Sex Tape Is Directed by Jake Kasdan (Bad Teacher) and Also Stars Rob Corddry, Rob Lowe, Jack Black, and Ellie Kemper

Total Page:16

File Type:pdf, Size:1020Kb

Sex Tape Is Directed by Jake Kasdan (Bad Teacher) and Also Stars Rob Corddry, Rob Lowe, Jack Black, and Ellie Kemper International Theatrical Marketing Strategy Main Genre: Outrageous Comedy Cameron Diaz Annie The Other Woman (upcoming), Bad Teacher, Knight and Day, The Box, the Shrek franchise (voice), What Happens in Vegas, The Holiday Jason Segel Jay This is 40, The Five-Year Engagement, The Muppets, Jeff, Who Lives at Home, Friends with Benefits, Bad Teacher, Gulliver’s Travels, Get Him to the Greek, Forgetting Sarah Marshall Jack Black Lamont The Big Year, the Kung Fu Panda franchise (voice), Gulliver’s Travels, Year One, Tropic Thunder, Be Kind Rewind, Nacho Libre CONFIDENTIAL – DO NOT DISTRIBUTE Rob Lowe Hank Parks and Recreation (TV), The Invention of Lying, Thank You For Smoking, Brothers & Sisters (TV), The West Wing (TV) Primary: Moviegoers 15-34 (rating permitting), fans of Cameron Diaz or Bad Teacher Secondary: Moviegoers 35-49 (WORK IN PROGRESS) Jay (Jason Segel) and Annie (Cameron Diaz) have a great marriage – but with busy jobs and two kids, it’s hard to find time for each other. To kick things up a notch, they They decide – why not? – to make a video of themselves having sex. It seems like a great idea – until they discover that their most private video is no longer private. Instead of becoming a one-night memory, the video is accidentally posted to “the Cloud” for all to see. With their reputations on the line, they know they’re just one click away from being laid bare to the world... leading to a race to reclaim their video. Sex Tape is directed by Jake Kasdan (Bad Teacher) and also stars Rob Corddry, Rob Lowe, Jack Black, and Ellie Kemper. KEY STRENGTHS Cameron Diaz’s huge international fan base. Being confused by technology is a hook that many will find relatable. The line, “no one understands the Cloud! It’s a mystery!” plays well in research screenings and trailer testing. Bad Teacher pedigree. 2 CONFIDENTIAL – DO NOT DISTRIBUTE KEY CHALLENGES American comedies play to varying success internationally. On the positive side, this is the kind of high concept comedy that has been breaking internationally over the last couple of years such as WE’RE THE MILLERS (199m int’l), TED (330m int’l) and more recently, NEIGHBORS (79m+ int’l to date). Our sexy-sounding title, while catchy, has the potential of limiting word-of-mouth. At our research screening in the UK, ratings of the film were higher than recommendation scores -- suggesting that while moviegoers liked the film, the sexual content made them less comfortable about spreading the word. A story that may come across as predictable or unworthy of the big-screen. Mixing in some surprising or shocking moments to the campaign should help with this, as well as positioning the film as a “fun night out”. In terms of story elements, raise the stakes where possible: what could happen if certain people see Annie and Jay’s sex tape? Potential censorship issues for some territories. RULES OF SEX TAPE Find the right balance between physical comedy and more clever humor for your territory. In research, the dog scene and falling off the balcony are key slapstick moments. Jokes about technological gaffes help elevate this humor; scenes like Siri giving the wrong answer and the Cloud being a “mystery” are top scenes from trailer testing. The technology-related elements of this story may also boost the film’s perceived uniqueness. Research has shown that our marketing focus should be the “race to erase” – Annie and Jay rushing to get their sex tape back. While it’s good to establish them as believable, likeable characters up front, we should waste no time getting to the fun. We do not need to dwell on the fact that their marriage has gone stale (which may age the movie up unnecessarily). Instead, focus on the fact that this is a believable couple in a situation gone wrong, caused by their own technological blunder. Steer clear of marketing that pushes the sexual elements too explicitly, as this can limit our audience. To this end, consider using a title that is less on the nose, for example, “Our Prohibited Video” as used throughout LatAm. Also consider using a title that emphasizes the excitement that happens after the creation of the tape, that it, “the race to erase” notion of the film. This film has the ability to play broadly, so avoid a romance positioning, which can make the film feel smaller. Only in female-targeted materials should we consider offering bit more back- story on Annie and Jay before the sex tape – and even in those materials, we should continue to embrace outrageous humor first and foremost. 3 CONFIDENTIAL – DO NOT DISTRIBUTE POP POLLS In the below graphs, awareness and popularity are indexed against the average scores for each territory. Stars’ awareness and popularity scores are mapped out so that they land in one of four quadrants based on whether they have high or low awareness and popularity relative to the norm for that territory. The ideal marketing scenario for a territory is for a star to land in the top right quadrant: “Superstar”, which would indicate that the star has both high awareness and high popularity. The Brad Pitts and Will Smiths of the world occupy that very top right corner. Conversely, if a star lands in the bottom left quadrant – “Underperformer” (low awareness, low popularity) – it would indicate that the star is challenged from a marketing perspective. Note that not all graphs are presented at the same scale – note awareness and popularity index scores along the axes. Popularity score = “one of my favorites” + “very good” 4 CONFIDENTIAL – DO NOT DISTRIBUTE CAMERON DIAZ Cameron Diaz is very well-known and well-liked in all territories. Older moviegoers are slightly more likely to be familiar with her. 5 CONFIDENTIAL – DO NOT DISTRIBUTE JASON SEGEL Jason Segel has a varying international profile, ranging from muted to good. He is best-known and liked in Australia, Germany, and the UK. He also has a decent following in Spain. In all the aforementioned territories, younger moviegoers are more likely to be favorable. 6 CONFIDENTIAL – DO NOT DISTRIBUTE ROB LOWE Rob Lowe earns varying levels of familiarity among international moviegoers, earning his highest levels of awareness in the UK, Australia, and Spain. Older moviegoers are most likely to be aware of him in these and most territories. Awareness levels are below the territory averages in Korea and Russia. Lowe earns just moderate favorability in all territories. 7 CONFIDENTIAL – DO NOT DISTRIBUTE INTERNATIONAL DIGITAL Key Positioning Position the film as a relatable “technology fail” story about a married couple who wakes up to discover that the “digital” sex tape they recorded on their tablet the evening before, has been shared online, leading to a frantic search to pull it down. Targets Generate awareness and interest about the film through online media stunts and online features to reach target demographic: Primary Target: Broad Moviegoers (Based on your local ratings) Secondary Targets: Fans of the cast (Cameron Diaz, Jason Segel), Fans of raunchy comedies Objectives and Strategic Approach Objective 1: Highlight the “when technology fails you” theme, to reach a broader audience and keep the story contemporary Highlight the technology and modern storyline to keep the story contemporary and appeal to younger audiences through the Pop-Up game and the Leaked Tape feature. If applicable in your markets, work with influential journalists to push the funny editorial videos we will be creating with the talent. Work with editorial partners to create a series of tech fail editorials (ridiculous texting fails, dirty autocorrect mentions, 10 tips to navigate the “cloud”) to engage broad moviegoers. Amplify existing thematic content on social and aggregate humorous real life tech fails, to make the storyline more relatable (can also be used as editorial angle). Objective 2: Highlight the couple’s storyline to engage older audiences, especially females Emphasize the highly relatable storyline – transitioning from being a childless young couple to becoming overwhelmed parents trying to find time for each other and re- kindle the romance -through the Tumblr site, the Safe Word Generator feature, online editorials, and online ads to target females. Emphasize the chemistry and banter between Cameron Diaz and Jason Segel as husband and wife, through clips and imagery in online ads. Explore themes such as “Before and After Kids”, “A couple’s guide to surviving marriage with kids”, “New relationships vs. Long-term relationships” for memes and social graphics, to appeal to older audiences. If applicable in your market, localize the Mommy’s Blogger site and reach out to influential local mommy bloggers to appeal to females, especially moms. Engage fans of the filmmakers and the cast, Cameron Diaz and Jason Segel in particular, through the use of digital greetings on social media and editorial sites. 8 CONFIDENTIAL – DO NOT DISTRIBUTE Objective 3: Leverage the adult humor to appeal to younger audiences, especially males Leverage the film’s adult comedy elements to target young audiences (16-34), especially young males through the Sex Tape Selfie mobile feature. Celebrate the film’s playful adult humor, while avoiding the overtly raunchy. Avoid showcasing humor that is explicitly vulgar or dirty. On social, explore themes around “texts that have gone from hot to not”, or funny auto- corrects, for memes and social graphics, to keep the story contemporary and relatable to younger audiences. Reach fans of the cast, and broaden to females by highlighting the couple’s frantic search and the comedy that ensues through clips and imagery in online ads. Digital Campaign Overview Sliderocket Please visit the link below to view the Digital Campaign Overview for this title.
Recommended publications
  • The 2021 Hopwood Awards Ceremony
    The 2021 Hopwood Awards Ceremony April 14th, 2021 The 2021 Hopwood Program Awards Ceremony April 14th, 2021 Welcome to the virtual 2021 Hopwood Program Awards Ceremony. In an extremely challenging year, we are grateful to the students, faculty, staff, donors, and judges whose participation and support made this year’s awards possible. While a virtual announcement of awards can’t duplicate the excitement of a live event, we hope that you will join us in thanking the contestants and congratulating the winners. We invite you to visit the Hopwood website, https://lsa.umich.edu/hopwood, where in the coming weeks we will post an expanded version of this program featuring photos and bios of the winners. You are also warmly invited to join us Thursday, April 15th from 5:00 to 6:30 p.m. Eastern for a reading and Q&A by Hopwood lecturer Kiese Laymon: https://tinyurl.com/ZellWriters. Order of Events Welcome and Opening Remarks Hopwood Director Meg Sweeney Announcement of Awards Presenters: Meg Sweeney, Ghassan Abou-Zeineddine, Jim Burnstein, Jeremiah Chamberlin, Rebecca Manery Introduction of Hopwood Lecturer Aisha Sabatini Sloan Hopwood Lecture Kiese Laymon Closing Remarks Meg Sweeney Hopwood Committee Ghassan Abou-Zeineddine, Jim Burnstein, Jeremiah Chamberlin Tung-Hui Hu, Laura Thomas, Hannah Webster. Hopwood Staff Meg Sweeney, Hopwood Director Rebecca Manery, Hopwood Program Manager Sarah Miles, Hopwood Program Assistant The 2021 Hopwood Award Contests The Hopwood Contests Graduate and Undergraduate Hopwood Contests Hopwood First- and Second- Year Contests Hopwood Award Theodore Roethke Prize Other Awards Administered by the Hopwood Program • Academy of American Poets • Andrea Beauchamp Prize • Bain-Swiggett Poetry Prize • • Chamberlain Award for Creative Writing • Cora Duncan Award in Fiction • • David Porter Award for Excellence in Journalism • Dennis McIntyre Prize • • Geoffrey James Gosling Prize • Helen J.
    [Show full text]
  • Seawood Village Movies
    Seawood Village Movies No. Film Name 1155 DVD 9 1184 DVD 21 1015 DVD 300 348 DVD 1408 172 DVD 2012 704 DVD 10 Years 1175 DVD 10,000 BC 1119 DVD 101 Dalmations 1117 DVD 12 Dogs of Christmas: Great Puppy Rescue 352 DVD 12 Rounds 843 DVD 127 Hours 446 DVD 13 Going on 30 474 DVD 17 Again 523 DVD 2 Days In New York 208 DVD 2 Fast 2 Furious 433 DVD 21 Jump Street 1145 DVD 27 Dresses 1079 DVD 3:10 to Yuma 1124 DVD 30 Days of Night 204 DVD 40 Year Old Virgin 1101 DVD 42: The Jackie Robinson Story 449 DVD 50 First Dates 117 DVD 6 Souls 1205 DVD 88 Minutes 177 DVD A Beautiful Mind 643 DVD A Bug's Life 255 DVD A Charlie Brown Christmas 227 DVD A Christmas Carol 581 DVD A Christmas Story 506 DVD A Good Day to Die Hard 212 DVD A Knights Tale 848 DVD A League of Their Own 856 DVD A Little Bit of Heaven 1053 DVD A Mighty Heart 961 DVD A Thousand Words 1139 DVD A Turtle's Tale: Sammy's Adventure 376 DVD Abduction 540 DVD About Schmidt 1108 DVD Abraham Lincoln: Vampire Hunter 1160 DVD Across the Universe 812 DVD Act of Valor 819 DVD Adams Family & Adams Family Values 724 DVD Admission 519 DVD Adventureland 83 DVD Adventures in Zambezia 745 DVD Aeon Flux 585 DVD Aladdin & the King of Thieves 582 DVD Aladdin (Disney Special edition) 496 DVD Alex & Emma 79 DVD Alex Cross 947 DVD Ali 1004 DVD Alice in Wonderland 525 DVD Alice in Wonderland - Animated 838 DVD Aliens in the Attic 1034 DVD All About Steve 1103 DVD Alpha & Omega 2: A Howl-iday 785 DVD Alpha and Omega 970 DVD Alpha Dog 522 DVD Alvin & the Chipmunks the Sqeakuel 322 DVD Alvin & the Chipmunks: Chipwrecked
    [Show full text]
  • Gorinski2018.Pdf
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both.
    [Show full text]
  • The Reluctant Fundamentalist
    Mongrel Media Presents The Reluctant Fundamentalist A film by Mira Nair (128 min., USA, 2012) Language: English and Urdu Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS 2011, Lahore. At a café a Pakistani man named Changez (Riz Ahmed) tells Bobby (Liev Schreiber), an American journalist, about his experiences in the United States. Roll back ten years, and we find a younger Changez fresh from Princeton, seeking his fortune on Wall Street. The American Dream seems well within his grasp, complete with a smart and gorgeous artist girlfriend, Erica (Kate Hudson). But when the Twin Towers are attacked, a cultural divide slowly begins to crack open between Changez and Erica. Changez’s dream soon begins to slip into nightmare: he is transformed from a well-educated, upwardly mobile businessman to a scapegoat and perceived enemy. Taking us through the culturally rich and beguiling worlds of New York, Lahore and Istanbul, The Reluctant Fundamentalist is a story about conflicting ideologies where perception and suspicion have the power to determine life or death. A MULTI-LAYERED VISION “Looks can be deceiving.” Changez Khan “An Indian director making a film about a Pakistani man. That’s not an easy thing to do,” says novelist and co-screenwriter Mohsin Hamid of The Reluctant Fundamentalist, the new film from award-winning filmmaker Mira Nair, based on Hamid’s acclaimed novel of the same name.
    [Show full text]
  • Race in Hollywood: Quantifying the Effect of Race on Movie Performance
    Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.
    [Show full text]
  • NCOA Rolls out Redesigned BLC
    Thursday, December 13, 2018 Volume 18, Number 50 Index Commentary ..................A2 Community Events .........A3 News Briefs ....................A3 Community ....................A6 Off Duty ......................... B1 Movies ............................ B3 FREE Published in the interest of the personnel at Fort Leonard Wood, Missouri www.myguidon.com NCOA rolls out redesigned BLC By Dawn Arden Managing editor “The new course design is allowing BLC [email protected] students the ability to enhance their ability The Maneuver Sup- to think — not what to think.” port Center of Excel- lence Noncommissioned Officer Academy’s Basic First Sgt. Michael McCabe Leader Course has un- NCOA Basic Leader Course first sergeant dergone a new design, which is scheduled to be fully implemented with Operations (Army and First Sgt. Michael the start of BLC Class Joint), Program Man- McCabe, MSCoE Basic Photo by Staff Sgt. Joaguin Suero 003-19 in January. agement, Readiness and Leader Course first ser- Soldiers attending the Maneuver Support Center of Excellence Noncommissioned Officer According to the NCO Training Management. geant, said the focus has Academy's Basic Leader Course stand in formation. The Army's redesigned course will be Leadership Center of With the redesign, Sol- shifted to teach Soldiers fully implemented in January. Excellence, changes diers will attend train- to implement a plan, train have been made to al- ing six days a week. The and evaluate the training McCabe said assess- enhance their ability the learner to release,” leviate the “Death by 22-day course consists event. ments in the new course to think — not what to he said. “The chang- PowerPoint” method of of 169 course facilita- “The new course has content are based on think,” he said.
    [Show full text]
  • Jan-Feb14 MBT.Pdf
    JANUARY/FEBRUARY 2014 VOLUME 92 NUMBER 4 NEWSMAGAZINE OF THE MANITOBA TEACHERS’ SOCIETY JANUARY/FEBRUARY 2014 VOLUME 92 NUMBER 4 NEWSMAGAZINE OF THE MANITOBA TEACHERS’ SOCIETY President’s Column Meditation in the classroom P. 4 Before class, middle-years teacher Cari Satran of École Leila North Community School leads her students in a brief meditation Inside MTS P. 5 P. 16 P. 18 Smokeless tobacco Young athletes naively believe snuff or dip are less threatening than cigarettes MTS member poll: Stress tops class size concern P. 7 French Immersion: A growing concern with growing pains P. 8 P. 11 Teachers and movies simple ways • Go to www.winnipegharvest.org and click Good teachers on the Events/Operation Donation tab and bad teachers in film to register • Email [email protected] 3YOUR SCHOOL • Call 204-982-3670 INSIDE MTS PRESIDENT’S COLUMN KEN PEARCE, GENERAL SECRETARY PAUL OLSON Three times a year I get to attend the be slowly emerging and gathering steam. money and volunteer time every year to Canadian Teachers’ Federation Directors Coordination and the sharing of long-term projects around the world through CTF. Editor Meetings, one of which is held immediately research into the type and delivery of educa- CTF staff prepares proposals, sends them to George Stephenson, prior to the CTF Annual Meeting. tion services across the country helps form the Society and staff here prepares propos- [email protected] This coming year the Annual Meeting will Society responses to trends in education. als for approval by the Provincial Executive. be hosted by the Society in July.
    [Show full text]
  • CHAPTER I INTRODUCTION A. Background of the Study in The
    CHAPTER I INTRODUCTION A. Background of the Study In the society, people know that everyone has personality each other. Treasure is one of the factors which make someone changes their self in that time. Not only changes their self but also changes around their self and way of life. Due to that occurrence, there are many human that change their life style to glamour and just needed material. It called materialistic. Materialistic was often identical with woman. But actually not only woman but also all of people can be materialistic person. From the statement above, the researcher can formulate conclusion that materialistic is way of life that occur in some people who make the things was very important than ever, it caused of some trauma with someone or disappointed by something and just belief on material for instance money. So, just the material for instance money can believed. As usual, lady was identical with materialistic. It’s general that many women in the world have materialistic character. Moreover, it can look each pretty woman who imagine as a materialistic person. So, the conclusion about materialistic here is toward money or something desire of woman. Lady and money has a close relationship. From the statement above, it is proper with movie that has duration 92 minutes. The title is Bad Teacher movie directed by Jake Kasdan also 1 2 produced by Jimmy Miller and David Househalter. This drama comedy written by Lee Einsberg and Gene Stupnitsky and starring by Cameron Dias as Elisabeth Halsey, Justin Timberlake as Scott Delacorte, Lucy Punch as Amy Squirrel, John Michael Higgins as Principal Wally Snur, Jason Segel as Russel Gettis, Phyllis Smith as Lynn Davies, Thomas Lennon as Carl Halabi, Molly Shannon as Melody Tiara, Eric Stonestreet as Kirk, Dave (Gubber) Allen as Sandy Pinkus, Matthew J.
    [Show full text]
  • 291 Copyright © 2018 by Academic Publishing House Researcher S.R.O
    European Journal of Contemporary Education, 2018, 7(2) Copyright © 2018 by Academic Publishing House Researcher s.r.o. All rights reserved. Published in the Slovak Republic European Journal of Contemporary Education E-ISSN 2305-6746 2018, 7(2): 291-331 DOI: 10.13187/ejced.2018.2.291 www.ejournal1.com WARNING! Article copyright. Copying, reproduction, distribution, republication (in whole or in part), or otherwise commercial use of the violation of the author(s) rights will be pursued on the basis of international legislation. Using the hyperlinks to the article is not considered a violation of copyright. Professional Risk: Sex, Lies, and Violence in the Films about Teachers Alexander Fedorov a , *, Anastasia Levitskaya b, Olga Gorbatkova a, Galina Mikhaleva a a Rostov State University of Economics, Russian Federation b Taganrog Institute of Management and Economics, Russian Federation Abstract Pedagogical issues are rather popular in the world’s cinematography. Images of school and university teachers occupy a special place in it. Hoping to attract as many viewers as possible the cinematography prefers to refer not to everyday routine education process but to “hot spots” of teaching associated mainly with sex, lies and violence (in this regard deception is successfully combined with narrative moves of violence and sex) in recent decades. Thus, the title of the French film Risky Business (Les risques du métier, 1967) contains the essence of the media presentation of the teacher’s image whose profession is undoubtedly linked to serious
    [Show full text]
  • Justine Von Winterfeldt
    JUSTINE VON WINTERFELDT MUSIC SUPERVISOR MOTION PICTURES THE SHORT HISTORY OF THE LONG ROAD Ani Simon-Kennedy, dir. Astute Films INSTANT FAMILY Sean Anders, dir. Paramount Pictures THE WILLOUGHBYS Kris Pearn, dir. Bron Studios NEXT GEN Kevin R. Adams, dir. Netflix Joseph Ksander, dir. BRIAN BANKS Tom Shadyac, dir. ShivHans Pictures THE PARTY’S JUST BEGINNING Karen Gillan, dir. Mt. Hollywood Films THE CATCHER WAS A SPY Ben Lewin, dir. PalmStar Media COLLATERAL BEAUTY (Music Coordinator) David Frankel, dir. Warner Bros. ALMOST CHRISTMAS (Music Coordinator) David E. Talbert, dir. Universal Pictures TROLLS (Music Coordinator) Mike Mitchell, dir. Twentieth Century Fox BAD MOMS (Music Coordinator) Jon Lucas & Scott Moore, dir. STX Entertainment SISTERS (Music Coordinator) Jason Moore, dir. Universal Pictures PITCH PERFECT 2 (Music Coordinator) Elizabeth Banks, dir. Universal Pictures MOTION PICTURES (continued) BEYOND THE LIGHTS (Music Coordinator) Gina Prince-Bythewood, dir. Relativity Media COMMON OUTLAWS Louie Iaccarino, dir. Uncork’d Entertainment THE BABYMAKERS (Music Coordinator) Jay Chandrasekhar, dir. IM Global TELEVISION __________________________________________________________________ HAUNTING OF BLY MANOR Diane Ademu-John, EP Netflix NOS4A2 Tom Brady, Shana Fischer AMC Huber & Colin Walsh, creators HOMBRE Jonás Cuarón, writer Showtime INVINCIBLE Robert Kirkman, creator Amazon Studios Cory Walker, creator IN THE DARK Corinne Kingsbury, creator The CW IMPULSE Doug Liman, dir. Universal Cable Productions MICHAEL JACKSON: SEARCHING FOR NEVERLAND Dianne Houston, dir. Lifetime Television SIGNIFICANT MOTHER Tripp Reed, dir. The CW US & THEM (Music Coordinator) Michael Patrick Jann, dir. CBS BAD TEACHER (Music Coordinator) Fred Goss, dir. CBS BLACK BOX (Co-Music Supervisor) Tricia Brock, dir. ABC UNDER THE DOME (Music Coordinator) Jack Bender, dir.
    [Show full text]
  • Darling Companion
    A film by Lawrence Kasdan DARLING COMPANION Starring Diane Keaton Kevin Kline Dianne Wiest Richard Jenkins Elisabeth Moss Mark Duplass Ayelet Zurer Sam Shepard Opening Night Santa Barbara International Film Festival 2012 www.darlingcompanionfilm.com 103 min | PG-13 | Release Date (NY/LA): 04/20/2012 East Coast Publicity West Coast Publicity Distributor Falco Ink Block Korenbrot Sony Pictures Classics Erin Bruce Alexandra Glazer Carmelo Pirrone Shannon Treusch Rebecca Fisher Lindsay Macik 250 W. 49th St, Ste 704 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-445-7100 tel 323-634-7001 tel 212-833-8833 tel 212-445-0623 fax 323-634-7030 fax 212-833-8844 fax DIRECTOR’S STATEMENT Darling Companion is a comedy about many varieties of companionship. At the center of the movie is a marriage that has gone on for a long time and become frayed. Surrounding that union are young people falling in love, a brand-new marriage and the surprise of mid-life romance. The film is also about the connection that sometimes happens between a human being and a pet – the love, friendship and solace that can pass between species. Anyone who’s ever had a dog knows they live in the moment. That fact of their behavior can have a revivifying effect on the people around them. While humans worry about the future and mull over the past, dogs bring us back to the present with the uncomplicated joy they take in the here and now – getting outside with us for a walk, having their meal, being stroked.
    [Show full text]
  • David Alan Grier
    DAVID ALAN GRIER Page 1 of 3 DAVID ALAN GRIER FILM CLIFFORD THE BIG RED DOG Paramount Dir: Walt Becker ARIZONA Independent Dir: Jonathan Watson SPRINTER Overbrook Entertainment Dir: Storm Saulter THE BIG SICK Independent Dir: Michael Showalter WE THE PEEPLES Lionsgate Dir: Tina Gordon Chism THE POKER HOUSE Independent Dir: Lori Petty HOODWINKED TOO Weinstein Co. Dir: Mike Disa SOMETHING LIKE A BUSINESS Indpendent Dir: Russ Parr DANCE FLICK Paramount Dir: Damien Dante Wayans AN AMERICAN CAROL Independent Dir: David Zucker BEWITCHED Sony Dir: Nora Ephron THE WOODSMAN Independent Dir: Nicole Kassell TIPTOES Independent Dir: Matthew Bright 15 MINUTES New Line Dir: John Herzfeld RETURN TO ME MGM Dir: Bonnie Hunt JUMANJI TriStar Dir: Joe Johnston BOOMERANG Paramount Dir: Reginald Hudlin TELEVISION A BLACK LADY SKETCH SHOW Cameo HBO QUEEN SUGAR Recurring Guest Star OWN A CHRISTMAS STORY (LIVE) Cast FOX COOL KIDS Series Regular FOX SNAP DECISION Host GSN A SERIES OF UNFORTUNATE EVENTS Recurring Guest Star NETFLIX THE WIZ (LIVE) The Lion NBC FRIENDS OF THE PEOPLE Recurring Guest Star TruTV THE CARMICHAEL SHOW Series Regular NBC THE MCCARTHYS Guest Star CBS EN VOGUE CHRISTMAS Cast LIFETIME THE SOUL MAN Guest Star TV Land BAD TEACHER Series Regular CBS HAPPY ENDINGS Guest Star ABC LAW & ORDER: SVU Guest Star NBC BONES Guest Star FOX GYM TEACHER: THE MOVIE Cast Nickelodeon CHOCOLATE NEWS Series Regular Comedy Central THANK GOD YOU'RE HERE Host NBC LIFE WITH BONNIE Series Regular ABC KING OF TEXAS Cast TNT DAG Series Lead NBC DAMON Series Regular FOX THE PRESTON EPISODES Series Lead FOX IN LIVING COLOR Series Regular FOX RANDOM ACTS OF COMEDY Host Fox Family Channel THEATRE PORGY & BESS Broadway Tony Nomination, Best Performance by an Actor in a Featured Role in a Musical RACE Broadway Tony Award Nomination A FUNNY THING HAPPENED ON THE Broadway WAY TO THE FORUM MERRY WIVES OF WINDSOR NY Shakespeare Festival DREAM GIRLS Broadway THE FIRST Broadway A SOLDIERS PLAY Negro Ensemble Company Tony Award Nomination Page 2 of 3 .
    [Show full text]