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Manga都市tokyo 出品リスト 英語 20200923

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[First half of the exhibition] 8.12 (Wed.) - 9.14 (Mon.) 2020 8.12 ( Wed. ) -11.3 ( Tue. ) [Second half of the exhibition] 9.16 (Wed.) - 11.3 (Tue.) The National Art Center, Tokyo, Special Exhibition Gallery 1E Organized by: Introduction Agency for Cultural Affairs, Government of Japan ; Japan Arts Council; The National Art Center, Tokyo Co-organized by: Installation TBS With the Support of: 1/1000 Scale Giant Model of Tokyo Organization for Promoting Manga and Animation; Modelling by NISHIMURA TOPOGRAPHICAL MODELING TBS Radio; The Japan Foundation GROUP, Inc. / Marbling Fine Arts Co., Ltd. Anime 令和２年度日本博主催・共催型プロジェクト PATLABOR 2 THE MOVIE Director: OSHII Mamoru, Original Story: HEADGEAR | 1993 | Videos: 1 Game Densha de Go! Final Platform: PlayStation 2, Published by TAITO | 2004 | Videos: 1 Gran Turismo 6 Platform: PlayStation 3, Published by Sony Interactive Entertainment / Developed by Polyphony Digital | 2013 | Videos: 1 Gran Turismo Sport Platform: PlayStation 4, Published by Sony Interactive Entertainment / Developed by Polyphony Digital | 2017 | Videos: 1 GUNSLINGER STRATOS2 Platform: arcade game, Published by SQUARE ENIX | 2014 | Videos: 1 GUNSLINGER STRATOS3 Platform: arcade game, Published by SQUARE ENIX | 2016 | Videos: 2 Tokyo 23-Ku Seifuku Wars Platform: PlayStation, Provided by GungHo Online Entertainment | 1998 | Videos: 1 Section 1: Cycles of Destruction and Reconstruction List of Works Manga ・The List of Works is organized by section and genre. Therefore, the order in which the works are listed differs from the display order. ・There may be changes in works exhibited. AKIRA ・Temperature, humidity and lighting in the gallery are strictly controlled for the OTOMO Katsuhiro | 1982 | Digital prints: 13 conservation of works under the provisions of international standards and the lender’s condition of loan. A Tree in the Sun / L'Arbre au Soleil TEZUKA Osamu | 1981 | Monochrome drawings: 6《［ First Liste des oeuvres ・ La liste des œuvres est organisée par section et par genre. Par conséquent, half of the exhibition] Scanned replica of the original l'ordre dans lequel les œuvres sont répertoriées diffère de l'ordre d'affichage. drawings /［ Second half of the exhibition］Original drawings》 ・ Il peut y avoir des changements dans les œuvres exposées. ・ La température, l’humidité et l’éclairage de la galerie sont strictement contrôlés pour la conservation des œuvres conformément aux dispositions des Anime normes internationales et aux conditions de prêt du prêteur. ♦Term (English / French) AKIRA Digital prints ⇔ Tirages numériques Director/Original Story: OTOMO Katsuhiro | 1988 | Videos: 3, Scanned replica of the original drawings ⇔ Reproductions de dessins originaux Visual materials: 1 Original drawings ⇔ Dessins originaux COMBUSTIBLE Historical documents Director / Original Story: OTOMO Katsuhiro | 2013 | Videos: 1, Character designs: 4, Layouts: 6, Children at play in a parody of the New Year’s Backgrounds: 1《 [First half of the exhibition] 1 Piece / parades of fire brigades / Des enfants jouant [Second half of the exhibition] 1 Piece * Different pieces are dans une parodie des défilés du nouvel an de la displayed for the first and second half of the exhibition》 brigade des pompiers EVANGELION:1.0 YOU ARE (NOT) ALONE. Anonymous (Anonyme) | 1891 | Ukiyo-e woodblock prints Original Story / Screenplay / Director: ANNO Hideaki, Director: MASAYUKI / TSURUMAKI Kazuya | 2007 | Videos: 2, Location map of the Great Kanto Earthquake Production materials (replicas): 6, Visual materials: 1, / Carte de localisation du grand tremblement de Panels: 2 terre du Kanto 1923 EVANGELION:2.0 YOU CAN (NOT) ADVANCE. Original Story / Screenplay / Director: ANNO Hideaki, Print of fire brigades and emblems / Impression Director: MASAYUKI / TSURUMAKI Kazuya | 2009 | Videos: 2, de la brigade des pompiers et emblèmes Production materials (replicas): 3 Kunimichi | 1843-1847 | Ukiyo-e woodblock prints Jin-Roh: The Wolf Brigade / Jin-Roh, la brigade Ryounkaku at Asakusa Park / Ryounkaku au parc des loups Asakusa Director: OKIURA Hiroyuki, Original Story: OSHII Mamoru Sadashige | Edo Era | Ukiyo-e woodblock prints | 1999 | Videos: 1, Storyboards: 4, Cells / backgrounds:《 [First half of the exhibition] 2 Pieces / [Second half of the exhibition] 1 Piece * Different pieces are Section 2: Life in Tokyo displayed for the first and second half of the exhibition)》, Layouts: 1 (for the second half of the exhibition) Manga Millennium Actress Director / Original Story: KON Satoshi | 2002 | Videos: 1 Ai to Honō TOMOE Satoo (written by HIROSAWA Ei) | 1971 | Original Tokusatsu (SFX films) monochrome drawings: 6 Ashita no Joe GODZILLA TAKAMORI Asao / CHIBA Tetsuya | 1967 | Original Director: HONDA Ishiro, Special Effects Director: monochrome drawings: 2, Monochrome drawings (replicas): 4 TSUBURAYA Eiji | 1954 | Videos: 3, Visual materials: 1 A Tree in the Sun / L'Arbre au Soleil Godzilla: Tokyo S.O.S. TEZUKA Osamu | 1981 | Monochrome drawings: 8《First Director: TEZUKA Masaaki, Special Effects Director: ASADA half of the exhibition］Original drawings / [Second half of the Eiichi | 2003 | Videos: 2 exhibition] Scanned replica of the original drawings》 Godzilla vs. Destoroyah Botchan no jidai / Au temps de Botchan Director: OKAWARA Takao, Special Effects Director: SEKIKAWA Natsuo / TANIGUCHI Jiro | 1987 | Original KAWAKITA Koichi | 1995 | Videos: 1 monochrome drawings: 7 Godzilla vs. King Ghidorah Cardcaptor Sakura Director: OMORI Kazuki, Special Effects Director: CLAMP | 1996 | Digital prints: 4 KAWAKITA Koichi | 1991 Videos: 1 CITY HUNTER Godzilla vs. Megaguirus HOJO Tsukasa | 1985 | Original monochrome drawings: 4, Director: TEZUKA Masaaki, Special Effects Director: Color drawings: 1 [First half of the exhibition] Original SUZUKI Kenji | 2000 | Videos: 1 drawing / [Second half of the exhibition] Scanned replica of Godzilla 2000: Millennium the original drawing Director: OKAWARA Takao, Special Effects Director: Futatsumakura SUZUKI Kenji | 1999 | Videos: 1 SUGIURA Hinako | 1981 | Original monochrome drawings: 6 SHIN GODZILLA Fu-ten Director: ANNO Hideaki, Special Effects Director: HIGUCHI NAGASHIMA Shinji | 1967 | Monochrome drawings (replicas): 4 Shinji | 2016 | Videos: 1 / Digital monochrome prints: 1 The Return of Godzilla Genshiken Director: HASHIMOTO Koji, Special Effects Director: KIO Shimoku | 2002 | Original monochrome drawings: 4 NAKANO Teruyoshi | 1984 | Videos: 3 Haikara-San: Here Comes Miss Modern TOKYO THE LAST MEGALOPOLIS YAMATO Waki | 1975 | Original monochrome drawings: 2, Director: JISSOJI Akio, Original Story: ARAMATA Hiroshi | Color drawings: 3 ([First half of the exhibition] 1 Original 1988 | Videos: 2, Installations (replicas): 2, Production drawing, 2 scanned replica of the original drawings materials: 3 / [Second half of the exhibition] 2 Original drawings, 1 scanned Other materials from the Godzilla Series replica of the original drawing) OHRAI Noriyoshi’s illustrations 《[First half of the exhibition] Hanagami Sharaku 1 Piece / [Second half of the exhibition] 1 Piece * Different ICHINOSEKI Kei | 2003 |Original monochrome drawings: 5 pieces are displayed for the first and second half of the exhibition.》 Hana no Zuborameshi / Mes petits plats faciles To-y By Hana KAMIJO Atsushi | 1985 | Original monochrome drawings: 6 KUSUMI Masayuki / MIZUSAWA Etsuko | 2009 | Digital prints: 8 / Color drawings: 2 《[First half of the exhibition] Scanned replica of the original drawings / [Second half of the exhibition] Hitorigurashi no OL wo Kakimashita Original drawings》 KUROKAWA Yori | 2015 | Digital prints: 9 X Kodoku no Gourmet / Le Gourmet solitaire CLAMP | 1992 | Digital prints: 4 KUSUMI Masayuki / TANIGUCHI Jiro | 1994 | Original monochrome drawings: 6 Zai Jian HUI-CHIN! MURAKAMI Motoka | 2013 | Original monochrome drawings: 6 Kūneru MARUTA / Digital monochrome prints: 1 TAKAO Jing | 2012 | Digital prints: 6 34-sai Mushoku-san Lovely! IKEDA Takashi | 2011 |Digital prints: 10 SAKURAZAWA Erica | 1998 | Original monochrome drawings: 3 8 -Eight- KAMIJO Atsushi | 2000 |Original monochrome drawings: 11 Love so Special SAKURAZAWA Erica | 1991 | Original monochrome drawings: 3 Anime March comes in like a lion Cardcaptor Sakura UMINO Chica | 2007 | Original monochrome drawings: 5, Director: ASAKA Morio, Original Story: CLAMP | 1998 | Color drawings: 2 《[First half of the exhibition] 1 Piece Videos: 1 / [Second half of the exhibition] 1 Piece * Different pieces are displayed for the first and second half of the exhibition.》 CITY HUNTER / NICKY LARSON Director: KODAMA Kenji, Original Story: HOJO Tsukasa | River's edge 1987 | Videos: 1, Cells/backgrounds: 2 《[First half of the OKAZAKI Kyoko | 1993 | Original monochrome drawings: 8 exhibition] 1 Piece / [Second half of the exhibition] 1 Piece Rurouni Kenshin / Kenshin - le vagabond - * Different pieces are displayed for the first and second half of the exhibition WATSUKI Nobuhiro | 1994 | Original monochrome drawings: 6 》 Sabu and Ichi / Sabu et Ichi COMBUSTIBLE Director / Original Story: OTOMO Katsuhiro | 2013 | Videos: 1, ISHINOMORI Shotaro | 1968 | Original monochrome Storyboards (replicas): 3, Layout drawings: 5, Backgrounds: drawings: 6 / Digital monochrome prints: 3 《[First half of the exhibition] 1 Piece / [Second half of the Sakuran exhibition] 1 Piece * Different pieces are displayed for the ANNO Moyoco | 2001 | Monochrome drawings (replicas): 4, first and second half of the exhibition.》, Color drawings (replicas): 5 Layouts: 2 (for the second half of the exhibition) San-chōme no Yūhi Crayon Shin-chan the
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  • The Yuribou Guide to Fanservice for Animators

    The Yuribou Guide to Fanservice for Animators

    The Yuribou Guide to Fanservice for Animators Disclaimer: All art here is taken from various image boards and image searches and appears without artist’s permission. If you are the artist and wish your art to be removed or your work credited, please email me on the address below Brought to you by Yuribou at Yuri to Boushi to Hon no Tabibito (http://yuribou.net/blog) Introduction Hello young animator! You’ve fought through the ranks of artist wannabes and failed otaku sycophants and have finally won your way into the midst of greatness. But the first thing to decide - what type of anime would you like to make? Fanservice did I hear you say? You choose to walk the thin pink g-string between gratuitous service and softcore pornography? Good choice! Then you’ve come to the right place! The Reverse Breast Grab (or RBG) - One of the advanced Welcome to the Yuribou Guide to Fanservice manoeuvres that can make or break a seasoned fanservice for Animators. Anyone can draw a cheap animator’s career. panty shot, but how can you make it appeal to the masses who just shrug this off as just There are four things that are the most an everyday phenomenon? How do you important in fanservice - make your moe super-moe? What differentiates a boring glasses girl from • First and foremost - art quality desirable meganekko? When is it appropriate • Character (both designs and to insert token yuri? And most importantly, character) how can you make an anime that Yuribou will • Situations - a good mix of cheap and watch? well planned • Overall storyline and character Granted that last one isn’t too difficult.