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DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16. -
CHRISTMAS-CAROLS-Notes-Rev.Pdf
CHRISTMAS CAROLS Although any Christmas song might be called a ‘carol’ these days, the word actually refers to an ancient English song-form where a refrain or chorus repeated after every stanza (or verse) and is often connected to celebrations like Christmas or Easter. The word carol is derived from the Old French word carole, a circle dance accompanied by singers (in turn derived from the Latin choraula). Carol’s origins are complex and disputed. Some of our familiar Christmas carols were originally pagan songs, sung at the Winter Solstice celebrations They were very popular as dance songs from the 1150s to the 1350s, after which their use expanded as processional songs sung during festivals, while others were written to accompany religious mystery plays. Whatever the origin, composers all over Europe started writing carols but most people could not understand them since they were written and sung in Latin. This changed in the early 13th century when St. Francis of Assisi introduced Christmas songs in church services in Italy for the first time — and true Christmas carols were officially born. In Assisi’s Nativity plays, which began in 1223, actors sang songs that described the scenes in the plays. Although the choruses were sometimes in Latin, the songs were usually written in the language that people could understand. The actors composed Christmas carols to sing during their Nativity plays and, later, they would walk through the streets still singing. It didn’t take long for these plays to spread to France, Spain and the rest of Europe. The tradition of singing Christmas songs in native languages became well established. -
Intercessions Notices Maidstone Wind Symphony
Intercessions THE PARISH OF Please email [email protected] or phone ALL SAINTS with ST PHILIP, MAIDSTONE 01622 756002 to add/remove names of this list. and ST STEPHEN, TOVIL Please pray for these and their families www.maidstoneallsaints.co.uk Alan Gupwell Carol Winter Pamela Hocking John Coates 18 December 2016 The Fourth Sunday of Advent Brian & Elizabeth Coleman Jeff Fernett Randell Ken and Stella Bridges Jane Sadler At All Saints Jeff & Beryl Foxley Revd Kes Grant Readings at the 8.00am Eucharist begin on page 52 Dawn Gamble Jean Williamson in the BCP and the service starts on page 237. Susan Greenstreet Winnie Thompson Music for the 9.30am Parish Eucharist Daphne Holland Jane Wearne Service: Darke in F Kay Kidney Vera Alflatt NEH 11 1,2,3,4,5&6 O come, O come, Emmanuel Pat Manser Mildred Moss NEH 19 Come, thou Redeemer of the earth John and Diana Caley Daphne Lee NEH 10 Long ago, prophets knew Harry Harbert Audrey Little Communion Motets: John Spencer Angelus ad Virginem The departed and all who mourn their passing Watts Cradle Song Matthew Hall 11.00am Parish Eucharist at St Philip’s Notices 11.00am Cafe Sundae Christingle at St Stephen’s 3.00pm Maidstone Wind Symphony Concert,All Saints Maidstone Wind Symphony Family Concert – th Please note – NO Evensong today The Snowman! Saturday 18 Dec at 3.30pm at All Saints. Pre-Concert children’s activities from St Philip’s and St Stephen’s hymns are announced 2.45pm. See posters for more details and prices. -
Saturday 08/19/2017 12 a Song Title / Album Title Artist / Label
Saturday 08/19/2017 12 A Song Title / Album Title Artist / Label It Is Well With My Soul Chiz Chiz (1989) Brass Plus Ministries Thank You Lord Rick Foster Eternal Guitar Sanctus from Requiem, Op. 48 Various Sacred Inspirational and Spiritual Musi I Will Celebrate Tom Keene Verity Romance In C Moody Symphonic Band Jesus Shall Reign Fairest Lord Jesus Carol McClure Beautiful Savior (Harp) O Vos Omnes Moody Chorale Light Everlasting Softly Awakes my He art Salvation Army Trumpet Call Beati Quorum Via Bluebird Voices from Heaven Whiter than Snow Pam Adams The Faithful Flutist Cantata - Wir eilen mit schwac hen, doch The Complete Works of Johan Sebastian B Nearer Still Nearer Steve Martin Heavenly Music (Guitar) Nunc Dumittis (Vespers_ All-Night Calvin College The Capella Chorale Prelude- Abide with Me Concordia Wind Symphony Watchman, Tell Us of the Night Unsere Vater Hofften Auf Dich Cambridge Singers A Banquet of Voices For the Beauty of the Earth Sound of Rogers Sampler Rodgers Instrument Corp. Saturday 08/19/2017 1 A Song Title / Album Title Artist / Label Rondeau Boston Baroque Bach: The Complete Orchestral Suites Jesu Joy Of Man's Desiring Ren Merry Faith, Hope & Love: Hymns Of Faith (201 Psalm 78 - Ellacombe Scottish Festival Singers Psalms Nancy Experience the Music Trumpet Voluntary in D Major Timothy Moke The Lord's Prayer (Trumpet and Organ) The Wonder of His Grace Mark Ridenour By The River My Soul, The Great Creator Praise Alice Parker Chorale Early American Come Christians Join To Sing Jim & Denise Beyer "This Time Around" Powerwind And Can It Be Bruce Greer "Instrumental Hymns Of Worship" There's a Man Going Round Jessye Norman Amazing Grace Canzon per sonare no. -
Christmas 2012
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Kiek Heft 1 / 2013 Kirchenmusik Im Erzbistum Köln
KiEK Heft 1 / 2013 Kirchenmusik im Erzbistum Köln Informationen, Meinungen, Termine Informationsdienst für Kirchenmusiker, Kirchenmusikerinnen und Kirchenchöre Hauptabteilung Seelsorge - Stabsstelle Spiritualität und Gottesdienst - Kirchenmusik KIEK 1 / 2013 Impressum KONTAKTE ORGELSACHVERSTÄNDIGE IM ERZBISTUM KÖLN Erzbischöflisches Generalvikariat Hauptabteilung Seelsorge Kantor Adolf Fichter Stabsstelle Spiritualität und Gottesdienst Mühlenstr. 6b - Kirchenmusik - 53721 Siegburg 02241/60338 Richard Mailänder Erzdiözesankirchenmusikdirektor Kantor Eckhard Isenberg Tel.: 0221 / 1642-1544 St.-Tönnis-Str. 37 E-Mail: [email protected] 50769 Köln 0221/786748 Michael Koll Referent für Kirchenmusik Prof. Reiner Schuhenn Tel.: 0221 / 1642-1166 Lothringer Str. 117 E-Mail: [email protected] 50677 Köln 0221/3049871 Susanne Erkens Sekretariat GLOCKENSACHVERSTÄNDIGER Tel.: 0221 / 1642-1539 FÜR DAS ERZBISTUM KÖLN Fax.: 0221 / 1642-1558 E-Mail: [email protected] Kantor Norbert Jachtmann Breiten Dyk 100a KiEK-Redaktion: 47803 Krefeld [email protected] 02151/758297 [email protected] Schon gesurft? www.kirchenmusik-im-erzbistum-koeln.de Weitere Kontakte (Regionalkantoren ) siehe Seite XXXX IMPRESSUM Herausgeber: Hauptabteilung Seelsorge im Erzbistum Köln Stabsstelle Spiritualität und Gottesdienst KiEK - NESWLETTER - Kirchenmusik - Verantwortlich: → schon abonniert? Richard Mailänder, EDKMD Dieses Heft wurde erstellt von: Hier erfahren Sie einmal im Monat Stefan Krüger • Neues und Neuestes -
Barbara Kowalik
Studia Anglica Posnaniensia 42, 2006 A POPULAR CODE FOR THE ANNUNCIATION IN MEDIEVAL ENGLISH LYRICS BARBARA KOWALIK University of Warsaw ABSTRACT The paper deals with a popular type of the Annunciation lyric in medieval English poetry. A brief survey of the role of the angelic announcement to Mary in medieval art and culture is given. The argument then pursues several distinctive traits of this kind of lyric in a number of poems from the thirteenth through the sixteenth centuries. The distinguishing features include a tripartite structure, a common set of words, phrases, ideas and images, emphasis on singing, a spring set- ting, tryst between lovers, and the use of popular genres, particularly ballads and carols. By anal- ogy with music, it is argued that a certain popular code for the Annunciation existed, against which interesting artistic transformations of the theme were introduced. For example, the Annun- ciation was evoked in a highly compressed and allusive manner by means of but a few elements of the code. The principal elements of the alleged code derived from popular art and imagination. Their application to theological issues frequently led to the blurring of boundaries between the sacred and the profane, and between the Christian and the pagan. The paper proposes a distinction between Lent and alleluia subtypes of the Annunciation lyric. It also demonstrates how the pas- tourelle, aubade, and chanson d’aventure conventions of secular love poetry were adapted to represent the Annunciation. Finally, it suggests a connection between the lyric “At a spryng wel” and a specific statue of the Blessed Virgin Mary, like the much-reverenced statue of Our Lady at Walsingham. -
100 Carols for Choirs Table of Contents
100 Carols for Choirs Table of Contents Adam lay ybounden, Warlock In the bleak mid-winter, Holst All my heart this night rejoices, Ebeling In the bleak mid-winter, Darke Alleluya, a new work is come on hand, Infant holy, infant lowly, Willcocks Wishart The Infant King, Willcocks Angels, from the realms of glory, It came upon the midnight clear, Willcocks Willcocks Jesus child, Rutter Angelus ad virginem, Willcocks Jesus Christ is risen today, Willcocks As with gladness men of old, Willcocks Jesus Christ the apple tree, Poston Ave plena gracia, Maxwell Davies Jingle, bells, Pierpont/Willcocks Away in a manger, Kirkpatrick/Willcocks Joy to the world, Mason/Rutter A babe is born, Mathias Joys seven, Cleobury Birthday Carol, Willcocks King Jesus hath a garden, Wood The cherry tree carol, Willcocks Kings of Orient, Hopkins/Willcocks Child in a manger, Rutter Lo! he comes with clouds descending, A child is born in Bethlehem, Willcocks Willcocks Christmas night, Rutter Lo, how a Rose e'er blooming, Praetorius Coventry carol, Rutter Longfellow's carol, Percival Coventry carol, Shaw Lord of the Dance, Carter/Willcocks Cradle song, Rutter Lute-book lullaby, Ballet/Shaw The crown of roses, Tchaikovsky A maiden most gentle, Carter Deck the hall, Willcocks Mary's Lullaby, Rutter Ding dong! merrily on high, Willcocks A merry Christmas, Warrell Ding dong! merrily on high, Wood Myn lyking, R. R. Terry The first Nowell, Willcocks Nativity carol, Rutter Gabriel to Mary came, Willcocks A New Year carol, Britten Gabriel's message, Willcocks O come, all ye faithful, Wade/Willcocks God rest you merry, gentlemen, Willcocks O come, o come, Emmanuel, Willcocks Good King Wenceslas, Willcocks O little one sweet, J. -
St. Boniface Episcopal Church 5615 Midnight Pass Road • Siesta Key • Sarasota, Florida 34242 (941) 349-5616
St. Boniface Episcopal Church 5615 Midnight Pass Road • Siesta Key • Sarasota, Florida 34242 (941) 349-5616 www.bonifacechurch.org The Rt. Rev. Dabney T. Smith, DMin., Bishop The Very Rev. Wayne Farrell, Rector The Rev. Jonathan Evans, Associate Rector The Rev. Elisa Hansen, Deacon Dr. James W. Guyer, Organist/Choirmaster Dr. Ann Stephenson-Moe, guest organist Festival of Nine Lessons & Carols ~ December 16, 2020 7:30 p.m. Prelude Noël Suisse Louis-Claude Daquin Advent Responsory I look from afar Giovanni Pierluigi da Palestrina (arr. Wilcocks) Cantor: I look from afar: Solo 1: and lo, I see the power of God coming, and a cloud covering the whole earth. Cantor: Go ye out to meet him and say: Choir: Tell us, art thou he that should come to reign over thy people Israel? Solo 2: High and low, rich and poor, one with another, Choir: Go ye out to meet him and say: Solo 3: Hear, O thou Shepherd of Israel, thou that leadest Joseph like a sheep, Choir: Tell us, art thou he that should come? Sopranos: Stir up thy strength, O Lord, and come Choir: to reign over thy people Israel. Cantor: Glory be to the Father, and to the Son, and to the Holy Ghost. Choir: I look from afar: and lo, I see the power of God coming, and a cloud covering the whole earth. Men: Go ye out to meet him and say: Choir: Tell us, art thou he that should come to reign over thy people Israel? From the First Responsory of Advent Sunday in the Office of Matins (early medieval Roman rite) Hymn 56 vs. -
The Published Works of Eleanor Daley
THE PUBLISHED WORKS OF ELEANOR DALEY Alliance Music Publications Inc. All This Night – SATB / Organ (The) Angels Will Guide You Home - SSA / Piano Angelus Ad Virginem - SATB a cap Ave Maria - SSAA a cap Ave Verum Corpus - SSAA a cap Balulalow - SATB a cap Bethlehem's Star - SATB a cap Birds are Singing - S, optional descant / Piano (The) Bridge Builder – SATB / Piano By the Waters of Babylon - SATB a cap Canticle to the Spirit - SA / Piano (A) Celtic Blessing of Light – SSA / Piano Chantez a Dieu – SSA / Piano Child with the Starry Crayon - SSA / Piano Christ Whose Glory Fills the Skies - SATB a cap Christmas Morn – SSAA / Organ Christus Factus Est - SATB a cap (The) Cloths of Heaven - SSA / Piano Come and Walk With Me - SATB a cap (The) Crown of Roses - SATB a cap (The) Dream-Ship – SSA / Piano Echo – SSAA / Piano Fill Us, Lord – SATB / Organ For the Fallen - SATB / Trumpet Gabriel’s Message - SATB a cap Gentle Nature – SSA / Piano Gloria in Excelsis Deo - SATB / Optional Brass Here, O My Lord - SATB /Organ Hosanna, Loud Hosanna - SATB / Percussion How the Flowers Came – SSA / Piano (A) Hymn for St. Cecilia – SSA / Piano I Sing of a Maiden - SSAA a cap I Was Glad - SATB / Organ I’ll Give My Love an Apple – SSA / Piano If Ye Love Me - SSAA a cap (An) Irish Blessing - SA / Piano Kneel Always - SSA / Piano Leisure - SSA / Piano Life’s Mirror – SATB / Piano / Oboe Light Looked Down – SATB / Organ Like as the Hart - Unison / Organ Listen to the Sunrise – SATB and Children’s Choir a cap Lullaby Carol - SSA/ Piano or Harp Missa Brevis - SSAA – a cappella Missa Brevis No. -
“Never Mind the Reindeer”
“Never Mind the Reindeer” Traditional Carols, Songs and Music for Winter, Christmas and New Year Transcribed by George Hinchliffe of The Ukulele Orchestra of Great Britain “Never Mind the Reindeer” was an all instrumental CD released by The Ukulele Orchestra of Great Britain in 1996 In 2020 the Orchestra is releasing this song book of transcriptions for ukulele of the pieces from the original album, with the addition of some extra music. These arrangements for ukulele are copyright but they are being given free in December 2020. In this winter of Covid, amid restrictions and economic difficulties all over the world, when so many people are feeling the economic pinch, the Orchestra is offering this music as a Christmas present to the world. If anyone who finds this music useful is solvent or still working they can of course make a donation via the donation page at UkuleleOrchestra.com. The Orchestra in common with many freelance performers, workers and musicians has had no live work since February 2020. Any donations would be much appreciated but if you are under pressure do feel free to take this as a gift. Most of these pieces are given here with English words, the melody in musical notation, the melody in ukulele tablature for GCEA tuned Ukulele, the chord names and the chord window diagrams for GCEA tuned ukulele. Some of the pieces have latin words or are “macaronic”, such as In Dulci Jubilo, partly in English and partly in latin. There are English words for Angelus ad Virginem, but the time honoured latin words, quoted in Chaucer’s Canterbury Tales, are given here. -
Da Capo 12-1B Gary
Fall/Winter 2006 Delaware ACDA Newsletter Volume 12 Number 1 What’s On The Menu? Martin Lassman President ntering Braddock, so we can add you to the mail- morning on November 4. E my sec- ing list. ond (and last) Voices In Song Workshop & Choral year as Dela- State Choir Festival Reading Session ware’s ACDA This is the only opportunity you and your Sponsored by The Musical Source, this President, I students will have to hear other choirs in workshop takes place in Washington, DC must say this is a lot of fun! I have a the state; to perform for excellent, uncom- on October 14, 2006. The clinicians will Board of fantastic people with great ideas promising conductors; and to have a pri- be Francisco Nuñez and Darren Dailey. and I am allowed to take credit for their vate workshop/clinic with one of the con- For more information, please call The Mu- hard work. Pretty sweet! So, what have ductors. If you have a desire for your mid- sical Source at 1-800-2-SOURCE. they dreamed up for me this year? dle or high school choir to improve, you have no option but to attend this event! I know the other chairs are working on State Children’s Honors Choir projects as well. In the meantime, please If you teach 4-5-6 grade students and do Music in Worship Reading Workshop do use us as your best resource. We are not provide this opportunity to your best Organized by co-chairs Betsy Kent and comprised of the best minds in the state on singers, you are doing them a disservice.