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Former Saturday Night Live Band Leader G.E. Smith to Rock the Stockton PAC Performance Set for Feb
Former Saturday Night Live Band Leader G.E. Smith to Rock the Stockton PAC Performance Set for Feb. 8 For Immediate Release Wednesday, January 8, 2014 Contact: Suzé DiPietro Stockton PAC Galloway Township, NJ 08205 [email protected] (609) 652-4927 Galloway Township, NJ- One of the most in demand blues/rock guitarists in the world is a mysterious character who goes by the name of G.E. Smith. Millions of TV viewers know his face- and the shock of an unruly blond ponytail that was always falling across it - from his tenure fronting the Saturday Night Live Band. G.E. Smith will rock the house at The Richard Stockton College of New Jersey’s Performing Arts Center on Saturday, Feb. 8, 2014. Show time is 7:30 p.m. Tickets are $32 and may be ordered online at www.stockton.edu/pac or by calling the Box Office at (609) 652-9000. The Box Office is open Monday through Friday from 9 a.m. to 3 p.m. and 90 minutes before the performance. For group sales, call (609) 652-4786. For G.E. (George Edward) Smith, a soulful guitarist, composer, singer, and bandleader, it all began in rural Stroudsburg, PA, where he was just about born with a guitar in his hand. “I started playing around the age of 4, and started getting good at 7,” Smith says. “Eventually, the girlfriend of one of my uncles bought me a Martin, a real good guitar, in 1959.” On his 11th birthday, Smith’s mother bought him his first electric guitar, a Fender Telecaster, a model that to dated his birth year- 1952. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
The Talk of the Town Gotcha Rhythm Right Here
abstract. The sequel toward the end conjures “Shaft” on stimulants. Tropea and Palmaro can also plunk you right inside the carnival. “Boulevard Strut,” featuring the cheerleader vocals of Rallybop, Keith Carlock’s haughty drums and Tommy McDonnell’s Latin percussion, puts you in the middle of a party. No matter the configuration of musicians, the album is of a piece. It’s also produced with startling trans- parency and presence. If you like your funk rich, you’ll particularly like these cuts. If you like music with character and personality, Gotcha Rhythm Right Here is a keeper through and through. —Carlo Wolff John Tropea Gotcha Rhythm Right Here: Gotcha Rhythm Right Here, Part 1; Black Eyed G’s; Soul Surfin’; 7th Avenue South; Chili Wa Man; Gotcha Rhythm Right Here Always in My Heart; Side By Two; Bikini Beach; Les Is Moe’; NYC STP RECORDS 1011 Direct 2014; Hip To The Hips; Gotcha Rhythm Right Here, Part 2; Sal Mosca HHHH½ Boulevard Strut. (73:31) Personnel: Cliff Almond, drums (9, 10); Randy Brecker, trumpet The Talk Of The Town The accessibility and authority of Gotcha Rhythm (8, 10); Clint de Ganon, drums (6); Glenn Drews, trumpet (3, 4, 7, SUNNYSIDE 1317 10, 12); Larry Farrell, trombone (2, 3, 7, 8, 9, 10, 13); Lee Finkelstein, Right Here, guitarist John Tropea’s 11th leader drums (7); Duke Gadd, percussion (11); Steve Gadd, drums (11); Bill HHHH project, make it a particular delight. Sparked by Harris, alto saxophone (5), tenor saxophone (8, 10, 12), baritone saxophone (13); Don Harris, trumpet (5, 12, 13); Neil Jason, bass; Listening to The Talk Of The Town, one might musicians who, like him, are among the best in Keith Karlock, drums (13); Zev Katz, bass (9); Will Lee, bass (6, 13); imagine the piano medley form had been created the jazz business, Tropea drives 13 urbane tracks, Bob Malach, tenor saxophone (5); Dave Mann, tenor saxophone (2, for Sal Mosca. -
Broadway Christian Church •Columbia,Missouri the Worship Of
BROADWAY CHRISTIAN CHURCH • COLUMBIA, MISSOURI THE WORSHIP OF GOD • APRIL 18, 2021 The Scripture Psalm 4 Answer me when I call, O God of my right! You gave me room when I was in distress. Be gracious to me, and hear my prayer. How long, you people, shall my honor suffer shame? How long will you love vain words, and seek after lies? Selah But know that the LORD has set apart the faithful for himself; the LORD hears when I call to him. When you are disturbed, do not sin; ponder it on your beds, and be silent. Selah Offer right sacrifices, and put your trust in the LORD. There are many who say, “O that we might see some good! Let the light of your face shine on us, O LORD!” You have put gladness in my heart more than when their grain and wine abound. I will both lie down and sleep in peace; for you alone, O LORD, make me lie down in safety. The Message What the World Needs Clear Minds Mark Briley Jack Handey was a comedian and writer for Saturday Night Live for a number of years. He is most known for a segment of short quips that would appear on the show just before going to commercial break. You’d hear the voiceover coming as a scene of a 1 gentle stream flowed through a meadow or something like that. The voice would say, “And now, deep thoughts, by Jack Handey.”1 They would be random like, “Do you know what happens when you slice a golf ball in half? Someone gets mad at you. -
Martin Kunzler: Jazz-Lexikon
1 Martin Kunzler: Jazz-Lexikon Namenregister Das Namenregister führt alle Personen, Gruppen und Bands auf, die im "Jazz-Lexikon" genannt werden. Die halbfett gesetzten Seitenzahlen verweisen auf den Ort von Artikeln. Bei den Bandnamen wurde der englische Artikel "The" nicht berücksichtigt. A Little Westbrook Music 1468 A Touch of Jazz 688, 1196 A Tribe Called Quest 561 A. D. D. Trio 302 A.W. Experience 1475 AACM Big Band 1294 Aaltonen, Juhani 147, 1515 Aax & Drumming Core 958 Abao, Rick 584 Abate, Greg 908, 1104, 1129, 1441, 1491 Abdullah, Ahmed 15, 61, 567, 578, 1436 Abdul-Malik, Ahmed 562, 833 Abel, Stefan 1510 Abene, Mike 887 Abercrombie, John L. 16, 39, 86, 89, 90, 139, 184, 208, 228, 252, 280, 300, 345, 346, 363, 364, 367, 370, 409, 430, 443, 474, 479, 480, 481, 485, 486, 490, 562, 571, 592, 601, 630, 660, 717, 737, 742, 762, 812, 825, 848, 906, 907, 917, 920, 949, 951, 955, 1011, 1013, 1025, 1027, 1057, 1058, 1062, 1070, 1077, 1111, 1186, 1278, 1296, 1304, 1307, 1342, 1352, 1372, 1380, 1396, 1428, 1457, 1463, 1472, 1484, 1492, 1534 Åberg, Lennart 16, 148, 205, 259, 1275, 1336 Ables, Charles 579 Abney, Don 1012, 1233 Abou-Khalil, Rabih 17, 307, 382, 433, 477, 517, 537, 750, 804, 886, 927, 1018, 1088, 1214, 1413, 1472 Abraham, Phil 550 Abrahams, Brian 908 Abrams, Marc 481, 679, 1176, 1177 Abrams, Muhal Richard 15, 18, 39, 48, 63, 108, 128, 129, 137, 216, 255, 274, 280, 328, 342, 362, 364, 372, 388, 390, 391, 453, 513, 534, 567, 578, 580, 605, 614, 621, 752, 760, 773, 799, 861, 871, 906, 917, 973, 1043, 1046, 1089, 1245, 1280, 1294, -
Jazz Is a Somewhat Moribund Art Form That Had Its Heyday Before Rock Music Came of Age
JAZZ. For some people the word calls to mind a 1950’s film noir soundtrack or the cool sound of a sexy late-night radio program. For others, jazz is a somewhat moribund art form that had its heyday before rock music came of age. But look around the city of Bloomington and you’ll see how America’s most original musical treasure is flourishing in the 21st century. jazz is hot again by David Brent Johnson photography by Cliff Doerzbacher Bloom | August/September 2006 44 JAZZ. For some people the word calls to mind a 1950’s film noir soundtrack or the cool sound of a sexy late-night radio program. For others, jazz is a somewhat moribund art form that had its heyday before rock music came of age. But look around the city of Bloomington and you’ll see how America’s most original musical treasure is flourishing in the 21st century. 45 August/September 2006 | Bloom jazz is hot again by David Brent Johnson photography by Cliff Doerzbacher night he wrote the song. Mythical or not (Carmichael biographer Richard Sudhalter says the song was composed over the course of several different sittings), the creation of “Stardust” is a key early chapter in the story of Bloomington jazz. That story dates back at least to the spring of 1924, when a man who would become one of jazz’s most mythical figures came to town. Jazz in Bloomington is the Stardusters He was just 21, a cornet player with a penchant Orchestra swinging everything from the clas- for bootleg liquor and an unvarnished ability sics to 1970’s disco while dancers take to the to shape sounds of beauty with his horn. -
The Latin Side of Hot House
181183_HH_May_0 4/24/17 10:35 AM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 May 2017 www.hothousejazz.com Jazz Standard Page 17 Village Vanguard Page 4 Anat Cohen Gerald Clayton Christian Sands T.K. Blue The Side Door Page 4 Dino’s Page 21 Where To Go & Who To See Since 1982 181183_HH_May_0 4/24/17 10:37 AM Page 2 2 181183_HH_May_0 4/24/17 10:35 AM Page 3 3 181183_HH_May_0 4/24/17 10:35 AM Page 4 Sponsored by Dot Time Records WINNING SPINS By George Kanzler MBITIOUS ALBUMS FROM A PAIR depths of his piano's range on his own exot- of talented young pianists, Christian ic, expressionistic "Sign of the Rainbow ASands and Gerald Clayton, comprise this People," and closes the album with a lush month's Winning Spins. Both have had the evocation of romanticism on the Oscar-win- benefit of working in the bands of two of ning song, "Somewhere Out There," from today's best bassists: Christian as a mem- the animated movie An American Tail. ber of Christian McBride's trio, Gerald in Adding percussionist Cristian Rivera, the bands of his father, John Clayton. the quartet dances through an Afro-Cuban Christian, who turns 28 this year, cele- groove on the leader's "Oyeme!" his com- brates his debut with a CD spotlighting mand of scintillating montuno rhythms the full range of his pianistic and compos- reflecting his time in Bobby Sanabria's ing talents, while Gerald, 32, expands his band. -
Drummerissue
APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step. -
Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Unlocking Standard Tunes for Improv: Use Your Keys! Presented by Antonio J
Unlocking Standard Tunes for Improv: Use Your Keys! presented by Antonio J. García, Associate Professor Director of Jazz Studies, Virginia Commonwealth University The Midwest Clinic: An International Band & Orchestra Conference Friday, December 21, 2007; 2:15-3:15 p.m. Williford Room, Chicago Hilton, Chicago, Illinois Thank you for coming today! STOP! Ideally, I wouldn’t distribute this handout (or any accompanying materials) to you at the beginning of this session: the best way for you to experience this workshop is for you to do so with your ears, in the same manner as the volunteers demonstrating for you today. But rather than interrupt our workshop later in order to pass these out, I am doing so now. I encourage you NOT to open and review the contents until I cue you to do so during the session. That way you can experience these concepts first aurally, just as your peers and students would in an ensemble or improv class. In the meantime, if you wish, take a look at the first eight bars of the lead-sheet excerpt below. Consider how you would explain to someone else how to solo over these chord changes if asked to do so right now—particularly if you were explaining to a fairly new improviser! If you’re still sitting around after this exercise, waiting for the session to begin, feel free to read my bio on the last page. I wrote a really long one so that you’d have something to do right now. Or meet the person next to you! Thanks again for coming—we’re going to have a good time experimenting today! (Don’t turn the page yet: stick to the front or back pages for now!) © 2007 Antonio J. -
Volume Xl - Number 48 - April 14, 1979
www.americanradiohistory.com www.americanradiohistory.com VOLUME XL - NUMBER 48 - APRIL 14, 1979 THE INTERNATIONAL MUSIC RECORD WEEKLY COSH BOX GEORGE ALBERT President and Publisher If The Price Is Right MEL ALBERT EDITORIAL Vice President and General Manager of records by these un- In the wake of discussions on alternative pricing structures for is a way to increase exposure and sales CHUCK MEYER and similar com- known artists, while at the same time encouraging the consumer Director of Marketing new artists at the recent NARM convention, ments from rack jobbers in this week's survey article (page 8), we to be more willing to take a chance on lesser known acts. to DAVE FULTON believe that the following editorial from the Oct. 7, 1978 issue of We propose a sliding scale of suggested retail list prices Editor In Chief The Cash Box warrants reprinting. While a number of industry ex- cover the various career stages that artists pass through. the J.B. CARMICLE ecutives responded favorably to the concept presented therein, easiest way to establish such a scale would be to base it on Manager. East Coast General no concrete action has yet been taken on this or any other sales history of the respective act. might list for $6.98, a JIM SHARP variable pricing proposal for new acts. For example, a completely unknown artist Director, Nashville proven 250,000 unit seller would list for $7.98, a gold album for $9.98, and so on. The East Coast Editorial New artists are the lifeblood of the music business. -
Sandra Stogsdill Brown United a Sermon on 1 Corinthians 1:10-18 January 26, 2020
Sandra Stogsdill Brown United A sermon on 1 Corinthians 1:10-18 January 26, 2020 Anybody remember “Deep Thoughts,” by Jack Handey? Jack Handey wrote these little things called “Deep Thoughts,” and Saturday Night Live used to have him read these on the show during the 1990’s, with beautiful nature scenes on the screen, and peaceful music playing in the background. Here are some of my favorites: • To me, it's always a good idea to always carry two sacks of something when you walk around. That way, if anybody says, "Hey, can you give me a hand?," you can say, "Sorry, got these sacks." • Before you criticize someone, walk a mile in their shoes. That way, you’ll be a mile from them, and you’ll have their shoes. • If God dwells inside us, like some people say, I sure hope he likes enchiladas, because that’s what he’s getting! • If you’re a cowboy and you’re dragging a guy behind your horse, I bet it would make you really mad if you looked back and the guy was reading a magazine. And finally, here’s the one that I specifically remembered when I read today’s scripture reading: “If a kid asks where rain comes from, I think a cute thing to tell him is, ‘God is crying.’ And if he asks why God is crying, another cute thing to tell him is, ‘Probably because of something you did.’” I thought of this because I think if anything makes God cry, surely it’s whenever God’s children are divided, and turn on each other.