American Square Dance Vol. 54, No. 4

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American Square Dance Vol. 54, No. 4 AMERICAN ,1r, SQUARE DANCE "The International Magazine with the Swinging Lines" $3.00 monliaRsrs TOPE Ei RECORD SERVICE THE "ORIGINAL" SUBSCRIPTION TAPE SERVICE I lave you heard all '5-80 releases from the Ic«t 3 months? The Best Just Got Less Expensive! ONLY $89* FORA 3 YEAR SUBSCRIPTION! Since 1971 NEW OR RENEWALS! LIMITED TIME OFFER (*USA/Canada; $131 Foreign Air Mail) (offer extended to May 15, 1999) www.Supreme-Audio.com Full On-Line Shopping Square & Round Dance Records & Equipment! 1-800-445-7898 (USA & Canada) Phone: 800-445-7398 or 603-876-3636 Fax: 800-346-4867 or 603-876-4001 Foreign Toll Free: AT&T USA Direct # + 800# E-mail: [email protected] FREE Home Page: www.supreme-audio.corn 01.418E1 HANHURST'S TAPE & RECORD SERVICE (A Division of Supreme Audio, Inc.) P.O. Box 50 • Marlborough, NH 03455-0050 Imerican Square Dance, April 1999 ********************************** rawhide Reeds Buckskill * * * * * * * * Becky & Dick Waibel Larry Cole Dale McClary Otto Deg ner * * * * Write for your free copy of our new 1999 catalog * * * * * • NEW RAWIIIDE RELEASES * RWH-21 I LET'S GO SPEND YOUR MONEY by Grace * * RWH-210 MANSION ON THE HILL by flank * * *Grace Wheatley RWH-209 CRUISING DOWN THE RIVER by Tom Steve Sullivan: • COMING SOON * RWH-212 SANTO DOMINGO by Jerry * • NEW BUCKSKIN RELEASES * BLJC-1264 I WANT A GIRL by Allen • NEW 1C4RAOKE SING-A-LONG SONGS RWH-817 HONKY TONK ANGELS by Dale Hank Lutcher* Jerry Reed RWH-816 SIX DAYS ON THE ROAD by Dale • NEW HOEDOWNS RW11-525 HOT ROD & SLAM DUNK (2-sided) • * RWH-524 WALK UP I & WALK UP II (2-sided) • NEW ROUND DANCES RWH-807 IF YOU'RE LOVIN' ME by Mike — Mike Seurer RWH-8D6 LEAVE:THIS WORLD LOVIN' YOU by Mike Tom Rudebock* • SIZZLING SELLERS * RWH-208 NOBODY'S LONESOME FOR ME by Dale * BUC-1262 COUNTRY ROADS by Jerry * We Ilave Acquired Additional Cabins For Our * April 28, 1999 Hun ail Cruise!! * Jim Snyder Call 1-800-2V-1899 For Information! Allen Snell * * * Dick Waibel Enterprises, 675 E. Alluvial Avenue, Fresno, CA 93720-2513 * * Voice: 559-439-3478 — FAX: 559-431-5942 — E-mail: [email protected] * Visit Our Web Site: http://rawhide-records.com ********************************** American Square Dance, April 1999 3 1M-1.11?1 5 A Modern Cotillion 20 Notes In A Nutshell - Waterman, Wright & Robeson - Frank Lescrinier 74 A/C Lines - Ed Foote 28 On the Record - Rounds 65 As I See It - Bob Osgood - Frank & Phyl Lehnert 13 ASD News 36 On the Record - Squares 76 Ask Dave - Dave Gipson - Chris Pinkham 86 Business Spotlight - 78 One Teen's Viewpoint - John Nash Scope-Big Mac Records 60 Pile Up On Styling - Sara Garza 85 Caller Appreciation - Jerry Jennings 96 Point of Order - Chris Pinkham 40 CALLERLAB Viewpoints 99 Rhyme Time - Don Niva - Betsy Gotta 34 Round Dance Pulse Poll 56 Club Leadership Notes - Bev & Bob Casteel - Bernie Coulthurst 53 So You Want To Be A Caller 48 Contra Corners - Don Ward - Larry Cole 46 Country Kitchen - Louise Ilarrop 32 Steal A Peak - Jerry Junck 42 Creative Choreography 82 Teaching In The Schools - Lee & Steve Kopman - Bob & Lorrie Morrison 58 Cue Tips - Sandi Simmons 22 The Caller Coach - Don Williamson 54 Dancing Contra - Don Ward 71 The Country Line 50 Easy Level - Bob Howell -Jim & Jean Cholmondeley 88 Feedback - Bob Livingston 44 The Koreo Komer - Steve Kopman 68 From Dancer To Caller 98 The Lite Side A Difficult Transition - Part 2 The Real Definitions For SD Calls - Willis H. Cook - Don Niva 7 From The Editors - Ed & Pat Juaire 87 Three R's 8 From The Mail Room 62 Visiting Caller Vs. The Club Caller 75 Hemline - Phyllis Mugrage - Don Yosten 26 Honors Book - Marshall Flippo 90 What's Ahead 80 It Takes Everyone To Keep Square Dancing Alive - B/T SD Shop Memorials 11 - Eddie Maya!! Remembered 84 - Alonzo Edward "Lonnie " Sesher 100 National Convention AMERICAN Volume 54 Number 4 April 1999 SQUARE DANCE Editorial Assistants Subscriptions Publishers - Editors Carol Picillo Michelle Merchant Ed & Pat Juaire Michelle Merchant Staff Cartoonists Louise Harrop Stan Burdick Cory Geis 4 American Square Dance, April 1999 COVER FEATURE A Modern Cotillion By Otto Waterman, Caller - Roger Wright, Cuer & Dave Robeson Presented at San Jacinto Chap- matching necklace, earrings and ter, Daughters of the Republic of bracelets of amethysts and pearls. Texas, Pioneer Memorial Log House This was the costume in which she had Museum, Houston, Texas. made her debut in Virginia. Coiffures A Mexican bullet shattered General were parted in the middle, with curls Sam Houston's leg as the Battle of San caught at the nape of the neck." Jacinto climaxed on April 21, 1836. It To ordinary dancers, unequal to was the talk of the 1837 San Jacinto such regality, this museum's fine Ball in Houston: wood floor would have been palatial. "Mrs. Mosely Baker, who led the Their floor was puncheon, wood logs first cotillion with the President, was split and smoothed on one side. "They gowned in white satin with a black- did not glide around; they shuffled and lace overdress and Mrs. Sidney double shuffled to a fiddler (suggest- Johnson was lovely in bouffant white ing programs of country dances and velvet. Of the men who attended, all jigs of the Revolutionary War period). wore white dancing slippers except Mothers brought their babies, wrapped President Sam Fouston who, because them in shawls and blankets and left of a wounded ankle, wore boots, red- them beneath the temporary benches topped and silver-spurred. During his along the walls while they participated first administration, he often wore in the merriment. Fandangos (a cross this apparel, sometimes complement- between waltz and cotillion, as de- ing it with a large hat ornamented by fined by frontier explorers) were waving plumes." common among the Mexican popula- "Invitations to this great gala tion, some variations learned by a few were printed on white satin. Ladies Anglo-Americans." and gentlemen rode as far as fifty to Real estate developers gave Sam sixty miles on horseback accompa- lots calling them Houston, now the 4th nied by men servants and ladies largest U.S. city. For a time the maids, who had charge of the elegant executive mansion, like the previous, ball costumes for the important was variously described as, "a cabin, occasion. (Trendy ladies) wore soft two rooms and a passageway, muddy white mull gowns gleaming with and filthy, with windows made of slats touches of rich satin - the gowns interwoven by blankets. As early as bare-necked and billow-skirted. But 1839, Houston had a professional Mrs. Francis )(oast, Jr., of Bastrop, dancing master, who charged one appeared (in later balls) dressed in a dollar per lesson for instruction in the full-skirted, off-the-shoulders gown performance of the cotillions and with lace bertha, together with a reels of the day. Winter dancing A m e ri can Square Dance, April 1999 5 was popular to keep warm." By Sam's them. You are familiar with his count, 15% of the population danced soundtrack music in "The Sting" on some regular basis. (about 1972) and the periodic presen- The Galveston News, 1857: "Misses tation by The Houston Grand Opera of Rachel & Irene Ewing give cotillions his ragtime folk opera, Treemonisha on the 2hd and 4'h Fridays of each (1911). In his libretto, he refers to the month at their dancing academy for harvest ball as "Goin' Round," a $1.50 per person. Afterwards, re- common term among slave callers freshments are available at the new about the time of the Civil War. "The Ice Cream and Sherbet Saloon on Ragtime Dance" (1899) was a square Tremont. (Rachel brought from New dance called by his brother, Will. Orleans the latest) Polka de Salon, A growing, authoritative consensus Redowa, Varsovia, Le Reine de indicates American tangos (1913) Dance, L'Imperial, Mazurkas and grew from African drum dances German polkas (reflecting change in imported with slaves to the Carolinas Texas immigration patterns.) and later into northeast Texas around Sam vigorously opposed secession Texarkana and Marshall. The rhythm and could have created an internal was known as early as 1860 in New civil war in Texas. Removed as Orleans, the Caribbean and possibly Governor, he died as the U.S. Civil Galveston where a theme of Joplin's War struggle turned against it. The only tango, "Solace" (1909), was Houston Telegraph, previously un- originally published in 1905. Planters friendly, eulogized him magnani- banned the drum because of revolts, mously on July 27, 1863. such as that in Colorado County, Texas He would have recognized the in 1858 where slaves hoped to reach museum's huge square piano, a type freedom in Mexico. that graced the cotillions in the Today, the NOW Dancers present a larger plantation parlors, but not the modern cotillion beginningwith forma- upright piano against the wall. It tions familiar even in colonial times, came with ragtime, the legacy of man followed by modern square and round servants, ladies maids and slave dances. It ends with two round dances, musicians. They syncopated the a two-step, Joplin's "Maple Leaf Rag" music, possibly because of the new (1899), and "Tango Mannita" (cho- singing quadrilles, leaving unchanged reographed about 1966, by Manning the cotillion formations. Smith, who was a nationally known A Texan, Scott Joplin, was one of Texas traveling caller). go We Apologize For Our Error. The column "Get The Stamp Out" in the February 1999 issue (Page 50), mistakenly gave the wrong zip code for Tom and Pearl Kardos. The correct zip code should be 91744.
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