TAKE CARE LYRICS 1)Myself, the Others, the Stuff What Can I Do to Show I Care? Who Can I Be? How Can I Share? Three Simple Thing
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The Tuscan Child
PRAISE FOR RHYS BOWEN’S IN FARLEIGH FIELD “Well-crafted, thoroughly entertaining.” —Publishers Weekly “The skills Bowen brings . inform the plotting in this character-rich tale, which will be welcomed by her fans as well as by readers who enjoy fiction about the British home front.” —Booklist “In what could easily become a PBS show of its own, Bowen’s novel winningly details a World War II spy game.” —Library Journal “This novel will keep readers deeply involved until the end.” —Portland Book Review “In Farleigh Field delivers the same entertainment mixed with intellectual intrigue and realistic setting for which Bowen has earned awards and loyal fans.” —New York Journal of Books “Well-plotted and thoroughly entertaining . With characters who are so fully fleshed out, you can imagine meeting them on the street.” —Historical Novel Society “Through the character’s eyes, readers will be drawn into the era and begin to understand the sacrifices and hardships placed on English society.” —Crimespree Magazine “A thrill a minute . highly recommend.” —Night Owl Reviews, Top Pick “Riveting.” —Military Press “Instantly absorbing, suspenseful, romantic and stylish—like binge- watching a great British drama on Masterpiece Theatre.” —Lee Child, New York Times bestselling author “In Farleigh Field is brilliant. The plotting is razor sharp and ingenious, the setting in World War Two Britain is so tangible it’s eerie. The depth and breadth of character is astonishing. They’re likeable and repulsive and warm and stand-offish. And oh, so human. And so relatable. This is magnificently written and a must read.” —Louise Penny, New York Times bestselling author “Irresistible, charming and heartbreakingly authentic. -
Hip Hop, Memes, and the Internet
BY ALL MEMES NECESSARY: HIP HOP, MEMES, AND THE INTERNET MAX TRETTER FRIEDRICH-ALEXANDER-UNIVERSITY ERLANGEN-NUREMBERG INTRODUCTION: HIP HOP ON THE INTERNET The internet influences hip hop in various ways. First and foremost, the internet is a medium that opens up a new space and stage in which hip hop can be performed. This stage is no longer local, but global, which represents both opportunity and challenge. On the one hand, each hip hop artist must assert themselves against countless compet- itors from all over the world; on the other hand, their breakthrough online, if it suc- ceeds, can be monumental in comparison to an analog breakthrough, which is usually confined to a limited area. Therefore, for hip hop artists it is increasingly important to attract attention – as only those who get the attention succeed in this new medium (Prior 2018, Jenkins et al. 2013). The internet’s central influence on hip hop is the inten- sification of the battle for attention – which results in hip hop artists trying new ap- proaches and strategies to gain that attention. One of them is producing their content with an eye to making it as meme-able as possible and capitalizing on meme dynamics on the internet. In this study, I approach memes as a concept, following the definition of Dawkins (2006) who originally defined the concept of memes in his work The Selfish Gene. Memes are small units of information that are usually very simple and catchy (ges- tures, styles, melodies, or phrases). They are transmitted from person to person by imitation or adaption, replicate and spread very quickly, and contribute to the dissem- ination and formation of common behaviors and cultures (Dawkins 2006). -
Introduction M Priorities
Mose_0771065043_xp_01_r1.qxd 9/25/06 3:40 PM Page 1 We Contain Multitudes: Our Many Roles, Many Selves introduction anager, professional, mentor, mother, wife, volunteer, artist, friend, athlete. Never before M have there been so many demands on women to excel in so many domains of life, so many opportuni- ties for self-expression and success, for disappointment and frustration. Our sense of self is nuanced, intricate, and rich. We derive our feelings of satisfaction from multi- ple roles. Freud famously said: “Love and work are the corner- stone of our humanness.” If we augment “love” to include our friends and our passions and “work” to include paid and unpaid activity, this is all that matters. These are the issues we are particularly likely to reflect on at midlife, a time of significant opportunities and chal- lenges when we take stock and ask, “What next?” and “How can I feel better about my life?” and reevaluate our priorities. 1 Mose_0771065043_xp_01_r1.qxd 9/25/06 3:40 PM Page 2 2 Women Confidential We have so many needs and desires. In my career/life-planning workshops with managers and professionals, I am always aware of the different ways in which men and women identify and rank their values. The most striking difference is not in the values themselves or how they are ranked, although there are differences, but in how the lists are completed. The men finish the exercise in a few minutes and move on to the next question. The women write the list. Then they erase it. Then they do it again. -
Artist/Group Song Title
ARTIST/GROUP SONG TITLE V.I.C. WOBBLE VALENS, RICHIE DONNA VALENS, RITCHIE COME ON LET'S GO VALLI, FRANKIE CAN'T TAKE MY EYES OFF YOU VALLI, FRANKIE MY EYES ADORED YOU VAN BEETHOVEN, CAMPER TAKE THE SKINHEADS BOWLING VAN DYKE, LEROY AUCTIONEER [THE] VAN DYKE, LEROY WALK ON BY VAN HALEN AIN'T TALKIN' 'BOUT LOVE VAN HALEN AND THE CRADLE WILL ROCK VAN HALEN BEAUTIFUL GIRLS VAN HALEN DANCE THE NIGHT AWAY VAN HALEN DON'T TELL ME (WHAT LOVE CAN DO) VAN HALEN DREAMS VAN HALEN EVERYBODY WANTS SOME (EXPLICIT) VAN HALEN FEEL YOUR LOVE TONIGHT VAN HALEN FINISH WHAT YA STARTED VAN HALEN HOT FOR TEACHER VAN HALEN HUMANS BEING VAN HALEN ICE CREAM MAN VAN HALEN I'LL WAIT VAN HALEN JAMIE'S CRYIN' VAN HALEN JUMP VAN HALEN OH, PRETTY WOMAN VAN HALEN PANAMA VAN HALEN POUNDCAKE VAN HALEN RIGHT NOW VAN HALEN RUNNIN' WITH THE DEVIL VAN HALEN TOP OF THE WORLD VAN HALEN UNCHAINED VAN HALEN WHEN IT'S LOVE VAN HALEN WHY CAN'T THIS BE LOVE VAN HALEN WITHOUT YOU VAN HALEN YOU REALLY GOT ME VAN SHELTON, RICKY BACKROADS VAN SHELTON, RICKY I AM A SIMPLE MAN VAN SHELTON, RICKY I MEANT EVERY WORD HE SAID VAN SHELTON, RICKY I'LL LEAVE THIS WORLD LOVING YOU VAN SHELTON, RICKY I'VE CRIED MY LAST TEAR FOR YOU VAN SHELTON, RICKY JUST AS I AM VAN SHELTON, RICKY KEEP IT BETWEEN THE LINES VAN SHELTON, RICKY LIFE TURNED HER THAT WAY VAN SHELTON, RICKY LIVING PROOF VAN SHELTON, RICKY LOLA'S LOVE VAN SHELTON, RICKY SHE NEEDS ME VAN SHELTON, RICKY SOMEBODY LIED VAN SHELTON, RICKY STATUE OF A FOOL VAN SHELTON, RICKY WEAR MY RING AROUND YOUR NECK VAN SHELTON, RICKY WHERE WAS I VAN -
Calderon, Nicholas Interview 2 Calderon, Nicholas
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 5-27-2010 Calderon, Nicholas Interview 2 Calderon, Nicholas. Bronx African American History Project Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Calderon, Nicholas. May 27, 2010. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham University. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewee: Nicholas Calderon Interviewer: Mark Naison Date: May 27, 2010 Mark Naison (MN): Hello. Today is Thursday May 27th, 2010. This is the Bronx African American History Project and we’re dealing with the second interview with Nicholas Calderon aka Young Buggs. Leader Interviewer is Noel Wolfe, assisting is Mark Naison and our videographer is Dawn Russell. So Noel, take it away. Noel Wolfe (NW): So we last left off when we were talking about how you were shifting into music in a way from drug dealing and I wanted to start there. What did music provide you at that stage? You were 17 years old? Nicholas Calderon (NC): Yes mam. Basically my comfort because it wasn’t my home, so music was a way out to get away from that temporarily though. MN: Now we’re talking about music, were you thinking about being a leader assist like writing rhymes and telling stories? NC: That’s what mainly it was about. -
Who's Who in Pop Record Production (1995)
WHO'S WHO IN POP RECORD PRODUCTION (1995) The following is a list of PRODUCERS credited on at least one album or one single in the Top Pop 100 Charts or that has been picked in our "Next On The Charts" section so far this year. (Please note that due to computer restraints, PRODUCERS are NOT credited on records that have more than 5 PRODUCERS listed) This listing includes the PRODUCER'S NAME (S= # singles) (LP= # Albums) - "Record Title"- ARTIST-/ and OTHER PRODUCERS on the record. 20 Fingers(S = 3)- "Fat Boy"- Max-A-MillionV 'Mr. Personality"- Gillette-/ "Lick It"- Ftoula-/ Cyrus EstebanfS = 1)- "I'll Be Around"- Rappin' 4-Tay & The SpinnersVFranky J Bryan Adams(S = 1)- "Have You Ever Really Loved A Woman?"-Bryan Adams-/Robert John 'Mutt' Lange Emilto EstefanfS = 2)- "Everlasting Love'-Gloria Estefan-/ Jorge Casas Lawrence Dermer "It's Too Walter Afanasieff (S = 4)- "Always And Forever'-Luther Vandross-/ Luther Vandross "All I Want ForLate'-Gloria Estefan-/ Jorge Casas Clay Ostwald Christmas'-Mariah Carey-/ Mariah Carey "Going In Circles'-Luther Vandross-/ "Wherever Would iMeliasa Etheridge(S= 1)- "If I Wanted To/Like The Way I Do'-Melissa EtheridgeVHugh Padgham Be"-Dusty Springfield & Daryl Hall-/ Tom Sh Face To Face(S = 1)- "Disconnected"- Face To Face-/Thom Wilson Matt Aitken(S = 1)- "Total Eclipse Of The Heart"-Nicki FrenchVJohn Springate Mike Stock (|_P= 1)- "Big Choice"- Face To FaceVThom Wilson Derek Allen(S = 1)- "Let's Do It Again"- Blackgirt-/ Bruce Fairbairn(S = 2)- "Don't Tell Me What Love Can Do"- Van Halen-/ "Can't Stop -
High Fidelity
HIGH FIDELITY A MUSICAL COMEDY BY Amanda Green, Tom Kitt, and David Lindsay-Abaire BASED ON THE NOVEL BY NICK HORNBY AND THE TOUCHSTONE PICTURES FILM HIGH SCHOOL EDITION SHOW PERUSAL 11/07/19 High Fidelity - 1st ed. – 10.21.13 – highfidelity_conductor1cf Copyright © 2013 Amanda Green, Tom Kitt, and David Linsday Abaire ALL RIGHTS RESERVED Copyright Protection. This play (the “Play”) is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan- American Copyright Convention, the Universal Copyright Convention, and the Berne Convention. Reservation of Rights. All rights to this Play are strictly reserved, including, without limitation, professional and amateur stage performance rights; motion picture, recitation, lecturing, public reading, radio broadcasting, television, video, and sound recording rights; rights to all other forms of mechanical or electronic reproduction now known or yet to be invented, such as CD-ROM, CD-I, DVD, photocopying, and information storage and retrieval systems; and the rights of translation into non-English languages. Performance Licensing and Royalty Payments. Amateur and stock performance rights to this Play are controlled exclusively by Broadway Licensing. No amateur or stock production groups or individuals may perform this Play without obtaining advance written permission from Broadway Licensing. Such royalty fees may be subject to change without notice. Although this book may have been obtained for a particular licensed performance, such performance rights, if any, are not transferable. -
Breaking the Glass Ceiling in Healthcare Technology Is a Slow, Steady Process Women Have Emerged from Various Fields to Lead New Technological Efforts
SPONSORED CONTENT Breaking the glass ceiling in healthcare technology is a slow, steady process Women have emerged from various fields to lead new technological efforts Kristin Myers Jeana O’Brien Lisbeth Votruba Laura Wilt Moderator Executive Vice Senior Vice President, Chief Clinical Chief Information Fawn Lopez President of Chief Medical Innovation Officer, Officer, Ochsner Fawn Lopez, Publisher, Technology, Chief Information Officer, AvaSure Health Modern Healthcare, Information Officer, Baylor Scott & White Vice President, Crain Mount Sinai Health Health Communications System or years, women in healthcare technology—in fact, the technology field altogether—were more of an anomaly than the norm. Today, they are still in the Fminority when it comes to executive leadership in the field but opportunities for women in healthcare technology are increasing. A new generation of technology leaders will continue to push healthcare forward in the years ahead, bringing with them a strong technical background and a potentially different take on addressing current and future issues. Fawn Lopez, publisher of Modern Healthcare and vice president of Crain Communications, sat down with four female leaders in healthcare technology to discuss the path they’ve taken to get to their current positions as well as the road ahead. Fawn Lopez: What do you think is the We’ve been able to bring different perspectives current state of diversity and inclusion in and different backgrounds to the table and that makes us attractive. At the same time, I think the healthcare technology sector? that there’s still a significant gap in women in leadership. Women in technology leadership Jeana O’Brien: If we consider healthcare in particular are still not that common, so I technology companies, all over the United States, would hope that will continue to increase as the we’ve made great strides in terms of having more denominator or the pool of applicants from within women employed in those areas of technology. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Returning the Self to Professional Psychology
Running head: RETURNING THE SELF Returning the Self to Professional Psychology by Scott A. Markham B.A., University of Massachusetts, Amherst, 2003 M.S., Antioch University New England, 2010 Submitted in partial fulfillment of the requirements for the degree of Doctor of Psychology in the Department of Clinical Psychology of Antioch University New England, 2012 Keene, New Hampshire RETURNING THE SELF ii Department of Clinical Psychology DISSERTATION COMMITTEE PAGE The undersigned have examined the dissertation entitled: RETURNING TO THE SELF IN PROFESSIONAL PSYCHOLOGY presented on September 27, 2012 by Scott A. Markham Candidate for the degree of Doctor of Psychology and hereby certify that it is accepted*. Dissertation Committee Chairperson: Colborn W. Smith, PhD Dissertation Committee members: Barbara Belcher-Timme, PsyD Jim Graves, PhD Accepted by the Department of Clinical Psychology Chairperson Kathi A. Borden, PhD on 11/27/12 * Signatures are on file with the Registrar’s Office at Antioch University New England. RETURNING THE SELF iii Acknowledgements I would like to acknowledge Barbra Belcher-Timme, Jim Graves, and Colby Smith for their ongoing curiosity and their support for the ongoing process of self. I give special appreciation to David Moriarty, Colby Smith, and Rebekah Markham for their assistance locating me in the manuscript. RETURNING THE SELF iv Table of Contents Acknowledgements ............................................................................................................ iii Abstract ................................................................................................................................1 -
The Forever Baby
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Graduate School Professional Papers 2019 The orF ever Baby Carlos Javier Medina Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Poetry Commons Recommended Citation Medina, Carlos Javier, "The orF ever Baby" (2019). Graduate Student Theses, Dissertations, & Professional Papers. 11380. https://scholarworks.umt.edu/etd/11380 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE FOREVER BABY By CARLOS JAVIER MEDINA DOMINICI B.A. Liberal Arts, Florida International University, Miami, Florida, 2016 Thesis presented in partial fulfillment of the requirements for the degree of Degree Master of Fine Arts in Poetry The University of Montana Missoula, MT Official Graduation Date May 2019 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Prageeta Sharma, Chair English Stacy Szymaszek English Jannine Montauban Modern and Classical Languages and Literatures Medina, Carlos, M.F.A., Spring 2019 Creative Writing The Forever Baby Chairperson or Co-Chairperson: Prageeta Sharma This collection of poems looks at identity across multiple forms of lived experience. Each section of this project is distinct in its use of voice although the content is weaved together around the same themes: the aging body, personality, and poetic introspection.