Breaking Bad | Dialogue Transcript | S2:E12

Total Page:16

File Type:pdf, Size:1020Kb

Breaking Bad | Dialogue Transcript | S2:E12 CREATED BY Vince Gilligan EPISODE 2.12 “Phoenix” After missing his daughter's birth to complete a big drug deal, Walt squares off with Jesse's girlfriend over his share of the cash. WRITTEN BY: John Shiban DIRECTED BY: Colin Bucksey ORIGINAL BROADCAST: May 24, 2009 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader Betsy Brandt ... Marie Schrader RJ Mitte ... Walter White, Jr. Bob Odenkirk ... Saul Goodman Krysten Ritter ... Jane Margolis Christopher Cousins ... Ted Beneke John de Lancie ... Donald Margolis Tomas Potts ... Tattooed Biker Cyd Schulte ... Tattooed Woman Tony Whitecrow ... Addict Wendy Scott ... Nurse Erik J. Bockemeier ... NA Sponsor 1 00:00:35,536 --> 00:00:37,454 Skyler, I'm so.... 2 00:00:37,621 --> 00:00:41,458 Marie. Oh, Christ, Marie. How...? 3 00:00:42,960 --> 00:00:46,213 Oh, God. Oh, thank God. 4 00:00:46,838 --> 00:00:48,674 Is she beautiful? 5 00:00:51,093 --> 00:00:56,473 Yeah, I'm staring at brake lights on the 40. 6 00:00:56,640 --> 00:00:58,267 Some accident up ahead. 7 00:00:59,476 --> 00:01:01,395 Christ! Today of all days, huh? 8 00:01:01,562 --> 00:01:06,567 No, no, no. Let her rest. I'll be there as soon as I can. 9 00:01:07,609 --> 00:01:08,652 Thank you. 10 00:01:23,875 --> 00:01:25,502 Excuse me. Skyler White? 11 00:01:25,669 --> 00:01:28,171 -307. -Thank you. 12 00:01:39,474 --> 00:01:41,977 Skyler, I'm so sorry. I'm just.... 13 00:01:42,144 --> 00:01:43,854 Are you okay? 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 14 00:01:47,024 --> 00:01:49,359 Meet your daughter. 15 00:02:00,162 --> 00:02:03,874 Hi there, girl. Hi there, Holly. 16 00:02:04,041 --> 00:02:06,043 Congratulations, Walt. 17 00:02:08,211 --> 00:02:12,049 Oh, Ted, I'm sorry, I didn't see you here. 18 00:02:12,215 --> 00:02:14,843 Oh, Ted drove me here. Thank God. 19 00:02:15,010 --> 00:02:19,598 I mean, this little bundle of joy of ours was practically on rails. 20 00:02:19,765 --> 00:02:22,351 Halfway here I thought he was gonna have to pull over... 21 00:02:22,517 --> 00:02:24,394 ...and deliver her himself. 22 00:02:25,937 --> 00:02:30,567 Well, that-- I'm glad it didn't come to that. 23 00:02:31,568 --> 00:02:32,653 Yeah. Thanks, Ted. 24 00:02:33,278 --> 00:02:35,197 No problem at all. 25 00:02:35,697 --> 00:02:38,200 Well, let me get out of your way here so you two can-- 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 26 00:02:38,367 --> 00:02:41,370 You three can be alone, okay? 27 00:02:41,536 --> 00:02:44,206 Listen, take it easy, Sky. 28 00:02:44,790 --> 00:02:48,085 -I really can't begin to thank you. -Don't think anything of it. 29 00:02:48,251 --> 00:02:50,253 It's my pleasure. Congratulations again. 30 00:02:50,420 --> 00:02:51,880 -Thank you. -She's beautiful. 31 00:02:52,047 --> 00:02:53,590 Okay. I'll talk to you soon. 32 00:02:53,757 --> 00:02:55,050 Okay. Take care. 33 00:02:55,217 --> 00:02:56,259 Bye. 34 00:03:06,395 --> 00:03:07,604 Are you okay? 35 00:03:07,771 --> 00:03:09,648 -Is everything okay? -Everything is okay. 36 00:03:09,815 --> 00:03:13,276 I just wish you'd been here. 37 00:03:16,988 --> 00:03:19,449 -Where's everyone else? -Downstairs. 38 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 00:03:19,616 --> 00:03:21,326 Hank and Marie took Junior for dinner. 39 00:03:21,493 --> 00:03:25,747 He has been such a trooper. He even changed his first diaper. 40 00:03:25,914 --> 00:03:27,874 -No. -Yeah. 41 00:03:29,918 --> 00:03:31,461 Did he? 42 00:03:33,922 --> 00:03:36,383 Honey, is there anything that I can do for you? 43 00:03:36,550 --> 00:03:38,927 -Anything at all? -Actually, yes. 44 00:03:39,094 --> 00:03:41,722 I left my overnight bag at home this morning. 45 00:03:41,888 --> 00:03:44,641 I just think you get it in your head, C-section. You know? 46 00:03:44,808 --> 00:03:48,645 But I'm just so glad, the way it all worked out. 47 00:03:49,896 --> 00:03:51,189 Doing it natural instead. 48 00:03:51,356 --> 00:03:53,650 It just couldn't have gone any better. 49 00:03:53,817 --> 00:03:55,360 Good. 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 50 00:03:58,447 --> 00:04:02,826 Let me go get your things. 51 00:04:03,660 --> 00:04:07,414 And I'll get my stuff too, okay? 52 00:04:07,581 --> 00:04:09,166 -I'll spend the night. -Okay. 53 00:05:44,010 --> 00:05:45,512 Dad. 54 00:05:45,679 --> 00:05:48,347 I was in the shower, hey. 55 00:05:49,391 --> 00:05:51,434 I overslept. 56 00:05:52,936 --> 00:05:55,397 I'm running late, but I'll be there. 57 00:05:55,605 --> 00:05:57,148 Yeah. 58 00:06:02,654 --> 00:06:04,531 Baby, I gotta go. 59 00:06:06,199 --> 00:06:08,034 Okay. 60 00:06:22,632 --> 00:06:24,383 Somebody broke in. 61 00:06:24,551 --> 00:06:26,177 Okay. 62 00:06:43,069 --> 00:06:45,155 Oh, no. No, no, no! 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 63 00:06:46,072 --> 00:06:47,699 Come on. 64 00:06:48,116 --> 00:06:49,784 Damn. 65 00:06:52,495 --> 00:06:54,205 Oh, God. 66 00:06:55,498 --> 00:06:57,500 Oh, Christ. 67 00:07:02,421 --> 00:07:03,798 This week was tough. 68 00:07:03,965 --> 00:07:05,424 Toughest yet. 69 00:07:05,592 --> 00:07:08,803 You know why? I knew this day was coming. 70 00:07:08,970 --> 00:07:11,389 -My birthday. -Your re-birthday? 71 00:07:11,556 --> 00:07:13,600 Yeah. As it got closer, it got worse. 72 00:07:13,767 --> 00:07:15,644 I was scared shitless I wouldn't make it. 73 00:07:15,810 --> 00:07:17,270 I really didn't think I would. 74 00:07:17,437 --> 00:07:19,814 Called in sick three days in a row. 75 00:07:19,981 --> 00:07:21,983 I know my boss was pissed. 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 76 00:07:22,150 --> 00:07:25,195 I guess I don't really care. I just didn't wanna see anybody. 77 00:07:25,362 --> 00:07:26,571 You guys know how that is. 78 00:07:27,030 --> 00:07:28,657 All it would take is one friend... 79 00:07:28,823 --> 00:07:31,534 ...and I'd be out ripping and running again. 80 00:07:31,701 --> 00:07:33,870 But I made it. I really made it. 81 00:07:34,037 --> 00:07:37,040 I got one year clean to the day. 82 00:07:59,229 --> 00:08:01,731 You look tired. Your eyes are kind of red. 83 00:08:01,898 --> 00:08:05,026 -You getting enough sleep? -Actually, no. 84 00:08:05,527 --> 00:08:08,738 I'm working on this really complex new tat. 85 00:08:08,905 --> 00:08:11,408 -Yeah? -A guy wants his whole back done up. 86 00:08:11,574 --> 00:08:14,202 Him on his chopper with, like, flames all around. 87 00:08:14,369 --> 00:08:17,872 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY I keep showing him the design, he keeps asking for changes, like: 88 00:08:18,039 --> 00:08:20,083 "Give me more muscles. Give me more flames." 89 00:08:20,250 --> 00:08:23,253 And I'm like, "A: This ain't the Sistine Chapel. 90 00:08:23,420 --> 00:08:27,674 And B: I have enough trouble working around your zits." 91 00:08:27,966 --> 00:08:30,343 I really wish you wouldn't work at that place.
Recommended publications
  • Analysis of 2018 Use of Deadly Force by the Phoenix Police Department
    ANALYSIS OF 2018 USE OF DEADLY FORCE BY THE PHOENIX POLICE DEPARTMENT April 2019 Analysis of 2018 Use of Deadly Force by the Phoenix Police Department This report was developed by the National Police Foundation. National Police Foundation 1201 Connecticut Ave., NW Suite 200 Washington, D.C. 20036 www.policefoundation.org Twitter: @policefound [email protected] Authors: Jeff Rojek, PhD, Michigan State University; Justin Nix, PhD, University of Nebraska Omaha; Scott Wolfe, PhD; Michigan State University; Geoff Alpert, PhD, University of South Carolina; James Burch, National Police Foundation; Julie Grieco, PhD, National Police Foundation; Teresina Robbins, M.S., National Police Foundation. Analysis of 2018 Use of Deadly Force by the Phoenix Police Department Contents Acknowledgements .......................................................................................................................................... 1 1. Background ................................................................................................................................................. 2 2. 2018 in Context ........................................................................................................................................... 4 2.1 The Phoenix Police Department ............................................................................................................... 4 2.2 General City Information ........................................................................................................................
    [Show full text]
  • DCD Newsletter – December 2020
    December 2020 December 2020 COMMUNITY UPDATE Division of Community Development Newsletter In this Issue James Adakai and Captain David Harvey • James Adakai and Captain David Harvey Receive the Agnese Nelms Haury Receive the Agnese Nelms Haury 2020 2020 Tribal Resilience Leadership Award • DCD AND NECA Provide Bathroom Tribal Resilience Leadership Award Additions to Over 70 Families on the Nation • D C D H a rd a t Wo r k o n C h a p t e r Distributions • On the front line: Diné scientist working toward cure for COVID-19 • Nation’s top librarian turns the page on an epic chapter • CWC Alum Goes Far with Passion for Renewable Energ • The FCC, 2.5 GHz Spectrum, And The Tribal Priority Window: Something Po s i t i v e A m i d T h e C O V I D - 1 9 Pandemic • Creating water out of thin air in the Navajo Nation • To’Hajiilee President, WALH laud water deal • Bulletin Board • Personnel News • Navajo Nation Census Information Center News • Navajo Nation Dikos Ntsaaigii-19 (COVID-19) Stuation Report # 296 • Social Distancing is Beautiful • Don't Invite COVID-19 to Christmas • National Native American Veterans On November 24, Memorial Celebrates A Complicated Tradition Of Service 2020, the Agnese • COVID-19 Information and Flyers Nelms Haury Program Did You Know.. presented the Tribal Késhmish is Navajo for Christmas. Késhmish will often refer to the time Resilience Leadership surrounding Christmas only – descriptive Award to Mr. James in the same sense that a milepost marks distance on a road. So one may use Adakai, Navajo Nation Késhmish in regular speech, without implying that he or she is of any Capital Projects particular faith or belief.
    [Show full text]
  • MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014
    MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014 Ammerman Grant Eastern Rosalie Muccio Lynn McCloat Paul Turano 451-4189 851-6742 548-2542 [email protected] [email protected] [email protected] 8 Women/8 Femmes. A wealthy industrialist is found murdered in his home while his family gathers for the holiday season. The house is isolated and the phone lines have been found to be cut. Eight women are his potential murderers. Each is a suspect and each has a motive. Only one is guilty. In French with subtitles in English or Spanish and English captions for the hearing impaired. DVD 1051 (111 min.) Eastern A La Mar. "Jorge has only a few weeks before his five-year-old son Natan leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea."--Container. In Spanish, with optional English subtitles; closed-captioned in English. DVD 1059 (73 min.) Eastern Adored, The. "Maia is a struggling model. After suffering a major loss, her relationship with her husband is thrown into turmoil. She holds high hopes that a session with the prolific celebrity photographer, Francesca Allman, will rejuvenate her career and bring her out of her depression. However, Francesca suffers from severe OCD and has isolated herself in remote North West Wales in a house with an intriguing past.
    [Show full text]
  • Postwar Modern Housing and a Geographic Information System Study of Scottsdale Subdivisions
    Postwar Modern Housing and a Geographic Information System Study of Scottsdale Subdivisions By Elizabeth S. Wilson, M.E.P. August 2002 TABLE OF CONTENTS LIST OF FIGURES ........................................................................................iii STUDY OVERVIEW...................................................................................... 1 RESEARCH DESIGN...................................................................................... 3 HISTORIC SUBURBAN HOUSING DEVELOPMENT ......................................... 5 INTRODUCTION ......................................................................................... 5 RAILROAD SUBURBS .................................................................................. 6 STREETCAR SUBURBS................................................................................. 7 EARLY AUTOMOBILE SUBURBS..................................................................... 9 The Federal Housing Administration........................................................... 11 Land Use Controls................................................................................... 13 Builders................................................................................................. 14 NATIONAL POSTWAR TRENDS .................................................................. 16 AUTOS AND ROADWAY EXPANSION ............................................................. 16 SOCIOECONOMIC AND CULTURAL TRENDS ................................................... 17 The Boom Years, 1946-1956
    [Show full text]
  • A Monomyth Analysis of Breaking Bad
    Breaking Myths: A monomyth analysis of Breaking Bad. Treball de Fi de Grau Grau d’Estudis d’Anglès i Espanyol Supervised by Jéssica Faciabén Lago Iván Cirilo Ramos 2019-2020 TABLE OF CONTENTS 1. Introduction: a working definition of monomyth .................................................................... 1 2. Methodology ............................................................................................................................ 2 3. The monomyth in Literary Criticism: The Good, the Bad, the Ugly. ......................................... 4 4. Hypothesis and challenges .......................................................................................................... 7 5. Monomyth Archetypes in Breaking Bad .................................................................................... 8 5.1 Heroes ................................................................................................................................ 8 5.2 Shapeshifters .................................................................................................................... 10 5.3Trickster ............................................................................................................................ 12 5.4 Threshold Guardian ......................................................................................................... 13 5.5 Mentors ............................................................................................................................ 14 5.6 Shadows ..........................................................................................................................
    [Show full text]
  • Better Call Saul: Is You Want Discoverable Communications: the Misrepresentation of the Attorney-Client Privilege on Breaking Bad
    Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad Armen Adzhemyan Susan M. Marcella Recommended Citation Armen Adzhemyan & Susan M. Marcella, Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad, 45 N.M. L. Rev. 477 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/5 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX208.txt unknown Seq: 1 12-MAY-15 12:16 “BETTER CALL SAUL” IF YOU WANT DISCOVERABLE COMMUNICATIONS: THE MISREPRESENTATION OF THE ATTORNEY- CLIENT PRIVILEGE ON BREAKING BAD Armen Adzhemyan and Susan M. Marcella* INTRODUCTION What if Breaking Bad had an alternate ending? One where the two lead characters and co-conspirators in a large methamphetamine cooking enterprise, Walter White and Jesse Pinkman,1 are called to answer for their crimes in a court of law. Lacking hard evidence and willing (i.e., * Armen Adzhemyan is a litigation associate in the Los Angeles office of Gibson, Dunn & Crutcher LLP where he has researched and litigated numerous issues regarding the attorney-client privilege as a member of the Antitrust, Law Firm Defense, Securities Litigation, and Transnational Litigation Practice Groups. He received his J.D. in 2007 from the University of California, Berkeley School of Law, where he served as a senior editor on the Berkeley Journal of International Law.
    [Show full text]
  • Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation
    Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation Bidish J. Sarma Recommended Citation Bidish J. Sarma, Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation, 45 N.M. L. Rev. 429 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/4 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX207.txt unknown Seq: 1 7-MAY-15 13:45 WHY WE WOULD SPARE WALTER WHITE: BREAKING BAD AND THE TRUE POWER OF MITIGATION Bidish J. Sarma* INTRODUCTION What if federal authorities captured Walter White? Considering that he committed the murders of many individuals and orchestrated many more in the course of building and running his global meth trade, the prosecution would be able to seek the ultimate punishment against him. But, would a jury give him the death penalty? Walter’s gripping journey stirred within viewers a range of complex emotions, but even those re- volted by his actions must concede that it is extraordinarily difficult to envision a random collection of twelve people unanimously agreeing that he deserves a state-sanctioned execution. Indeed, it seems that many of us actually rooted for Walter throughout the series, even when we strug- gled to understand why. This Essay explores the answer to the question of why we would spare Walter White from the death penalty.
    [Show full text]
  • “I Am the One Who Knocks!”: What It Means to Be a Man in Breaking Bad. by Stephanie Wille Submitted to the Graduate Degree P
    “I am the one who knocks!”: What It Means to Be a Man in Breaking Bad. By Stephanie Wille Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John C. Tibbetts ________________________________ Dr. Ron Wilson ________________________________ Dr. Germaine Halegoua Date Defended: August 18, 2014 ii The Dissertation Committee for Stephanie Wille certifies that this is the approved version of the following dissertation: “I am the one who knocks!”: What It Means to Be a Man in Breaking Bad. ________________________________ Chairperson Dr. John C. Tibbetts Date approved: October 30, 2014 iii Abstract Breaking Bad (AMC, 2008-2013) dramatizes the rise and fall of Walter White, a mild- mannered high school chemistry teacher who, through a series of misfortunes and freak opportunities, is transformed into a notorious, brutal drug kingpin -- a trajectory described as "Mr. Chips" to "Scarface." I contextualize and conduct a textual analysis of this acclaimed television series as a case study that demonstrates the increasingly complex construction of masculine identity in contemporary television. This study examines the reception of specific characters among critics and audiences, as well as investigates the ways in which the setting and depiction of ethnicities influence representations of masculinity. Calling for attention to the apparent lack in masculinity studies on television, the complex male representation in Breaking Bad suggests that men are not merely experiencing a crisis of their masculinity in contemporary society, but demonstrates that there is a problem with uniform white, hetero-normative representation of masculinity on TV.
    [Show full text]
  • Analysis of Recent  MASS SHOOTINGS ANALYSIS of RECENT MASS SHOOTINGS
    August 2015 Analysis of Recent MASS SHOOTINGS ANALYSIS OF RECENT MASS SHOOTINGS Everytown For Gun Safety conducted a comprehensive analysis of every mass shooting between January 2009 and July 2015 that was identifiable through FBI data and media reports. This report describes the 133 MASS SHOOTINGS – ALMOST TWO PER MONTH THAT OCCURRED IN 39 STATES in the nearly seven-year period. Each description includes the location of the shooting, number of people killed and/or injured, and information on the shooter, gun(s), ammunition, and gun purchase, where available. The FBI defines “mass shooting” as any incident where at least four people were murdered with a gun. Everytown For Gun Safety reviewed mass shootings in the FBI’s Supplementary Homicide Reports from 2009-2012 and searched the media for further details about these incidents as well as for mass shootings that occurred in 2013– 2015. This survey includes every shooting we identified in which at least four people were murdered with a gun. And the findings reveal a different portrait of mass shootings in America than conventional wisdom might suggest. 2 Analysis of Recent MASS SHOOTINGS Mass shootings Mass shootings represent a small share of total U.S. firearm homicides. Less than one percent of gun murder victims recorded by the FBI in 2012 were killed in incidents with four or more victims. TOTAL U.S. FIREARM HOMICIDES 2009 2010 2011 2012 2013 2014 2015 Mass shootings did not JANUARY 1 2 2 1 2 1 2 follow any clear seasonal FEBRUARY 1 0 1 1 0 3 2 patterns; rather they occurred fairly regularly MARCH 7 2 0 0 0 0 1 and no more than three APRIL 4 2 1 1 5 0 1 months passed without a MAY 0 0 1 4 2 0 2 mass shooting.
    [Show full text]
  • Breaking Bad | Dialogue Transcript | S5:E6
    CREATED BY Vince Gilligan EPISODE 5.06 “Buyout” Walt, Mike and Jesse deal with the repercussions of the methylamine heist. Mike and Jesse want out, but Walt is determined to build his empire. WRITTEN BY: Gennifer Hutchison DIRECTED BY: Colin Bucksey ORIGINAL BROADCAST: August 19, 2012 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader Betsy Brandt ... Marie Schrader RJ Mitte ... Walter White, Jr. (credit only) Bob Odenkirk ... Saul Goodman Jonathan Banks ... Mike Ehrmantraut Jesse Plemons ... Todd Steven Michael Quezada ... Steven Gomez Louis Ferreira ... Declan Kaija Bales ... Kaylee Ehrmantraut Sam Webb ... Drew Sharp (as Samuel Webb) Morse Bicknell ... Declan's Driver Phil Duran ... DEA Agent Antoinette Antonio ... TV Reporter 1 00:03:23,954 --> 00:03:27,124 You guys didn't tell me this stuff smells like cat piss. 2 00:03:43,140 --> 00:03:45,267 Man, shit happens, huh? 3 00:04:09,166 --> 00:04:11,835 I mean, I'm sorry, but I had to do it. 4 00:04:12,002 --> 00:04:15,672 Obviously, I guess you see it different. 5 00:04:16,590 --> 00:04:18,759 Some of you. But I didn't see any other choice.
    [Show full text]
  • David Lee Alm Thesis Final Draft
    What's the Matter with Walter? The Privatization of Everything in Breaking Bad The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lee, David. 2016. What's the Matter with Walter? The Privatization of Everything in Breaking Bad. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797394 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA What’s the Matter with Walter? The Privatization of Everything in Breaking Bad David R. Lee A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 © 2016 David R. Lee Abstract Television is the quintessential medium of popular culture. As such, its content can provide an important window into the cultural dynamics in a given period for a given society. Vince Gilligan’s award-winning Breaking Bad is one of those shows that powerfully engaged with its moment. Gilligan created a compelling protagonist in the deeply flawed yet charismatic genius Walter White. He had Walter build an illegal drug business at which he had savant-like skills, and situated Walt in a family characterized by dysfunction. In showing how and why Walter traded a quiet but economically marginal existence as a high school chemistry teacher for a violent but wealthy life as a drug lord, Breaking Bad offered a compelling critique of one of the most insidious economic policy initiatives of late-20th/early-21st century America: neoliberalism.
    [Show full text]
  • Intertextual Representations of Drugs, Violence, and Greed in Breaking Bad a Thesis Submitted to the College of Graduate And
    Intertextual Representations of Drugs, Violence, and Greed in Breaking Bad A Thesis submitted to the College of Graduate and Postdoctoral Studies In the Partial Fulfillment of the Requirement for the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon, Saskatchewan Douglas Rasmussen © Copyright, Douglas Rasmussen, 2019. All Rights Reserved. Permission to Use In presenting this dissertation in partial fulfillment of the requirements for a postgraduate degree from the University of Saskatchewan, I agree that the libraries of this University of Saskatchewan may make it freely available for inspection. I further agree that permission for copying of this dissertation in any manner, in whole or part, for scholarly purposes may be granted by the professor or professors who supervised my dissertation work or, in their absence, by the Head of the Department of the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my dissertation. Requests for permission to copy or to make other uses of materials in this thesis in whole or in part should be addressed to: Wendy Roy Head of the Department of English 9 Campus Drive University of Saskatchewan Saskatoon, SK, S7N 5A5 OR Dean Trever Crowe College of Graduate and Postdoctoral Studies 116 Thorvaldson Building 110 Science Place University of Saskatchewan Saskatoon, SK, S7N 5C9 Thanks i Acknowledgements First of all I would like to thank my thesis supervisor Prof.
    [Show full text]