Performing Arts
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
![Albert Irvin, Beacon II, 1994 Acrylic on Canvas 186 X 160Cm [Detail] Albert Irvin](https://docslib.b-cdn.net/cover/7944/albert-irvin-beacon-ii-1994-acrylic-on-canvas-186-x-160cm-detail-albert-irvin-87944.webp)
Albert Irvin, Beacon II, 1994 Acrylic on Canvas 186 X 160Cm [Detail] Albert Irvin
Albert Irvin, Beacon II, 1994 Acrylic on canvas 186 x 160cm [detail] Albert Irvin Albert Irvin OBE RA was born in 1922 in London, where he continued to live and work throughout his life. In the early 1940’s Irvin attended Northampton School of Art. His studies were interrupted when he was called up, serving as a navigator in the Royal Air Force during the Second World War. After the war ended he enrolled at Goldsmiths College in London to resume his studies. In 1962, he returned to Goldsmiths where he taught for twenty years. He also taught as visiting lecturer at art colleges throughout Britain. Irvin’s first solo exhibition was in 1960 at 57 Gallery, Edinburgh followed by New Art Centre in London in 1963 and 1965. He went on to exhibit extensively throughout Europe, the USA and Australia. A major retrospective of his work from 1960 to 1989 was held at the Serpentine Gallery, London in 1990. Irvin was awarded a Travel Award to America by the Arts Council in 1968 and later received an Arts Council Major Award In 1970 he moved into his Studio in Stepney Green and continued travelling to work there from his home at least 3 times a week into his 90s. He formed a working relationship with Advanced Graphics London in 1979, and began producing screenprints with them - the start of a very successful venture. 2 Irvin joined Gimpel Fils in 1982 they had regular, solo exhibitions of his work throughout his life. His works are held in many public collections including Tate, Royal Academy and the Victoria and Albert Museum, London; The British Council; Irish Museum of Modern Art, Dublin; Manchester City Art Gallery; Leeds Art Gallery and The Art Gallery of New South Wales in Sydney. -
Frommer's Scotland 8Th Edition
Scotland 8th Edition by Darwin Porter & Danforth Prince Here’s what the critics say about Frommer’s: “Amazingly easy to use. Very portable, very complete.” —Booklist “Detailed, accurate, and easy-to-read information for all price ranges.” —Glamour Magazine “Hotel information is close to encyclopedic.” —Des Moines Sunday Register “Frommer’s Guides have a way of giving you a real feel for a place.” —Knight Ridder Newspapers About the Authors Darwin Porter has covered Scotland since the beginning of his travel-writing career as author of Frommer’s England & Scotland. Since 1982, he has been joined in his efforts by Danforth Prince, formerly of the Paris Bureau of the New York Times. Together, they’ve written numerous best-selling Frommer’s guides—notably to England, France, and Italy. Published by: Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5744 Copyright © 2004 Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem or transmitted in any form or by any means, electronic, mechanical, photo- copying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978/750-8400, fax 978/646-8600. Requests to the Publisher for per- mission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317/572-3447, fax 317/572-4447, E-Mail: [email protected]. -
PLACES of ENTERTAINMENT in EDINBURGH Part 5
PLACES OF ENTERTAINMENT IN EDINBURGH Part 5 MORNINGSIDE, CRAIGLOCKHART, GORGIE AND DALRY, CORSTORPHINE AND MURRAYFIELD, PILTON, STOCKBRIDGE AND CANONMILLS, ABBEYHILL AND PIERSHILL, DUDDINGSTON, CRAIGMILLAR. ARE CIRCUSES ON THE WAY OUT? Compiled from Edinburgh Theatres, Cinemas and Circuses 1820 – 1963 by George Baird 2 TABLE OF CONTENTS MORNINGSIDE 7 Cinemas: Springvalley Cinema, 12 Springvalley Gardens, 1931; the seven cinemas on the 12 Springvalley Gardens site, 1912 – 1931; The Dominion, Newbattle Terrace, 1938. Theatre: The Church Hill Theatre; decision taken by Edinburgh Town Council in 1963 to convert the former Morningside High Church to a 440 seat theatre. CRAIGLOCKHART 11 Skating and Curling: Craiglockhart Safety Ponds, 1881 and 1935. GORGIE AND DALRY 12 Cinemas: Gorgie Entertainments, Tynecastle Parish Church, 1905; Haymarket Picture House, 90 Dalry Road, 1912 – became Scotia, 1949; Tivoli Picture House, 52 Gorgie Road, 1913 – became New Tivoli Cinema, 1934; Lyceum Cinema, Slateford Road, 1926; Poole’s Roxy, Gorgie Road, 1937. Circus: ‘Buffalo Bill’, Col. Wm. Frederick Cody, Gorgie Road, near Gorgie Station, 1904. Ice Rink: Edinburgh Ice Rink, 53 Haymarket Terrace, 1912. MURRAYFIELD AND CORSTORPHINE 27 Cinema: Astoria, Manse Road, 1930. Circuses: Bertram Mills’, Murrayfield, 1932 and 1938. Roller Skating Rink: American Roller Skating Rink, 1908. Ice Rink: Murrayfield Ice Rink; scheme sanctioned 1938; due to open in September 1939 but building was requisitioned by the Government from 1939 to 1951; opened in 1952. PILTON 39 Cinema: Embassy, Boswall Parkway, Pilton, 1937 3 STOCKBRIDGE AND CANONMILLS 40 St. Stephen Street Site: Anderson’s Ice Rink, opened about 1895;Tivoli Theatre opened on 11th November 1901;The Grand Theatre opened on 10th December 1904;Building used as a Riding Academy prior to the opening of the Grand Picture House on 31st December 1920;The Grand Cinema closed in 1960. -
Newsletter Contents 07-08
Newsletter No 28 Summer/Autumn 2008 He is currently working on a book on the nineteenth- From the Chair century travel photographer Baron Raimund von Stillfried. Welcome to the first of our new shorter-but- hopefully-more-frequent newsletters! The main casualty has been the listings section, which is no New SSAH Grant Scheme longer included. Apologies to those of you who found this useful but it takes absolutely ages to compile and As you’ll know from last issue, we recently launched a the information should all be readily available scheme offering research support grants from £50 to elsewhere. Otherwise you should still find the same £300 to assist with research costs and travel mix of SSAH news and general features – if you have expenses. We’re delighted to say that several any comments on the newsletter or would like to applications have already been received and so far we contribute to future issues, please let us know! have awarded five grants to researchers from around Now, let’s waste no more time and get on the world. Here we present the first two reports with the latest news… from grant recipients on how the money has been Matthew Jarron spent. Committee News Gabriel Montua, Humboldt-Universität Berlin, Germany As promised last issue, we present a profile of our newest committee member: The generous SSAH grant of £206.96 enabled me to cover my travel expanses to the Scottish National Luke Gartlan Gallery of Modern Art in Edinburgh, where I consulted item GMA A42/1/GKA008 from the Luke is a lecturer in the School of Art History at the Gabrielle Keiller Collection: letters exchanged University of St Andrews, where he currently teaches between Salvador Dalí and André Breton. -
THE PINNING STONES Culture and Community in Aberdeenshire
THE PINNING STONES Culture and community in Aberdeenshire When traditional rubble stone masonry walls were originally constructed it was common practice to use a variety of small stones, called pinnings, to make the larger stones secure in the wall. This gave rubble walls distinctively varied appearances across the country depend- ing upon what local practices and materials were used. Historic Scotland, Repointing Rubble First published in 2014 by Aberdeenshire Council Woodhill House, Westburn Road, Aberdeen AB16 5GB Text ©2014 François Matarasso Images ©2014 Anne Murray and Ray Smith The moral rights of the creators have been asserted. ISBN 978-0-9929334-0-1 This work is licensed under the Creative Commons Attribution-Non-Commercial-No Derivative Works 4.0 UK: England & Wales. You are free to copy, distribute, or display the digital version on condition that: you attribute the work to the author; the work is not used for commercial purposes; and you do not alter, transform, or add to it. Designed by Niamh Mooney, Aberdeenshire Council Printed by McKenzie Print THE PINNING STONES Culture and community in Aberdeenshire An essay by François Matarasso With additional research by Fiona Jack woodblock prints by Anne Murray and photographs by Ray Smith Commissioned by Aberdeenshire Council With support from Creative Scotland 2014 Foreword 10 PART ONE 1 Hidden in plain view 15 2 Place and People 25 3 A cultural mosaic 49 A physical heritage 52 A living heritage 62 A renewed culture 72 A distinctive voice in contemporary culture 89 4 Culture and -
0-208 Artwork
The North*s Original Free Arts Newspaper + www.artwork.co.uk Number 208 Pick up your own FREE copy and find out what’s really happening in the arts May - June 2019 Shedding Old Coats – one of the haunting works by Karólína Lárusdóttir from a recent exhibition of her work at the Castle Gallery, Inverness. In- side: Denise Wilson tells the story of this Anglo-Icelandic artist. INSIDE: Cultivating Patrick Geddes :: Tapestry Now Victoria Crowe at City Arts :: A northern take on Turner artWORK 208 May/June 2019 Page 2 artWORK 208 May/June 2019 Page 3 CASTLE GALLERY KELSO POTTERY 100 metresmetres behind behind the Kelso Kelso Abbey in the Knowes Car Park. Abbey in The Knowes Car Park. Mugs, jugs, bowls and “TimePorridge Tablets” and Soup fired Bowls, in Piggy theBanks Kelso and Goblets,Pit Kiln. Ovenproof OpenGratin DishesTuesday & Pit-fi to Saturday red Pieces. Open Mon, 10 Braemar Road, 10am-1pm and 2pm-5pm Ballater Thurs, Fri and TelephoneOpen Tues -(01573) Sat 10 to224027 1 - 2 to 5 Sat 10.00 -5.00 AB35 5RL NEWTelephone: SHOP, (01573) DISABLED 224027 ACCESS larksgallery.com facebook/Larks Gallery 013397 55888 CHECK OUT OUR ROBERT GREENHALF OTHER TITLES opening 17th may Jane B. Gibson RMS Wild Wings Over Lonely Shores Scotland’s Premier artWORK kirsty lorenz richard bracken 7th - 29th June www.artwork.co.uk Miniture Portrait Oils and woodcuts inspired by the birds of our jim wright kirstie cohen Painter coast and wetlands by Robert Greenhalf SWLA with hand-carved birds by Michael Lythgoe. West Highland www.resipolestudios.co.uk Open Studio/Gallery Castle Gallery, 43 Castle St, Inverness, IV2 3DU 01463 729512 Wayfarer loch sunart | acharacle | argyll | scotland | ph36 4hx EVERY FRIDAY [email protected] www.westhighlandwayfarer.co.uk or by appointment any www.castlegallery.co.uk THE other time. -
Register of Assets
HISTORIC ENVIRONMENT SCOTLAND REGISTER OF ASSETS Last updated 12 July 2021 About Historic Environment Scotland and our assets We are a non-departmental public body (NDPB) with charitable status, formed in 2015 as the lead public body for Scotland’s historic environment. Our core purpose and functions are: • To act as the lead public body on matters relating to Scotland’s historic environment • To support and enable partners, stakeholders, communities and individuals to fulfil their roles in investigating, protecting and celebrating our heritage • To act as guardian of Scotland’s historic environment • To deliver public benefit from the activities of the body. A significant part of our work is to care for more than three hundred Properties in Care on behalf of Scottish Ministers. These include castles, tower houses, brochs, stone circles, abbeys and other historic or archaeological monuments in Scotland. We maintain and operate these sites as visitor attractions, and this is part of our core function. Many of the Properties in Care are owned or leased by Scottish Ministers, meaning they are eligible for Asset Transfer. However, a large proportion of these properties are in private or charitable ownership and we look after these under a Deed of Guardianship. Please Note - Those properties are not eligible for Asset Transfer because they are not publically-owned or leased. We provide details of all the eligible land and buildings in our Register of Assets, listed in this document by Council area. The land and buildings that Historic Environment Scotland owns or leases are ancillary properties such as car parks and works depots, visitor centres and outbuildings. -
The Art of Picture Making 5 - 29 March 2014
(1926-1998) the art of picture making 5 - 29 march 2014 16 Dundas Street, Edinburgh EH3 6HZ tel 0131 558 1200 email [email protected] www.scottish-gallery.co.uk Cover: Paola, Owl and Doll, 1962, oil on canvas, 63 x 76 cms (Cat. No. 29) Left: Self Portrait, 1965, oil on canvas, 91.5 x 73 cms (Cat. No. 33) 2 | DAVID McCLURE THE ART OF PICTURE MAKING | 3 FOREWORD McClure had his first one-man show with The “The morose characteristics by which we Scottish Gallery in 1957 and the succeeding recognise ourselves… have no place in our decade saw regular exhibitions of his work. painting which is traditionally gay and life- He was included in the important surveys of enhancing.” Towards the end of his exhibiting contemporary Scottish art which began to life Teddy Gage reviewing his show of 1994 define The Edinburgh School throughout the celebrates his best qualities in the tradition 1960s, and culminated in his Edinburgh Festival of Gillies, Redpath and Maxwell but in show at The Gallery in 1969. But he was, even by particular admires the qualities of his recent 1957 (after a year painting in Florence and Sicily) Sutherland paintings: “the bays and inlets where in Dundee, alongside his great friend Alberto translucent seas flood over white shores.” We Morrocco, applying the rigour and inspiration can see McClure today, fifteen years or so after that made Duncan of Jordanstone a bastion his passing, as a distinctive figure that made a of painting. His friend George Mackie writing vital contribution in the mainstream of Scottish for the 1969 catalogue saw him working in a painting, as an individual with great gifts, continental tradition (as well as a “west coast intellect and curiosity about nature, people and Scot living on the east coast whose blood is part ideas. -
History & Heritage Road Trip
HISTORY & HERITAGE ROAD TRIP A 3 DAY ITINERARY Share your NE250 trip #NE250 @northeast250 EXPERIENCE A JOURNEY OF STUNNING SCENIC CONTRASTS AND EXPLORE THE RICH HERITAGE AND CULTURE OF THE HEART OF SCOTLAND – ALL IN ONE AMAZING ROUTE. © Helen Stirling Maps 2019. Contains Ordnance Survey Data. © Crown Copyright and Database Right 2018 and Database Copyright Survey © Crown Data. Ordnance © Helen Stirling Maps 2019. Contains 5 6 8 7 10 3 2 4 9 1 13 11 12 14 15 The North East 250 explores everything for which Scotland is famous in a unique Scottish road trip taking you through the whisky distilleries of Speyside, the spectacular mountain passes of the Cairngorms National Park, the famous castles of Royal Deeside, the granite city of Aberdeen, the rugged North Sea coastline to the east, and the picturesque seaside villages of the Moray Firth Coast. DISCOVER MORE AT NORTHEAST250.COM DAY 1: BALLINDALLOCH TO SPEY BAY JOINING THE NORTH EAST 250 AT BALLINDALLOCH, EXPLORE THE HISTORY AND HERITAGE EXPERIENCES OF THE NORTH EAST 250 AS YOU TRAVEL THROUGH SPEYSIDE TO THE MORAY FIRTH COAST 1 BALLINDALLOCH - BALLINDALLOCH CASTLE AB37 9AX Explore and enjoy five hundred years of Highland history, acres of formal gardens, woodlands and riverside walks, the children’s playground, picnic area, tearoom and gift shop. Family home of the Macpherson-Grant’s since 1546, Ballindalloch Castle is one of the finest surviving examples of a Scottish Baronial Castle and tourists flock from around the globe to visit this ‘Pearl of the North’. Also try: Packhorse Bridge in Glenlivet, Drumin Castle, Glenlivet Scalan Seminary, Tomintoul Discovery Centre 2 KNOCKANDO - KNOCKANDO WOOLLEN MILL AB38 7RP Nestled in the heart of Speyside, Knockando Woolmill has ensured the craft of carding, spinning and weaving with local wool has been passed down through generations since 1784. -
Principal Job Pack
The Leith School of Art 25 North Junction Street Edinburgh EH6 6HW Telephone: 0131 554 5761 Web: www.LeithSchoolofArt.co.uk Email: [email protected] Leith School of Art – appointment of Principal A welcome from the Chair of the Board of Directors Thank you for your interest in Leith School of Art and in our search for a new Principal. As you delve into the following pages I hope you will gain a sense of what makes Leith School of Art unique and this vacancy so special. Leith School of Art is held in great respect by artists far and wide and in genuine affection by all who are associated with it. Leith means a great deal in different ways to different people of course, but if two things stand out it is the excellence of the teaching and the sense of community and support that surrounds it. There are many who can describe the experience of studying at Leith as life-changing, whether as a springboard to an artistic career or privately as a way to find, or rediscover, fulfilment, self-connection and expression. Our means-tested Assisted Places and Community Classes open the door to many for whom the opportunity to learn about art and design would be beyond reach on cost grounds. With the forthcoming retirement of our current Principal, we are at a highly significant transition in the story of Leith School of Art, and this is a very exciting opportunity for an artist with a passion and vision for art education to play a leading role in shaping the next chapter. -
![Thundering Hooves Report [2006]](https://docslib.b-cdn.net/cover/7687/thundering-hooves-report-2006-677687.webp)
Thundering Hooves Report [2006]
THUNDERING HOOVES MAINTAINING THE GLOBAL COMPETITIVE EDGE OF EDINBURGH’S FESTIVALS 4 MAY 2006 11-29 Fashion Street 285 West Broadway London E1 6PX New York, NY 10013 T 0 20 7377 6559 T 1 212 226 5820 F 0 20 7377 5992 F 1 212 226 5821 TABLE OF CONTENTS 1 Background, Methodology and Recommendations...........................................................................3 2 Why festivals matter.............................................................................................................................. 16 3 Global Trends ......................................................................................................................................... 22 4 Edinburgh in Context: The Experience of Benchmark Cities...................................................... 27 5 The Festivals and the City.................................................................................................................... 39 6 Recommendations.................................................................................................................................. 44 7 Appendix 1: List of Interviewees........................................................................................................ 51 8 Appendix 2: Scenario Planning Participants ..................................................................................... 52 9 Appendix 3: City Case Studies............................................................................................................ 53 10 Appendix 4: Scenarios.......................................................................................................................... -
Education Scotland Report June 2016
Review of private Further Education colleges and English Language Schools Leith School of Art 1 June 2016 The review process This review report follows the quality framework for the review arrangements for private further education colleges and English language Schools in Scotland, April 2012. The review normally lasts for three days. Over the three-day period, the review team: engage with learners; observe episodes of learning and teaching and provide feedback to each member of teaching staff or other learning facilitator on strengths and areas for further development; conduct interviews and undertake other activity required to determine the extent of concordance between documentary evidence and practice; evaluate evidence against the 11 reference quality indicators; and identify key strengths and areas for further development for the organisation. Education Scotland is an approved educational oversight body authorised by the Home Office to inspect private further education colleges and English language Schools in Scotland. Reviews are arranged under three high-level questions which Education Scotland is adopting for evaluative purposes: How well are learners progressing and achieving relevant, high quality outcomes? How effective are the organisation’s learning and teaching processes? How effective are the organisation’s leadership and quality culture? Education Scotland reviews are designed to: support and promote quality enhancement in organisations to provide the best possible experience for the learner; provide information to the Home Office, when required, on the quality of organisations and the learning experience they provide; provide an independent evaluation to assist organisations in informing prospective and current learners of the quality of the organisation’s and services; evaluate organisations against the Education Scotland quality framework, March 2012; and complement organisation-led internal review and self-evaluation.