Ted Lewis Jazz Band Broadway Rose / Margie Mp3, Flac, Wma

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Ted Lewis Jazz Band Broadway Rose / Margie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Pop Album: Broadway Rose / Margie Country: US Released: 1921 MP3 version RAR size: 1852 mb FLAC version RAR size: 1912 mb WMA version RAR size: 1808 mb Rating: 4.1 Votes: 723 Other Formats: ASF MIDI FLAC APE DTS DMF MP3 Tracklist Hide Credits Broadway Rose A Composed By – Fried*, Spencer*Lyrics By [Uncredited] – Eugene West Margie B Composed By – Conrad*, Robinson*Lyrics By – Davis* Companies, etc. Record Company – Columbia Graphophone Company Notes Dance music/Jazz band (fox-trots) Side A was recorded on November 28, 1920 in New York, NY. Side B was recorded on November 29, 1920 in New York, NY. "LW" on labels indicate that they were printed in December, 1920. Barcode and Other Identifiers Matrix / Runout (Side A Runout): 79542 2-ABN-539 9 Matrix / Runout (Side B Runout): 79546 2-BCS-502 2 Matrix / Runout (Side A Label): 79542 Matrix / Runout (Side B Label): 79546 Other (Two letter label code): LW Related Music albums to Broadway Rose / Margie by Ted Lewis Jazz Band Clyde Evans Band - How I Got My Gal / All Gone Now Prince's Dance Orchestra - Bound In Morocco / Oriental Stars Frank Crumit / Frank Crumit And Lew Brown - My Little Bimbo Down On The Bamboo Isle / She Gives Them All The Ha-Ha-Ha Tampa Blue Jazz Band - The Down Home Blues / Every Day I Quattro Siciliani - Che Bel Nasone / In Giro Broadway Dance Orchestra - Beale Street Mamma / Dearest Ted Lewis And His Band - Underneath The Palms / Love Me Prince's Band - The Ace Of Diamonds / Reap The Flax.

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Press Release
Press Release The Ted Lewis Orchestra brings back the music of the “High-Hatted Tragedian of Song” with Joseph Rubin and his entertainers in The Rhythm Rhapsody Revue! Relive Ted Lewis’ famous hits, “When My Baby Smiles at Me,” “The St. Louis Blues,” “ The Sunny Side of the Street,” “The Tiger Rag,” “Medicine Man for the Blues,” and of course, “Me and My Shadow,” all in their original arrangements! With his trademark battered old top hat and his immortal catchphrase "Is Everybody Happy?" Ted Lewis captured the hearts of audiences for five decades. Unrivaled in popularity in the 1920s, 30s and 40s, Lewis drew standing room only houses wherever he played, breaking attendance records and drawing more people than Glenn Miller and Tommy Dorsey. Joseph Rubin, Director of the Ted Lewis Orchestra says, “We are very excited to bring the Ted Lewis Orchestra back on the road after a hiatus of 40 years!” Mr. Rubin notes that The Rhythm Rhapsody Revue is unique in big band entertainment, “we have not just a swinging band, but also a cast of extraordinary dancers, singers and entertainers, exactly like Ted had at the height of his popularity.” A consummate showman, Ted Lewis always surrounded himself with the tops in talent (Benny Goodman, Tommy and Jimmy Dorsey all got their start with Ted) and The Rhythm Rhapsody Revue continues that legacy. The Ted Lewis Orchestra deftly recreates Ted's touring stage revues, featuring a female singing trio, a dancer extraordinaire, Ted's famous shadow, a 13-piece orchestra and Joseph Rubin as Ted Lewis.
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Department of Music Programs 1983 - 1984 Department of Music Olivet Nazarene University
Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1984 Department of Music Programs 1983 - 1984 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1983 - 1984" (1984). School of Music: Performance Programs. 17. https://digitalcommons.olivet.edu/musi_prog/17 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. EDUCATION WITH A CHRISTIAN PURPOSE Department of Music Programs 1983-1984 Olivet Hozarene College Kankakee, Illinois 60901 Telephone 815-939-5011 Olivet Nazarene College Artist Lecture Series presents GUEST RECITAL LOLA AUSTIN, P iano Fantasia in D Minor ...................................... W.A. Mozart (1756-1791) Andante Favori.................................... L. Van Beethoven (1770-1827) Sonata in C Major, Op. 5 3 ......................L. Van Beethoven "Waldstein" Movement 1. Allegro con brio Movement 2. Adagio Movement 3. Allegretto INTERMISSION Scherzo in B flat Minor Op. 3 1 ........................... F. Chopin (1810-1849) Nocturne in C sharp Minor Op. post ................... F. Chopin Three Etudes: A flat Major Op. 25, No. 1 ............. F. Chopin G. flat Major Op. 10, No. 5 C Minor Op. 25, No. 12 Fountains at the Villa d'este........................... Franz Liszt (1811-1886) L i t a n y .............................................. Schubert - Liszt Legende: St. Francis Walking on the Water ...
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Homeland Security Affairs Journal, Volume XII - February-December 2016
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Jazz Music (Chicago)]
Library of Congress [Jazz Music (Chicago)] [W366?] Forms to be Filled out for Each Interview CHICAGO FOLKSTUFF FORM A Circumstances of interview FOLKLORE CHICAGO No. Words STATE Illinois NAME OF WORKER Sam Ross ADDRESS 713 Rush Street DATE May 18, 1939 SUBJECT Jazz music (Chicago) 1. Date and time of interview - April 28th - May 4-9 2. Place of interview - [Jazz Music (Chicago)] http://www.loc.gov/resource/wpalh0.08030313 Library of Congress Town Room - Hotel Sherman Panther Room - Hotel Sherman 3. Name and address of informant - Muggsy Spanier - hotel Sherman 4. Name and address of person, if any, who put you in touch with informant. - None 5. Name and address of person, if any, accompanying you - None 6. Description of room, house, surroundings, etc. - Night club surroundings (Use as many additional sheets as necessary, for any of the forms, each bearing the proper heading and the number to which the material refers.) FORM B Personal History of Informant CHICAGO FOLKSTUFF FOLKLORE CHICAGO STATE Illinois NAME OF WORKER Sam Ross [Jazz Music (Chicago)] http://www.loc.gov/resource/wpalh0.08030313 Library of Congress ADDRESS 723 Bush Street DATE May 18, 1939 SUBJECT Jazz music (Chicago) NAME OF INFORMANT Muggsy Spanier 1. Ancestry Irish 2. Place and date of birth, - November 9, 1906 - Chicago 3. Family - Irish 4. Places lived in, with dates - Practically all over the country (stated in part in Form D) 5. Education, with dates - Parochial grade school 6. Occupations and accomplishments, with dates - Musician 7. Special skills and interests - [Jazz Music (Chicago)] http://www.loc.gov/resource/wpalh0.08030313 Library of Congress Musician, baseball 8.
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Listing of Albums to Be Donated to the Edmonds School District (April 2011)
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Downloads/Newsletters/July August 2004.Pdf#Search= 'William%20Gasbarro%20Clarinet (Accessed February 25, 2011)
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Biographical Dictionary of Twentieth- Century American Clarinetists Tracey Lynn Paddock Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A BIOGRAPHICAL DICTIONARY OF TWENTIETH-CENTURY AMERICAN CLARINETISTS By TRACEY LYNN PADDOCK A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2011 The members of the committee approve the Treatise of Tracey L. Paddock defended on March 28, 2011. _________________________________ Frank Kowalsky Professor Directing Treatise _________________________________ Richard Clary University Representative _________________________________ Deborah Bish Committee Member _________________________________ Jeff Keesecker Committee Member The Graduate School has verified and approved the above-named committee members. ii To my husband Grant, who has stood by my side in the face of this and many other challenges, and to my parents, teachers, and friends, who have supported me generously and tirelessly. iii ACKNOWLEDGEMENTS I would like to acknowledge all of the teachers and mentors who have helped me on my musical, educational, and life path. To James Campbell, thank you for providing me with a strong musical foundation, and musical and philosophical inspiration which will last a lifetime, and which I try to pass on to my own students. To former committee member Eric Ohlsson, thank you for setting the comprehensive exam question that led me to this treatise. To former committee member John Deal, thank you for urging me to make the treatise “comprehensive.” To Howard Klug, thank you for your invaluable guidance at the onset of this journey.
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Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1988 Department of Music Programs 1987 - 1988 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1987 - 1988" (1988). School of Music: Performance Programs. 21. https://digitalcommons.olivet.edu/musi_prog/21 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. Olivet EDUCATION WITH A CHRISTIAN PURPOSE Department of Music Programs 1987-1988 Olivet Nazarene University Kankakee, Illinois 60901 Telephone 815-939-5011 OLIVET NAZARENE UNIVERSITY Department of Music presents SENIOR RECITAL PENNY JO FALKENBURY, soprano Carla Snyder, accompanist ***************** Wohin?.................................F. Schubert Nachtviolen.......................... F. Schubert Heidenroslein........................ F. Schubert Jeune fillette arr . J.B. Weckerlin Chantons les amours de Jean....................arr. J.B. Weckerlin L'Amour s'envole........... arr. J.B. Weckerlin Vedrai, carino (Don Giovanni) A. Mozart Batti, batti, o bel Masetto A. Mozart (Don Giovanni) 0 Clap Your Hands I... D. McAfee (Psalm 47:1, 5-8) The Earth Is the Lord's..............D. McAfee (Psalm 24:1-5) How Excellent Is Thy Name.............D. McAfee (Psalm 8:1, 3-8) The Lord Reigns E. Butler (Psalm 97:1, 2, 4-6, 8, 11) This recital is being presented in partial fulfillment of the requirements for the Bachelor of Science degree with concentration in Music Education September 19, 1987 7:30 P.M.
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TED LEWIS - an INTERVIEW in Conversation with James A
TED LEWIS - AN INTERVIEW In conversation with James A. Drake A commercial and academic author and retired college president, James A. Drake earned the Ph.D. degree from the Ohio State University. To earn “pocket money,” Drake played piano and clarinet in a pub near the Ohio State campus. “I was the back-up ragtime pianist when the owner of the place, who was a ﬁne pianist, took a night off,” Drake recalled, “but I was mainly the clarinetist in the small band that he hired to play there. Because I had studied clarinet with a well-known local teacher, I regarded it as ‘my’ instrument, so I collected recordings of the great jazz clarinets—especially Ted Lewis, whom I had met when he gave a show at the Ohio State Fair in the 1950s.” In 1968, through an Ohio State professor, Jerome D. Folkman, the rabbi of Temple Israel in Columbus and a personal friend of Ted Lewis, Drake conducted what became one of the most thorough interviews that Lewis ever gave. During the next ten years, with funding from pioneer recording director and arranger-conductor Gustave Haenschen, Drake conducted similarly detailed interviews with clarinets Artie Shaw, Benny Goodman, Jimmy Lytell and Barney Bigard, among others. “Each of these legendary clarinetists had very different perspectives about their instrument and their careers,” Drake said. “Most of them were not ‘fans’ of Ted Lewis’s clarinet style, but all of them acknowledged and respected him as a pioneer in popularizing jazz as a musical form.” Ted Lewis, aboard ship returning from Europe, 1928.
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June 2018 Vol. 29 Issue 2
Bar Harbor Historical Society NEWSLETTER June 2018 Volume 29 Issue 2 www.barharborhistorical.org The Bar Harbor Historical Society is delighted to share the exciting news with you that we have purchased the lot at 56 Cottage Street in Bar Harbor - across from the Post Office. We are so appreciative of all the wonderful comments we have been hearing about our project. We have outgrown the wonderful space at 33 Ledgelawn Avenue which we moved into in 1997, when we left the Jesup Memorial Library which was a one room space. Thanks to Debbie Dyer and the Board’s stewardship we are ready for our next move and making a huge impact on the future of our community. The Board of Directors has a 24-month plan to identify needs, potential new partners, our collections, archival storage and myriad other ideas for creating this significant space in the middle of town. We look forward to keeping you abreast of further developments. ALSO IN THIS ISSUE From Curator New Members/Recent Donors ......................... 2 The museum opens for the season on June New Acquisitions .............................................. 2 18th, Monday thru Friday, 1-4 pm or by Dreamwood....................................................... 3 - 7 appointment. The curator has spoken at the Chamber of Commerce Employee Training session; The Road Scholar meetings; Real Estate walk on West Street this week. The Fire of ’47 DVD is still available for sale; $20.00 each or if mailed, $25.00 via June 2018 www.barharborhistorical.orgour web site. 1 Donations Received Board of Directors Kay & Steve Theede Officers Johanna Pasha Pres. Sherwood Carr New Members Vice Pres.
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New Orleans Jazz History Walking Tours
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R and MUGGSY SPANIER 1 I [Of 3) April 21, 1957 Al So Present: Nesuhi Ertegun, Robert Campbell , I.J, .· : 1
POPS FOSTER AND MUGGSY SPANIER 1 I [of 3) April 21, 1957 Al so present: Nesuhi Ertegun, Robert Campbell , i.J, .· : 1 .:.. r,;u ) :..; Pops Foster says that Easter Sunday in New Orleans used to be a bigger day for [social activities, such as) pi cnics, etc., than New Year's [Eve]; everybody went to church on New Year's Eve, but as Easter marked the end of Lent, everybody began ' attending more-pl easurable events. PF t~lks about Milneberg, and about the camps where the picnics, parties, etc. were held; colored people had a section for their camps, white people another section for theirs. PF talks about milk today and yesterday; he was a sickly baby. PF says the reason New Orleans bands wouldn't leave the city for years was hat cdnditions were so good in New Orleans for musicians ." PF used to watch the prostitutes from the window of the place he was working. Louis ["Big Eye Louis") Nelson (cl arinet) was working with the same band . [Muggsy Spanier enters.] PF had to stay in the cabaret where he was working once he got in for the night as he was under age and would have been picked up by t he police if he had gone out again. PF says a girl friend brought him his food; "King" Oliver and PF's brother [Willie Foster?] kidded him about that for a long time . Eddie Groshell was PF's 1Dss at the place. PF says [Honore?] Dutrey [trombone?] and Louis Keppard [guitar], [also in the band?], kidded him about the girl and thefood, too.
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