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Bernstein's Trouble in Tahiti By
Postwar Modernity and the Wife's Subjectivity: Bernstein's Trouble in Tahiti By: Elizabeth L. Keathley Keathley, Elizabeth. “Postwar Modernity and the Wife's Subjectivity: Bernstein's Trouble in Tahiti,” American Music, Vol. 23 No. 2 (Summer 2005): 220-257. Made available courtesy of University of Illinois Press: http://www.jstor.org/stable/4153033 ***© University of Illinois Press. Reprinted with permission. No further reproduction is authorized without written permission from University of Illinois Press. This version of the document is not the version of record. Figures and/or pictures may be missing from this format of the document. *** Abstract: Leonard Bernstein's short opera Trouble in Tahiti (1951-52) is a humorous but scathing satire on postwar consumerism and bourgeois marriage. Such critiques are now so commonplace that it may be difficult to appreciate the opera's political edge unless it is seen against the backdrop of repression that marked the years following World War II: in an era in which a group as mainstream as the League of Women Voters was denounced as a "communist front organization," Trouble in Tahiti's criticisms risked reprisals.[1] Keywords: Musicals | Leonard Bernstein | Trouble in Tahiti | Gender | Feminism | Post World War II era Article: Leonard Bernstein's short opera Trouble in Tahiti (1951-52) is a humorous but scathing satire on postwar consumerism and bourgeois marriage. Such critiques are now so commonplace that it may be difficult to appreciate the opera's political edge unless it is seen against -
Albert-Lortzing-Gesellschaft E. V. Februar 2009
Info Nr. 8 Albert-Lortzing-Gesellschaft e. V. Februar 2009 Albert-Lortzing-Gesellschaft e. V. gegründet 2001 Lortzings Wohnhaus, die Große Funkenburg, in Leipzig Info Nr. 8 Albert-Lortzing-Gesellschaft e. V. Februar 2009 2 Info Nr. 8 Albert-Lortzing-Gesellschaft e. V. Februar 2009 Liebe Mitglieder, endlich halten Sie wieder einen Rundbrief in den Händen. Ich freue mich, daß auch diesmal zwei Mitglieder unserer Gesellschaft Beiträge verfasst haben, die den wesentlichen Teil dieses Rundbriefes ausmachen. Darüber hinaus finden Sie erneut Original-Rezensionen einiger Aufführungen durch Mitglieder unserer Gesellschaft sowie weitere Informationen, die hoffentlich Ihr Interesse finden. Das wichtigste Ereignis 2009 ist sicherlich das Mitgliedertreffen in Leipzig und die aus diesem Anlass stattfindende Fachtagung der Musikwissenschaftlichen Abteilung der Hochschule für Musik Felix Mendelssohn Bartholdy. Wir danken Herrn Prof. Dr. Schipperges sehr herzlich für die inhaltliche Planung und Organisation dieser Tagung. Ich wünsche allen einen schönen Frühling und freue mich, Sie bei dem Treffen in Leip- zig persönlich begrüßen zu können. Mit herzlichen Grüßen im Namen des ganzen Vorstands Ihre Irmlind Capelle Detmold, Ende Februar 2009 Impressum: Herausgeber: Albert-Lortzing-Gesellschaft e. V. c/o Prof. Dr. Bodo Gotzkowsky, Leipziger Straße 96, D – 36037 Fulda, Tel. 0661 604104 e-Mail: [email protected] Redaktion: Dr. Irmlind Capelle (V.i.S.d.P.) (Namentlich gezeichnete Beiträge müssen nicht unbe- dingt der Meinung des Herausgebers entsprechen.) © Lortzing-Gesellschaft e. V., 2009 Info Nr. 8 Albert-Lortzing-Gesellschaft e. V. Februar 2009 Info Nr. 8 Albert-Lortzing-Gesellschaft e. V. Februar 2009 Rosina Regina Lortzing geb. Ahles Die Suche nach ihrem Grab Ein Bericht von Petra Golbs Regina Rosina (geb. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
573824 Itunes Lortzing
LORTZING Opera Overtures Der Waffenschmied Undine Der Wildschütz Hans Sachs Malmö Opera Orchestra Jun Märkl Albert Lortzing (1801–1851) though, sketched out a plan for an opera on the subject as wrong Peter. Ivanov hands it to the Tsar, thereby obtaining early as 1845, and he was certainly aware of Lortzing’s the latter’s blessing for his union with Marie. Van Bett was Opera Overtures work. Set in 1517, when Sachs would have been 23 and a yet another of Lortzing’s richly comic bass creations, and Gustav Albert Lortzing was a multifaceted man of the staged work, first produced the evening before his death. young cobbler, Lortzing’s opera centres on Sachs’s Lortzing himself created the tenor role of Peter Ivanov. theatre – actor, singer, librettist, composer and conductor. The relatively brief and sprightly overture sets the scene courtship of his first wife, Kunigunde, daughter of goldsmith Andreas Hofer is, like Der Weihnachtsabend , a one-act Though international currency of his operas has been for a behind-the-scenes one-act piece in the tradition of Steffen (the counterpart of Wagner’s Pogner). Steffen has piece composed in 1832. It features real and imaginary limited, on German stages he was for some 150 years the Cimarosa’s Il maestro di capella , Mozart’s Der offered Kunigunde’s hand as the prize in a singing contest, episodes of the life of the innkeeper and drover who in 1809 most performed composer after Mozart and Verdi. While Schauspieldirektor and similar works. In the castle of a but has arranged that the winner should be Eoban Hesse, led the Tyrolean rebellion against occupation by Bavarian the pace of productions there has slackened over the past Count (another of those comic bass roles), the household an alderman from Augsburg. -
Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and -
We Invite You to Host Choirs Ontario on the Road
Choirs Ontario DynamicMay/June 2017|Volume 45, Issue 4 Dynamic is published four times a year by Choirs Ontario. Reproduction or translation of any work herein without the express permission of Choirs Ontario is unlawful. Choirs Ontario Editor, design & layout Linda T. Cooke (outgoing) Editor’s Letter 3 President’s Message 4 Incoming Board Members 5 Editorial President’s Leadership Award 7 Dynamic welcomes your letters, com- Ruth Watson Henderson Competition 7 mentary, photos, audio clips, video files, Choirs Ontario on the Road 8 Bullying in Choirs and article submissions. send to: Sing Ontario! Comes to Ottawa 9 [email protected] OYC Update 10 Advertising Podium 11 Info. on advertising cotracts, rates & Job Openings/Singers Wanted 22 specifications: 416.923.1144 or Concert Listings 22 [email protected] Festivals & Events 22 Choirs Ontario. 626 Bathurst Street, Toronto M5S 2R1 416.923.1144 or 1.866.935.1144 f: 416.929.0415 Features [email protected] Bullying in Choirs 12 Charitable registration: News From The Net 17 11906 7536 RR0001 Enchorus Children’s Board of Directors Choir President Upbeat Matthew Otto, Toronto (outgoing) Past President Enchorus Children’s Choir 18 Rachel R.-Hoff, St. Catharines (outgoing) Music at St. Thomas’ 19 President Elect Oriana Competition Winner 21 Elaine Choi, Toronto West Ottawa Ladies Chorus 21 Secretary Melanie Tellez, Hamilton Treasurer, Vacant Directors Carole Anderson, Mississauga Shana Brown, Sault St. Marie Eli Clarke, Toronto (outgoing) Linda Cooke, Mississauga (outgoing) Laurel -
Orchestra of St. Luke's 2020 Winter-Sping Season
Press release ORCHESTRA OF ST. LUKE’S BEGINS 2020 WINTER-SPRING SEASON IN FEBRUARY WITH VIOLINIST DANIEL HOPE AND CONTRALTO MARIE-NICOLE LEMIEUX IN HANDEL & VIVALDI: RARE WORKS FOR DOUBLE ORCHESTRA AT CARNEGIE HALL Carnegie Hall Series Concludes on March 5 with Beethoven’s Choral Fantasy featuring La Chapelle de Québec North American Premiere of Work by Composer Eleanor Alberga Anchors 2020 Music in Color Tour Pianist Paavali JumPPanen Joins St. Luke’s Chamber Ensemble for Beethoven’s “Eroica” at The Morgan Library, Merkin Hall, and Brooklyn Museum OSL joined by Taylor 2 Dance Company for OSL’s 43rd Season of Free School Concerts OSL debuts by violinist Daniel HoPe, Pianist Paavali JumPPanen, and singers Marie-Nicole Lemieux, Karina Gauvin, Matthew Brook, and Andrew Haji New York, NY, December 16, 2019 — Orchestra of St. Luke’s (OSL) 2020 winter-spring season will run from February 6 through the end of June, bringing music to over a dozen venues across the five boroughs of New York City. The season includes two Carnegie Hall subscription series concerts led by Principal Conductor Bernard Labadie; OSL’s signature Chamber Music Series with two all-Beethoven programs; a collaboration with New York’s MasterVoices in Sheldon Harnick’s English language version of Bizet’s Carmen; and Music in Color: Eleanor Alberga, OSL’s annual five borough free concert tour highlighting the works and lives of classical composers of color. CARNEGIE HALL PRESENTS ORCHESTRA OF ST. LUKE’S SERIES OSL Principal Conductor Bernard Labadie will lead the Orchestra in two dynamic programs: one dedicated entirely to works for double orchestra by Handel and Vivaldi and the other a celebration of Beethoven’s 250th birthday with a range of works displaying the composer’s audacious genius. -
Scholarships & Awards
SCHOLARSHIPS & AWARDS Post-secondary education is a great investment, but it still costs money. Here are links to potential funding sources, including federal/provincial student loans (which you have to pay back over time) and scholarships (which you don’t have to pay back). Government Loans, Scholarships • Automotive Industries Association Canada (AIA), The federal and provincial governments work together to provide financial assistance to aiahighfivesforkids.ca/en/scholarships post-secondary students, including loans and grants for both full-time and part-time • Bank of Canada Scholarship & Work Placement Program, students. Assistance is meant to supplement, not replace, other resources such as your own bankofcanada.ca/careers/scholarships savings, help from your parents or family and student awards. Learn more here: • Canadian Scholarship Trust Plan, cst.org/en/about-cst/awards • Canadian Western Agribition, agribition.com/scholarships-awards/scholarships • Saskatchewan-Canada Student Loans Program, saskatchewan.ca/residents/ • Prince Edward Arts Scholarship, saskartsboard.ca/menu/grants/ education-and-learning/student-loans grant-programs/prince-edward-arts-scholarship.html • Government of Saskatchewan, saskatchewan.ca/residents/ • Saskatchewan Ministry of Agriculture, Agriculture Student Scholarship, education-and-learning/scholarships-bursaries-grants saskatchewan.ca/business/agriculture-natural-resources-and-industry/ • Saskatchewan Graduate Retention Program, saskatchewan.ca/residents/education- agribusiness-farmers-and-ranchers/canadian-agricultural-partnership-cap/ and-learning/graduate-retention-program public-trust/agriculture-student-scholarship • Saskatchewan Association of Rural Municipalities 90th Anniversary $1,000 Student Apply early—a higher volume of loan applications, email and telephone inquiries means it Scholarship in Agricultural Safety and Rural Health, sarm.ca/about-sarm/ may take longer to process a loan application. -
Sing Your Sorrow, Sing Your Joy
FACULTY OF MUSIC Sing your Sorrow, Sing your Joy Chamber Choir Dr. Lori-Anne Dolloff, conductor Eunseong Cho, collaborative pianist MacMillan Singers David Fallis, conductor Lara Dodds-Eden, collaborative pianist Sunday, October 27, 2019 2:30 pm Church of the Redeemer 162 Bloor Street West We wish to acknowledge this land on which the University of Toronto operates. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and most recently, the Mississaugas of the Credit First Nation. Today, this meeting place is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work on this land. PROGRAM Chamber Choir Dr. Lori-Anne Dolloff, conductor Eunseong Cho, collaborative pianist I Never Saw Another Butterfly Charles Davidson (b. 1929) iv. The Butterfly Leticia Balogh, soloist At the Heart of our Stillness Kathleen Allan* (b. 1989) The Dawn is not Distant Christine Donkin* (b. 1976) Allyson Whitmell, soloist Quviasuliqpunga Iqilaarjuk* (b. 19th century) Da Pacem Jeff Enns* (b. 1972) Turlutte Acadienne Montréalaise Marie-Claire Saindon* (b. 1984) Intermission The Faculty of Music is a partner of the Bloor St. Culture Corridor bloorstculturecorridor.com MacMillan Singers David Fallis, conductor Lara Dodds-Eden, collaborative pianist How They so Softly Rest Healey Willan* (1880-1968) Excerpts from Figure humaine Francis Poulenc (1899-1963) i. De tous les printemps du monde ii. Aussi bas que le silence iii. Toi ma patiente iv. Le jour m’étonne Chichester Psalms Leonard Bernstein (1918-1990) i. Urah, hanevel Sunny Sheffman, Annika Telenius, Xavier Solis, and Dante Mullin Santone, soloists ii. -
Recent Honours & Awards
Mark G. Sirett 8 Graham Avenue Kingston, Ontario, Canada, K7L 2H3 Tel: [613] 929-3324 [email protected] Education: Degrees: D.M.A. Doctor of Musical Arts in Choral Conducting and Pedagogy, University of Iowa, 1990 M. A. Master of Arts, Choral Conducting and Pedagogy, University of Iowa, 1987 B. Mus. First Class, Queen’s University, Kingston, Ontario, 1975 Diplomas: A. Mus. Associate, Western Board of Music, Organ Performance, 1986 (Silver medalist) L.T.C.L. Licentiate, Trinity College of Music, London England, Piano performance, 1977 A.R.C.T. Associate, Royal Conservatory of Toronto, Piano performance, 1974 Additional Training: Graduate work in theory, University of Alberta, 1977-79 including studies with Violet Archer; Additional workshops/seminars: National Conductors’ Symposium with Jon Washburn and Vancouver Chamber Choir, 1981; conducting workshops with Eric Ericson, 1985 and 1988; Robert Shaw Institute, 1989; International Treble Choir Symposium, 1996; David Willcocks Workshop, 1996. Recent Honours & Awards Personal: • Mayor’s Award in the Arts—Creator, City of Kingston, 2019 • President’s Leadership Award, Choirs Ontario, 2008 • Distinguished Alumnus, Grant MacEwan University, Edmonton • Outstanding Conductor, Young Prague Choral Festival, Prague Czech Republic • International Jury Award for Imaginative and Creative Programming, Cork International Choral Festival, Ireland, 2002 • Iowa Foundation for the Arts Scholarship, Choral Conducting, 1988 Conducting: • Mathieson Trophy, Ontario Music Festivals, 2018 • Gold Award, Young -
9 Disability Resources 39 Workplace Safety 46 Paying for Your Future
2015 JOB CHART INCLUDED 2016 Branding your Future 6 Freedom... or is it? 9 Disability Resources 39 Workplace Safety 46 Paying for your Future www.saskcareers.ca/relevance for more information go to www.saskcareers.ca/relevance 20162016 relevance 1 .ca .ca .ca Visit saskatoonhealthregion.ca and click on Join Our Team, or find us on social media! Discover Your Future Career Path WELCOME TO YOUR saskcareers.ca will give you the opportunity to explore: CUBICLE • Career planning resources and portfolio development • Saskatchewan industries and their careers SEEDS · SALES · MARKET DEVELOPMENT · RESEARCH & DEVELOPMENT · CUSTOMER INTERACTION & MARKETING SUPPORT • Post-secondary programs If you love big skies, fresh air and limitless opportunities, a • Employers in your region career in agriculture offers this and so much more! As a leader in the agricultural community, it is our privilege to help our grower-partners feed the entire world, and it could be yours too. Visit to learn more about us. Competitive wages BayerCropScience.ca Exceptional work-life balance Corporate social events Supported by saskcareers.ca is managed by IN ADDITION TO PERSONALIZED TRAINING AND MENTORSHIP, WE OFFER: Global opportunities 2 relevance 2016 Branding your Contents Future Developing your Personal Brand ........ 4-5 Welcome to Relevance 2016! This year’s magazine has information and articles to help you choose a career direction and launch yourself into Freedom... or is it? .........................6 the world of work. There’s a growing trend in the job market today, and it’s called “personal branding.” Think of a Tips for Students on a Budget .............7 “brand” as a promise. -
6 9 Essential Skills 36 Tips for Young Workers 41 Spotlight on Accounting 45 Why the Skilled Trades?
2017 JOB CHART INCLUDED 2017 Transitions 6 9 Essential Skills 36 Tips for Young Workers 41 Spotlight on Accounting 45 Why The Skilled Trades? www.saskcareers.ca/relevance for more information go to www.saskcareers.ca/relevance 20172017 relevance 1 .ca .ca A bank that puts people .ca before profits? Discover Your Future Career Path saskcareers.ca will give you the When pigs fly. opportunity to explore: • Career planning resources and portfolio development Expect more for your money. With Affinity, • Saskatchewan industries and their careers your personal financial needs always come first. Always. • Post-secondary programs • Employers in your region Join the better banking movement! saskcareers.ca is managed by YOUR COLLEGE YOUR Make it FUTURE great > Pick a program > Receive a scholarship > Th rive in small classes > Figure out what “it” is greatplainscollege.ca Apply online today! > parklandcollege.sk.ca Kindersley • Swift Current • Warman Biggar • Rosetown • Maple Creek 2 relevance 2017 GPC Relevance ad 2015.indd 2 10/23/2015 11:52:29 AM Contents Transitions Changes ....................................... 4-5 Welcome to Relevance 2017! We’ve got a great lineup of 9 Essential Skills .................................. 6 peer profiles, articles, tips and resources to help you make the transition from high school to post-secondary training to career. Levi Goertz ....................................... 8 Check out the 2017 Job Chart in the heart of the magazine. It Tips for a Strong Financial Future ................. 9 lists practical information on hundreds of career options. Each includes training and education routes, employment numbers, Rochelle LaFlamme ............................ 10 wage estimates and even future prospects. 5 Rules for Avoiding Online Job Scams ........