Dowry(N°7, Summer 2010) in This Issue: Editorial: Papal Visit
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AD Times for July 11, 2019
“The Allentown Diocese in the Year of Our Lord” VOL. 31, NO. 13 JULY 11, 2019 Serrans Honor Newly Ordained as Agents of Healing and Hope By TARA CONNOLLY Staff writer “It’s a great time to be a priest – to be the one called by our Lord – to bring the light of Christ into the darkness that has clouded our Church this past year.,” said Father Thomas Bortz June 17 during the Ordinandi Dinner at St. Mary, Hamburg. “You three get to be agents of healing, figures of hope and instruments for renewal for the people of Allentown.” Father Bortz, pastor of St. Ignatius Loyola, Sinking Spring, was guest speaker at the celebration for the newly ordained priests – Father Giuseppe Esposito, Father John Maria and Father Zachary Wehr. Hosted by the Serra Clubs of the Diocese of Allentown “The greatest thing you get to do is feed District I-80, the dinner drew God’s people, and you get to feed them an estimated 200 guests and with the greatest gift ever.” priests. After thanking the Serrans for their prayers and support of seminarians and priests, Father Bortz said the “yes” of the newly ordained men was not to go to the seminary but to a calling to the priesthood of Jesus Christ. “Your formation gave you answers when God questioned your commitment, and the sacred chrism on your hands was you telling the world that you’re ‘all in,’” he said. “And nothing aggravated Satan more.” Recalling the terroristic attacks on 9/11, he told the guests that the prince of darkness directed the tragic day. -
Immersion Into Noise
Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license. -
Rottenburger Jahrbuch Für Kirchengeschichte
Rottenburger Jahrbuch für Kirchengeschichte Rottenburger Im Jahr 1907 versuchte der Vatikan mit dem Dekret „Lamentabili“ und der Enzy- Rottenburger klika „Pascendi“ moderne Denkansätze in der katholischen Theologie zu unter- Jahrbuch für binden. Ausgehend von diesen zentra- len Dokumenten zeichnen die Beiträge Kirchengeschichte im neuen Rottenburger Jahrbuch für Kirchengeschichte die Entwicklung der Zensur Kontrolle von Wissen durch Kirche und Staat im neuzeitlichen Europa nach. abweichender Meinungen Aktuelle Forschungsergebnisse zur rö- mischen Inquisition und Indexkongre- durch Kirche und Staat gation werden aufgegriffen. Ein besonderes Augenmerk legen die Beiträge auf den Modernismusstreit in- nerhalb der katholischen Kirche. Ein ei- gener Abschnitt ist den „Modernisten“ der Diözese Rottenburg gewidmet. 2009 Geschichtsverein der Diözese 28 Rottenburg-Stuttgart Thorbecke Band 28 | 2009 ISBN 978-3-7995-6378-9 ISSN 0722-7531 7 8 3 7 9 9 5 6 3 7 rjkg28_cover.indd 1 05.05.11 16:52 63789_rjkg28_s1_4.qxd:Titelei_RJKG_25 02.05.2011 8:36 Uhr Seite 1 Rottenburger Jahrbuch für Kirchengeschichte Band 28 · 2009 63789_rjkg28_s1_4.qxd:Titelei_RJKG_25 02.05.2011 8:36 Uhr Seite 2 63789_rjkg28_s1_4.qxd:Titelei_RJKG_25 02.05.2011 8:36 Uhr Seite 3 Rottenburger Jahrbuch für Kirchengeschichte Band 28 · 2009 Herausgegeben vom Geschichtsverein der Diözese Rottenburg-Stuttgart Jan Thorbecke Verlag 63789_rjkg28_s1_4.qxd:Titelei_RJKG_25 02.05.2011 8:36 Uhr Seite 4 Bei unverlangt eingehenden Rezensionsexemplaren kann keine Gewähr für Besprechung und Rücksendung übernommen werden. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © 2011 by Jan Thorbecke Verlag der Schwabenverlag AG, Ostfildern www.thorbecke.de · [email protected] Alle Rechte vorbehalten. -
I. a Humanist John Merbecke
Durham E-Theses Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550) Kim, Hyun-Ah How to cite: Kim, Hyun-Ah (2005) Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2767/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Hyun-Ah Kim A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Durham University Department of Music Durham University .2005 m 2001 ABSTRACT Hyun-Ah Kim Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Renaissance humanism was an intellectual technique which contributed most to the origin and development of the Reformation. -
MAY 2019 | 250,000 COPIES NATIONWIDE | | ‘REAL CAPITAL’ PAGE 2 ALIVE!Actor, Neal Mcdonough
FREE CATHOLIC MONTHLY NEWSPAPER MONSIGNOR FINTAN GAVIN WELCOMED TO THE NO. 255 MAY 2019 | 250,000 COPIES NATIONWIDE | WWW.ALIVE.IE | ‘REAL CAPITAL’ PAGE 2 ALIVE!Actor, Neal McDonough. “YOU ARE WORTH SO MUCH” PAGE 3 US BISHOPS THANK PRESIDENT FOR MEXICO CITY POLICY PAGE 8 ACTOR LOSES ROLE GOD IS MUSIC PAGE 16 BECAUSE OF SEE PAGE 2 MAKING A ‘HOME’ IN CATHOLIC BELIEFS IRELAND PAGE 17 Simon Harris cuts funds to maternity safety measures in order to pay for abortion PAGE 4 • The content of the newspaper ALIVE! and the views expressed in it are those of the editor and contributors, and do not necessarily represent the views of the Irish Dominican Province. 2 | ALIVE! MAY 2019 Monsignor Fintan Photo: Cillian Kelly. Gavin welcomed to the ‘Real Capital’ LIAM O’CONNOR He said that he looked forward to the job and would be looking for guidance from Bishop Buckley as utgoing Bishop of Cork and he settled into the role. Ross, John Buckley, in wel- Bishop-elect Gavin was born Ocoming Dublin priest and in Dublin on 1 January 1966 he is the new Bishop elect Monsignor the second eldest of seven brothers Fintan Gavin to the Diocese also and sisters. His family roots are welcomed him to the Real Capital, in Marino, Saint Vincent de Paul which was received with laughter Parish, on the Northside of Dublin. from the congregation in a nearly He played hurling and football full Cathedral. with Saint Vincent’s GAA Club, Bishop Buckley opened his Marino, and was a member of address in Irish and continued by Marino Athletic Club. -
Marcin Karas INTEGRYZM BRACTWA KAPŁAŃSKIEGO ŚW. PIUSA X
INTEGRYZM BRACTWA KAPŁAŃSKIEGO ŚW. PIUSA X <8> SOCIETAS seria pod redakcją BOGDANA SZLACHTY 9 Marcin Karas INTEGRYZM BRACTWA KAPŁAŃSKIEGO ŚW. PIUSA X HISTORIA I DOKTRYNA RZYMSKOKATOLICKIEGO RUCHU TRADYCJONALISTYCZNEGO [tl AKADEMICKA Kraków 2008 Copyright by Marcin Karas, Kraków 2008 Recenzenci: prof, dr hab. Stanisław Obirek prof, dr hab. Jan Skoczyński Redakcja: Marta Stęplewska Korekta: Agnieszka Kutylak-Hapanowicz Projekt okładki: Paweł Sepielak Skład i łamanie: Małgorzata Manterys Na okładce wykorzystano zdjęcie przedstawiające abpa, Marcela Lefebvre’a głoszącego kazanie podczas obchodów 20-tej rocznicy powstania Bractwa Kapłańskiego św. Piusa X, dn. 29 kwietnia 1990 r., w Hali Międzynarodowych Targów nad Jeziorem Bodeńskim (Internationale Bodenseemesse - IBO) w Friedrichshafen, Badenia-Wirtembergia, Niemcy. Książka dofinansowana przez Ministerstwo Nauki i Szkolnictwa Wyższego ISBN 978-83-7188-067-4 KSIĘGARNIA AKADEMICKA ul. św. Anny 6, 31-008 Kraków tel. /faks: 012 431-27-43, 012 663-11-67 e-mail: akademicka@akademicka. pl Księgarnia internetowa: www. akademicka. pl Spis treści: Wprowadzenie................................................................................................................................... 7 I. Historia ruchu integrystycznego................................................................................................9 1. Przemiany w Kościele w drugiej połowie XX w. ..................................................................9 2. Historia Bractwa Kapłańskiego św. Piusa X.........................................................................10 -
NEWSLETTER 2010 | Vol
Postgraduate Programme PPRE Renewable Energy NEWSLETTER 2010 | Vol. 29 Published by: Carl von Ossietzky University of Oldenburg, Faculty of Physics, Department of Energy and Semiconductor Research, Postgraduate Programme Renewable Energy—PPRE, D - 26111 Oldenburg phone: +49-441-798.3544, fax: +49-441-798.3990, e-mail: [email protected], web: http://www.ppre.de Editor: Edu Knagge Typesetting & Layout: Hauke Beck Printer: Druckzentrum, CvO University Oldenburg - 800 copies Content Editorial 4 News from Oldenburg DAAD summer school and PPRE excursion 5 Biogas Workshop 2010, University of Oldenburg 10 Excursion to Science Box 11 First job and education fair for renewable energies and energy efficiency 12 Personal comments about first job and education fair 13 Company Presentations at PPRE, Oldenburg 14 External /Guests lectures PPRE 2009/10 15 Experience Reports from students / graduates Experience with Lahmeyer Int., Bad Vibel, Germany 16 Practical Training experience in Indonesia 16 Experiences gained at Solar Power Group in Essen 18 Half a million efficient fire wood stoves for Kenya 20 My external practical training experience at TaTEDO 21 My experience gained at Woods Hole Oceanographic Institution, USA 22 Wind Turbine Workshop 23 MSc-Thesis Projects 25 News from Alumni Biomass 27 Solar Thermal / CSP 28 Photovoltaics 28 Wind Energy 30 RE related Subjects 33 Careers 38 Reports from Alumni Sustainability of energy supplies in Kenya 42 Training on renewable energy in Kenya 43 International conference on the Developments in Renewable -
Lake Constance Sales Guide 2020/21
english Bodensee! LAKE CONSTANCE SALES GUIDE 2020/21 Four countries. One lake. Trade compass. www.bodensee.eu Germany, Austria, Switzerland and the Principality of Liechtenstein Welcome to Lake Constance Region! Lake Constance is a classic year-round European destination. Today‘s holidaymakers are looking for just that. Boundless, refreshing, high quality, traditional, nostalgic – all that fits us. YOUR CONTACT FOR THE FOUR-COUNTRY REGION: Internationale Bodensee Tourismus GmbH Tourist Board of Lake Constance Hafenstrasse 6, 78462 Constance, Germany Phone +49 7531 909430 [email protected] www.lake-constance.com Publisher & Copyright: Internationale Bodensee Tourismus GmbH Subject to changes Design: hggraphikdesign Heidi Lehmann, Radolfzell Fotos: Internationale Bodensee Tourismus GmbH & their partners, Achim Mende Cover Photo: Zeppelin NT, Photograph: Michael Häfner (www.michael-haefner.com) All information for tour operators and travel agencies can be found at www.bodensee.eu/trade © Paul Aschenborn © Paul Switzerland in spring Principality of Liechtenstein in summer Germany in autumn Austria in winter 2 | Sales Guide Bodensee Lake Constance. In the heart of Europe. GERMANY SWITZERLAND AUSTRIA PRINCIPALITY OF LIECHTENSTEIN Sales Guide Bodensee | 3 Contents page Lake Constance Region and its Highlights ................................................................................................................................................ 8 General Information ......................................................................................................................................................................................... -
MAY, 2011 Scarborough Presbyterian Church Scarborough, New York
THE DIAPASON MAY, 2011 Scarborough Presbyterian Church Scarborough, New York Cover feature on pages 30–32 May 2011 Cover A_518.indd 1 4/14/11 9:57:16 AM May 2011 pp. 2-19.indd 2 4/14/11 9:58:14 AM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred Second Year: No. 3, Whole No. 1218 MAY, 2011 Review of Wayne Leupold Editions “major concerns” for any publisher. Established in 1909 ISSN 0012-2378 Bach Vol. 8 I’m not sure whether they should nec- An International Monthly Devoted to the Organ, I am well aware that one of the func- essarily be a major concern, but to me the Harpsichord, Carillon, and Church Music tions of a critical review is to criticize, the way a book feels and looks quite but that is certainly not the only func- obviously has an impact. If a book feels tion. As important as what one says nice, I want to pick it up, read and play negatively is what one says positively. It from it again and again. I think that’s CONTENTS Editor & Publisher JEROME BUTERA [email protected] is rare that one fi nds a work so poor that a highly desirable quality for any book 847/391-1045 good things cannot be said about it. But to have. FEATURES when one chooses to review a work with It is true that I wrote little about the Eighth International Organ and Associate Editor JOYCE ROBINSON so many outstanding features as the fi rst introductory essay, although I did com- Early Music Festival, Oaxaca, Mexico, [email protected] volume of Wayne Leupold Editions new ment on a few details in it. -
Ostallgäu Travel Guide
2 Ostallgäu Travel Guide The Ostallgäu Travel Guide A Handy Guide to the Most Pristine Place on Earth Table of Contents Chapter I: Ostallgäu, Bavaria, the True Bavaria ............................................................................................ 3 Ostallgäu? Never Heard of It! ................................................................................................................... 3 How Do I Get There? ................................................................................................................................. 4 Chapter II: Must-See and Go-to Places in Eastern Allgäu ............................................................................. 5 Castles, Castles, Castles! ........................................................................................................................... 6 Neuschwanstein .................................................................................................................................... 6 Hohenschwangau .................................................................................................................................. 7 Herrenchiemsee .................................................................................................................................... 8 The Linderhof ........................................................................................................................................ 9 King’s House on Schachen ................................................................................................................. -
Exhibition Guide
lines of beauty rococo plasterwork and the art of geoffrey preston 4 june - 6 september 2015 THE FOUNDLING MUSEUM 40 Brunswick Square London WC1N 1AZ T: +44 (0)20 7841 3600 E: [email protected] www.foundlingmuseum.org.uk OPEN: Tuesday – Saturday, 10:00 – 17:00 and Sunday, 11:00 – 17:00. Monday closed Paint kindly supplied by Colours: Ball Green and Manor House Gray Exhibition supported by INTERIOR DESIGN The position of Curator: Exhibitions & Displays is supported by the Pilgrim Trust GEOFFREY PRESTON is one of the UK’s leading architectural sculptors. After studying This exhibition has been made possible by the sculpture at Hornsey College of Art he trained provision of insurance through the Government as a stonemason and carver. He was a founding Indemnity Scheme. The Foundling Museum director of two of the country’s most respected would like to thank HM Government for providing conservation companies, at the helm of many Government Indemnity and the Department significant projects including the restoration for Culture, Media and Sport and Arts Council of the eighteenth-century hand modelled England for arranging the indemnity. plasterwork at Uppark House. In 2000, Geoffrey set up his workshop in Devon to concentrate on sculpture and modelling. He leads a small team of sculptors who produce fine new decorative plasterwork for clients all over the country. www.geoffreypreston.co.uk Cover: Hand-modelled stucco panel with falcon © Nick Carter Above: Geoffrey Preston © Buddy Creative lines of beauty The Foundling Museum’s Court Room and its connection with the painter William Hogarth take us to the heart of English Rococo in the mid 1740s. -
Bangor University DOCTOR of PHILOSOPHY Orlando Di Lasso's
Bangor University DOCTOR OF PHILOSOPHY Orlando di Lasso's psalm settings an examination of genre in late sixteenth-century psalm motets and German Leider Temme, Diane Award date: 2019 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 ORLANDO DI LASSO’S PSALM SETTINGS AN EXAMINATION OF GENRE IN LATE SIXTEENTH-CENTURY PSALM MOTETS AND GERMAN LIEDER Diane S. Temme Dissertation Submitted in partial fulfillment of the requirement for the degree of Doctor of Philosophy in Music Bangor University 20 December 2017 Abstract Diane S. Temme, Orlando di Lasso’s Psalm Settings: An Examination of Genre in Psalm Motets and German Lieder, Ph.D. Dissertation: Bangor University, December 2017. Supervisor: Christian Leitmeir. Lasso was considered the greatest composer of his generation with undisputable mastery of all sixteenth-century genres.