From Haptic to Optical, Performance to Figuration a History of Representation at the Bottom of a Bowl
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Majolica Drug Jars by WILLIAM M
Majolica Drug Jars By WILLIAM M. MILLIKEN, THE ALBARELLO or drug jar made as a simple object of utility for the storing of drugs has often achieved a value far beyond that which its function suggests. In these days when containers mean so much and perfumes are sold partly because of name, partly because of the way the product is presented; in these days when effective packaging is essential for success, the concern of the Renaissance potter in turning out an object of use which at the same time had beauty will be readily understood. Many of these humble earthenware productions have sur- vived the centuries and now grace the vitrines of museums and the cabinets of the greatest collectors, although in the first instance, they were merely planned as workmanlike performances which would ful- fill adequately and decoratively the simple purpose asked. Majolica, an earthenware glazed with a stanniferous, or tin, glaze was a most practical answer to a need. It was resistant and it was cleanly. The use of this tin glaze originated in the Near East, probably in Persia or Mesopotamia, and from there it travelled in the trail of Islam. When it reached Spain is not known with certainty, but it must have been introduced during the Moorish conquest and in the fourteenth century it was definitely in use in the region around Valencia. Curiously enough, the term, majolica, used as a generic name for a certain type of pottery made in Italy during the Renaissance, came from the old Italian form of the Island of Majorca in the Balearic Isles. -
Issue N°2: Modeling Nothingness
t a m i n g _ t h e h o r r o r vacui issue #2 modeling nothingness March 2020. Reeds from the River Rupel in a potential state before being set in motion at Rib. IN ABSENCE OF SPIRIT by Christiane Blattmann Do houses have a soul that dwells within? A place has a spirit – Why should a habitation, then, not have a soul? Can buildings contain evil? When I studied architecture for a brief period of time, I had a professor who was obsessed with Heidegger. Her lectures were poetic and heavy, and we had to spend hours looking at slides of her watercolors in which she tried to capture the spirit of places she would travel to on weekends. The genius loci of a site – she explained. Der Ort. She always said DER ORT in a religious way that I found puzzling – the me of first semester, who had never read a line of Heidegger (and still don’t get much of it). Whenever she said DER ORT, I felt strangely ashamed, for I couldn’t decipher the charge of her expression. I had a feeling that I didn’t share in her religion. What I could explain better to myself was the much older understanding my professor was referring to. The genii in ancient belief were protective spirits that guarded a place or a house. They would make the difference between a place and DER ORT: between an anonymous area on the map, a mere fenced-off field and a textured site, with history, character, a view, underground, traps, and inexplicable vibes to it. -
The Place of Otherness and Indeterminacy in Aristotelian Science
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1997 The Place of Otherness and Indeterminacy in Aristotelian Science Joshua William Rayman Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Philosophy Commons Recommended Citation Rayman, Joshua William, "The Place of Otherness and Indeterminacy in Aristotelian Science" (1997). Master's Theses. 4266. https://ecommons.luc.edu/luc_theses/4266 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1997 Joshua William Rayman LOYOLA UNIVERSITY CHICAGO THE PLACE OF OTHERNESS AND INDETERMINACY IN ARISTOTELIAN SCIENCE A THESIS SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF PHILOSOPHY BY JOSHUA WILLIAM RAYMAN CHICAGO, ILLINOIS MAY 1997 Copyright by Joshua William Rayman, 1997 All Rights Reserved DEDICATION For Allison, Graham, young William Henry, and Mom and Dad TABLE OF CONTENTS ABSTRACT........................................................................ v INTRODUCTION . 1 CHAPTER ONE--OTHERNESS AND INDETERMINACY . 4 CHAPTER TWO--POTENTIAL AND MATTER........................... 53 CHAPTER THREE--THE ACCIDENTAL.................................. -
Plato, Aristotle, and the Order of Things the Pre-Socratics Athenian
1 Plato, Aristotle, and the Order of Things 2 The Pre-Socratics ß Ionians ß Pythagoreans ß Atomists o Provided first basic outlines of the core concerns of science o Demonstrated the range of possible approaches 3 Athenian Science ß The first time we have substantial written records ß The creation of the first sustained “schools” of philosophy ß Shaped the subsequent path of science (“natural philosophy”) for about 2000 years 4 Plato ß Philosopher ß Interesting in "knowing" ß Concerned with the soul and goodness ß Rejects concern with origins or nature of the world o This is from Socrates 5 Plato ß Design the central concept ß Perfection characterizes the design of the world uPerfect motions, perfect forms in the heavens uThe earth is corrupted 6 Aristotle ß Most influential of all Greek philosophers ß Pupil of Plato ß Observer of Nature 7 Master of Logic and Argument:The Syllogism ß Premise: Humans are mortal ÿ A general rule about the world that most people will have no trouble agreeing with. ß Observation: Socrates is human ÿ A specific instance that is readily confirmed by the senses. ß Conclusion: Socrates is mortal 8 BUT--the bad syllogism: ß Premise: Your dog had puppies ß Observation: Your dog is a mother 1 ß Conclusion: Your dog is your mother 9 Observer of Nature ß Classification of species ß Important correlations ß Embryology ß Hierarchy of Nature uPlants [vegetative soul] uAnimals [animal soul] uHumans [rational soul] 10 The causes of things ß Material uWhat something is made of ß Formal uThe design or form of something ß -
Reimagine a F G H a N I S T a N
REIMAGINE A F G H A N I S T A N A N I N I T I A T I V E B Y R A I S I N A H O U S E REIMAGINE A F G H A N I S T A N INTRODUCTION . Afghanistan equals Culture, heritage, music, poet, spirituality, food & so much more. The country had witnessed continuous violence for more than 4 ................................................... decades & this has in turn overshadowed the rich cultural heritage possessed by the country, which has evolved through mellinnias of Cultural interaction & evolution. Reimagine Afghanistan as a digital magazine is an attempt by Raisina House to explore & portray that hidden side of Afghanistan, one that is almost always overlooked by the mainstream media, the side that is Humane. Afghanistan is rich in Cultural Heritage that has seen mellinnias of construction & destruction but has managed to evolve to the better through the ages. Issued as part of our vision project "Rejuvenate Afghanistan", the magazine is an attempt to change the existing perception of Afghanistan as a Country & a society bringing forward that there is more to the Country than meets the eye. So do join us in this journey to explore the People, lifestyle, Art, Food, Music of this Adventure called Afghanistan. C O N T E N T S P A G E 1 AFGHANISTAN COUNTRY PROFILE P A G E 2 - 4 PEOPLE ETHNICITY & LANGUAGE OF AFGHANISTAN P A G E 5 - 7 ART OF AFGHANISTAN P A G E 8 ARTISTS OF AFGHANISTAN P A G E 9 WOOD CARVING IN AFGHANISTAN P A G E 1 0 GLASS BLOWING IN AFGHANISTAN P A G E 1 1 CARPETS OF AFGHANISTAN P A G E 1 2 CERAMIC WARE OF AFGHANISTAN P A G E 1 3 - 1 4 FAMOUS RECIPES OF AFGHANISTAN P A G E 1 5 AFGHANI POETRY P A G E 1 6 ARCHITECTURE OF AFGHANISTAN P A G E 1 7 REIMAGINING AFGHANISTAN THROUGH CINEMA P A G E 1 8 AFGHANI MOVIE RECOMMENDATION A B O U T A F G H A N I S T A N Afghanistan Country Profile: The Islamic Republic of Afghanistan is a landlocked country situated between the crossroads of Western, Central, and Southern Asia and is at the heart of the continent. -
Transfer of Islamic Science to the West
Transfer of Islamic Science to the West IMPORTANT NOTICE: Author: Prof. Dr. Ahmed Y. Al-Hassan Chief Editor: Prof. Dr. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Production: Savas Konur accessing these web pages, you agree that you may only download the content for your own personal non-commercial use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: December 2006 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 625 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2006 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it. -
Introduction to the Principles of Vacuum Physics
1 INTRODUCTION TO THE PRINCIPLES OF VACUUM PHYSICS Niels Marquardt Institute for Accelerator Physics and Synchrotron Radiation, University of Dortmund, 44221 Dortmund, Germany Abstract Vacuum physics is the necessary condition for scientific research and modern high technology. In this introduction to the physics and technology of vacuum the basic concepts of a gas composed of atoms and molecules are presented. These gas particles are contained in a partially empty volume forming the vacuum. The fundamentals of vacuum, molecular density, pressure, velocity distribution, mean free path, particle velocity, conductivity, temperature and gas flow are discussed. 1. INTRODUCTION — DEFINITION, HISTORY AND APPLICATIONS OF VACUUM The word "vacuum" comes from the Latin "vacua", which means "empty". However, there does not exist a totally empty space in nature, there is no "ideal vacuum". Vacuum is only a partially empty space, where some of the air and other gases have been removed from a gas containing volume ("gas" comes from the Greek word "chaos" = infinite, empty space). In other words, vacuum means any volume containing less gas particles, atoms and molecules (a lower particle density and gas pressure), than there are in the surrounding outside atmosphere. Accordingly, vacuum is the gaseous environment at pressures below atmosphere. Since the times of the famous Greek philosophers, Demokritos (460-370 B.C.) and his teacher Leukippos (5th century B.C.), one is discussing the concept of vacuum and is speculating whether there might exist an absolutely empty space, in contrast to the matter of countless numbers of indivisible atoms forming the universe. It was Aristotle (384-322 B.C.), who claimed that nature is afraid of total emptiness and that there is an insurmountable "horror vacui". -
D.O.A. (Danto, Warhol, Derrida) Adam Rosen-Carole 1 the Case Is Open and Shut. Clearly, It Was a Frame Up. Yet This Tells Us
D.O.A. (Danto, Warhol, Derrida) Adam Rosen-Carole 1 The case is open and shut. Clearly, it was a frame up. Yet this tells us noth- ing, or next to nothing. As much as this will be a tale of the lucidity of mod- ern art and of philosophy’s insightful illumination of the logic of artistic inno- vation, indeed of convergent if competing aspirations to ideality, it will be, in a certain fashion, a murder mystery: tracking the mutual implication of death-dealing clarifications and turning on the death of the subject, the end of art, and la nature morte. None of which remain reposed in their authorita- tively pronounced passing. Thus this will be a ghost story of sorts: a tale of haunting, of survival and mutilation, of ruins and remnant forces, hence of undischargeable debts. Our main subject, if indeed there is one, and our frame, if we can speak of only one, will be complicity. “The guilt context of the living.”1 In this open and shut case, which is as much fiction as argu- ment and example, complicity is all-embracing. Dislocated already, awash in excess? Or just a middlebrow, commodi- fied rendition of the fate of high culture? Shadow-woven textures: condition and consequence of whatever light may be put into play. Dark indeed, for in this tale all are culprits. No accu- sation without self-implication: no privileged position from which to level charges and prosecute claims; no clean hands pointing to the guilty party without simultaneously implicating the accuser in a more or less symmet- COLLOQUY text theory critique 27 (2014). -
What Is Islamic Art? : Between Religion and Perception Pdf, Epub, Ebook
WHAT IS ISLAMIC ART? : BETWEEN RELIGION AND PERCEPTION PDF, EPUB, EBOOK Wendy M. K. Shaw | 382 pages | 05 Dec 2019 | CAMBRIDGE UNIVERSITY PRESS | 9781108474658 | English | Cambridge, United Kingdom What is Islamic Art? : Between Religion and Perception PDF Book It is widely regarded as the finest piece of literature in the Arabic language. Art and architecture have always held a central role in the civilisation of Islam a role which encompasses the wide range of values which make up this civilisation. The hemisphere of the dome itself represents undefined space, the cosmos — the realm of the Spirit. From the fragments of architectural decoration that have been recovered there appears to have been a steady move away from naturalistic treatments, towards more abstract and repetitive forms. Together, these concepts symbolised and reflected divinity. Because illuminated manuscripts were an art of the court, and not seen in public, constraints on the depiction of the human figure were much more relaxed and the human form is represented with frequency within this medium. Purchasers of the catalogue, which includes some excellent essays, are enlightened that the trousers were actually worn by someone of regular size, as a photograph shows them with the waist gathered. The suggestion of any link between Islamic calligraphy and ancient is also inconceivable. In the presidential election, then-candidate Barack Obama was repeatedly accused of being secretly Muslim and therefore unfit for national leadership—something he denied but stopped short of calling problematic and racist. The pattern may be built up of rectilinear lines, curvilinear lines, or both combined together, producing a cusped or foliated effect. -
EDITORIAL Horror Vacui
EDITORIAL Horror Vacui Each completed issue of the Laboratories shall be encouraged to follow suit in the PJP is no small feat. The editorial upcoming issues, as NRL outputs are critical to fill in the process is not as simple as gaps in national laboratory policies. receiving articles, laying them out and sending them to press. This second issue now also features representative Additional processes, based articles for the “Review” and “Autopsy Vault” sections. on international standards, The article by Bajpai and Pardhe proposes a working are now in place in between classification for oral neoplasms with basaloid point of submission and final morphology. The submission by Lo and Lique discusses publication, to assure quality: a a clinical enigma whose rare cause was solved checklist of requirements and postmortem. Both provide important learning points forms need to be submitted at the outset; a review of for pathologists and diagnosticians. statistical methods, if applicable, need to be hurdled; a blind peer review system must be completed to help Moreover, we are happy to introduce “Diagnostic the editor arrive at a decision to either accept or reject Perspectives,” a new type of article for the PJP with a submitted manuscript; and then, there is the back characteristics in between a feature article, a case and forth communication between author and editor, report, and images in pathology. Through this, we to ensure that suggested changes are discussed and aim to feature new technologies and innovations considered. It does not end there. Between author that improve diagnostics and ultimately, clinical resubmission to final publication lie copyediting and management. -
Revisiting the Beginnings of Tin-Opacified Islamic Glazes
Journal of Archaeological Science 57 (2015) 80e91 Contents lists available at ScienceDirect Journal of Archaeological Science journal homepage: http://www.elsevier.com/locate/jas Revisiting the beginnings of tin-opacified Islamic glazes * Michael Tite a, , Oliver Watson b, Trinitat Pradell c, Moujan Matin a, Gloria Molina c, Kelly Domoney d, Anne Bouquillon e a Research Laboratory for Archaeology and the History of Art, Dyson Perrins Building, South Parks Road, Oxford OX1 3QY, UK b Khalili Research Centre for the Art and Material Culture of the Middle East, 3, St John Street, Oxford OX1 2LG, UK c Physics Department and Center for Research in Nano-Engineering, Universitat Politecnica de Catalunya, C/Esteve Terrades 8, 08860 Castelldefels, Barcelona, Spain d Centre for Archaeological and Forensic Analysis, Cranfield University, Shrivenham SN6 8LA, UK e C2RMF, Palais du Louvre, 14, quai François Mitterrand, 75001 Paris, France article info abstract Article history: The generally accepted theory is that the demand for Islamic glazed pottery started in Abbasid Iraq in the Received 12 September 2014 9th century AD with the production of a range of glazed wares in response to the import of Chinese Received in revised form stonewares and porcelains. However, Oliver Watson has recently proposed that the demand for Islamic 22 January 2015 glazed pottery first occurred in Egypt and Syria in the 8th century AD resulting in the production of Accepted 3 February 2015 opaque yellow decorated wares. Using a combination of SEM analysis of polished cross-sections, and Available online 14 February 2015 surface analysis using hand-held XRF or PIXE, Coptic Glazed Ware from Egypt, Yellow Glazed Ware from Syria, and comparable wares from Samarra, Kish and Susa have been analysed. -
An Annual on the Visual Cultures of the Islamic World
Muqarnas An Annual on the Visual Cultures of the Islamic World Gazing Otherwise: Modalities of Seeing In and Beyond the Lands of Islam Guest Editors Olga Bush and Avinoam Shalem volume 32 Sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts LEIDEN | BOSTON 2015 For use by the Author only | © 2015 Koninklijke Brill NV C ONTENTS Acknowledgments vii INTRODUCTION Avinoam Shalem, Amazement: The Suspended Moment of the Gaze 3 Olga Bush, Prosopopeia: Performing the Reciprocal Gaze 13 CONFERENCE ESSAYS Gülru Necİpoğlu, The Scrutinizing Gaze in the Aesthetics of Islamic Visual Cultures: Sight, Insight, and Desire 23 D Fairchild Ruggles, Visible and Invisible Bodies: The Architectural Patronage of Shajar al-Durr 63 Samer Akkach, The Eye of Reflection: Al-Nabulusi’s Spatial Interpretation of Ibn ʿArabi’s Tomb 79 Olga Bush, Entangled Gazes: The Polysemy of the New Great Mosque of Granada 97 Emİne Fetvacı, The Gaze in the Album of Ahmed I 135 Matthew D Saba, A Restricted Gaze: The Ornament of the Main Caliphal Palace of Samarra 155 Avinoam Shalem, Experientia and Auctoritas: ʿAbd al-Latif al-Baghdadi’s Kitāb al-Ifāda wa’l-iʿtibār and the Birth of the Critical Gaze 197 Eva-Maria Troelenberg, Arabesques, Unicorns, and Invisible Masters: The Art Historian’s Gaze as Symptomatic Action? 213 Holly Edwards, Glancing Blows, Crossing Boundaries: From Local to Global in the Company of Afghan Women 233 Laura U Marks, The Taming of the Haptic Space, from Málaga to Valencia to Florence 253 Contents v Acknowledgments vii 1 Introduction 1 Olga Bush 3 Prosopopeia: Performing the Reciprocal Gaze 3 Avinoam Shalem 11 Amazement: The Suspended Moment of the Gaze 11 21 Conference Essays 21 Gülru Neci̇poğlu 23 The Scrutinizing Gaze in the Aesthetics of Islamic Visual Cultures: Sight, Insight, and Desire 23 D.