SCM820 User Guide
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AES NY 2017: Firing on All Cylinders
THE OFFICIAL Published by AES and Pro Sound News & Mix magazines • Day 3 Edition SHOW DAILY SERVING THE 143RD AES CONVENTION • OCTOBER 18-21, 2017 JACOB K. JAVITS CONVENTION CENTER, NEW YORK, NY +AES MOBILE APP Download the 2017 mobile app for exhibitor listings, schedules and more. The Star AES NY 2017: RF Spectrum Wars Project: Firing on All Cylinders Panel: ‘Scan Like Being in By Clive Young “We had a tremendous first Early and The 143rd AES Convention may day at AES NY 2017; our regis- a Galaxy Far, have passed the halfway point, tration team says it’s the largest Often’ but you’d swear it’s just getting first day of activity they’ve seen in started. If you’ve noticed that a decade,” said Bob Moses, AES By Steve Harvey Far Away the aisle of the exhibition floor Executive Director on the sec- The successful completion of the By Strother Bullins is jammed and the panel you ond morning of the Convention. FCC’s Incentive Auction earlier Yesterday morning, a packed spe- wanted to see was standing-room “That pattern is carrying over as this year set the countdown clock cial event-”Bearing Witness: The only, well, that attests to the con- we begin Day Two. The technical ticking for wireless mic operators, Music of Star Wars, Archiving vention’s popularity. It seems like sessions are packed with enthusi- who must vacate the 600 MHz Art and Technology”-featured there’s more people here than astic attendees, and we’ve also set band by July 2020. -
Sunday Edition DAILY
day three edition | map and exhibitor listings on page 20 From the editors of Pro Sound News & Pro Audio Review day3 sunday edition the AES SERVING THE 135THDA AES CONVENTION • october 17-20, I 2013 jacob k. LY javits convention center new york, ny Celebrating Phil Ramone Making the By Kelleigh Welch Most of AES In his 50-year career as a record pro- By Clive Young ducer and engineer, Phil Ramone As AES rolls into its last day, it would worked with some of the music indus- be natural to think that things are wind- try’s greatest performers, includ- ing down, but that would be a big mis- ing Ray Charles, Frank Sinatra, take. There’s tons going on—enough Paul Simon and Billy Joel. Ramone, that you’d swear the convention was a 14-time Grammy Award Winner, just getting started. including “Producer of the Year, Non- Some of the most dramatic stories Classical” in 1980, passed away in of the show will come to light during late March at the age of 79, leaving two early morning programs: The ins behind a legacy that audio profession- and outs of audio for reality TV will als will continue to celebrate for years be explored when Brian McCarty, Bob to come. On Saturday, The Recording Academy Producers & Engineers Wing Bronow and Josh Earl discuss “Sound To commemorate Ramone’s life held its GRAMMY SoundTables presentation paying tribute to for Deadliest Catch—Reality is Hard and his contributions to the recording the late, legendary Phil Ramone. A 14-time GRAMMY-winning Work” (Room 1E11; 10:30 a.m.). -
Day 2 Edition SHOW NEWAE YORKS PRO AUDIO CONVENTION
THE OFFICIAL Published by AES and Pro Sound News & Mix magazines • Day 2 Edition SHOW NEWAE YORKS PRO AUDIO CONVENTION SERVING THE 147TH AES CONVENTION • OCTOBER 16-19, 2019 JACOB K. JAVITSDAILY CONVENTION CENTER, NEW YORK, NY A groove-filled keynote address by AES on a Grandmaster Flash capped a rousing array of Opening Ceremonies events, Roll including appeals for a committed focus on inclusivity and various awards By Clive Young honoring service to the pro audio As we roll into Day 2 of this year’s community. Recipient of an honorary AES Convention, the show is only membership award himself, Flash, picking up speed, buoyed by a who said “I speak better with my hands packed exhibition floor, well-attend- than a mic,” made his most salient ed workshops, panels and papers, points in a series of fleet-fingered and more. demonstrations of his Quick Mix Theory Attendance this year is on par that were met with approving roars with previous years, according to from the crowd he had taken higher convention officials, but with shift- with his classic breaks. Check Clive Young’s eyewitness account of the ing preregistration numbers, accord- Opening Ceremonies on page 3. ing to Colleen Harper, AES Execu- tive Director: “The number of attendees opting to register for All Access badges for the full technical program is nearly 20 percent over and above last year, proving that AES New York 2019 is more rel- evant than ever to an industry where technology and its application is in a constant state of change.” Roginska Looks to Expand Answering that interest, numer- ous audio manufacturers unveiled new products yesterday on the AES Reach, Diversity exhibition floor. -
Audio Systems Guide for Meetings and Conferences (English)
AUDIO SYSTEMS GUIDE MEETINGS AND CONFERENCES By Crispin Tapia and Chris Lyons A Shure Educational Publication AUDIO SYSTEMS GUIDE MEETINGS AND CONFERENCES Audio Systems Guide for Table of Contents MEETINGS AND CONFERENCES CHAPTER 1 | Introduction ............................................... 4 CHAPTER 5 | Processing: From Signal to Sound ........... 24 • Importance of Sound Quality .................................... 5 • The Mixer.................................................................. 24 • Dynamics Processing................................................ 27 CHAPTER 2 | Sound System Basics ............................... 6 • Sound System Elements ........................................... 6 CHAPTER 6 | Audio Networking & Control ..................... 30 • Ancillary Devices....................................................... 6 • Terminology: Key Audio Concepts............................. 7 CHAPTER 7 | The Room’s The Thing ............................. 31 • Connectivity and Networking .................................... 8 • Room Types & Miking Techniques............................ 31 • Room Acoustics and Intelligibility.............................. 9 • Miking The Audience................................................ 34 • Feedback Fixes......................................................... 10 CHAPTER 8 | Multi-Participant Sound Systems ............ 35 CHAPTER 3 | The Humble Microphone ......................... 11 • A Sound System Designed for Multiple Participants ... 35 • Microphone Types ................................................... -
Automatic Microphone Mixer White Paper April 2013
Automatic Microphone Mixer Automatic Microphone Mixer White Paper April 2013 Abstract gain sharing type, and the Dugan-MY16 as a product Automatic microphone mixers are useful for mixing example. engineers to manage multiple live mics without riding individual input faders, especially in unscripted programs. This document explains the basic benefits, the acoustic gain structure, the difference between gating type and 1 Automatic Microphone Mixer 1. What Are Automatic Microphone Mixers? Automatic microphone mixers (or automixers) are useful in situations where multiple mics are used, such as in conferences, panel discussions, stockholders' meetings, and recording of talk shows. They can alleviate the mixing engineer's complicated fader operation especially in unscripted programs. Automatic microphone mixers solve the following three problems that occur when multiple mics are used. Reduction in feedback margin Figure 1 When multiple mics are open, the feedback margin is reduced. Each time the number of open mics doubles, the Automatic microphone mixers automatically reduce or feedback margin decreases by 3 dB. Compared to when turn off the gains of mics except for the mic that is there is only one mic, the margin decreases by 3 dB when receiving input. If you have a system where feedback there are two mics, by 6 dB when there are four, and by 9 does not occur using one open mic, an automatic dB when there are eight. microphone mixer can automatically adjust the acoustic Increase in amplified ambient noise system gain to prevent feedback even when multiple mics Let's consider an eight-member meeting where a mic is are open.