4 How dated does this book seem in its depiction of racial hatred and guilt? Have we as a society moved beyond the rage and hostility that Wright depicts between blacks and whites? Or are we still living in a culture that could produce a figure like Bigger Thomas? https://www.litlovers.com/reading-guides/fiction/719-native-son-wright?start=3 Native Son (About the Author) Author: Richard Wright Born: September 4, 1908 Where: near Natchez, MS Education: Smith-Robertson Junior High, Jackson MS Died: November 28, 1960 Where: Paris, France Richard Wright was the first 20th century African-American writer to command both critical acclaim and popular success.
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  • Barry Latzer on Robert Nixon and Police Torture in Chicago
    Elizabeth Dale. Robert Nixon and Police Torture in Chicago, 1871-1972. DeKalb: Northern Illinois University Press, 2016. 184 pp. $32.00, cloth, ISBN 978-0-87580-739-3. Reviewed by Barry Latzer Published on H-Law (September, 2016) Commissioned by Michael J. Pfeifer (John Jay College of Criminal Justice, City University of New York) The aim of Elizabeth Dale’s short and com‐ Probably not. Or that the Chicago Police Depart‐ pelling book is to show that the long list of abuses ment has a culture of “torturing” suspects, which of suspects by Chicago police detective Jon Burge, is why Burge cannot be explained merely by which took place between 1972 and 1991, were lapsed supervision (p. 2)? Perhaps. not anomalies. Burge, it will be recalled, ended up Another unresolved issue involves the word in prison and the City of Chicago apologized for “torture,” used matter-of-factly throughout the his abuses, paying out $100,000 in damages to his book. Unlike Dale, I don’t think torture is a self-ex‐ victims, expected to number between ffty and planatory term, though it certainly is an inflam‐ eighty-eight people. Dale intends to prove that it matory one. The United Nations Convention did not start with Burge, that he was just the most Against Torture, which Dale does not reference recent and notorious illustration of a systematic until p. 114 of her book, states that the term effort by Chicago police to “torture” suspects means “any act by which severe pain or suffering, stretching back to the nineteenth century. Her whether physical or mental, is intentionally in‐ goal, she says, is to recapture the history of these flicted on a person for such purposes as obtaining abuses.
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  • The Trial of Bigger Thomas: Race, Gender, and Trespass
    Brooklyn Law School BrooklynWorks Faculty Scholarship 2006 The rT ial of Bigger Thomas: Race, Gender, and Trespass Bennett aC pers Brooklyn Law School, [email protected] Follow this and additional works at: https://brooklynworks.brooklaw.edu/faculty Part of the Criminal Law Commons, Criminal Procedure Commons, Evidence Commons, Law and Gender Commons, and the Law and Race Commons Recommended Citation 31 N.Y.U. Rev. L. & Soc. Change 1 (2006-2007) This Article is brought to you for free and open access by BrooklynWorks. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of BrooklynWorks. THE TRIAL OF BIGGER THOMAS: RACE, GENDER, AND TRESPASS I. BENNETT CAPERS* Richard Wright's Native Son,1 the first novel by an African American to be featured as a main selection of the Book-of-the-Month Club,2 was nothing short of groundbreaking in the annals of American literature. The novel opens with the sound of an alarm going off-Richard Wright's wake-up call to America to open its eyes and address issues of race and class3 -and ends with its protagonist Bigger Thomas awaiting execution for the rape and murder of a white woman. Though considered incendiary in the South-Native Son was banned in Birming- ham, Alabama, for example4-across the rest of the nation, Native Son debuted as a bestseller,5 and was lauded as an instant classic. 6 Although Richard Wright went on to complete other works, including his two-volume autobiography Black Boy (1945) and American Hunger (1977), the existential novel The Outsider * Associate Professor of Law, Hofstra Law School.
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  • RE-READING RICHARD WRIGHT's NATIVE SON by Lacey K. Saborido
    A COMPLEX SNARL OF REALITIES: RE-READING RICHARD WRIGHT‘S NATIVE SON By Lacey K. Saborido Thesis Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in English August, 2011 Nashville, TN Approved: Professor Hortense Spillers Professor Dana Nelson Richard Wright‘s powerful 1940 novel Native Son holds a notoriously vexed place in literary history. Wright has been variously disparaged for his depiction of women, pilloried for his ―gratuitous‖ violence, denigrated for his embrace of programmatic naturalism and dismissed as the author of overdetermined naturalist fiction and tediously didactic protest literature. Nonetheless, his work remains widely read, and Native Son is still considered an indispensible classic in the tradition of American letters. In his recent book-length investigation of Wright, Mikko Tuhkanen suggests that it is precisely his enduring legacy that limits contemporary critical considerations of Wright. Tuhkanen argues that such overexposure ―has made it difficult to approach his texts— especially the most influential ones—without already knowing what one will read, without already being sutured into a fixed perspective as a reader‖ (xxv). Barbara Johnson makes a similar argument about the effect of canonization on reading practices in The Wake of Deconstruction (1994), arguing that critical discourse establishes a ―screen of received ideas‖ (Paul de Man‘s phrase) between canonized texts and their readers. Citing Paul de Man‘s essay ―The Return to Philology‖ (1982), Johnson explains, ―While critics of the university are claiming that campus radicals are subverting the literary canon and that students are no longer reading it, de Man is here claiming that really reading the canon is what is subversive, because students in traditional ‗humanist‘ classrooms are usually taught not to read it, but to learn ideas about it‖ (30).
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    Reviving Escobedo Janet Moore This Symposium Essay reflects on the fifty years that have passed since the Chicago Eight trial by highlighting a new development in criminal procedure that has drawn little scholarly attention: Judges are reviving the right of stationhouse access to defense counsel along lines previously envisaged in Escobedo v. Illinois. The Essay also offers fresh historical and theoretical perspective on the need for stationhouse counsel. First, the Essay draws on a series of events occurring during and after the Chicago Eight trial to illustrate the interrelationship of violence and silence in criminal legal systems, the distinctive coerciveness of custodial interrogation for low-income people and people of color, and the corresponding need for stationhouse counsel to enforce core criminal procedure rights. Second, the Essay frames judicial complicity in these phenomena as an exemplar of what Stuart Scheingold called the “myth of rights.” On one hand, judicial reneging on rights renders them mythical because relying on their false promise can be delusional and dangerous. Yet as indicated by new efforts to reinvigorate stationhouse access to counsel, even weakened rights can retain enough hermeneutical power to inspire social movements, litigation, and incremental positive change. INTRODUCTION ........................................................................... 1016 I. VIOLENCE AND SILENCE: FROM THE COURTHOUSE TO THE STATIONHOUSE ................................................................... 1018 A. Bobby Seale and the Right to Choose Counsel .......... 1018 B. “Deeper Layers to the Story” .................................... 1020 C. The Hampton and Rackley Cases .............................. 1023 1. The Hampton Case .............................................. 1023 2. The Rackley Case ................................................ 1026 D. Torture on the South Side .......................................... 1028 Professor of Law, University of Cincinnati College of Law. Email: [email protected].
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  • Structural Analysis in Richard Wright's Native Son
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  • Latzer on Dale, 'Robert Nixon and Police Torture in Chicago, 1871-1972'
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  • Evaluating Presidential Success in the Modern Era
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  • Folder Title List for Series 320 of the Nixon Pre-Presidential Papers
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