By James Blake by Holton Winburne Ing While Experimenting for the Overgrown
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Full Environmental Assessment Form (FEAF) Workbook
Full Environmental Assessment Form (FEAF) Workbook SEQR Environmental Assessment Form Guidance Documents The Full Environmental Assessment Form (FEAF) is designed specifically for Type I Actions. It has three parts. The first part (Part 1) is filled out by the applicant, or project sponsor. Part 2 and Part 3 are the responsibility of the lead agency. Throughout the workbook, the term 'lead agency' is also referred to as the 'reviewing agency'. Part 1 of the FEAF provides details that will help the reviewing agency understand the location, size, type, and characteristics of the proposed project. Part 1 can be completed by the applicant using information prepared as part of the approval submission along with maps, plats, or other studies that may have been conducted and by exploring the information and maps available through the links in this guide. The lead agency should also review the information provided by the applicant in Part 1 for basic accuracy and completeness. Sometimes, the lead agency is also the project sponsor and there are no other agencies involved. An example of this is when a municipality adopts a local law. In such circumstances, the lead agency would also be required to complete Part 1 as the project sponsor. Part 2 is used to help the reviewing agency identify potential impacts that may result from the project. In order to do this, the reviewing agency will evaluate information from Part 1, but may also ask the applicant for clarification of information provided in Part 1, or additional information. Part 3 is used by the reviewing agency to determine if the potential adverse impacts identified in Part 2 are significant or not, and whether a draft environmental impact statement (DEIS) will be prepared. -
Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts
EATING AFTER THE TRIPLE DISASTER: NEW MEANINGS OF FOOD IN THREE POST-3.11 TEXTS by ROSALEY GAI B.A., The University of Chicago, June 2016 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2020 © Rosaley Gai, 2020 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the thesis entitled: Eating After the Triple Disaster: New Meanings of Food in Three Post-3.11 Texts submitted by Rosaley Gai in partial fulfillment of the requirements for the degree of Master of Arts in Asian Studies Examining Committee: Sharalyn Orbaugh, Professor, Asian Studies, UBC Supervisor Christina Yi, Associate Professor, Asian Studies, UBC Supervisory Committee Member Ayaka Yoshimizu, Assistant Professor of Teaching, Asian Studies, UBC Supervisory Committee Member ii ABstract Known colloquially as “3.11,” the triple disaster that struck Japan’s northeastern region of Tōhoku on March 11, 2011 comprised of both natural (the magnitude 9.0 earthquake and resultant tsunami) and humanmade (the nuclear meltdown at the Tokyo Electric Power Company’s Fukushima Daiichi nuclear power plant incurred due to post-earthquake damage) disasters. In the days, weeks, months, and years that followed, there was an outpouring of media reacting to and reflecting on the great loss of life and resulting nuclear contamination of the nearby land and sea of the region. Thematically, food plays a large role in many post-3.11 narratives, both through the damage and recovery of local food systems after the natural disasters and the radiation contamination that to this day stigmatizes regionally grown food. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Faculty/Staff Names
Emergency Phone Numbers FOR ALL EMERGENCIES ................................... 911 TDD/TTY (Emergency & Non-Emergency) ........................ 513-556-9933 Non Emergency Service Contacts Directory Assistance On Campus ........................................................................... 0 Off-Campus ....................................................... 513-556-6000 Public Safety http://www.uc.edu/publicsafety.html ........................ 513-556-1111 IT@UC Help Desk http://www.uc.edu/ucit/helpdesk.html .......... 513-556-HELP(4357) Work Control http://www.uc.edu/af/facilities.html .......................... 513-558-2500 After Hours ............................................................... 513-556-1111 Emergency Procedures In an emergency: 1. Call 911 using any phone and report the problem. Give the telephone number from which you are calling and your exact location—Building, floor, and room number. 2. If there’s smoke or a fire, pull the fire alarm to get everyone who is able out of the building. Do not use elevators. Go to assigned outside assembly area. If there is a serious contamination problem, pull the fire alarm to get everyone outside. 3. Relocate/evacuate those in immediate danger. Disabled persons are to assemble in defined rescue areas preferably a room with an external window, phone, and solid door. 4. Assign one staff person to relay information to others. 5. If a tornado warning, go to the tornado safe area for your building (i.e., basement, interior hallway, non- glass stairwell). 6. If a bomb threat, complete the bomb threat checklist below. Bomb Threat Checklist 1. Remain calm, do not interrupt the caller. Note time of call. Note phone number where the call was received. 2. As best you can, write down the exact words of the caller. 3. What did the voice sound like? (angry, raspy, stutter, whispered, excited, drunken, male, female, etc.) 4. -
ALBUM TOP 50 - Manuscript
Nacht v/d CD-Vreters 2013 - ALBUM TOP 50 - Manuscript 1 ARCTIC MONKEYS 'AM' 2 QUEENS OF THE STONE AGE '... Like Clockwork' 3 THE DELTA SAINTS 'Death Letter Jubilee' 4 NICK CAVE & THE BAD SEEDS 'Push The Sky Away' 5 THE NATIONAL 'Trouble Will Find Me' 6 DAFT PUNK 'Random Access Memories' 7 ARCADE FIRE 'Reflektor' 8 DAVID BOWIE 'The Next Day' 9 TRIXIE WHITLEY 'Fourth Corner' 10 NORTH MISSISSIPPI ALLSTARS 'World Boogie Is Coming' 11 PEARL JAM 'Lightning Bolt' 12 KURT VILE 'Waking On A Pretty Daze' 13 FOALS 'Holy Fire' 14 DAAN 'Le Franc Belge' 15 GARETT LEBEAU 'Rise To The Grind' 16 THE CHILD OF LOV 'The Child Of Lov' 17 JAKE BUGG 'Shangri La' 18 THE KNIFE 'Shaking The Habitual' 19 FLYING HORSEMAN 'City Same City' 20 POORBOYS AND PILGRIMS 'Aj't Geweten' 21 UNCLE LUCIUS 'And You Are Me' 22 CRYSTAL FIGHTERS 'Cave Rave' 23 CHARLES BRADLEY 'Victim Of Love' 24 STROMAE 'Racine Carrée' 25 PHOSPHORESCENT 'Muchacho' 26 LEE HARVEY OSMOND 'The Folk Sinner' 27 BEN HARPER & CHARLIE MUSSELWHITE 'Get up' 28 FLIP KOWLIER 'Cirque' 29 MILES KANE 'Don't Forget Who You Are' 30 ATOMS FOR PEACE 'Amok' 31 FLAMING LIPS 'Terror' 32 BOMBINO 'Nomad' 33 EELS 'Wonderful, Glorious' 34 GIRLS IN HAWAII 'Everest' 35 FRANZ FERDINAND 'Right Thoughts, Right Words' 36 JAMES HUNTER 'Minute By Minute' 37 UNKNOWN MORTAL ORCHESTRA 'II' 38 VILLAGERS 'Awayland' 39 GOV'T MULE 'Shout' 40 KINGS OF LEON 'Mechanical Bull' 41 BONOBO 'The North Borders' 42 DEERHUNTER 'Monomania' 43 CHVRCHES 'The Bones Of What You Believe' 44 PHOENIX 'Bankrupt' 45 DEVENDRA BANHART 'Mala' 46 NIGHT BEATS 'Sonic Bloom' 47 TEDESCHI TRUCKS BAND 'Made Up Mind' 48 JAMES BLAKE 'Overgrown' 49 MADENSUYU 'Sabat Matter' 50 SAVAGES 'Silence Yourself'. -
Revising the World with Speech in Franz Kafka, Robert Walser and Thomas Bernhard
Monologue Overgrown: Revising the world with speech in Franz Kafka, Robert Walser and Thomas Bernhard by Paul Joseph Buchholz This thesis/dissertation document has been electronically approved by the following individuals: Schwarz,Anette (Chairperson) Gilgen,Peter (Minor Member) McBride,Patrizia C. (Minor Member) MONOLOGUE OVERGROWN: REVISING THE WORLD WITH SPEECH IN FRANZ KAFKA, ROBERT WALSER AND THOMAS BERNHARD A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Paul Joseph Buchholz August 2010 © 2010 Paul Joseph Buchholz MONOLOGUE OVERGROWN: REVISING THE WORLD WITH SPEECH IN FRANZ KAFKA, ROBERT WALSER AND THOMAS BERNHARD Paul Joseph Buchholz, Ph. D. Cornell University 2010 My dissertation focuses on unstable, chronically unpublished prose texts by three key 20th century prose writers, quasi-novelistic texts whose material instability indicates a deep discomfort with the establishment of narrative authority qua narrative violence. I argue that Franz Kafka, Robert Walser and Thomas Bernhard, radically refunctionalized the device of interpolated “character monologue,” turning characters' speech from a narrative function, into a site where a text can be rewritten from within. In the Bildungsroman tradition, extended oral interpolations serve as an engine for the expansion and exposition of the plotted work, deepening the epic narrative world and exhaustively presenting a perspective that will be incorporated into biographical trajectory. I locate an estrangement of this practice: moments when oral monologues of fictional interlocutors “overgrow,” becoming an interventionary force that doubles, disrupts and re-frames the narrative discourse out of which it first sprouted. In showing how the labor of ‘world-making’ is split and spread across different competing layers of these texts, my dissertation contributes to the study of the narrative phenomenon of metalepsis. -
Chance the Rapper's Creation of a New Community of Christian
Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough. -
Friends That Break Your Heart
:: View email as a web page :: For a year now, I have been hosting an indie rock podcast called Indiecast with my friend and fellow critic Ian Cohen. As you might assume, it was a weird time to start an indie-rock podcast! Imagine launching a podcast on how great the Titanic is ve minutes after the iceberg hit — that’s what it was like. (Yes, I know that podcasts did not exist in the 1910s but let’s not take this analogy literally.) But even if it was a struggle at times to keep the discourse chugging along during a music industry shutdown, it was still a pleasure to wave the Indiecast ag. The best part is denitely our Indiecast listeners, the community of music nerds who turn to our show because nobody else in their lives wants to talk about Deerhunter, emo, and jambands. We welcome you all into our hearts, and we are grateful that you have welcomed us into yours. Check out our anniversary episode and subscribe to the pod here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century In case you missed it... The new Indiecast visualizer discusses Sling, the disarming and low-key sophomore album from Clairo. Check that out above or right here, and revisit out the full collection of Indiecast visualizers here. The latest episode of Indiecast also inducted a few more under appreciated albums into the Hall Of Fame. Jack White wants you to check out his impressive visual art (and his new blue hair). -
WRCU 2/10 ROTATIONS RIYL = Recommended If You Like
WRCU 2/10 ROTATIONS RIYL = Recommended If You Like Alone, Omen 3 by King Krule RIYL: Cosmo Pyke, Ariel Pink The chameleonic singer-songwriter is gearing up for the February 21st release of his next album, Man Alive!, with single "Alone, Omen 3", which displays elements of both the stark, rough-shod post-punk of his first record, 6 Feet Beneath the Moon, and the more eclectic art pop leanings of his second, The OOZ. But "Alone, Omen 3" also hints at a new, psychedelically inclined direction for Marshall, featuring a more understated vocal performance and a woozy, meditative tone. By Colin Jones Run by Joji RIYL: James Blake, Rejjie Snow George Kusunoki Miller began his online career as Filthy Frank (a sketch comedy act), transitioned to Pink Guy (a comedy rapper), and finally realized his full musical form as Joji, the lo-fi hip hop artist inspired by Donald Glover and influenced by electronic and R&B music. On “Run,” a haunting, mysterious electric guitar snakes its way through the song supported by heartbreaking lyrics. Imagine you’re driving along a coastal highway, top-down, feeling the wind, letting the song’s words wash over you, and thinking of your last great love...all while wearing a bad-ass, black leather jacket. That’s what this song is like. By Chase Garvey-Daniels Shangri-La by EOB RIYL: Radiohead, The Postal Service Shangri-la is one of three singles released ahead of Radiohead frontman Edward O'Brien’s upcoming album, which will be called “Earth”. This is O’Brien’s debut album as a solo artist, marking the end of (or at least a break from) his 20+ years with Radiohead. -
The Recording Academy®
® The Recording Academy 3030 Olympic Blvd. • Santa Monica, CA 90404 www.grammy.com JAY Z LEADS NOMINATIONS WITH NINE; KENDRICK LAMAR, MACKLEMORE & RYAN LEWIS, JUSTIN TIMBERLAKE, AND PHARRELL WILLIAMS EACH EARN SEVEN; DRAKE AND BOB LUDWIG EACH GARNER FIVE SARA BAREILLES, DAFT PUNK, KENDRICK LAMAR, MACKLEMORE & RYAN LEWIS, AND TAYLOR SWIFT VIE FOR ALBUM OF THE YEAR AT THE 56TH ANNUAL GRAMMY AWARDS® JAN. 26, 2014, LIVE ON CBS LOS ANGELES (Dec. 06, 2013) — Nominations for the 56th Annual GRAMMY Awards® were announced tonight by The Recording Academy® and reflected one of the most diverse years with the Album Of The Year category alone representing the rap, pop, country and dance/electronica genres, as determined by the voting members of The Academy. Once again, nominations in select categories for the annual GRAMMY Awards were announced on primetime television as part of "The GRAMMY® Nominations Concert Live!! — Countdown To Music's Biggest Night®," a one-hour CBS entertainment special broadcast live from Nokia Theatre L.A. LIVE. The 56th Annual GRAMMY Awards will be held on "GRAMMY Sunday," Jan. 26, 2014, at STAPLES Center in Los Angeles and once again will be broadcast live in high-definition TV and 5.1 surround sound on CBS from 8 – 11:30 p.m. (ET/PT). For updates and breaking news, please visit The Recording Academy's social networks on Twitter and Facebook. For a complete nominations list, please visit www.grammy.com. Jay Z tops the nominations with nine; Kendrick Lamar, Macklemore & Ryan Lewis, Justin Timberlake, and Pharrell Williams each garner seven nods; Drake and mastering engineer Bob Ludwig are up for five awards. -
Download 1 File
Starship Troopers by Robert Heinlein Table of Contents Starship Troopers Chapter 8 Chapter 1 Chapter 9 Chapter 2 Chapter 10 Chapter 3 Chapter 11 Chapter 4 Chapter 12 Chapter 5 Chapter 13 Chapter 6 Chapter 14 Chapter 7 Chapter 1 Come on, you apes! You wanta live forever? — Unknown platoon sergeant, 1918 I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important — it’s just like the trembling of an eager race horse in the starting gate. I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time. At D-minus-thirty, after we had mustered in the drop room of theRodger Young , our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima — a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell. Off duty he wasn’t bad — for a sergeant. -
Issue No. 38 July/August 2016 3 Addictive Deep House Cut Effectively Put EYE His Name on the Map in the Electronic of the Music Scene
That's So 90's Alan Walker Kevin Gates Hayden James Foals Robert DeLong and more THE STORM ISSUE NO. 38 REPORT JULY/AUGUST 2016 TABLE OF CONTENTS 4 EYE OF THE STORM That's So 90's What Goes Around Comes Around 5 STORM TRACKER STORM Festivals Part 2 6 STORM FORECAST What to look forward to this month. Award Shows, Concert Tours, Album Releases, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Ellie Rowsell, the lead singer of Wolf Alice. Photo provided by management ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Hello STORM Readers! The STORM Report is a compilation of up-and-coming bands and Nostalgia is a powerful emotion – and one artists who are worth watching. Only those showing the most that marketers frequently use to excite and promising potential for future commercial success make it onto our engage their consumers. As we look back monthly list. at 2016 so far, we’ve observed a decided yearning for a return to the 1990s. An How do we know? inaugural “I Love the 90s Tour” kicks off this month featuring performances by Vanilla Through correspondence with industry insiders and our own ravenous Ice, Salt N Peppa, Kid N Play, Coolio and media consumption, we spend our month gathering names of artists more; “MTV Classic” debuts on August 1 who are “bubbling under”. We then extensively vet this information, and features programming entirely from the analyzing an artist’s print & digital media coverage, social media 90s and early 2000s; The Backstreet Boys growth, sales chart statistics, and various other checks and balances to are back in the studio working on a country ensure that our list represents the cream of the crop.