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Instructor: Course: Date: My Favorite Book-To-Movie Adaptation Among
Last Name 1 Name: Instructor: Course: Date: My Favorite Book-To-Movie Adaptation Among many books converted into screen adaptations, the trilogy Lord of the Rings has always been my literary passion. From the days of their releases, all parts of the movie trilogy directed by Peter Jackson confidently remain the highest-grossing films of all time. Considering the voluminous world created by J.R.R. Tolkien, it is difficult to convey the sequence of events in them; nonetheless, the director managed to portray the plot as accurately as possible. The third book, The Return of the King, is my favorite part of the trilogy, and the extended edition of the movie would be a topic of discussion; however, since it is unwise to try to cover all the events within the trilogy, I will focus on the most significant parts below. Beacon-hills (01:04:30-01:07:51) The fascinating view from the height of Minas Tirith accurately conveys the understanding of how much effort it requires from the little hobbit Pippin to climb on the tower with a signal fire and ask for help, which had been forbidden by the Steward of Gondor. There is a marvelous musical accompaniment to make the viewer wonder how the hobbit could perform his task. From the first lit fire, the movie invites us to trace how a call for help passes through lonely outposts hidden in snowy mountains and how the news finally reaches Edoras. Here, it is also important to mention the acting skills of Viggo Mortensen (Aragorn) and Bernard Hill (Theoden). -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Agenda #12 March 18, 2021
Please click the link below to join the webinar: https://worcesterschools.zoom.us/j/87885004896?pwd=YzZ5eWhqbmR1QWlUUE1OL3QraWVJZz09 Passcode: 339299 Telephone: US: +1 301 715 8592 or +1 312 626 6799 Webinar ID: 878 8500 4896 CLERK OF THE SCHOOL COMMITTEE WORCESTER PUBLIC SCHOOLS 20 IRVING STREET WORCESTER, MASSACHUSETTS 01609 AGENDA #12 on: Thursday, March 18, 2021 at: 5:00 p.m. - Executive Session 6:00 p.m. – Regular Session Virtually in: Room 410 at the Durkin Administration Building ORDER OF BUSINESS ACTION I. CALL TO ORDER INVOCATION PLEDGE OF ALLEGIANCE NATIONAL ANTHEM II. ROLL CALL III. APPROVAL OF RECORDS aor #1-6 - Administration (March 8, 2021) To consider approval of the Minutes of the School Committee Meeting of Thursday, February 25, 2021. aor #1-7 - Administration (March 8, 2021) To consider approval of the Minutes of the School Committee Meeting of Friday, February 26, 2021. aor #1-8 - Administration (March 8, 2021) To consider approval of the Minutes of the School Committee Meeting of Monday, March 1, 2021. The Worcester Public Schools is an Equal Opportunity/Affirmative Action Employer/Educational Institution and does not discriminate regardless of race, color, ancestry, sex, gender, age, religion, national origin, gender identity or expression, marital status, sexual orientation, disability, pregnancy or a related condition, veteran status or homelessness. The Worcester Public Schools provides equal access to employment and the full range of general, occupational and vocational education programs. For more information relating to Equal Opportunity/Affirmative Action, contact the Human Resource Manager, 20 Irving Street, Worcester, MA 01609, 508-799-3020. Page 2 – 3-18-21 ACTION III. -
Narratives of Interiority: Black Lives in the U.S. Capital, 1919 - 1942
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2015 Narratives of Interiority: Black Lives in the U.S. Capital, 1919 - 1942 Paula C. Austin Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/843 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] NARRATIVES OF INTERIORITY: BLACK LIVES IN THE U.S. CAPITAL, 1919 – 1942 by PAULA C. AUSTIN A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 ©2015 Paula C. Austin All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________________ ____________________________ Date Herman L. Bennett, Chair of Examining Committee ________________ _____________________________ Date Helena Rosenblatt, Executive Office Gunja SenGupta Clarence Taylor Robert Reid Pharr Michele Mitchell Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract NARRATIVES OF INTERIORITY: BLACK LIVES IN THE U.S. CAPITAL, 1919 – 1942 by PAULA C. AUSTIN Advisor: Professor Herman L. Bennett This dissertation constructs a social and intellectual history of poor and working class African Americans in the interwar period in Washington, D.C. Although the advent of social history shifted scholarly emphasis onto the “ninety-nine percent,” many scholars have framed black history as the story of either the educated, uplifted and accomplished elite, or of a culturally depressed monolithic urban mass in need of the alleviation of structural obstacles to advancement. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
This Sunday! Roger Allam, Celia Imrie & Kevin Bishop
PRESS RELEASE 16-10-2017 IMAGES CAN BE DOWNLOADED HERE www.whitherwouldyougo.com / #whitherwouldyougo / @WhitherWould THIS SUNDAY! ROGER ALLAM, CELIA IMRIE & KEVIN BISHOP JOIN ALL-STAR CAST OF – ‘WHITHER WOULD YOU GO?’ - DIRECTED BY JAMIE LLOYD FOR REFUGEES On October 22nd at the Harold Pinter Theatre, a host of stars will gather to perform scenes from Shakespeare’s plays in response to modern-day refugee video stories. The evening will be directed by Jamie Lloyd. All profits go to the UN Refugee Agency, UNHCR. The burgeoning cast includes such luminaries as Roger Allam, Kevin Bishop, Zoe Boyle, Bertie Carvel, Lee Evans, Martin Freeman, Kobna Holdbrook-Smith, Celia Imrie, Eleanor Matsuura, Wunmi Mosaku, James Norton, Jack Whitehall, Olivia Williams & many more will join together to create a one-night-only, never-to-be-repeated gala event in support of the millions of forcibly displaced people around the world. The evening includes a special guest performance by actor Jay Abdo, himself a refugee of his native Syria. Inspired by Shakespeare’s ‘refugee’ speech from ‘The Book of Sir Thomas More’, written as a plea for tolerance during the London riots of May 1517 (500 years ago this year), ‘Whither Would You Go?’ pairs scenes from Shakespeare, read by stars of stage and screen with genuine refugee stories from around the world. Jamie Lloyd says ‘Whither Would You Go? uses the words of William Shakespeare to highlight our shared humanity. When we focus on what we all have in common, we can start a conversation. With more than 65m forcibly displaced people in the world – the highest levels ever recorded - we should be talking and we should be acting. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
This Spectred Isle James Bond, Alan Partridge, and Englishness
This SPECTREd Isle James Bond, Alan Partridge, and Englishness GILLIAN GROSZEWSKI Like the Aston Martin car he drives and the Savile Row tailors he frequents, James Bond is an English cultural icon. ndeed, in !"#!, $aniel %raig, as Bond, was the natural choice to &act' as the securit( escort for )er Majest(, the +ueen, as she made her wa( to the o,ening ceremon( of the -l(mpic .ames in Lon/ don, itself a celebration of all things English. Although ap,roximating the iconic, Steve %oogan2s 3ctional character, Alan 4artridge, does not ,ossess the same cul/ tural cachet as 5leming’s international man of m(ster(. A self/,rofessed Bond su,er/fan, 4artridge attempts, on a regular basis, to achieve the im,ossible: to become an icon. 7here Bond and brand become inseparable due to their so,h/ isticated interdependence, 4artridge desperatel( seeks cor,orate ,artnershi, in an attempt to increase his ,ersonal wealth and social ,ro3le. )owever, while 4artridge ma( ap,ear, at 3rst sight, a ,ale imitation of 5leming’s iconic sleuth, both characters ,ossess a similarl( acute awareness of what it means to be Eng/ lish. %hristine Berberich has written of Bond that &behind the suave secret agent lurks a character 0oth at ease and at odds with his time' 8!"#!, #9:. Looking be/ hind the ,reoccu,ation of Alan 4artridge with all things Bond highlights the changing conce,t of what it means to be English in contem,orar( Britain. Like Bond, 4artridge frequentl( 3nds himself to 0e at odds with those that surround him ; not least due to his encyclo,aedic knowledge of the Bond franchise ; but Gillian Groszewski +e12hes Englis3 1+ -higwell S2hool. -
Presents a Film by Michael Winterbottom 104 Mins, UK, 2019
Presents GREED A film by Michael Winterbottom 104 mins, UK, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis GREED tells the story of self-made British billionaire Sir Richard McCreadie (Steve Coogan), whose retail empire is in crisis. For 30 years he has ruled the world of retail fashion – bringing the high street to the catwalk and the catwalk to the high street – but after a damaging public inquiry, his image is tarnished. To save his reputation, he decides to bounce back with a highly publicized and extravagant party celebrating his 60th birthday on the Greek island of Mykonos. A satire on the grotesque inequality of wealth in the fashion industry, the film sees McCreadie’s rise and fall through the eyes of his biographer, Nick (David Mitchell). Cast SIR RICHARD MCCREADIE STEVE COOGAN SAMANTHA ISLA FISHER MARGARET SHIRLEY HENDERSON NICK DAVID MITCHELL FINN ASA BUTTERFIELD AMANDA DINITA GOHIL LILY SOPHIE COOKSON YOUNG RICHARD MCCREADIE JAMIE BLACKLEY NAOMI SHANINA SHAIK JULES JONNY SWEET MELANIE SARAH SOLEMANI SAM TIM KEY FRANK THE LION TAMER ASIM CHAUDHRY FABIAN OLLIE LOCKE CATHY PEARL MACKIE KAREEM KAREEM ALKABBANI Crew DIRECTOR MICHAEL WINTERBOTTOM SCREENWRITER MICHAEL WINTERBOTTOM ADDITIONAL MATERIAL SEAN GRAY EXECUTIVE PRODUCER DANIEL BATTSEK EXECUTIVE PRODUCER OLLIE MADDEN PRODUCER -
Comedic Indexes (See Bell 2001A, 2001B)
Indexes: comedic, humorous and laughable (for all the right reasons) Paula Clarke Bain, Marketing Director, Society of Indexers The set -up An index can provide an entertaining conclusion to a book in its own right. Some indexes can be unfortunately laughable for entirely the wrong reasons, but many authors and indexers choose to add deliberate humour to this final part of the book, and some do this very well. Over the last couple of years, I have been writing a series of blog posts on the comedy book index on my website ( baindex.org ), some of which have become articles for The Indexer journal (Bain 2017, 2018), continuing the fine tradition of Hazel Bell’s reviews of comedic indexes (see Bell 2001a, 2001b). I’m pleased to present an overview of some recent examples for this issue of Catalogue and Index . I have always had a great interest in comedy in my leisure time, and I have indexed a lot of books in my work hours, having been a full -time freelancer since 2001. It’s been a great delight to me, as both a comedy and indexing fan, to see that many of my favourite comedy writers have recently produced books that have plenty of humorous material in their indexes. These include Francis Wheen, Charlie Brooker, Richard Ayoade, and the writers of the Alan Partridge and Steven Toast characters, all of which I review below. Strange indexes indeed: Francis Wheen The earliest of these were two books by Francis Wheen, journalist and deputy editor of Private Eye magazine. How Mumbo -Jumbo Conquered the World was published in 2004 and Strange Days Indeed followed in 2009. -
4 April 2008 Page 1 of 6 SATURDAY 29 MARCH 2008 Dan Freedman and Nick Romero’S Comedy About the First Broadcast on BBC Radio 4 in May 1999
Radio 7 Listings for 29 March – 4 April 2008 Page 1 of 6 SATURDAY 29 MARCH 2008 Dan Freedman and Nick Romero’s comedy about the First broadcast on BBC Radio 4 in May 1999. swashbuckling exploits of Lord Zimbabwe, occultist and SAT 13:30 The Men from the Ministry (b007jqfn) SAT 00:00 Simon Bovey - Slipstream (b009mbjn) adventurer. Not on Your Telly Fight for the Future Lord Zimbabwe ...... Nick Romero The bungling bureaucrats spark bedlam during a BBC Jurgen and Kate are desperate to get the weapon away before all Dr Lilac ...... Dan Freedman 'Panorama' probe. is lost... Cletus ...... Owen Oakeshott Stars Richard Murdoch and Deryck Guyler. Conclusion of Simon Bovey's sci-fi adventure series set during Marylou Coyotecock ...... Sophie Aldred With Norma Ronald, Ronald Baddiley and John Graham. the Second World War. Vicar ...... Colin Guthrie Written by Edward Taylor and John Graham. Stars Rory Kinnear as Jurgen Rall, Tim McMullan as Major Theremin ...... Peter Donaldson 'The Men from the Ministry' ran for 14 series between 1962 Barton, Joannah Tincey as Kate Richey, Ben Crowe as Other parts played by the cast. and 1977. Deryck Guyler replaced Wilfrid Hyde-White from Lieutenant Dundas, Rachel Atkins as Trudi Schenk, Peter Producer: Helen Williams 1966. Sadly many episodes didn't survive in the archive, Marinker as Brigadier Erskine and Laura Molyneux as First broadcast on BBC Radio 4 in August 2000. however the BBC's Transcription Service re-recorded 14 shows Slipstream. SAT 05:00 The Barchester Chronicles (b007jpr1) in 1980 - never broadcast in the UK, until the arrival of BBC Other parts played by Simon Treves, Sam Pamphilon, Alex Framley Parsonage Radio 4 Extra.