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Making Music Sustainable: the Ac Se of Marketing Summer Jamband Festivals in the U.S., 2010 Melissa A
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 8-2012 Making Music Sustainable: The aC se of Marketing Summer Jamband Festivals in the U.S., 2010 Melissa A. Cary Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the Environmental Indicators and Impact Assessment Commons, Environmental Monitoring Commons, and the Sustainability Commons Recommended Citation Cary, Melissa A., "Making Music Sustainable: The asC e of Marketing Summer Jamband Festivals in the U.S., 2010" (2012). Masters Theses & Specialist Projects. Paper 1206. http://digitalcommons.wku.edu/theses/1206 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. MAKING MUSIC SUSTAINABLE: THE CASE OF MARKETING SUMMER JAMBAND FESTIVALS IN THE U.S., 2010 A Thesis Presented to The Faculty of the Department of Geography and Geology Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment Of the Requirements for the Degree Master of Science By Melissa A. Cary August 2012 I dedicate this thesis to the memory my grandfather, Glen E. Cary, whose love and kindness is still an inspiration to me. ACKNOWLEDGMENTS During the past three years there have been many people who have supported me during the process of completing graduate school. First and foremost, I would like to thank the chair of my thesis committee, Dr. Margaret Gripshover, for helping me turn my love for music into a thesis topic. -
CLASSIFIEDS 656-0808 R AMERICA Seeking People to Take-Out Seeking SM Classified Ads! Medium Height, Athletic Build an Easy Way to Communicate Enjoys Outdoors
ntcytainment A Shout Out: Shinedown's "Leave a Whisper" bass of Skynyrd's version has been anger and hatred in the face of crisis Ozbourne, Saliva, and Black replaced by the thrumming of Smith's when what is necessary to deal with is Sabbath fame. This CD is a sober- voice. The haunting quality of the pain the crisis has caused. ing look at personal turmoil and a Smith's voice and lack of heavy Shinedown writes of their album, way to come through it. If you like "Leave a Whisper" by instrumentation make you stop what "This record was written for the what you hear, there is good news. Shinedown features 15 songs in the you are doing and listen. This song is dreamers, for the people that have, in Shinedown is going into the studio heavy metal/grunge genre. The mu- the reason I bought this CD. one way or another been cut down in April to begin work on a second sic is hard rock and the lyrics are a "Simple Man" is a recording from or cast out of society for being album. I wouldn't recommend this doleful reminder that emotional pain what, on the CD, are called the different or having an opinion, it is CD to you if you're really de- is a commonality that humanity "Sanford Sessions." These sessions an expression of insecurity and pressed, but if you're dealing with shares. also include a remix of "Burning frustration, and yet, the will to difficulties and want some corn- Shinedown is Brent Smith, vo- Bright" and an acoustic version of overcome." pany in the same frame of mind, cals; Jasin Todd, guitars; Brad "45," that is a darker look at the "Leave a Whisper" was produced Shinedown would be a good thing Stewart, bass; and Barry Kerch, "coping with misery" theme. -
Uncle Earl's Homecoming
EVENTS NIGHTSPOTS RESTAURANTS Ann Arbor Weather: Mostly cloudy & 70°F SEND A TIP >> AnnArborObserver.com >> Articles >> Culture Uncle Earl's homecoming A2 to Colorado, and back by Whitley Hill From the March, 2007 issue Uncle Earl got himself born right here in Ann Arbor. He sprang fully formed and thoroughly functional from the fertile minds, nimble fingers, and soulful voices of singer-songwriters K. C. Groves and Jo Serrapere and fiddle player Tahmineh Gueramy. He tripped giddily about local venues, perplexed, at times, at his role as avatar and masthead of such plaintive, delicate music. He shuffled uncomfortably on the sidelines after gigs as fans asked, "So, which one of you has an uncle Earl?" In fact, Uncle Earl is an old-time string band that features neither uncles nor anyone remotely named Earl. Today, Groves, now based in Colorado, is the only original member of the group. She's joined now by three fine, seasoned women - Kristin Andreassen (guitar, clogging, ukulele, and vocals), Rayna Gellert (fiddle and vocals), and Abigail Washburn (banjo and vocals) - who love this music deeply and play it with passion. In this quartet's capable hands, everything old is scrubbed fresh. With rainwater. Heaven knows how they managed it, amid their increasingly international touring schedule, but a black crow on a clothesline tells me that Uncle Earl's newest album, Waterloo, Tennessee (Rounder Records), was made in about two weeks last fall at a luxurious live-in studio in the rolling hills outside of Nashville. Aside from the joy of unfettered, fully supported creativity (beautifully manifested in the four tracks I heard), the G'Earls got their first taste of actual obsequiousness: a crew of bowing, scraping interns who insisted on washing their white fluffy robes every day. -
Béla Fleck & Abigail Washburn
BÉLA FLECK & ABIGAIL WASHBURN ADELAIDE TOWN HALL 12 AUGUST 8PM USA ADELAIDE PREMIERE 16 - time Grammy winner Béla Fleck and his critically lauded partner Abigail Washburn bring together, in a seemingly mystical union, Fleck’s revered modern compositions for banjo with Washburn’s equally respected old-school take on the instrument. Their 2014 debut duo album revealed new musical possibilities found in their combined styles, heralded by Washburn’s angelic voice. The triumph of their collaboration was recognised when the record won the 2016 Grammy Award for Best Folk Album. “A stunning collection of eloquent duets” – THE NEW YORKER “the couple has mined various intimate intricacies of the banjo duet, using an aesthetic of front-porch minimalism to play an eclectic mix of country blues, Appalachian mountain songs and expansive chamber folk…. The duo's eponymous debut is filled with understated force” – WASHINGTON POST “two monsters of the banjo” – NPR All Things Considered BÉLA FLECK & ABIGAIL WASHBURN Sure, in the abstract, a banjo duo might seem like a musical concept beset by limitations. But when the banjo players cast in those roles are Abigail Washburn and Béla Fleck—she with the earthy sophistication of a postmodern, old-time singer-songwriter, he with the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots— it’s a different matter entirely. There’s no denying that theirs is a one-of-a-kind pairing, with one-of- a-kind possibilities. Fleck and Washburn have collaborated in the past, most visibly in their Sparrow Quartet with Casey Driessen and Ben Sollee. -
1 a Conversation with Abigail Washburn by Frank
A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band. -
Voices in the Hall: Sam Bush (Part 1) Episode Transcript
VOICES IN THE HALL: SAM BUSH (PART 1) EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest is a pioneer of New-grass music, Sam Bush. SAM BUSH When I first started playing, my dad had these fiddle albums. And I loved to listen to them. And then realized that one of the things I liked about them was the sound of the fiddle and the mandolin playing in unison together. And that’s when it occurred to me that I was trying on the mandolin to note it like a fiddle player notes. Then I discovered Bluegrass and the great players like Bill Monroe of course. You can specifically trace Bluegrass music to the origins. That it was started by Bill Monroe after he and his brother had a duet of mandolin and guitar for so many years, the Monroe Brothers. And then when he started his band, we're just fortunate that he was from the state of Kentucky, the Bluegrass State. And that's why they called them The Bluegrass Boys. And lo and behold we got Bluegrass music out of it. PETER COOPER It’s Voices in the Hall, with Sam Bush. “Callin’ Baton Rouge” – New Grass Revival (Best Of / Capitol) PETER COOPER “Callin’ Baton Rouge," by the New Grass Revival. That song was a prime influence on Garth Brooks, who later recorded it. Now, New Grass Revival’s founding member, Sam Bush, is a mandolin revolutionary whose virtuosity and broad- minded approach to music has changed a bunch of things for the better. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Tennessee, United States of America Destination Guide
Tennessee, United States of America Destination Guide Overview of Tennessee Key Facts Language: English is the most common language spoken but Spanish is often heard in the south-western states. Passport/Visa: Currency: Electricity: Electrical current is 120 volts, 60Hz. Plugs are mainly the type with two flat pins, though three-pin plugs (two flat parallel pins and a rounded pin) are also widely used. European appliances without dual-voltage capabilities will require an adapter. Travel guide by wordtravels.com © Globe Media Ltd. By its very nature much of the information in this travel guide is subject to change at short notice and travellers are urged to verify information on which they're relying with the relevant authorities. Travmarket cannot accept any responsibility for any loss or inconvenience to any person as a result of information contained above. Event details can change. Please check with the organizers that an event is happening before making travel arrangements. We cannot accept any responsibility for any loss or inconvenience to any person as a result of information contained above. Page 1/8 Tennessee, United States of America Destination Guide Travel to Tennessee Climate for Tennessee Health Notes when travelling to United States of America Safety Notes when travelling to United States of America Customs in United States of America Duty Free in United States of America Doing Business in United States of America Communication in United States of America Tipping in United States of America Passport/Visa Note Page 2/8 Tennessee, United States of America Destination Guide Airports in Tennessee Memphis International (MEM) Memphis International Airport www.flymemphis.com Location: Memphis The airport is situated seven miles (11km) southeast from Memphis. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
Working Finding Aid the Center for Popular Music
THIS COLLECTION IS STILL IN PROCESS – WORKING FINDING AID THE CENTER FOR POPULAR MUSIC, MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN ALAN L. MAYOR COLLECTION 17-005 Creator: Mayor, Alan Leslie (August 21, 1949 – February 22, 2015) Type of Material: Manuscript Materials, Photographs, Negatives, Slides, Datebooks, Sound Recordings Physical Description: 162 linear feet of manuscript material including: 113 linear feet of photographic prints 19 linear feet of negatives 22 linear feet of slides 5 linear feet of CD/DVD/Floppy disc photographic files 1 linear foot of datebooks 2 linear foot of press passes Dates: circa 1977 – 2012, bulk 1990-2000 Access/Restrictions: The collection is partially processed, but is open for research use. The Center for Popular Music only owns rights to the physical materials in this collection. All materials in this collection are under copyright that is owned by the Mayor Family. Researchers must receive prior written permission from the Mayor Family for any reproductions of use. Center staff are able to assist with copyright questions for this material. Provenance and Acquisition Information: This collection was donated by Alan Mayor’s sister, Theresa Mayor Smith, in October 2017. The Center’s Director and Archivist picked up a portion of the collection on October 6, 2017 from Mrs. Smith’s storage unit in Cadiz, Kentucky. The second, and largest, portion was picked up by the Center’s Archivist and Assistant Archivist on October 13, 2017 from Cadiz, Kentucky. The third batch of remanding binders of negatives was dropped off at the Center by Mrs. Smith on November 9, 2017. Subjects/Index Terms: Country music – 1971-1980 THIS COLLECTION IS STILL IN PROCESS – WORKING FINDING AID Alan L. -
© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare -
Thursday, April 5, 2012 14 1 1 Blake Shelton/Drink on It
page 1 Thursday,Thursday, AprilApril 5,5, 2012 Chart Director: Jon Freeman, [email protected] Weeks Last Wk This Wk Spins/ % Spin Spins Last Wk On Chart Position Position Artist/Song/Label Reports Power +- # Spins 14 1 1 Blake Shelton/Drink On It/WMN/Warner Bros. 3501/98 -2 -87 3588 13 3 2 Rascal Flatts/Banjo/Big Machine 3480/101 1 39 3441 15 4 3 Miranda Lambert/Over You/RCA 3426/99 2 57 3369 24 5 4 Lee Brice/A Woman Like You/Curb 3239/90 1 43 3196 11 6 5 Jason Aldean/Fly Over States/Broken Bow 3145/99 4 116 3029 9 7 6 Eric Church/Springsteen/EMI Nashville 3010/102 4 125 2885 15 2 7 Lady Antebellum/Dancin' Away With My Heart/Capitol 3008/83 -15 -516 3524 12 9 8 Zac Brown Band/No Hurry/Southern Ground/Atlantic 2882/96 3 79 2803 6 11 9 Carrie Underwood/Good Girl/19 Recordings/Arista 2838/97 5 146 2692 16 8 10 Tim McGraw/Better Than I Used To Be/Curb 2831/92 -1 -18 2849 16 10 11 Brantley Gilbert/You Don't Know Her Like I Do/Valory 2771/99 0 10 2761 14 12 12 Eli Young Band/Even If It Breaks Your Heart/Republic Nashville 2747/102 4 117 2630 8 14 13 Luke Bryan /Drunk On You/Capitol 2601/101 10 233 2368 24 15 14 Kip Moore/Somethin' 'Bout A Truck/MCA 2356/85 2 51 2305 12 16 15 Alan Jackson/So You Don't Have To Love Me Anymore/ACR/EMI 2206/94 2 48 2158 14 17 16 Kellie Pickler/100 Proof/19/BNA 2092/94 2 37 2055 14 18 17 Josh Turner/Time Is Love/MCA 1961/85 2 41 1920 20 20 18 Gloriana/(Kissed You) Good Night/Emblem/WMN 1790/77 9 146 1644 4 24 19 Toby Keith/Beers Ago/Show Dog - Universal 1749/95 23 324 1425 5 23 20 The Band Perry/Postcard From