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Talks by Nirodbaran December 1969
TALKS BY NIRODBARAN December 1969 – July 1970 TALKS by NIRODBARAN December 1969 – July 1970 Edited by Sunayana and Maurice Sri Aurobindo Ashram Pondicherry First Edition: 2018 Rs 210 ISBN 978-93-5210-152-8 © Sri Aurobindo Ashram Trust 2018 Published by Sri Aurobindo Ashram Publication Department Pondicherry 605 002 Web http://www.sabda.in Printed at Sri Aurobindo Ashram Press, Pondicherry PRINTED IN INDIA Foreword Four years before Sri Aurobindo’s birth centenary, at a teacher’s request, Nirod-da agreed to speak to the students of Sri Aurobindo International Centre of Education about Sri Aurobindo. It was thought that this would help to prepare them for the occasion. Having had a privileged contact with the Master for twelve years as well as a voluminous correspondence with him, Nirod-da soon became a big draw with the students. As the audience kept increasing for his talks, the venue was shifted to the larger Hall of Harmony. Each week Nirod-da’s talk to the students was tape-recorded on a cassette; then it was immediately transcribed and made available for the following session. In this way, a hundred and fifty talks were recorded and meticulously transcribed by Sudha and Kokila. It is interesting to note that Nirod-da’s Twelve Years with Sri Aurobindo was born of notes taken for these talks; before the book was published, it was read out to the Mother in instalments by the author himself. “Thanks toN irod,” the Mother wrote, “we have a revelation of an altogether unknown side of what Sri Aurobindo was. -
Nirodbaran Talks with Sri Aurobindo 01
Talks with Sri Aurobindo Volume 1 by Nirodbaran Sri Aurobindo Ashram Pondicherry NOTE These talks are from my notebooks. For several years I used to record most of the conversations which Sri Aurobindo had with us, his attendants, and a few others, after the accident to his right leg in November 1938. Besides myself, the regular participants were: Purani, Champaklal, Satyendra, Mulshankar and Dr. Becharlal. Occasional visitors were Dr. Manilal, Dr. Rao and Dr. Savoor. As these notes were not seen by Sri Aurobindo himself, the responsibil- ity for the Master's words rests entirely with me. I do not vouch for absolute accuracy, but I have tried my best to reproduce them faithfully. I have made the same attempt for the remarks of the others. NIRODBARAN i PREFACE The eve of the November Darshan, 1938. The Ashram humming with the ar- rival of visitors. On every face signs of joy, in every look calm expectation and happiness. Everybody has retired early, lights have gone out: great occa- sion demands greater silent preparation. The Ashram is bathed in an atmos- phere of serene repose. Only one light keeps on burning in the corner room like a midnight vigil. Sri Aurobindo at work as usual. A sudden noise! A rush and hurry of feet breaking the calm sleep. 2:00 a.m. Then an urgent call to Sri Aurobindo's room. There, lying on the floor with his right knee flexed, is he, clad in white dhoti, upper body bare, the Golden Purusha. The Mother, dressed in a sari, is sitting beside him. -
Champaklal's Treasures Edited by M
Champaklal's Treasures Edited by M. P. Pandit Revised and Enlarged by Roshan First edition1976 (Edited by M. P. Pandit) Second edition 2008 (Revised and enlarged by Roshan) AUROBINDA GHOSE - 1909 Specially photographed for the prabasi and the Modern Review The Mother with Champaklal 2-2-1959 My dear child This year, the Grace has arranged circumstances in such a way that you are closer to me than you have ever been - and all through you have proved most reliable and effective, always ready, always there when you are needed, always doing what needs to be done. I am happy to tell you that on your birthday. With my love and blessings. The Mother PREFACE It is a delight to present this revised and enlarged edition of Champaklal's Treasures, which contains new material recently found among Champaklal's papers. This book comprises writings and talks of Sri Aurobindo and the Mother that were collected and preserved by Champaklal. These letters notes, messages and conversations delve deep into the values of a life based on truth, light, love, beauty, harmony and the divine consciousness. They are full of insights into the problems of transforming one's nature and offer ways to overcome them. Champaklal was interested in reading, writing, painting and music, but always his central aspiration was to serve the Divine. Sincere aspiration, even when not expressed in words, evokes a response from the Divine Grace. Champaklal's life is a standing example of this truth. His aspiration was fulfilled in a number of ways, often to his utter surprise. -
Sri Aurobindo: a Postmodern Sublime Poet Dr
Sri Aurobindo: A Postmodern Sublime Poet Dr. Atal Kumar Among all the leading poets of the early twentieth century Indian English poets Sri Aurobindo is vibrant with the contemporary literary ethos–modernism vis-a-vis postmodernism. His modernism was not haunted by what T.S. Eliot and Ezra Pound found during the First World War rather pressed by his inner urge of Sublime. Sri Aurobindo's Muse was drenched in the showers of Sublime. He had been a great Indian religious, philosophical and social thinker as well as postmodern sublime poet. The great spiritual master was born on 15 August 1872 in an aristocratic and anglicised family in Calcutta. Sri Krishnandan Ghose, his father, was among them who first went to England for his medical education and returned with anglophilic blood in his veins. Certainly, the early life of that mystic poet was moulded under the parasol of his father's anglicised habits, ideas and ideals. His father's anglophilic disposition induced him to keep his children away from the Indian ways of life. On the contrary Sri Aurobindo's mother Swarnlata Devi belonged to the clan of great Indian Renaissance man of the nineteenth century, Rishi Rajnarayan Bose. She was the adviser of the new composite culture of Indian soil. Dr. Krishnandan Ghose's inner temperament forced him to nurture him in English atmosphere and not from native ways and native language. As a result of that Sri Aurobindo along with his elder brothers Sri Manmohan Ghose and Sri Benoy Bhushan Ghose were admitted to Loreto Convent School at Darjeeling. -
Preparing Miraculous
Eleven talks at Auroville Preparing for the Miraculous Georges Van Vrekhem Eleven Talks at Auroville Preparing for the Miraculous Georges Van Vrekhem Stichting Aurofonds © Georges Van Vrekhem All rights reserved. No part of this publication may be reproduced, transmitted or translated into any language in India or abroad in any form or by any means without permission of the author. ISBN : 81-87582-09-X First edition : May 2011 Printed in India Cover design, layout and printing by Brihat Consultants (India) Pvt. Ltd. [email protected] Table of Contents Foreword 1 Adam Kadmon and the Evolution 1 2 The Development of Sri Aurobindo’s Thought 25 3 Preparing for the Miraculous 43 4 What Arjuna Saw: the Dark Side of the Force 71 5 2010 and 1956: Doomsday? 93 6 Being Human and the Copernican Principle 117 7 Bridges across the Afterlife 147 8 Sri Aurobindo’s Descent into Death 171 9 Sri Aurobindo and the Big Bang 191 10 Theodicy: “Nature Makes No Mistakes” 213 11 The Kalki Avatar 235 Biographical Note 267 Foreword The talks in this book have been delivered in Auroville, the first four at the Townhall in September, the following six at Savitri Bhavan in November and December 2010. The talk on “The Kalki Avatar” was also held at the Townhall, in February 2011, in the context of the seminar on “Muta- tion II”. I had been invited to give talks in Europe, the USA and India, but I had to cancel all travelling plans because of my heart condition. This led to the idea of giving a series of talks in Auroville, where I am living, and to record them so that the people who had invited me would be able, if they so desired, to have the talks all the same. -
Library, SOM New Titles Arrived Between: April to June Accn No Title Author Call No Copies 17075 2014, the Election That Change
Library, SOM New Titles Arrived between: April to June Accn Title Author Call No Copies No 2014, the election that Sardesai 17075 324.954 SAR 1 changed India Rajdeep Guha 1 17076 Makers of modern India 954.009 GUH Ramachandra Black Friday : the true 1 17077 story of the Bombay bomb Zaidi S. Hussain 363.325 ZAI blasts Three cups of tea : one 1 Mortenson, Greg man's mission to promote 17078 and Relin, David 371.822 MOR peace -- one school at a Oliver time Becoming Indian : the 1 Varma, Pavan 17079 unfinished revolution of 954 VER K. culture and identity India grows at night : a 1 17080 liberal case for a strong Das, Gurcharan 320.954 DAS state Identity and violence : the 1 17081 Sen, Amartya 303.6 SEN illusion of destiny The elephant, the tiger, 1 and the cell phone : 17082 reflections on India, the Tharoor, Shashi 303.6 THA emerging 21st-century power Khushwantnama : the Singh 1 17083 820.914 SIN lessons of my life Khushwant The difficulty of being 1 17084 good : on the subtle art of Das, Gurcharan 294.5923 DAS dharma A better India, a better Murthy Narayana 1 17085 330.954 MUR world N. R. The untold Vajpayee ; 1 17086 Ullekh N P 330.954 ULL politician adn paradox Target 3 billion : PURA: 1 Abdul Kalam, A. innovative solutions 307.14120954 17087 P. J and Singh towards sustainable ABD Srijan Pal development Who moved my interest 1 rate? : leading the Reserve Subbarao, 17088 332.12092 SUB Bank of India through five Duvvuri turbulent years Better : a surgeon's notes 1 17089 Gawande, Atul 616 GAW on performance Dial D for don : inside 1 17090 Kumar Neeraj, 363.2092 KUM stories of CBI missions The checklist manifesto : 1 17091 Gawande, Atul 610.28 GAW how to get things right 2020 : a vision for the new Abdul Kalam, A. -
Landscaping India: from Colony to Postcolony
Syracuse University SURFACE English - Dissertations College of Arts and Sciences 8-2013 Landscaping India: From Colony to Postcolony Sandeep Banerjee Follow this and additional works at: https://surface.syr.edu/eng_etd Part of the English Language and Literature Commons, Geography Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Banerjee, Sandeep, "Landscaping India: From Colony to Postcolony" (2013). English - Dissertations. 65. https://surface.syr.edu/eng_etd/65 This Dissertation is brought to you for free and open access by the College of Arts and Sciences at SURFACE. It has been accepted for inclusion in English - Dissertations by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT Landscaping India investigates the use of landscapes in colonial and anti-colonial representations of India from the mid-nineteenth to the early-twentieth centuries. It examines literary and cultural texts in addition to, and along with, “non-literary” documents such as departmental and census reports published by the British Indian government, popular geography texts and text-books, travel guides, private journals, and newspaper reportage to develop a wider interpretative context for literary and cultural analysis of colonialism in South Asia. Drawing of materialist theorizations of “landscape” developed in the disciplines of geography, literary and cultural studies, and art history, Landscaping India examines the colonial landscape as a product of colonial hegemony, as well as a process of constructing, maintaining and challenging it. In so doing, it illuminates the conditions of possibility for, and the historico-geographical processes that structure, the production of the Indian nation. -
Indian Angles
Introduction The Asiatic Society, Kolkata. A toxic blend of coal dust and diesel exhaust streaks the façade with grime. The concrete of the new wing, once a soft yellow, now is dimmed. Mold, ever the enemy, creeps from around drainpipes. Inside, an old mahogany stair- case ascends past dusty paintings. The eighteenth-century fathers of the society line the stairs, their white linen and their pale skin yellow with age. I have come to sue for admission, bearing letters with university and government seals, hoping that official papers of one bureaucracy will be found acceptable by an- other. I am a little worried, as one must be about any bureaucratic encounter. But the person at the desk in reader services is polite, even friendly. Once he has enquired about my project, he becomes enthusiastic. “Ah, English language poetry,” he says. “Coleridge. ‘Oh Lady we receive but what we give . and in our lives alone doth nature live.’” And I, “Ours her wedding garment, ours her shroud.” And he, “In Xanadu did Kublai Khan a stately pleasure dome decree.” “Where Alf the sacred river ran,” I say. And we finish together, “down to the sunless sea.” I get my reader’s pass. But despite the clerk’s enthusiasm, the Asiatic Society was designed for a different project than mine. The catalog yields plentiful poems—in manuscript, on paper and on palm leaves, in printed editions of classical works, in Sanskrit and Persian, Bangla and Oriya—but no unread volumes of English language Indian poetry. In one sense, though, I have already found what I need: that appreciation of English poetry I have encountered everywhere, among strangers, friends, and col- leagues who studied in Indian English-medium schools. -
Background to Indian English Poetry
Chapter : 1 Background to Indian English Poetry 1.0 Objectives 1.1 Introduction 1.2. History of Indian English Poetry 1.2.1 Poetry of first phase 1.2.2 Poetry of second phase 1.2.3 Post independence poetry 1.3. Major Indian English Poets 1.3.1 Pre- independence poets 1.3.2 Post - Independence Poets 1.4. Major themes dealt in Indian English Poetry 1.4.1 Pre-independence Poetry Themes 1.4.2 Post - Independence Poetry Themes 1.5 Conclusion 1.6 Summary - Answers to Check Your Progress - Field Work 1.0 Objectives Friends, this paper deals with Indian English Literature and we are going to begin with Indian English verses. After studying this chapter you will be able to - · Elaborate the literary background of the Indian English Poetry · Take a review of the growth and development of Indian English verses · Describe different phases and the influence of the contemporary social and political situations. · Narrate recurrent themes in Indian English poetry. Background to Indian English Poetry / 1 1.1 Introduction Friends, this chapter will introduce you to the history of Indian English verses. It will provide you with information of the growth of Indian English verses and its socio-cultural background. What are the various themes in Indian English poetry? Who are the major Indian English poets? This chapter is an answer to these questions with a thorough background to Indian English verses which will help you to get better knowledge of the various trends in Indian English poetry. 1.2 History of Indian English Poetry Poetry is the expression of human life from times eternal. -
Nolini Kanta Gupta
The Mother Abides Final Reflections 1973-1983 Nolini Kanta Gupta Sri Aurobindo Ashram Pondicherry Contents Publisher's Note ............................................................................................................................................................................ 5 Part 1 Sweet Mother ....................................................................................................................................................................... 6 November 17, 1973 ..................................................................................................................................................................... 7 A Canadian Question .................................................................................................................................................................. 8 The Mother Abides ................................................................................................................................................................... 10 Twin Prayers ................................................................................................................................................................................ 12 The Soul's Freedom .................................................................................................................................................................. 14 One Day More ........................................................................................................................................................................... -
Invocation 35.Pdf
B H A V A N Study notes No. 35 INVOCATION is an occasional publication of SAVITRI BHAVAN in Auroville. All correspondence may be addressed to: SAVITRI BHAVAN AUROVILLE 605101, TN INDIA Telephone: 0413-2622922 e-mail: [email protected] This publication has been funded by SAIIER (Sri Aurobindo International Institute of Educational Research) ACKNOWLEDGEMENTS Unless otherwise indicated all quotations and photographs of the Mother and Sri Aurobindo are copyright of the Sri Aurobindo Ashram Trust, Pondicherry, reproduced here with acknowledgements and thanks to the Trustees. We are particularly grateful for permission use the word ‘Invocation’ in Sri Aurobindo’s handwriting as our banner. Edited by Shraddhavan for Savitri Bhavan, Auroville Design by Prisma, Auroville Printed at All India Press, Pondicherry November 2011 C O N T E N T S Amal Kiran and Sri Aurobindo’s Savitri 5 Amal Kiran’s Introduction to the Opening Sections of the 1936-37 Version of Sri Aurobindo’s Savitri 8 From a personal letter 23 With the Mother 24 Huta’s account of her work with Amal 31 The English of Savitri (4) 34 by Shraddhavan Expression of Mystical Elements through 46 Images and Symbols in Sri Aurobindo’s Savitri by Dr Martin K. A. Sri Aurobindo’s Descent into Death 62 By Georges van Vrekhem Savitri Bhavan Activities 77 New Study Materials on Savitri 84 In a new act of the drama of the world The united Two began a greater age. Savitri p. 411 Amal Kiran at 89 (1993) photo by Ireno Guerci 4 Amal Kiran and Sri Aurobindo’s Savitri1 The passing of K.D. -
EP-67 Mar-Apr Final 22-3+.Cdr
March-April, 2021 Vol 12 No. 1 Pages 44 50/- Awake, Arise and Achieve EKAL /keZ dk l`tu euq"; ds deZ ls gksrk gS] og deZ ftlls O;fä vkSj lekt dk Hkyk gksrk gSA /keZ dh bl Hkkouk ls vksrçksr Hkk"kk Hkkjr ds lqnwj xzkeksa rd igqapkdj xzkeokfl;ksa vkSj ouokfl;ksa dks O;luksa ls eqä djus] muesa laLdkj txkus] rFkk mUgsa fodkl dh eq[; /kkjk ls tksM+us ds fy, ,dy vfHk;ku us vkt ls 25 o"kZ igys Jh gfj lRlax lfefr xfBr dh FkhA PRAYAS vusd pqukSfr;ksa dk lkeuk djrs gq, Hkh Jh gfj us xr 25 o"kksaZ esa vn~Hkqr dk;Z fd;sA bl volj A Family Magazine With Social Concern ij Jh gfj jtr t;arh egksRlo vk;ksftr fd;k x;k ftldh jiV ge bl vad dh vkeq[k dFkk ds :i esa ysdj vkids le{k mifLFkr gq, gSaA Jh gfj dh miyfC/k;ksa ij vyx ls ,d March-April, 2021 Vol 12 No. 1 50/- ys[k Hkh çdkf'kr fd;k tk jgk gS ftls i<+us dk jksekap Hkh de ugha gksxkA iwjs jtr t;arh o"kZ esa dk;ZØeksa dh J`a[kyk pyrh jgsxh vkSj ge muij jiVsa çdkf'kr djrs jgsaxsA Editor Vijay Maroo dksjksuk us f'k{kk dks cqjh rjg çHkkfor fd;kA fo|kFkhZ ,d o"kZ ls fo|ky; ugha tk ik jgs gSaA blfy, bu cPpksa ds fy, dksbZ fo'ks"k O;oLFkk djuk vfuok;Z gks x;k FkkA bZ&f'k{kk ls Editorial Board mEehn txh gS ijUrq bls ns'k Hkj ds ,d yk[k ls vf/kd fo|ky;ksa esa ykxw djuk dksbZ vklku Bajrang Bagra Dr.