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Neoformalistická Analýza Televizního Seriálu Community
Univerzita Palackého v Olomouci Filozofická fakulta Neoformalistická analýza televizního seriálu Community Bakalářská diplomová práce Studijní program: Teorie a dějiny dramatických umění Vedoucí práce: Mgr. Jakub Korda, Ph.D. Autorka práce: Martina Smékalová OLOMOUC 2013 Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně pod odborným dohledem vedoucího diplomové práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne ………… Podpis ………….. Na tomto místě bych ráda poděkovala Mgr. Jakubu Kordovi, Ph.D., za odborné vedení a konzultování práce. 1. ÚVOD….………………………………………………………………………...…6 1. 1. Struktura práce……………………………………………………………....8 2. TEORETICKÁ ČÁST…………………………………………………………....9 2. 1. Metodologický postup práce………………………………………………..9 2. 2. Použitá literatura a prameny……………………………………………...10 2. 2. 1. Odborná literatura……………………………………………………10 2. 2. 2. Populární literatura…………………………………………………..11 2. 3. Intermedialita a Intertextualita…………………………………...………12 2. 4. Fikční světy podle Mgr. Radomíra Kokeše……………………………....13 2.5. Poznámka k seriálové terminologii a formě seriality…………………….16 3. ANALYTICKÁ ČÁST…………………………………………………………..18 3. 1. Pozadí vzniku seriálu Community………………………………………...18 3. 2. Ocenění a nominace seriálu………………………………………………..20 3. 3. Žánr a forma seriality……………………………………………………..23 3. 4. Analýza postav……………………………………………………………...26 3. 5. Analýza vybraných fikčních světů seriálu Community………………….29 3. 5. 1. Aletický subsvět……………………………………………………...29 3. 5. 2. Alternativní subsvět………………………………………………….32 -
Curriculum Vitae
Jozef I. Nissimov, PhD, Postdoctoral Associate Environmental Biophysics and Molecular Ecology Laboratory Department of Marine and Coastal Sciences Rutgers University, 71 Dudley Road, New Brunswick, NJ, 08901, USA E-mail - [email protected] Phones: Office- (848)-932-3274, Mob - (848)-391-0520 CURRICULUM VITAE General Research Interests: Biological oceanography, marine primary production, the fate of carbon and the biological pump, phytoplankton physiology and ecology, marine virus ecology and diversity, host-virus interactions, pathogen competition for the host, pathogen transmission, molecular evolution, genetic expression, genome analysis and comparison, biogeography of marine viruses, polar microorganisms and their diversity, and coral health and disease. Employment: October 2013 - present Postdoctoral Research Associate at the Department of Marine and Coastal Sciences, Rutgers University, USA (with Prof. Kay D. Bidle). March 2013 - June 2013 Research Assistant at the Department of Plant Sciences, Oxford University, UK. Project: “CO2 irrigation of commercially valuable algae and crops in desert conditions” (with Prof. Liam Dolan and Tim Kruger). October 2008 - May 2012 Microbiology Laboratory Teaching Assistant, Plymouth University, UK (part-time, with Dr. Colin B. Munn, retired). March 2000 - March 2003 Medic, Radar and Communication Officer, Israeli Navy (obligatory national service program). Guest Investigator: February 2014 - January 2015 Guest investigator at the Department of Marine Chemistry and Geochemistry, Woods Hole Oceanographic Institution, USA (with Prof. Benjamin Van Mooy). Education: 2009 - 2013 PhD in Biosciences, “Ecological and functional biodiversity in a marine algal-virus system” - Plymouth Marine Laboratory (UK) & University of Nottingham (UK). Advisors: Prof. Michael J. Allen, Dr. Susan A. Kimmance & Prof. Johnathan A. Napier. 2008 - 2009 MSc Marine Biology (awarded a Distinction) - University of Plymouth (UK) & Marine Biological Association of the United Kingdom. -
Demarcating Dramaturgy
Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement. -
Legal Recognition of Same-Sex Partnerships
LEGAL RECOGNITION OF SAME-SEX PARTNERSHIPS Legal Recognition of Same-Sex Partnerships A Study of National, European and International Law Edited by ROBERT WINTEMUTE School of Law, King’s College, University of London and MADS ANDENÆS British Institute of International and Comparative Law, London OXFORD – PORTLAND OREGON 2001 Hart Publishing Oxford and Portland, Oregon Published in North America (US and Canada) by Hart Publishing c/o International Specialized Book Services 5804 NE Hassalo Street Portland, Oregon 97213-3644 USA Distributed in the Netherlands, Belgium and Luxembourg by Intersentia, Churchillaan 108 B2900 Schoten Antwerpen Belgium © The contributors and editors severally 2001 The editors and contributors to this work have asserted their rights under the Copyright, Designs and Patents Act 1988, to be identified as the authors of this work Hart Publishing Ltd is a specialist legal publisher based in Oxford, England. To order further copies of this book or to request a list of other publications please write to: Hart Publishing Ltd, Salter’s Boatyard, Oxford OX1 4LB Telephone: +44 (0)1865 245533 or Fax: +44 (0)1865 794882 e-mail: [email protected] WEBSITE: http//www.hartpub.co.uk British Library Cataloguing in Publication Data Data Available ISBN 1 84113–138–5 (paperback) Typeset by Hope Services (Abingdon) Ltd. Printed and bound in Great Britain on acid-free paper by Biddles Ltd, www.biddles.co.uk Foreword HE LAST QUARTER of the twentieth century saw a dramatic increase in the Tnumber and power of organised gay and lesbian social and political move- ments. This was accompanied by the systematic assertion, through legal strate- gies and challenges, of gays’ and lesbians’ rights to dignity and to full and equal citizenship. -
Thèse Et Mémoire
Université de Montréal Survivance 101 : Community ou l’art de traverser la mutation du paysage télévisuel contemporain Par Frédérique Khazoom Département d’histoire de l’art et d’études cinématographiques, Université de Montréal, Faculté des arts et des sciences Mémoire présenté en vue de l’obtention du grade de Maîtrise ès arts en Maîtrise en cinéma, option Cheminement international Décembre 2019 © Frédérique Khazoom, 2019 Université de Montréal Département d’histoire de l’art et d’études cinématographiques Ce mémoire intitulé Survivance 101 : Community ou l’art de traverser la mutation du paysage télévisuel contemporain Présenté par Frédérique Khazoom A été évalué par un jury composé des personnes suivantes Zaira Zarza Président-rapporteur Marta Boni Directeur de recherche Stéfany Boisvert Membre du jury Résumé Lors des années 2000, le paysage télévisuel américain a été profondément bouleversé par l’arrivée d’Internet. Que ce soit dans sa production, sa création ou sa réception, l’évolution rapide des technologies numériques et l’apparition des nouveaux médias ont contraint l’industrie télévisuelle à changer, parfois contre son gré. C’est le cas de la chaîne généraliste américaine NBC, pour qui cette période de transition a été particulièrement difficile à traverser. Au cœur de ce moment charnière dans l’histoire de la télévision aux États-Unis, la sitcom Community (NBC, 2009- 2014; Yahoo!Screen, 2015) incarne et témoigne bien de différentes transformations amenées par cette convergence entre Internet et la télévision et des conséquences de cette dernière dans l’industrie télévisuelle. L’observation du parcours tumultueux de la comédie de situation ayant débuté sur les ondes de NBC dans le cadre de sa programmation Must-See TV, entre 2009 et 2014, avant de se terminer sur le service par contournement Yahoo! Screen, en 2015, permet de constater que Community est un objet télévisuel qui a constamment cherché à s’adapter à un média en pleine mutation. -
The Expressive Topography Timothy Zick William & Mary Law School, [email protected]
College of William & Mary Law School William & Mary Law School Scholarship Repository Faculty Publications Faculty and Deans 2006 Space, Place, and Speech: The Expressive Topography Timothy Zick William & Mary Law School, [email protected] Repository Citation Zick, Timothy, "Space, Place, and Speech: The Expressive Topography" (2006). Faculty Publications. 276. https://scholarship.law.wm.edu/facpubs/276 Copyright c 2006 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/facpubs Space, Place, and Speech: The Expressive Topography Timothy Zick* Introduction Place is central to human existence. It is one of the means by which we structure our lives. Place is often itself an event, a center of meaning. Con sider the following places: Ground Zero, the White House, the National Mall, Tiananmen Square, and Auschwitz. These are not mere locales or sites. They are not undifferentiated spaces. They are all dynamic places, expressive aspects of cultures. In their unique ways, these places say something about politics, pain, triumph, and loss. They are repositories of memory, conveyors of rhetoric. The experience of being in these places is very different from the experience of being elsewhere. Contrast these opening observations regarding certain meaningful places with the current First Amendment conception of "place." To the extent that "place" enters constitutional discourse at all, it is as nothing more than a resource, a parcel of property, or an inert element of the expressive back ground.1 Even the most sacred place does nothing; it says nothing. The cur rent First Amendment conception of "place" as inert res is a distinctly lawyerly one.2 It does not appreciate the importance of place to expressive and associative activity. -
The New Europe Group and New Britain Movement (1931–1935)
Pioneers of European Federalism: the New Europe Group and New Britain Movement (1931–1935) By: David Graham Page A thesis submitted in partial fulfilment of the requirements for the degree of Master of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of History October 2016 ABSTRACT This thesis is the first in-depth study of the early 1930s Bloomsbury-based New Europe Group (NEG) and New Britain Movement (NBM), which constituted a politicised social movement led by Dimitrije Mitrinović. The Introduction situates the NEG/NBM as the British manifestation of the nouvelles relèves , the northwest European cluster of extra-parliamentary political groups that were neither plainly left-wing nor right-wing, but rather were infused with a spiritually based ideology influenced by the Personalist philosopher Emmanuel Mounier. Chapter 1 scrutinises the NEG/NBM as an antisystem challenger to the National Government, and analyses the movement’s ‘political perfectionist’ antisystemness in the context of the syncretic turn in British extra- parliamentary politics. Chapter 2 discusses the dynamics of the NEG/NBM, including its ‘prefigurative politics’ and Mitrinović’s use of ‘strategic ambiguity.’ Chapter 3 contextualises the European federalist thought of Mitrinović and other prominent figures in the NEG/NBM, and examines their understanding of the ‘European civil war’ and perception of the European and world ‘crisis.’ Chapter 4 begins with a comparative analysis of the proposals for European unity advanced by Richard Nikolaus von Coudenhove-Kalergi, Aristide Briand, and Mitrinović and the NEG/NBM. The chapter then details the lines of reasoning the NEG/NBM used to make a case for Eurofederalism, and explains the movement’s proposals for European governance and federal institutions. -
Nissimov Et Al., 2016)
UHI Research Database pdf download summary Biochemical diversity of glycosphingolipid biosynthesis as a driver of Coccolithovirus competitive ecology Nissimov, Jozef I.; Talmy, David; Haramaty, Liti; Fredricks, Helen F.; Zelzion, Ehud; Knowles, Ben; Eren, A. Murat; Vandzura, Rebecca; Laber, Christien P.; Schieler, Brittany M.; Johns, Christopher T.; More, Kuldeep D.; Coolen, Marco J.L.; Follows, Michael J.; Bhattacharya, Debashish; Van Mooy, Benjamin A.S.; Bidle, Kay D. Published in: Environmental Microbiology Publication date: 2019 The re-use license for this item is: CC BY-NC-ND The Document Version you have downloaded here is: Peer reviewed version The final published version is available direct from the publisher website at: 10.1111/1462-2920.14633 Link to author version on UHI Research Database Citation for published version (APA): Nissimov, J. I., Talmy, D., Haramaty, L., Fredricks, H. F., Zelzion, E., Knowles, B., Eren, A. M., Vandzura, R., Laber, C. P., Schieler, B. M., Johns, C. T., More, K. D., Coolen, M. J. L., Follows, M. J., Bhattacharya, D., Van Mooy, B. A. S., & Bidle, K. D. (2019). Biochemical diversity of glycosphingolipid biosynthesis as a driver of Coccolithovirus competitive ecology. Environmental Microbiology, 21(6), 2182-2197. https://doi.org/10.1111/1462-2920.14633 General rights Copyright and moral rights for the publications made accessible in the UHI Research Database are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights: 1) Users may download and print one copy of any publication from the UHI Research Database for the purpose of private study or research. -
Tom Fleming / Creative Consultancy
Approaches to Public Service Investment and Competition in the Cultural Sector Supporting Evidence for the Ofcom Public Service Broadcasting Review, 2008. tom fleming / creative consultancy / September 2008 Contents 3 Executive Summary 4 1. Introduction 2. The Policy Level: Setting the Framework for the 10 Competitive Ecology 13 3. The Major Institutional Level: Shaping and Driving the Competitive Ecology 17 4. The Smaller Institutional Level: Surviving in a Competitive Ecology 21 5. Conclusions: A Maturing Competitive Ecology 23 Acknowledgements 25 Appendix 1 - Case Studies Approaches to Public Service Investment and Competition in the Cultural Sector 2 tom fleming / creative consultancy / Executive Summary This Paper by the Tom Fleming Creative Consultancy looks at current funding models within the cultural sector as supporting evidence for Ofcom’s 2008 Review of Public Service Television Broadcasting. Its brief was to examine whether there were competitive or institutional models of funding in the cultural sector from which lessons could be learned for the broadcasting sector. Its main conclusion is that the current model of funding for the delivery of public value within the cultural sector can be described as a competitive ecology , within which considerable indirect competition exists, but with very limited direct competition. In examining the competitive ecology for funding in the cultural sector, this Paper introduces the three levels which drive the current model. These are: - The policy level, flowing down from central government -
It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
“IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture. -
Verging on the Polemical. Towards an Interdisciplinary Approach to Medieval Religious Polemic
Verging on the polemical. Towards an interdisciplinary approach to medieval religious polemic Sita Steckel* The present article attempts to take stock of the different definitions and connotations of the concept of religious »polemic« in order to encourage a more interdisciplinary debate on this topic. It argues that the interdisciplinary research fields engaging with religious polemics could generate important historical perspectives on current conflict cultures, and appear to be on the verge of an expansion of the horizon towards the global, connecting an extant, highly active research field on religious encounter in the Euro-Mediterranean area to the study of Asia and Africa. To be able to realize an integrative perspective and to write a com- parative and entangled history of religious polemics, it seems necessary to reflect on the dif- ferences and gaps marking the overlapping research fields. The article therefore offers a brief historiographical sketch concerning the concept of »polemics«, and then offers a pre liminary list of constituents or dimensions of the polemical which have been highlighted in the differ- ent research fields. In a concluding section, case studies from the accompanying contribu- tions in this volume furnish examples on possible further perspectives, with an emphasis on non-traditional approaches cutting across established research fields. Keywords: Religious polemics, inter-religious contact, intra-religious conflicts, medieval Judaism, medieval Latin Christianity, medieval Islam, history of Medieval Studies. 1. Introduction: The problems and potentials of an interdisciplinary approach to religious polemics The study of religious polemics remains a highly active subfield of the study of religion, espe- cially in research concerning the medieval Euro-Mediterranean area. -
Proquest Dissertations
The Practice of Community: Assembling Anglophone Poetics in the Post-World War II Era STEPHEN VOYCE A dissertation submitted to the Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Graduate Programme in English York University Toronto, Ontario September 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre refinance ISBN: 978-0-494-54112-8 Our file Notre reference ISBN: 978-0-494-54112-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.