In Your Hearts: a Ciceronian Intertext in Tacitus' Annales
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Servius, Cato the Elder and Virgil
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository MEFRA – 129/1 – 2017, p. 85-100. Servius, Cato the Elder and Virgil Christopher SMITH C. Smith, British School at Rome, University of St Andrews, [email protected] This paper considers one of the most significant of the authors cited in the Servian tradition, Cato the Elder. He is cited more than any other historian, and looked at the other way round, Servius is a very important source for our knowledge of Cato. This paper addresses the questions of what we learn from Servius’ use of Cato, and what we learn about Virgil ? Servius, Cato the Elder, Virgil, Aeneas Cet article envisage la figure du principal auteur cite dans la tradition servienne, Caton l’Ancien. C’est l’historien le plus cité par Servius et, à l’inverse, Servius est une source très importante pour notre connaissance de Caton. Cet article revient sur l’utilisation de Caton par Servius et sur ce que Servius nous apprend sur Virgile. Servius, Catone l’Ancien, Virgile, Énée The depth of knowledge and understanding icance of his account of the beginnings of Rome. underpinning Virgil’s approach to Italy in the Our assumption that the historians focused on the Aeneid demonstrates that he was a profoundly earlier history and then passed rapidly over the learned poet ; and it was a learning which was early Republic is partly shaped by this tendency in clearly drawn on deep knowledge and under- the citing authorities2. -
The Supernatural in Tacitus When Compared with His Predecessor Livy, Tacitus Has Been Said to Be Less Interested in the “Super
The Supernatural in Tacitus When compared with his predecessor Livy, Tacitus has been said to be less interested in the “supernatural,” a rubric under which we include the prodigies and omens of traditional Roman religion; characters’ participation in forms of religious expression, both traditional and non-normative; and nebulous superhuman forces such as fate and fortune. In this panel, we seek to modify this perception by investigating aspects of the superhuman, religious, and/or inexplicable in Tacitus’ works that contribute in important ways to his historiographical project and to our view of Tacitus as an historian. As the most recent contribution on this topic shows (K. Shannon-Henderson, Religion and Memory in Tacitus’ Annals. Oxford, 2019), religion and its related fields are extremely important to Tacitus’ narrative technique, and ‘irrational’ elements such as fatum and fortuna are constantly at play in Tacitus’ works, particularly, but not exclusively, in his historical narratives. Each of the five papers that we have gathered for this panel addresses these topics from different angles, whether focusing more on the literary, historical, or linguistic elements of the Tacitean narrative under examination. Two papers focus on omens and other ways of predicting the future; two examine religious experiences of Tacitus’ characters; and one considers the role of fortuna in the world of the Dialogus. In the first paper, Contributor #1 examines the value of observing supernatural signs for decision-making in the Histories. In particular, s/he looks at the practical value of observing and interpreting supernatural signs as predictors of the future success or failure of military leaders. -
Christoforou, P. (2017); ''If He Is Worthy': Interactions Between Crowds and Emperors in Plutarch and Tacitus' Accounts
Christoforou, P. (2017); ‘‘If He Is Worthy’: Interactions between Crowds and Emperors in Plutarch and Tacitus’ Accounts of A.D. 69’ Rosetta 21: 1 - 16 http://www.rosetta.bham.ac.uk/issue21/Christoforou.pdf ‘If He Is Worthy’: Interactions between Crowds and Emperors in Plutarch and Tacitus’ Accounts of A.D. 69. Panayiotis Christoforou Introduction1 But no power, no empire, can hope to exist for long unless it wins the assent and trust of the majority of its subjects, and the question that this lecture aims at answering is, ‘What did the common people under the Empire expect of their rulers, and how were they satisfied?’ It is no good simply referring the inquirer to such treatises as Seneca On Clemency, Dio Chysostom On Kingship, or the younger Pliny’s Panegyric on Trajan. Instructive these treatises are, and useful… but they have one common fault: with their elegance and sophistication, their almost painfully literary quality, they can have reached and influenced only a small circle, whereas we are concerned with the ordinary people, ‘What did the farmer in Gaul, the corn-shipper in Africa, the shopkeeper in Syria, expect?2 At the Raleigh Lecture on History in 1937, M. P. Charlesworth showed his interest in the attitudes of subjects towards the empire, and asked the question of what they expected from the emperor, and what they thought about him. An interesting question, which is fraught with difficulties and pitfalls. For one thing, Charlesworth’s solution to his enquiry was to explore the ‘propagandic’ output of the centre, including -
TRADITIONAL POETRY and the ANNALES of QUINTUS ENNIUS John Francis Fisher A
REINVENTING EPIC: TRADITIONAL POETRY AND THE ANNALES OF QUINTUS ENNIUS John Francis Fisher A DISSERTATION PRESENTED TO THE FACULTY OF PRINCETON UNIVERSITY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY RECOMMENDED FOR ACCEPTANCE BY THE DEPARTMENT OF CLASSICS SEPTEMBER 2006 UMI Number: 3223832 UMI Microform 3223832 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 © Copyright by John Francis Fisher, 2006. All rights reserved. ii Reinventing Epic: Traditional Poetry and the Annales of Quintus Ennius John Francis Fisher Abstract The present scholarship views the Annales of Quintus Ennius as a hybrid of the Latin Saturnian and Greek hexameter traditions. This configuration overlooks the influence of a larger and older tradition of Italic verbal art which manifests itself in documents such as the prayers preserved in Cato’s De agricultura in Latin, the Iguvine Tables in Umbrian, and documents in other Italic languages including Oscan and South Picene. These documents are marked by three salient features: alliterative doubling figures, figurae etymologicae, and a pool of traditional phraseology which may be traced back to Proto-Italic, the reconstructed ancestor of the Italic languages. A close examination of the fragments of the Annales reveals that all three of these markers of Italic verbal art are integral parts of the diction the poem. Ennius famously remarked that he possessed three hearts, one Latin, one Greek and one Oscan, which the second century writer Aulus Gellius understands as ability to speak three languages. -
Pliny's "Vesuvius" Narratives (Epistles 6.16, 6.20)
Edinburgh Research Explorer Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20) Citation for published version: Berry, D 2008, Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20). in F Cairns (ed.), Papers of the Langford Latin Seminar . vol. 13, Francis Cairns Publications Ltd, pp. 297-313. Link: Link to publication record in Edinburgh Research Explorer Document Version: Early version, also known as pre-print Published In: Papers of the Langford Latin Seminar Publisher Rights Statement: ©Berry, D. (2008). Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20). In F. Cairns (Ed.), Papers of the Langford Latin Seminar . (pp. 297-313). Francis Cairns Publications Ltd. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 LETTERS FROM AN ADVOCATE: Pliny’s ‘Vesuvius’ Narratives (Epp. 6.16, 6.20)* D.H. BERRY University of Edinburgh To us in the modern era, the most memorable letters of Pliny the Younger are Epp. 6.16 and 6.20, addressed to Cornelius Tacitus. -
Caesar and Tacitus Reading Introduction to the Caesar Reading Julius Caesar Wrote Accounts of His Campaigns in Gaul to Justify His Power and Actions
Caesar and Tacitus Reading Introduction to the Caesar Reading Julius Caesar wrote accounts of his campaigns in Gaul to justify his power and actions. Here he gives his most extensive accounts of the peoples of Gaul and Germany. What customs, values and practices among the Gauls and the Germans seem significantly different from customs, values and practices at Rome? Are there ways in which he may use these differences as a justification for the military campaigns he is carrying out? Caesar, Gallic Wars Book 6 (chapters 11-20) (Trans. by H. J. Edwards, 1917) 6.11 Since I have arrived at this point, it would seem to be not inappropriate to set forth the customs of Gaul and of Germany, and the difference between these nations. In Gaul, not only in every state and every canton and district, but almost in each several household, there are parties [= political factions]; and the leaders of the parties are men who in the judgment of their fellows are deemed to have the highest authority, men to whose decision and judgment the supreme issue of all cases and counsels may be referred. And this seems to have been an ordinance from ancient days, to the end that no man of the people should lack assistance against a more powerful neighbour; for each man refuses to allow his own folk to be oppressed and defrauded, since otherwise he has no authority among them. The same principle holds in regard to Gaul as a whole taken together; for the whole body of states is divided into two parties. -
Women in Livy and Tacitus
Xavier University Exhibit Honors Bachelor of Arts Undergraduate 2021-5 Women in Livy and Tacitus STEPHEN ALEXANDER PREVOZNIK Xavier University, Cincinnati, OH Follow this and additional works at: https://www.exhibit.xavier.edu/hab Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, and the Other Classics Commons Recommended Citation PREVOZNIK, STEPHEN ALEXANDER, "Women in Livy and Tacitus" (2021). Honors Bachelor of Arts. 46. https://www.exhibit.xavier.edu/hab/46 This Capstone/Thesis is brought to you for free and open access by the Undergraduate at Exhibit. It has been accepted for inclusion in Honors Bachelor of Arts by an authorized administrator of Exhibit. For more information, please contact [email protected]. Women in Livy and Tacitus By Stephen Prevoznik Prevoznik 1 Introduction Livy and Tacitus are both influential and important Roman authors. They have written two of the most influential histories of Rome. Livy covers from the founding of Rome until the Reign of Augustus. Tacitus focuses on the early empire, writing from the end of Augustus’ reign through Nero. This sets up a nice symmetry, as Tacitus picks up where Livy stops. Much has been written about the men they include, but the women also play an important role. This essay plans to outline how the women in each work are used by the authors to attain their goals. In doing so, each author’s aim is exposed. Livy: Women as Exempla Livy’s most famous work, Ab Urbe Condita, is meant to be read as a guide. -
Jacqueline Michelle Elliott Department of Classics University of Colorado, 248 UCB Boulder, CO 80309-0248; 303-492-7944; [email protected]
Jacqueline Michelle Elliott Department of Classics University of Colorado, 248 UCB Boulder, CO 80309-0248; 303-492-7944; [email protected] Education: 2005 PhD (Classics), Columbia University 2002 MPhil (Classics), Columbia University 2000 MA (Greek), Columbia University 1995 BA (Classics), University College, Oxford Dissertation (Columbia University): History and Poetry in Ennius’ Annales (Sponsor: J.E.G. Zetzel) Academic employment: University of Colorado at Boulder: 2013– Associate Professor of Classics 2005–13 Assistant Professor of Classics Columbia University: 2002–4 Core Curriculum (Literature Humanities) Preceptor 1999–2002 Classics Department Teaching Fellow Marlboro College, Vermont: 1995–7 Classics Teaching Fellow Teaching and research interests: • The epic tradition from Homer to Vergil • Roman Republican historiography • The theory and practice of commentaries • Intertextuality and reception Book: • Ennius and the Architecture of the Annales (Cambridge 2013): http://www.cambridge.org/gb/knowledge/isbn/item6953544/Ennius%20and%20the%20Architect ure%20of%20the%20%3CEM%3EAnnales%3C/EM%3E/?site_locale=en_GB o Eugene M. Kayden Book Award 2014. o CAMWS First Book Award 2015. o Rev. W. Fitzgerald, Times Literary Supplement 4 June 2014, ‘O Tite, tute’; J. Nethercut, Classical Journal Online 2014.10.04 (http://cj.camws.org/sites/default/files/reviews/2014.10.04%20Nethercut%20on%20Elliott.pd f); Gesine Manuwald, Gymnasium 121 (6), 2014, 608-10; J.H. Clark, Histos 9 (2015), I-VIII: http://research.ncl.ac.uk/histos/documents/2015RD01ClarkonElliottEnnius.pdf; Nora Goldschmidt, Journal of Roman Studies (2015): http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9694532&fileId =S0075435815000556. Journal articles: • ‘Ennius’ ‘Cunctator’ and the history of a gerund in the Roman historiographical tradition’, Classical Quarterly 59.2, 2009, 531–41. -
Tacitus on Marcus Lepidus, Thrasea Paetus, and Political Action Under the Principate Thomas E
Xavier University Exhibit Faculty Scholarship Classics 2010 Saving the Life of a Foolish Poet: Tacitus on Marcus Lepidus, Thrasea Paetus, and Political Action under the Principate Thomas E. Strunk Xavier University - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/classics_faculty Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, Byzantine and Modern Greek Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, Indo-European Linguistics and Philology Commons, and the Other Classics Commons Recommended Citation Strunk, Thomas E., "Saving the Life of a Foolish Poet: Tacitus on Marcus Lepidus, Thrasea Paetus, and Political Action under the Principate" (2010). Faculty Scholarship. Paper 15. http://www.exhibit.xavier.edu/classics_faculty/15 This Article is brought to you for free and open access by the Classics at Exhibit. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Exhibit. For more information, please contact [email protected]. SYLLECTA CLASSICA 21 (2010): 119–139 SAVING THE LIFE OF A FOOLISH POET: TACITUS ON MARCUS LEPIDUS, THRASEA PAETUS, AND POLITICAL ACTION UNDER THE PRINCIPATE Thomas E. Strunk Abstract: This paper explores Tacitus’ representation of Thrasea Paetus. Preliminary to analyzing this portrayal, I discuss two pas- sages often cited when exploring Tacitus’ political thought, Agricola 42.4 and Annales 4.20. I reject the former’s validity with regard to Thrasea and accept the latter as a starting point for comparing Tacitus’ depictions of Marcus Lepidus and Thrasea. Tacitus’ char- acterizations of Thrasea and Lepidus share the greatest resemblance in the trials of Antistius Sosianus and Clutorius Priscus, both of whom wrote verses offensive to the regime. -
The Madness of Isolation in Suetonius' “Caligula” and “Nero”
University of Kentucky UKnowledge Lewis Honors College Capstone Collection Lewis Honors College 2020 ‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero” Maya Menon University of Kentucky, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/honprog Part of the Ancient History, Greek and Roman through Late Antiquity Commons Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Menon, Maya, "‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero”" (2020). Lewis Honors College Capstone Collection. 50. https://uknowledge.uky.edu/honprog/50 This Article is brought to you for free and open access by the Lewis Honors College at UKnowledge. It has been accepted for inclusion in Lewis Honors College Capstone Collection by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero” Maya Menon MCL 495-001: Capstone Dr. Matthew Wells December 2, 2020 Menon 2 The emperors Gaius Caesar ‘Caligula’ (r. 37-41 CE) and Nero (r. 54-68 CE) are regarded as some of Rome’s most infamous and notorious rulers due to their erratic, destructive, and complex behaviors. In his biographical work The Lives of the Caesars, the literary artist Gaius Suetonius Tranquillus (c. 69-122 CE) provides a concise, informative, and illustrative depiction of the reigns of these two emperors. Suetonius’ particular literary technique and style used in the narration for both Nero and Caligula contributes to an enduring legacy of madness and depravity that has been influential in our understanding of these two rulers well into the modern age. -
Romans and Barbarians in Tacitus' Battle Narratives
ROMANS AND BARBARIANS IN TACITUS’ BATTLE NARRATIVES by RYAN MICHAEL SEEGER (Under the direction of Dr. Susan Mattern-Parkes) ABSTRACT The purpose of the study is to examine how Tacitus constructs ethnic stereotypes, namely those of the Romans and of the barbarians, in his battle narratives. The first section of the study explores his descriptions of technical aspects of the battle narrative, such as topography, use of weaponry, battle formations, and sieges. The second section examines the value judgments that Tacitus makes about the combatants and their actions, discussing the themes of discipline and virtus, as well as the leaders’ ability to lead by example and stifle dissent. In his descriptions of both the technical and the “moral” aspects of battle, Tacitus shapes his Romans quite differently from his barbarians. Tacitus constructs identities in his battle narratives possibly to satisfy his audience’s expectations or to make the scenes more understandable. Such constructions indicate that ethnocentrism plays an important role in Latin historiography, revealing racial prejudice in Roman society. INDEX WORDS: Tacitus, battle narratives, Roman army, barbarians, ethnicity. ROMANS AND BARBARIANS IN TACITUS’ BATTLE NARRATIVES by RYAN MICHAEL SEEGER B. A., Appalachian State University, 1998 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2002 © 2002 Ryan Michael Seeger All Rights Reserved ROMANS AND BARBARIANS IN TACITUS’ BATTLE NARRATIVES by RYAN MICHAEL SEEGER Approved: Major Professor: Susan Mattern-Parkes Committee: James Anderson Erika Thorgerson-Hermanowicz Electronic Version Approved: Gordhan L. Patel Dean of the Graduate School The University of Georgia August 2002 iv ACKNOWLEDGMENTS Several people were instrumental in the completion of this thesis. -
Religion in Roman Historiography and Epic
Princeton/Stanford Working Papers in Classics Religion in Roman Historiography and Epic Version 1.0 December 2005 Denis Feeney Princeton University A version of this paper is due to appear as a chapter in the forthcoming Blackwell Companion to Roman Religion (edited by Jörg Rüpke). The paper gives an overview of the religious dimensions to Roman epic and historiography, and argues for taking seriously the literary questions of representation, genre, and convention which are often elided by historians who wish to disinter hard evidence for ‘real’ religious attitudes and practice from these texts. © [email protected] 2 1 Introduction It is now impossible for us to know how—or even whether—the Romans represented divine action and religious practice in narrative or song before they began their project of adapting Greek literary forms into a national literature of their own in the second half of the third century BC. More and more contemporary scholars wish to believe the once discredited Roman traditions about ballads of the men of old supposedly sung in the pre-literary period. If such songs were sung (and that remains a big ‘if’), it is imaginable that they portrayed the help of the gods and the pious rituals of the Roman people and its generals. Again, if the Romans told stories about their past on occasions such as festivals, funerals, triumphs and anniversaries of temples or victories, then it is likewise imaginable that these stories included human ritual or divine manifestations. None of this can now be securely known. What can be known is that the new literary forms of historiography and epic which came into being in the late third century BC included religion as a vital component from the beginning.