DOCSLIB.ORG

FACTOTUMA film by Bent Hamer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Jim Stark presents FACTOTUMA film by Bent Hamer Based on the novel by Charles Bukowski Some people never go crazy. What truly horrible lives they must live. Certains ne deviennent jamais fous. Leurs vies doivent être bien ennuyeuses. Charles Bukowski 1 Henry Chinaski works in factories and warehouses to support what he really wants to do: drink, bet on the horses, take up with women as rootless as he is and, above all, write stories that no one wants to publish. Based on the novel by Charles Bukowski, FACTOTUM is the story of a man living on the edge, of a writer who is willing to risk everything to make sure that his life is his poetry. Henry Chinaski accepte nʼimporte quel petit boulot minable pour faire ce quʼil aime vraiment : boire, parier sur les chevaux, passer du temps avec des femmes aussi paumées que lui et, par-dessus tout, écrire des histoires que personne ne veut publier. Tiré du roman de Charles Bukowski, FACTOTUM est lʼhistoire dʼun homme qui vit en marge, dʼun écrivain prêt à prendre tous les risques pour que sa vie devienne sa poésie. An intellectual is a man who says a simple thing in a difficult way. An artist is a man who says a difficult thing in a simple way. Un intellectuel est un homme qui dit des choses simples de façon compliquée. Un artiste est un homme qui dit des choses compliquées de façon simple. Charles Bukowski 2 Charles Bukowski was born in Andernach, Germany on August 16, 1920 and came with his family to the United States when he was three years old. Among his forty-five books of poetry and prose are the novels Post Office, Ham on Rye, Women, Hollywood and Pulp. His second novel, Factotum, published in 1975, follows Henry Chinaski (Bukowskiʼs alter ego) through a series of dead end jobs sandwiched between days and nights of drinking, women and his on going efforts to capture it all in his writing. Bukowski also wrote the original screenplay for the film BARFLY. Other films based on his stories include Crazy Love (aka Love is a Dog From Hell) and Tales of Ordinary Madness. His books have been translated and published in over 15 languages. Charles Bukowski died on March 9, 1994 in his adopted hometown of San Pedro, California. The latest volume of his writing to be published posthumously is the new book of poetry Slouching Toward Nirvana published by EccoPress. Charles Bukowski est né à Andernach, en Allemagne, le 16 août 1920. Sa famille sʼinstalle aux Etats-Unis alors quʼil a trois ans. Parmi ses 45 ouvrages de poésie et de prose, on retrouve les romans Le Postier, Souvenirs dʼun pas grand-chose, Women, Hollywood et Pulp. Son deuxième roman, Factotum, publié en 1975, suit les tribulations de Henry Chinaski (lʼalter ego de Bukowski) tout au long dʼune série de petits boulots minables, quʼil alterne avec des jours et des nuits de saoulerie, des femmes et ses efforts constants pour traduire son existence par lʼécriture. Bukowski a écrit le scénario original du film Barfly (Barbet Schroeder) . Dʼautres longs-métrages se sont inspirés de ses histoires: Crazy Love (Dominique Deruddère) (aka LʼAmour est un chien de lʼenfer) et Contes de la Folie Ordinaire (Marco Ferreri). Ses livres ont été traduits et publiés dans plus de 15 langues. Charles Bukowski est mort le 9 mars 1994 à San Pedro en Californie, la ville où il avait fini par sʼinstaller. Œuvre posthume, son dernier livre, qui vient de paraître, est un recueil de poésies Slouching Toward Nirvana ; il est publié par Ecco Press. If writing cost more than the price of paper and postage, I would have to quit that too. Si écrire coûtait plus cher que le prix du papier et des timbres, il faudrait que je laisse tomber ça aussi. Charles Bukowski 3 MATT DILLON (HANK)ʼs successful film career has spanned over two decades and has showcased his wide range of dramatic and comedic talents. He has proven himself to be one of the most diverse actors of his generation. From his breakthrough performance in THE OUTSIDERS he went on to appear in such great films as THE FLAMINGO KID, TO DIE FOR, and his hilarious turn as an obsessed private investigator in THEREʼS SOMETHING ABOUT MARY. Recently he wrote and directed his first feature, CITY OF GHOSTS, which was released by MGM/UA in April of 2003. In 1990 Dillon won an IFP Spirit Award for his gritty performance as a drug addict in Gus Van Santʼs DRUGSTORE COWBOY. He will next be seen in CRASH with Don Cheadle and Sandra Bullock and HERBIE: FULLY LOADED. Dillonʼs production company Banyan Tree has a first look deal with MGM. La brillante carrière cinématographique de MATT DILLON (HANK) a commencé il y a plus de 20 ans et a permis dʼapprécier sa large palette de talents, tant dans le drame que dans la comédie. Il est considéré comme lʼun des acteurs les plus originaux de sa génération. Depuis sa révélation dans OUTSIDERS, il est apparu dans dʼautres films notables comme LE KID DE LA PLAGE, PRETE A TOUT, ou encore dans le rôle hilarant et décalé du détective privé obsessionnel de MARY A TOUT PRIX. Il a récemment écrit et réalisé son premier long-métrage, CITY OF GHOSTS, produit et distribué par MGM/UA en avril 2003. En 1990, Dillon a remporté le IFP Spirit Award pour son interprétation, tendue et sans concession, du junky de DRUGSTORE COWBOY de Gus Van Sant. Ses prochains films sont CRASH avec Don Cheadle et Sandra Bullock, et HERBIE: FULLY LOADED. Banyan Tree, la société de production de Matt Dillon, a un accord de premier droit de regard avec MGM. Itʼs possible to love a human being if you donʼt know them too well. On peut aimer quelquʼun si on ne le connaît pas très bien. Charles Bukowski 4 LILI TAYLOR (JAN) has starred in such critically acclaimed films as I SHOT ANDY WARHOL, GIRLʼS TOWN, SHORT CUTS, DOGFIGHT, ILLTOWN, MRS. PARKER AND THE VICIOUS CIRCLE, PECKER and THE ADDICTION as well as such popular films as MYSTIC PIZZA, HIGH FIDELTY, BORN ON THE FOURTH OF JULY, RANSOM and THE HAUNTING. She won an INDEPENDENT SPIRIT AWARD for HOUSEHOLD SAINTS and a SPECIAL JURY PRIZE FOR ACTING at the SUNDANCE FILM FESTIVAL. Upcoming films include Vincent Perezʼs THE SECRET and Mary Harronʼs THE NOTORIOUS BETTIE PAGE. Lili received an Emmy nomination for her roles on THE X-FILES and HBOʼs SIX FEET UNDER. LILI TAYLOR (JAN) a joué dans des films acclamés par la critique tels que I SHOT ANDY WARHOL, GIRLʼS TOWN, SHORT CUTS, DOGFIGHT, ILLTOWN, Mrs PARKER ET LE CERCLE VICIEUX, PECKER et THE ADDICTION mais aussi dans des films très populaires comme que MYSTIC PIZZA, HIGH FIDELITY, NE UN 4 JUILLET, LA RANÇON et HANTISE. Elle a obtenu un Independant Spirit Award pour HOUSEHOLD SAINTS et un Prix spécial du Jury au Festival de Sundance. Ses prochains films sont LE SECRET de Vincent Pérez et THE NOTORIOUS BETTIE PAGE de Mary Harron. Elle a récemment été nominée aux Emmy Awards pour ses rôles dans SIX FEET UNDER et THE X-FILES . Sometimes you just have to pee in the sink. Parfois, il nʼy a plus quʼà pisser dans le lavabo. Charles Bukowski 5 DIDIER FLAMAND (PIERRE) has appeared as an actor in over 100 films most notably in French films like LA VOCATION SUSPENDUE, CHOCOLAT, JʼAI PAS SOMMEIL, LES DESTINEES SENTIMENTALES, A VENDRE, LES RIVIERES POURPRES, Wim Wendersʼ WINGS OF DESIRE and the English language film THE CHATEAU. He is well known for his work as a writer and director of avant garde theater in France and particularly for his acclaimed productions of PRENDS BIEN GARDE AUX ZEPPELINS (starring Jean Reno in the original production and recently revived at the Theatre Nationale de Chaillot) and LA MANUFACTURE. LA VIS -- Didierʼs first short film as writer/director -- was nominated for an Oscar and won the Cesar for BEST SHORT FILM. DIDIER FLAMAND (PIERRE) a joué dans plus de 100 films parmi lesquels LA VOCATION SUSPENDUE, CHOCOLAT, JʼAI PAS SOMMEIL, LES DESTINEES SENTIMENTALES, A VENDRE, LES RIVIERES POURPRES, LES AILES DU DESIR de Wim Wenders et le film en anglais THE CHATEAU. Il est également très apprécié et reconnu pour son travail dʼauteur et de metteur en scène de théâtre dʼavant-garde ; on peut notamment citer des pièces telles que PRENDS BIEN GARDE AUX ZEPPELINS (Jean Reno jouait dans la production originale ; la pièce a été à nouveau montée au Théâtre National de Chaillot) et LA MANUFACTURE. Le premier court-métrage de Didier, LA VIS, a été nommée aux Oscars et a remporté le César du Meilleur Court Métrage. I donʼt like jail, they got the wrong kind of bars in there. Charles Bukowski 6 Marisa Tomei received an Academy Award for her role in the hit comedy MY COUSIN VINNY. Best known for rich comic performances, Tomei took a dramatic turn with IN THE BEDROOM, earning her second Academy Award nomination. Marisaʼs diverse film credits include: ALFIE, ANGER MANAGEMENT, THE GURU, HAPPY ACCIDENTS, WHAT WOMEN WANT, SLUMS OF BEVERLY HILLS, WELCOME TO SARAJEVO, THE PEREZ FAMILY, A BROTHERʼS KISS, UNHOOK THE STARS (Screen Actorʼs Guild nomination), and the upcoming MARILYN HOTCHKISS and LOVERBOY (both featured at Sundance 2005). On stage, Tomei was seen on Broadway opposite Al Pacino in SALOME in the title role. This past summer, Marisa starred in DESIGN FOR LIVING at the Williamstown Theater Festival. Previous theater credits include among others WE WONʼT PAY! WE WONʼT PAY!, WAITING FOR LEFTY and ROCKET TO THE MOON.
Recommended publications
  • Press Kit BFM2019.Pdf

    Press Kit BFM2019.Pdf

    This press kit has been drawn up for the presentation press conference of 37th edition of Bergamo Film Meeting Friday March 1, 2019 | 10.30 AM Milan | ANTEO Palazzo del Cinema Sala Rubino - Piazza XXV Aprile, 8 Bergamo Film Meeting Onlus Press Office Ada Tullo +39 035 363087 +39 349 2674900 [email protected] [email protected] Domestic Press Office Studio Sottocorno Lorena Borghi +39 348 5834403 [email protected] [email protected] Foreign Press Office Gloria Zerbinati +39 338 1200517 [email protected] [email protected] BERGAMO FILM MEETING International Film Festival 37th edition, March 9 - 17, 2019 OPENING Bergamo, Friday March 8, 2019 8.30 PM | Ex-Chiesa di Sant’Agostino – P.le Sant’Agostino JEFF MILLS PLAYS METROPOLIS BERGAMO FILM MEETING International Film Festival th 37 edition, March 9 - 17, 2019 9 screening days more than 180 films among feature films, docs and short-films 2 exhibitions, 2 workshop, 3 masterclass 3 meeting in Milan and 1 in Brescia, 1 screening in Verona, 1 in Brescia and 1 in Bologna 1 sci-fi marathon 9 comics daily striP, 1 reading, 3 live painting special events, proposals for schools and younger audience and many other activities Guests confirmed Alessandro Baronciani, Pilar Benitez, Hans Berg, Richard Billingham, Rhys Byfield, María Antón Cabot, Roberto Chiesi, Jessica Cioffi (LoPutyn), Rafael Cobos, Nathalie Djurberg, José Pablo Estrada Torrescano, Luca Ferri, Primo Giroldini, KarPo Godina, Bent Hamer, Sofia Haugan, Jamie Jones, Martti Kaartinen, Maria Lafi, Jean-Pierre Léaud, Hadrian Marcu, Tancredi Militano, Jeff Mills, Christine Moderbache, Benjamín Naishtat, Maria Rita Parsi, Vahidin Prelich, Messaline Raverdy, Petr ŠPrincl, Vlastimir Sudar, Simone Tempia, Pasquale Todisco (Squaz), Stefano Togni (SerT), Roberto Villa, Mariusz Wilczyński SUMMARY COMPETITION EXHIBITION CLOSE UP SECTION EUROPE, NOW! Bent Hamer Alberto Rodriguez Boys and Girls.
  • The Autobiographical Fiction of Charles Bukowski Daniel Bigna A

    The Autobiographical Fiction of Charles Bukowski Daniel Bigna A

    Life on the Margins: The Autobiographical Fiction of Charles Bukowski Daniel Bigna A Thesis submitted in fulfilment of the requirements for the degree of Master of Arts School of Humanities and Social Sciences University of New South Wales at the Australian Defence Force Academy 2005 ACKNOWLEDGEMENTS I would like to thank my supervisors Susan Lever, Heather Neilson and Jeff Doyle for invaluable guidance and support, and Fiona, Simon and Jamie for infinite patience and encouragement. I hereby declare that this submission is my own work and to the best of my knowledge it contains no material previously published or written by another person, nor material which to a substantial extent has been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicity acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged. TABLE OF CONTENTS Introduction. 1 Chapter One - Bukowski in Context. 24 Chapter Two – The Development of Bukowski’s Alternative Literary 48 Aesthetic in the novels Post Office , Factotum and Women. Chapter Three - Ham on Rye - The Troubled Birth of an Artist. 89 Chapter Four - Hot Water Music - The Grotesque and 108 the Artist Demystified. Chapter Five - Hollywood - A Non-Conformist in a Strange World.
  • Factotum: a Novel Free Download

    Factotum: a Novel Free Download

    FACTOTUM: A NOVEL FREE DOWNLOAD Charles Bukowski | 250 pages | 31 May 2002 | David R. Godine Publisher Inc | 9780876852637 | English | Santa Rosa, CA, United States [PDF] Factotum Book by Charles Bukowski Free Download (208 pages) Each day without solitude weakened me. For other uses, see Factotum disambiguation. After a strange misadventure on Pierre's boat, Chinaski briefly returns to Jan, who is now working as a chambermaid at a hotel. But starvation, unfortunately, didn't improve art. Chinaski is a racist, sexist, misogynistic, homophobic asshole who actively fantasizes about rape and there were moments when I just had to keep the book away and take deep breaths because the feminist in me was screaming. Hank Chinaski Lili Taylor After he developed a bleeding ulcer, he Factotum: A Novel to take up writing again. Filled with short, sometimes paragraph-like chapters, the writing flows smoothly, gently sneaking under your skin, and before you know it you start to care and you start to see the world through Factotum: A Novel eyes. People don't need love. But while a factotum learns many paths, he masters none of them. Inspiration : The factotum is a dabbler, a professional explorer who plunders a wide variety of? Absolutely pick this up, but don't let this be the only thing of his that you read. User Reviews. To represent this seemingly random body of knowledge, a factotum gains inspiration points that he can spend to Factotum: A Novel his abilities. Factotum: A Novel I relaxed in bed I had this strange feeling in my head. Henry Chinaski : Yeah.
  • WC Fields and Charles Bukowski As

    WC Fields and Charles Bukowski As

    "TOO MANY OLIVES IN MY MARTINI": W.C. FIELDS AND CHARLES BUKOWSKI AS POSTMODERN CARNIVAL KINGS David Camak Pratt A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2008 Committee: Jeffrey Brown, Advisor Marilyn Motz © 2008 David Camak Pratt All Rights Reserved iii ABSTRACT Jeffrey Brown, Advisor In the early history of America, constant, steady drinking brought the carnivalesque into official life such that the carnival and the official, as Bakhtin describes these terms, were intertwined. As hard alcohol, binges and drunkenness flourished in America, official life separated from carnival life. Temperance and prohibition movements that rose to significance in the early nineteenth century successfully marginalized the use of alcohol and also the alcoholic carnival. As the American alcoholic carnival diminished as a part of lived experience, it continued on in the mediated form that is its primary embodiment today. W.C. Fields and Charles Bukowski are two particularly successful purveyors of the mediated alcoholic carnival, Fields as an actor and screenwriter and Bukowski as a writer of poetry, stories, novels, and one screenplay. Bukowski’s mostly autobiographical texts often detail the steps his character, Henry Chinaski, takes to ensure he is able to drink and write, to the exclusion of most other considerations. A Fields character tries harder than Chinaski to succeed according to American middle-class standards, but first has to deal with the distaste he inspires as an alcoholic eccentric. Bukowski/Chinaski, by defining his own terms for success, stands largely outside of American hegemonic culture, criticizing the American Dream and American notions of alcoholism.
  • PRODUCED by Bent Hamer for Bulbul Film CO-PRODUCERS Pandora Filmproduktion

    PRODUCED by Bent Hamer for Bulbul Film CO-PRODUCERS Pandora Filmproduktion

    PRODUCED BY Bent Hamer FOR BulBul Film CO-PRODUCERS Pandora Filmproduktion – Christoph Friedel/Karl Baumgartner AND ZDF/ARTE Memento Films Production – Alexandre Mallet-Guy AND ARTE France Cinema EXECU T IVE PRODUCERS Scanbox Film – Jim Frazee/Mads Peter Ole Olsen SUPPOR T ED BY Norwegian Film Fund – CONSUL T AN T Nikolai Frobenius Nordisk Film & TV Fond – CONSUL T AN T Svend Abrahamsen Norwegian Film Development MAKE UP Eva Rygh Holstein cOS T UME DESIGNER Anne Pedersen PROPS Anders Lunde AR T DESIGNER Kalli Juliusson INTERNATIONAL PRESS WORLD SALES FILM FESTIVALS RICHARD LORMAND THE MATCH FACTORY GMBH IN CANNES: NORWEGIAN FILM INSTITUTE WORLD cinema PUBLICITY BALTHASARSTRASSE 79–81 RÉSIDENCE Bagatelle P.O.Box 482 SENTRUM WWW.FILMPRESSPLUS.com 50670 COLOGNE / GERMANY 25 BOUlevard DE la Croisette, 4TH floor N-0105 Oslo [email protected] TEL +49 (0)221 539 709-0 Tel +33 (0)4 93 39 77 37 TEL +47 22 47 45-00 IN Cannes (MAY 14–25): FAX +49 (0)221 539 709-10 Fax +33 (0)4 93 99 12 47 E-mail: [email protected] Tel +33 (0)8 70 44 98 65 / +33 (0)6 09 92 55 47 / E-MAIL: [email protected] WWW.NFI.NO/FILM/ohorten +33 (0)6 24 24 16 54 WWW.THE-MATCH-FACTORY.COM SOUND RECORDIS T Morten Solum GAFFER Hans Petter Sydsæter DIREC T OR OF PHO T OGRAPHY John Christian Rosenlund (fnf) SOUND DESIGN AND MIX Petter Fladeby COMPOSER Kaada EDI T OR Pål Gengenbach (nfk) LINE PRODUCER Catho Bach Christensen WRI tt EN AND DIREC T ED BY Bent Hamer WI T H Bård Owe AND Espen Skjønberg Ghita Nørby Henny Moan Bjørn Floberg Kai Remlov Per Jansen Bjarte Hjelmeland Gard B.
  • Bukowski and the American Dream

    Bukowski and the American Dream

    DEGREE IN ENGLISH STUDIES 4th YEAR - HERO OF THE INGLORIOUS KIND: BUKOWSKI AND THE AMERICAN DREAM - Student: Mikel López Prieto Tutor: David Río Raigadas 2019-2020 U. S. Literature Contents 1. Introduction 4 2. Historical and Literary Framework 5 2.2. Charles Bukowski and the American Dream 7 2.3. Bukowski and Literary Protest in the 20th Century 8 3. Hero of the Inglorious Kind: Bukowski and the American Dream 9 3.1. Isolation 10 3.1.1. Rebellion 11 3.1.2. The Victimization of Henry Chinaski 15 3.1.3. The Victimization of the Working Class 17 3.2 Henry Chinaski's Embracement of Reality 20 3.2.1. Alcoholism 20 3.2.2. Suicidal Tendencies 22 4. Conclusion 24 Works Cited 26 2 Abstract Charles Bukowski is, perhaps, one of the most recognizable authors of the second half of the 20th century because of his direct, almost raw form of writing. Nevertheless, one of the major implications of this work has been neglected: his criticism of the philosophical and social construct of the American Dream, one of the first marks of identity of the United States of America, which is still present to this day. In this context, this essay is focused on the analysis of the Bukowskian depiction of the ideal in the novels Post Office (1971), and Factotum (1975) and on the autobiographical magnum opus of the author, Ham on Rye (1981). It is argued that the American Dream is portrayed as a source of alienation, victimization, and dehumanization of the character and the working class as a whole via the character of Henry Chinaski, Bukowski’s alter ego.
  • Pobierz Pressbook (PDF)

    Pobierz Pressbook (PDF)

    Bomba Film Sp. z o.o. ul. Zielona 8/4, 20 – 082 Lublin przedstawia najnowszy film Benta Hamera 1001 Gramów (1001 Gram) Francja, Niemcy, Norwegia 2014 (88 min) W KINACH OD 28 sierpnia 2015 Mistrz komedii Bent Hamer zastanawia się nad ciężarem duszy ludzkiej w nowej norweskiej nadziei na Oscara. HOOLYWOOD REPORTER DYSTRYBUCJA – BOMBA FILM SP. Z O.O ul. Zielona 8/4, 20-082 Lublin tel.: 81 82 00 789, fax: 81 82 00 889 KONTAKT - Artur Swacha, e-mail: [email protected], kom.: + 48 88 125 67 68 Media & PR – Łukasz Kanafa, e-mail: [email protected], kom.: + 48 668 855 78 Bomba Film Sp. z o.o. ul. Zielona 8/4, 20 – 082 Lublin BOMBA FILM przedstawia film 1001 GRAMÓW Tytuł oryginalny: 1001 Gram Twórcy filmu m.in.: reż. i scen.: Bent Hamer zdj.: John Christian Rosenlund muz.: John Erik Kaada prod.: Francja, Niemcy, Norwegia 2014 (88 min) Obsada: Ane Dahl Torp – Marie Ernst Laurent Stocker – Pi Hildegun Riise – Wenche Stein Winge – Ernst Ernst Per Christian Ellefsen – Moberg Didier Flamand – Gérard Peter Hudson – Dr Reinhard Winkler Christian Erickson – Dr James Annaud Bomba Film Sp. z o.o. ul. Zielona 8/4, 20 – 082 Lublin Krótki opis filmu: Marie jest szanowanym naukowcem, pracuje razem z ojcem w Organizacji Rządowej, której celem jest utrzymanie naprawdę cennego przedmiotu: norweskiego prototypu kilograma. Całe dnie spędza na kalibracji pomiarów w nowoczesnych ścianach instytutu. Tym samym rygorem co w pracy, otacza się w życiu osobistym: jeździ śmiesznie małym samochodem elektrycznym, mieszka w sterylnym apartamencie, a w stosunkach międzyludzkich jest precyzyjnie powściągliwa; rzadko można zobaczyć na jej twarzy jakieś emocje.
  • En-Presskit-5774-1001-Grams.Pdf

    En-Presskit-5774-1001-Grams.Pdf

    MASTERS CAST Marie ANE DAHL TORP • Pi LAURENT STOCKER (de la Comédie Française) • Wenche HILDEGUN RIISE • Ernst Ernst STEIN WINGE • Moberg PER CHRISTIAN ELLEFSEN • Gérard DIDIER FLAMAND • Custom officer DINARA DROUKAROVA CREW Production BULBUL FILM (BENT HAMER - NORWAY) • Co- production PANDORA FILM PRODUKTION (CHRISTOPH FRIEDEL & CLAUDIA STEFFENS-GERMANY), SLOT MACHINE (MARIANNE SLOT-FRANCE) • DOP JOHN CHRISTIAN ROSENLUND (FNF) • Art direction ASTRID ASTRUP, TIM PANNEN, ALAIN GUFFROY • Sound AD STOOP, JÖRG KIDROWSKI, ERWAN KERZANET • Costumes designers ANNE PEDERSEN, OLIVIER LIGEN • Make-up artist EVA RYGH • Sound designer ANDREAS HILDEBRANDT • Sound mixer PETTER FLADEBY Editor ANDERS REFN • Composer JOHN ERIK KAADA • Line producer CATHO BACH CHRISTENSEN INTERNATIONAL SALES LES FILMS DU LOSANGE AGATHE VALENTIN (HEAD OF SALES) [email protected]/+33 6 89 85 96 95 LISE ZIPCI (TV & LIBRARY SALES) 6 2 [email protected]/+33 6 75 13 05 75 1 4 5 MARINE GOULOIS (FESTIVALS & MARKETING) 9 9 3 [email protected]/+33 6 84 21 74 53 1 0 c i h p a r g CONTACT FESTIVALS n o i t s e NORWEGIAN FILM INSTITUTE g e i r e STINE OPPEGAARD m i r p m [email protected]/+4722474575 I • B F • d n INTERNATIONAL PRESS u l n e s RICHARD LORMAND - FILM⎮PRESS⎮PLUS o R n a i www.FilmPressPlus.com / [email protected] t s i r h +33-9-7044-9865 (France) C n h o +1-337-258-3957 (Toronto Film Festival) J © s o t o h NORWAY, GERMANY, FRANCE • 2014 • 1H30 • DCP • 5.1• www.filmsdulosange.fr P SYNOPSIS HEN NORWEGIAN SCIENTIST MARIE ATTENDS A SEMINAR IN W PARIS ON THE ACTUAL WEIGHT OF A KILO, IT IS HER OWN MEASUREMENT OF DISAPPOINTMENT, GRIEF AND, NOT LEAST, LOVE, THAT ENDS UP ON THE SCALE.
  • A Small Region in a Global World. Patterns in Scandinavian Film and TV Culture

    A Small Region in a Global World. Patterns in Scandinavian Film and TV Culture

    A Small Region in a Global World. Patterns in Scandinavian Film and TV Culture Ib Bondebjerg & Eva Novrup Redvall 2011 2 Table of Contents List of figures ................................................................................................................... 3 Acknowledgments ........................................................................................................... 5 Films in a New Context: Summary and Main Conclusions .................................................. 7 Introduction: Scandinavian Film Culture, Globalisation and the Digital Challenge ............ 13 The Cultural Diversity Model: The Scandinavian Film Support System ............................. 18 Film support between the nation state and market ........................................................... 19 The Europeanisation and globalisation of film culture ....................................................... 25 A weak and fragmented production culture? .................................................................. 37 Looking for the audience: the Scandinavian film user and the new film culture ......................... 43 Scandinavian Film Culture: National and Transnational Patterns ..................................... 53 A natural cultural region? Patterns of co-production and distribution of Scandinavian films .......... 53 The inter-Scandinavian cinema-market: audience patterns and genre-preferences...................... 57 Scandinavian films in a global perspective .....................................................................
  • The Portrayal of Masculinity in the Novels of Charles Bukowski Bachelor’S Diploma Thesis

    The Portrayal of Masculinity in the Novels of Charles Bukowski Bachelor’S Diploma Thesis

    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Ondřej Jarůšek The Portrayal of Masculinity in the Novels of Charles Bukowski Bachelor’s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph. D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank my supervisor, Stephen Paul Hardy, Ph.D., for his help, valuable advice and time he devoted to the present work. Table of Contents Introduction ................................................................................................................ 5 Chapter 1 .................................................................................................................... 8 Chapter 2 .................................................................................................................. 20 Chapter 3 .................................................................................................................. 39 Conclusion ................................................................................................................. 51 Works Cited .............................................................................................................. 55 English Résumé ........................................................................................................ 58 Czech Résumé ..........................................................................................................
  • A NOVA VIDA DO SENHOR O'horten (O’HORTEN) É a 5ª Longa-Metragem Do Argumentista E Realizador Bent Hamer

    A NOVA VIDA DO SENHOR O'horten (O’HORTEN) É a 5ª Longa-Metragem Do Argumentista E Realizador Bent Hamer

    um filme de Bent Hamer A NOVA VIDA DO SENHOR O’HORTEN com Bård Owe DOSSIER DE IMPRENSA Alambique Rua S. Sebastião da Pedreira, 106, 3ºE 1050-209 Lisboa Tlf: 918190439 SINOPSE CURTA Depois de 40 anos ao serviço dos Caminhos de Ferro, o pacato e solitário maquinista Odd Horten chegou finalmente à reforma. Aos 67 anos, agora sem o trabalho a absorvê-lo, O’Horten vai confrontar-se com toda uma nova vida... uma vida a tempo inteiro. Chegou a altura de concretizar sonhos esquecidos e dar um novo rumo à vida. O consagrado realizador Bent Hamer assina este divertido e comovente filme. SINOPSE Odd Horten conduziu o mesmo comboio, na mesma linha durante tanto tempo que a sua vida se transformou numa rotina de rituais confortáveis. Mas chegou a altura do engenheiro de 67 anos se reformar, após 40 anos de trabalho zeloso. O pacato e solitário Senhor O’Horten está prestes a confrontar-se com dúvidas complexas e toda uma nova vida que tem pela frente. Sem o trabalho a absorvê-lo, conseguirá O’Horten habituar-se a uma vida a tempo inteiro? Terá coragem para concretizar sonhos esquecidos? Adivinha-se uma aventura estranha mas divertida e uma série de encontros com personagens memoráveis. Alambique O’HORTEN por Philip French (The Guardian) Dizem-nos os filmes que sob a superfície de um escandinavo do século XXI podemos encontrar um camponês do século XIX, e o mesmo se passa com o mais recente filme de Bent Hamer, depois de “Kitchen Stories” – a excêntrica comédia sobre o conformismo na Suécia e na sua nativa Noruega – e de “Factotum” – um hino ao expoente máximo do anti-conformismo americano que foi Charles Bukowski.
  • Home-For-Christmas-Pressbook.Pdf (836.5 Kib)

    Home-For-Christmas-Pressbook.Pdf (836.5 Kib)

    Main Cast Goran Arianit Berisha Bent Hamer Anka Sany Lesmeister Goran’s Mother Nadja Soukup Mother/Sniper Nina Zanjani Director, scriptwriter, producer and founder Father Igor Necemer of the production company BulBul Film. Paul Trond Fausa Aurvåg Knut Fridtjov Såheim Bent Hamer was born in Sandefjord, Norway. He studied film theory and literature at Thomas Morten Ilseng Risnes Bintu Sarah Bintu Sakor Stockholms Universitet and Stockholms Bintu´s Father Issaka Sawadogo Filmskola. Simon Joachim Calmeyer His latest feature film, Home for Christmas, Jordan Reidar Sørensen makes its world premiere at the 2010 Karin Nina Andresen-Borud Toronto Film Festival and its European Kristen Tomas Norström premiere at the 2010 San Sebastian Film Elise Cecilie Mosli Festival. Johanne Ingunn Beate Øyen Synopsis Security Guard Levi Henriksen Main Crew O’Horten, had its international premiere at Tone Kristine Rui Slettebakken Un Certain Regard at the 2008 Cannes Film Hroar Kyrre Haugen Sydness Festival. His other feature films Factotum Turid Aina Emilie Bækkevold Director Bent Hamer produced by: (2005), Kitchen Stories (2003) and Eggs (1995) In a small Norwegian town on Christmas Eve, several people Torbjørn Marcus Eiel Fagervik BulBul Film (Norway) all participated in the Director’s Fortnight struggle to make it home through the snow beneath the colorful Screenplay Bent Hamer (in order of appearance) Based on the book “Only Soft Presents Under the Tree” by Levi Henriksen Pandora Filmproduktion (Germany) in Cannes. Both Eggs and Kitchen Stories Northern Lights. An eclectic mix of townsfolk cross paths in Filmimperiet (Sweden) were awarded the International Film several interwoven stories of humour and tragedy, tenderness Director of Photography John Christian Rosenlund (fnf) ZDF / ARTE (Germany) Production Designers Eva Norén & Tim Pannen Critics Award (FIPRESCI).