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CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus. -
Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
THE BALLET Corps De Ballet of Metropolitan, Chicago and San Francisco Draw up Schedules of Minimum Pay and Conditions of Employment
A~MA Official Organ of the AMERICAN GUILD OF MUSICAL ARTISTS, INC. 576 Fifth Avenue, New York, N. Y. Telephone: LOngacre 3-6223 Branch of the ASSOCIATED ACTORS AND ARTISTES OF AMERICA FEBRUARY~APRIL, 1939 VOLUME IV, Nos. 2, 3, 4 Representatives HolJywood Office: San Francisco: Chicago; ERNEST CHARLBS, Asst. Exec. Seq. VIC CONNORS-THBODOlUl HALE LEO CURLEY 6331 HollyWood Boulevard 220 Bush Street 162 East Ohio Street Officers: Board of Governors: ',LAWltBNCl!• TIBBETT • • ZLATKO BALOKOVIC ERNST LERT ': President WALTER DAMlt9sCH RUTH BRETON LAURITZ MELCHIOR RUDOLPH .GANZ JASCHA HEI~~ FlIANK CHAPMAN JAMES MELTON '1st Vice.PresMent RICHARD CROOKS EzlO PINZA HOWARD HANSON RICHARD BO'Nl'lLU MISCHA ELMAN ERNEST HUTCHESON 2nd Vi&e.~Jitlenl EVA GAUTHIER SERGE KOUSSllVIT?..KY' MARG CHARLES HACKETT Jrd esitli:nJ LEHMANN EDWARD HARRIs FlIAN" .SHERIDAN, ELISABtrR H()llPF'm ;;JOHN MCCORMACK 4th' Tliie"President JULIUS 'HUEHN DANIBL HARRIS EDWIN HUGHES Jth Vice·President JOS!; ITUIlDI Q MARro Fl!.EDERICK JAGBL MAlUIK WINDHBD( r ding Secretary EFlUIM ZrMBALIST PlIAnt( LA FoRGE TrealNl'er • LEO PtsCHBR Edited by L. T. CARR ExecNtitle Secretary Editorial Advisory Committee: .Hll'NlI!t JAl'l'E EDWARD HAl!.l!.IS, Chairman ~, CfIfI1Htil RICHARD BONELLI LEO PlSCHlIR GUILD • • • N THIS issue is reported the signing of agreements be I tween AGMA and NBC Artists Service and Columbia authority of an Artists' union in regula Concerts Corporation, the two largest managers of musical and the policies pursued in the concert a~ts in this country. The contracts are the full and final has implications of the grave~t importance, 'not ft)1~fthe symbol of the new order which began in American musical artists directly m~naged by the .~;chains, but £ot~al1milsicaf Hfe with the formation of AGMA and the beginning of its artists. -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
March 1936) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1936 Volume 54, Number 03 (March 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 03 (March 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/842 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 'IPJg ETUDE <JXCagazine WHAT DOES IT TAKE TO MAKE A SINGER?" by Richard Crooks /Jte a &fieturte Toveas) rrvuAic NEW DITSON PUBLICATION MORRISON ORCHESTRAL UNIONS By DON MORRISON A Musical Revue A system of Relay Solos for train¬ By GERTRUDE VAN AKIN ™.TH ^ ^ ing young orchestras Interesting Invaluable for Vocal Score and Dialog"® direction8 and dance steps, may be had Instructive Exhibitions STAGE GUIDE, with ful^ d"e month or fraction thereof. Practical on a rental h™^™JZs,ed popular music and forms of This musical reYu^ °f ^gt jg unique among materials for school or Planned equally lor all i™1™" •„ Illustrates vividly variety * «lg*“,on entertainment of the P h n„e from the usual operetta, offers Builds intonation and tone quai ty Follows any first-year instrumental class •“inUto°o”aoS»^-y *»<! ■-■> ”*y b,! ,,erI<>rmtd "‘k method anv number of players.___ book one 1. -
New Musical Magazine M1.H24m
http://oac.cdlib.org/findaid/ark:/13030/c82z18ss No online items Finding aid to the New Musical Magazine M1.H24m Finding aid prepared by Katherine Monroe William Andrews Clark Memorial Library 2520 Cimarron Street Los Angeles, CA, 90018 (323) 731-8529 [email protected] 2014 Finding aid to the New Musical M1.H24m 1 Magazine M1.H24m Title: New Musical Magazine Identifier/Call Number: M1.H24m Contributing Institution: William Andrews Clark Memorial Library Language of Material: English Physical Description: 1.0 Linear feet5 volumes Date: 1783-1786 Scope and Contents This finding aid describes the contents of the music periodical The New Musical Magazine from 1783 to 1786. Bound Volume 1, Arne, Thomas Augustine (1710-1778). Comus; a Masque. As it is performed at the item 1 Theatres Royal in Drury Lane and Covent Garden. Composed by Dr. Arne, for the Voice, Harpsichord, and Violin. London: Printed for Harrison & Co., No. 18, Paternoster Row, [1785] Note 18 pages. Reference Number: BUCEM 1:43 Subjects and Indexing Terms harpsichord violin voice Bound Volume 1, Handel, George Frideric (1685-1759). The Messiah; an Oratorio. Composed by Mr. item 2-6 Handel, For the Voice, Harpsichord, and Violin; with the Choruses in Score. London: Printed for Harrison & Co., No. 18, Paternoster Row, [1785] Note 89 pages. Reference Numbers: BUCEM 1:436; Smith, page 122, #15. Subjects and Indexing Terms harpsichord violin voice Bound Volume 1, Boyce, William (1711-1779). The Chaplet, a Musical Entertainment, As it is performed at item 7 the Theatres Royal in Drury Lane and Covent Garden. Composed by Dr. -
Handel, Rolli, and Italian Opera in London in the Eighteenth
HANDEL, ROLLI, AND ITALIAN OPERA IN LONDON IN THE EIGHTEENTH CENTURY Downloaded from By R. A. STREATFEILD In the Biblioteca Estense at Modena there is a small collection of the letters of Paolo Rolli, protected from indiscriminate perusal, as the late Dr. Garnett once observed of a somewhat similar piece of calligraphy, by the triple http://mq.oxfordjournals.org/ Kgis of execrable ink, execrable paper and execrable penmanship. I visited Modena in the Autumn of 1912, and did my best to transcribe and translate all that is decipherable of Bolli's correspondence. The results of my labours are embodied in the following article. I venture to make this personal state- ment, lest it should be supposed that I have merely borrowed the fruits of Signor Sesto Fassini's researches in the same library, and I may also point out that considerably more of Bolli's correspondence appears in my article than Signor Fassini has yet cared to publish. Nevertheless, I gladly admit my indebtedness to that gentleman's researches on the life and work of Rolli, and I have no desire at University of Saskatchewan on March 17, 2015 to minimise my obligations. His able and accurate work, "D Melodramma . Italiano a Londra nella prima meta del settecento," has been of the greatest assistance to me in writing the following article, as have also been in a less degree his two pamphlets: "D Ritiro del Rolli dall' Inghilterra," (Perugia, 1908); and "Dodici lettere inedite di Paolo Rolli," (Torino, 1911). I should like also to acknowledge my debts to Signor Ercole Sola's "Curiosita storico-artistico- letterarie trasse dal carteggio dell' inviato estense Giuseppe Riva," published in the "Atti e Memorie della R. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists. -
Chamber Orchestra
CHAMBER ORCHESTRA Works for strings and 2-10 other instruments ALBINONI, Tomaso Concerto, oboe & strings, op.9 no.2. Edited F.Kneusslin. Kneusslin, 1955 Ob solo - strings, continuo Set 309. Full score at R6 (A). Strings 3-3-2-3 Sonata, trumpet & strings, C major. Edited E.Tarr. Musica Rara, 1968 Trp - 2 vln, 2 vla, vlc, cb, organ continuo At G7 (A). Full score, strings 1-1-1+1-1-1. Organ plays from full score ANTCLIFFE, Herbert March movement (1685-1935). Manuscript, 1935 Fl, ob, cl, bsn - 2 trp - strings In Main Library Special Collections, Archive Antcliffe Ant 9a & 9g. Full score, strings 3-3-2-2-1 ARNE, Thomas Augustine The dances in Comus. Edited W.G. Whittaker. OUP, 1938 Strings, with optional Flute, 2 Oboes, Piano In BEECHAM, at ORCH 2.Only available for reference. Flute plays from Vln I, Piano plays from full score. Score at BEEC PAM 211 Saraband, Ed. A. Collins. Keith Prowse, 1938 for Strings (Bass optional), with optional Flute, Oboe, Clarinet, and optional Violin III for Viola In BEECHAM, at ORCH 3. Only available for reference. No score BACH, Johann Christian 6 symphonies (“overtures”) op.3. Preston, ca.1770 2 Oboes, 2 Horns, Strings, Continuo In BEECHAM, at ORCH 5. Hpsd plays from figured bass. Only available for reference. Score at G6 (B) Symphony, op.6 no.6. Edited F. Stein. Breitkopf, 1960 2 ob - 2 hn - strings, continuo Set 377. Full score, strings 8-8-6-5 Symphony, op.9 no.2. Edited F. Stein. Eulenburg, 1950 2 fl/ob - 2 hn - strings, continuo Set 13. -
Carmel Music Society
Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna -
Richard Crooks William Primrose
ELLISON - WHITE BUREAU Presents RICHARD CROOKS Tenor, Metropolitan Opera Association with WILLIAM PRIMROSE Violist Frederick Schauwecker at the Piano for Mr. Crooks Guillaume Mombaerts at the Piano for Mr. Primrose • Fifth Number — DeLuxe Artists Series PORTLAND PUBLIC AUDITORIUM Saturday, February 3, 1945 — 8:30 P.M. • PROGRAM I. O del mio dolce ardor Gluck Thou, whom my soul doth cherish with fond devotion, Wildly my heart is beating with glad emotion; For ah! once more I'm near thee! Where e'er I roamed, thine image did fondly greet me. And love with hope did fill me, And ne'er did cease to tell me. That again I'd meet thee. Now, O delight! at last once more I'm neat thee. Seeking thee, calling, sighing: "Love, O hear me!" Ah! Thou, whom my soul doth cherish with fond devotion, Wildly my heart is beating in glad emotion. For ah! once more I'm near thee! Jesu, Joy of Man's Desiring - Bach Silent Worship Handel Love Sounds the Alarm, from "Acis and Galatea".... Handel MR. CROOKS II. Ich ruf zu dir Bach Concerto on Themes of Cimarosa , '. Arthur Benjamin MR. PRIMROSE III. Du bist die Ruh' - Schubert My peace thou art, thou art my rest; And be this breast thine endless home; From thee my pain, in thee so blest: Shut out all woe, all lesser care and woe. Enter mine eyes, this heart draw near, I would thy hurt and healing know. O come, O dwell forever here. Clear light that on my soul hath shone. Enter, and close the door, and come. -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XXXIII, Number 3 Winter 2018 HANDEL AND HIS MUSIC FROM THE PRESIDENT’S DESK FOR PATRONS: 2018 HANDEL INSTITUTE Graydon Beeks CONFERENCE REPORT As the New Year dawns, I have four resolutions to suggest to the members of the Society. First, I hope as Ivan Ćurković, Zagreb many of you as possible will resolve to attend the upcoming AHS Conference to be held in Bloomington, Indiana from February 7-10, 2019 hosted by Indiana University Jacobs School of Music. The Howard Serwer Memorial Lecture will be given by Prof. Ellen Rosand of Yale University; the Program Committee has assembled a splendid array of papers; and participants will have the opportunity to attend performances of Giulio Cesare (fully staged) and Parnasso in festa presented by outstanding performers from our host The 11th triennial conference organized by The institution. Information regarding registration, concert Handel Institute took place on November 23–25, 2018 at tickets, travel, and housing is available on the conference The Foundling Museum in London, a landmark Handel website, which is also accessible from the AHS website. location and host to many past conferences. Entitled Handel Information about the conference program can be found and his Music for Patrons, it strove to highlight and examine elsewhere in this issue of the Newsletter. in depth Handel’s multi-faceted relationship with patronage The second resolution, which I will certainly in general and aristocratic patrons in particular. As pointed attempt to follow, is to pay membership dues in a timely out by Donald Burrows, for the most part, patronage was manner.