DOCSLIB.ORG

Producción De Subjetividad En El Fandom Online De Stucky

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Producción De Subjetividad En El Fandom Online De Stucky Universidad de Chile Facultad de Ciencias Sociales Departamento de Psicología Escuela de Pregrado Until the end of the line: Producción de Subjetividad en el fandom online de Stucky. Memoria para optar al Título Profesional de Psicóloga/o Investigadores: Constanza Ríos y Diego Rivera Mayo 2017, Santiago, Chile. 1 Tabla de contenido Abstract .................................................................................................................................................. 3 1. Antecedentes .................................................................................................................................. 4 2. Problema ....................................................................................................................................... 11 3. Pregunta y objetivos ...................................................................................................................... 21 4. Relevancia ..................................................................................................................................... 22 5. Marco teórico ................................................................................................................................ 24 5.1. Subjetividad: procesos y líneas de subjetivación. .................................................................... 24 5.1.1. Líneas de subjetivación: Relaciones de poder ................................................................. 27 5.1.2. Líneas de subjetivación: Ethopolítica .............................................................................. 28 5.2. Prácticas: discursos y modos de hacer .................................................................................... 29 5.3. Discusiones sobre la producción de Fandom .......................................................................... 31 5.4. Virtualidad como estado y espacio ......................................................................................... 32 5.5. Posicionamiento .................................................................................................................... 33 6. Marco Metodológico ..................................................................................................................... 36 6.1. Metodología Cualitativa ......................................................................................................... 36 6.2. Método etnográfico y etnografía virtual ................................................................................. 36 6.3. Muestreo ............................................................................................................................... 39 6.4. Técnica de Producción de Información ................................................................................... 42 6.5. Estrategia de Análisis.............................................................................................................. 43 6.6. Procedimientos ...................................................................................................................... 44 7. Análisis y Discusión ........................................................................................................................ 46 7.1. Un “Camino” a lo que amas .................................................................................................... 48 7.2. “Tantos lados, que los demás no pueden comprender” .......................................................... 67 7.3. Disputas, apropiaciones y reglas: Canon, Fanon y etiqueta de fandom ................................... 88 7.4. Un niño queer de Brooklyn: Usos de la Producción en la Vida cotidiana ............................... 106 7.5. With you till’ the end of the line: Subjetividad en Stucky. ..................................................... 117 8. Conclusiones................................................................................................................................ 131 9. Referencias .................................................................................................................................. 137 1 2 10. Anexos ..................................................................................................................................... 153 10.1. Citas originales usadas en el texto .................................................................................... 153 10.2. Glosario ............................................................................................................................ 160 2 3 Abstract En las últimas décadas la posición de fan ha estado atravesada por procesos de comodificación, tanto por su funcionamiento como prosumidores como por su relación con las franquicias, junto con el ascenso de la red 2.0. El objetivo de esta investigación es comprender la producción del fan desde las redes de relaciones existentes en Tumblr y AO3 dentro del slash de Capitán América, específicamente de la relación entre los personajes Steve Rogers y James “Bucky” Barnes (denominada Stucky). A través de observación participante y entrevistas etnográficas se analizaron estas redes, que involucran tanto racionalidades gubernamentales de mercado, activismo y fanificación, como relaciones de poder entre los fans slashers, además de vínculos con otros textos y sus vidas cotidianas. Se discute respecto a la relación entre el fandom, las plataformas y Marvel y las tensiones y negociaciones que se producen en ésta, que tienen como producto espacios particulares con normas y juegos de verdad propios, y que se vuelven equivalentes a los usuarios que los ocupan. Estas lógicas no se limitan a las plataformas, sino que se extienden a la vida cotidiana y tienen usos y espacios de apropiación y resistencia en ella. Keywords: Fandom, subjetividad, virtualidad, prácticas, relaciones de poder, ethopolítica. 3 4 1.Antecedentes El fenómeno de Internet ha sido estudiado por las ciencias sociales desde sus inicios, pasando por diversas teorizaciones respecto a su uso y su presencia. Junto con la indiferencia o negatividad exhibida en sus orígenes por parte de los investigadores y la opinión pública respecto a su impacto en las personas (Morris y Ogan, 1996), se mantuvo propagando a ritmos acelerados y cada vez más accesibles, siendo hoy una presencia global y necesaria para gran parte de las actividades cotidianas en las ciudades (Jones, 1998). Con ello, los estudios han cambiado de perspectivas sobre el uso y apropiación de Internet de parte de las personas hacia direcciones más positivas que remarcan el potencial de esta herramienta en la comunicación y desarrollo humano. Como ejemplo del uso actual de Internet, en Chile la tasa de penetración es de 72,4 accesos a Internet por cada 100 habitantes (SUBTEL, 2016), con 6.16 millones de usuarios de redes sociales (Comscore, 2014). Dentro de este panorama, se puede sostener que Internet es un fenómeno masivo, actual y vigente, tanto como herramienta como espacio donde suceden prácticas pertinentes a la virtualidad. Este fenómeno ha sido conceptualizado de variadas maneras en la literatura: algunas investigaciones apuntan a sus características comunicacionales con respecto a otras plataformas de medios (Morris y Ogan, 1996), mientras que otras, a las dinámicas que se generan en la plataforma. Entre ellas, surge el concepto de red 2.0, el cual se entendería como un cambio paradigmático sobre cómo se piensan los sitios en la red, pasando de proveedores de contenidos y servicios a plataformas de producción de éstos desde la actividad de los usuarios mismos (Song, 2008), siendo ésta la principal fuente de valor de la plataforma (Fernández, 2013). Este concepto de web 2.0 fue acuñado por primera vez para describir el funcionamiento de los nuevos 4 5 sitios que aparecen tras el colapso de la burbuja dot com1 (Snee, 2008; Song, 2008). Dentro de los sitios que podían ser calificados como parte de él estaban los blogs2, las wikis3, sitios de distribución de contenido multimedia y de taggeo4 y bookmarking social5, así como los feeds RSS6, teniendo como desarrollo posterior las redes sociales y otras formas de selección de contenido y de comunidad participativa (Anderson, 2007). Sin embargo, debido a la naturaleza mediática y descriptiva del concepto, es difícil definir claramente su punto de inicio y las características que la definirían, pues la red 1.0 -llamada así retroactivamente- también habría tenido un importante componente participativo. Las diferencias entre ambos paradigmas consistirían en la individualización de la participación y énfasis en las comunidades que se formarían por vínculos específicos de la red 2.0, desenfatizando así las comunidades globales de la plataforma, características de la red 1.0 (Song, 2008). Para Remondino (2012), tanto las TICs como la red 2.0 se enmarcarían en un discurso tecno-utópico que demanda participación en ellas, donde el usuario debe visibilizarse, individualizarse y vincularse con la red, creando espacios de subjetivación dentro de los cuales se despliegan utilizando estrategias variadas para negociar con la plataforma un uso particular. 1 Se refiere a la burbuja financiera creada en el periodo de 1992-2002 respecto a la inversión en compañías de Internet. Esta burbuja fue posible, dentro de otros factores, gracias a una retórica particular asociada al desarrollo de tecnologías emergentes así como las futuras ganancias que generarían, sin relación alguna con el valor que estas poseían en el momento (Goodnight y Green, 2010) 2 Blogs: sitios web que usualmente
Load more

Recommended publications
  • Vulnerability and Trash: Divisions Within Stucky Fandom
    Vulnerability and Trash Divisions within the Stucky fandom Alen Ríos and Diego Rivera Abstract In this article we focus on the construction of the Other within the Stucky fandom. Contemporary fandoms are spaces that have been conceived as homogenous, or communities in which differences are not seen. Moreover, they are an articulation of subjectivities that encompass and allow several mechanisms of governmentality; they can be capitalized upon and exploited, but also produce their own logics of resistance. This paper analyzes how certain fanworks and fan practices on the social network Tumblr constitute an Other in relation to the general fandom of Stucky. The methodology used was a virtual ethnographic approach using participant observation and ethnographic interviews. According to our results, the Stucky fandom utilizes trigger warnings as a political rationality to construe a vulnerable Other in order to prevent and warn about activities, topics, or experiences that may heavily upset them, as well as converging in the creation of a segregation of those experiences via tags. This phenomenon also occurs in the parts (sides ad verbatim) of fandom that do not move or uphold the same values or hegemonic perspectives within the fandom, generating an Other that should be moderated. We suggest framing and understanding these practices as power relationships that are constantly changing, due to the platforms, the fans and the discourses that surround them. Therefore, divisions and othering in fandom should be understood as a contingent product of relationships both inside and outside the fandom. Keywords Otherness, fandom, slash, ethicopolitics, trigger warnings Otherness: Essays and Studies Volume 6 · Number 1 · December 2018 © The Author 2018.
    [Show full text]
  • Mason 2015 02Thesis.Pdf (1.969Mb)
    ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created.
    [Show full text]
  • Mcwilliams Ku 0099D 16650
    ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.
    [Show full text]
  • Otherness and Transgression in Fandom and Celebrity Studies Volume 6 · Number 1 · December 2018
    ISSN 1904-6022 www.otherness.dk/journal Otherness and Transgression in Fandom and Celebrity Studies Volume 6 · Number 1 · December 2018 Otherness and Representation Volume 6 · Number 2 · December 2018 Welcoming the interdisciplinary study of otherness and alterity, Otherness: Essays and Studies is an open-access, full-text, and peer-reviewed e-journal under the auspices of the Centre for Studies in Otherness. The journal publishes new scholarship primarily within the humanities and social sciences. ISSUE EDITORS Matthias Stephan, PhD GENERAL EDITOR Matthias Stephan, PhD Aarhus University, Denmark ASSOCIATE EDITORS Susan Yi Sencindiver, PhD Aarhus University, Denmark Dr. Maria Beville Limerick Institute of Technology © 2018 Otherness: Essays and Studies ISSN 1904-6022 Further information: www.otherness.dk/journal/ Otherness: Essays and Studies is an open-access, non-profit journal. All work associated with the journal by its editors, editorial assistants, editorial board, and referees is voluntary and without salary. The journal does not require any author fees nor payment for its publications. Cover photo by Christopher Thomsen, courtesy of the artist. Volume 6 · Number 1 · December 2018 CONTENTS Introduction 1 Matthias Stephan 1 Vulnerability and Trash: 11 Divisions within the Stucky Fandom Alen Ríos and Diego Rivera 2 The Other Woman: 39 Re-Authoring and Re-Othering Gendered Narratives Lucy I. Baker 3 Everyday, Bro?: 67 Authenticity and Performance Intersections in the Vlogs of Jake Paul Pernille Rosenlund and Susanne Lisberg Jørgensen
    [Show full text]
  • Marvels Postcard Book Pdf, Epub, Ebook
    MARVELS POSTCARD BOOK PDF, EPUB, EBOOK Alex Ross | 84 pages | 10 Sep 2019 | Marvel Comics | 9781302918897 | English | New York, United States Marvels Postcard Book PDF Book Greeting Card By InvaderInk. Tags: agents of shield, aos, jemma simmons, fitzsimmons, marvel, shield, steps, inspirational, quote, shield quote, aos quote, agents of shield quote. Espionage takes to the twenty-first-century playing fields, where rules are broken--and remade--outside the reach of governments and the law. Tags: chris evans, captain america, marvel. Tags: captain marvel, marvel, carol danvers, brie larson, superheroes, hero, superhero. Sandwich of Love Postcard By hermionetimet. Tags: guardians of the galaxy, awesome mix, awesome mix vol 1, awesome mix volume 1, star lord, peter quill, gamora, groot, i am groot, rocket racoon, marvel, hooked on a feeling, thanos, nerd, pop culture, mix tape, retro, music, drax, zoe saldana, ronan, yondu, nebula, avengers, the avengers, iron man, thor, captain america, hawkeye, scarlett witch, marvel. On the side there are a few basketball courts, look for the the southern court and check around the east hoop for the final present, ending the sequence. Tags: thor, ragnarok, korg, marvel. Tags: fitzsimmons, agents of shield, marvel, leo fitz, fitz, jemma simmons, simmons, shield. Tags: captain marvel, marvel, carol danvers, brie larson, captain marvel movie, captain marvel film, capt marvel, avengers, kree. Awesome Mix Vol. Science Biatch! Home 1 Books 2. Hela Incites Ragnarok Postcard By loudxlights. Tags: tom holland, spider-man, quackson, thomas stanley holland, marvel. Wolverine Postcard By NoJohns Marvel's melancholy muck-monster as you've Atsume Assemble Greeting Card By sneddy.
    [Show full text]
  • Fix-It Fanfiction and Queer Readings
    SUURJ: Seattle University Undergraduate Research Journal Volume 5 Article 16 2021 Queerer than Canon: Fix-it Fanfiction and Queer Readings. Neha Hazra Seattle University Follow this and additional works at: https://scholarworks.seattleu.edu/suurj Recommended Citation Hazra, Neha (2021) "Queerer than Canon: Fix-it Fanfiction and Queer Readings.," SUURJ: Seattle University Undergraduate Research Journal: Vol. 5 , Article 16. Available at: https://scholarworks.seattleu.edu/suurj/vol5/iss1/16 This Full-Length Research Article is brought to you for free and open access by the Seattle University Journals at ScholarWorks @ SeattleU. It has been accepted for inclusion in SUURJ: Seattle University Undergraduate Research Journal by an authorized editor of ScholarWorks @ SeattleU. Queerer than Canon: Fix-it Fanfiction and Queer Readings Neha Hazra, Psychology and Philosophy Faculty Mentor: Natalie Cisneros, PhD, Philosophy Faculty Content Editor: Molly Clark Hillard, PhD, English Student Editor, Cole Jansson, English 106 Abstract This essay examines queer fanfiction, or fiction based on previous narratives, through the lens of Eve Kosofsky Sedgwick’s theory of “reparative readings” to argue that fanfiction is the instantiation of “loving criticism,” and of grassroots queer praxis. I explain fanfiction and its common constructs, and then explore how queer reading functions to challenge and subvert heteronormative narratives for better representation and for validation. Fanfiction provides space for healing and pleasure, and delegitimizes heteronormative ideals, giving space for queer readers to grow and learn about themselves. This essay highlights fanfiction about Steve Rogers and Bucky Barns from the Marvel Cinematic Universe as a case study of fanfiction as a Kosofskian reparative reading. In this example, fanfiction works to give voice to the sublimated themes that lie beneath more overtly heteronormative messages, and brings queer identity to the forefront of these stories.
    [Show full text]
  • Transcript of Fan Fiction
    1 EM: You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky -- and I’m joined in the studio by Stephanie Billman. SB: Hi! EM: Stephanie and I used to work together at WNYC. I would say we were fellow geeks at a place where there were a lot of nerds but not a lot of geeks – would you agree? SB: Yeah, I totally agreed with that. EM: I remember people were amused that I had action figures at my desk. Did you get comments about your Doctor Who stuff? SB: All the time. Someone saw my picture of David Tennant and was like, is that one of the Beatles? No, it’s not. EM: So Stephanie pitched me this idea about Fan Fiction – first the title of the email was Fan Fiction (Don’t Judge) which I loved so much that I decided immediately was going to be the title of this episode! And before we get to your pitch, I should say I was always skeptical of doing an episode on fan fiction. I have to admit I had never read any fanfiction but I assumed most of it was really bad. It’s an insult, like a lot of people said Game of Thrones this season felt like fanfic meaning it feels like the characters were fulfilling the fan’s greatest wishes regardless of whether it makes sense for the story. SB: Fan service. EM: Fan service, yeah. And that’s the other thing too, I was telling you I struggled to write screenplays for ten years and I took all these writing classes, read all these books on story structure – and I got all this brutal feedback.
    [Show full text]
  • Sept. 25, 1948 Biddick Stadium V 34,117 Ffffffl? A; ' 7/ I E Official Prd
    Sept. 25, 1948 Biddick Stadium V 34,117 Ffffffl? a; ‘ 7/ I E Official Prd\gram 50C North Carolina Equipment Company ”Infernafional at Distributors of CONSTRUCTION, INDUSTRIAL, LOGGING ,AND MATERIAL-HANDLING EQUIPMENT CONTRACTORS’ AND MUNICIPAL SUPPLIES _*_ Raleigh - Wilmington - Guilford Charlotte - Asheville OUR NEW HOME Across from State College to render the State a broader service. ORDINARY INDUSTRY ACCIDENT HEALTH INDIVIDUAL AND GROUP PLANS STATE CAPITAL LIFE INSURANCE COMPANY Congratulations, Faculty and Alumni of N. C. State College on your Splendid Athletic Program THE WOLFPACK AND FORD’S ALWAYS OUT FRONT S A N D I: R S Motor Company Your Friendly Ford Dealer RALEIGH, N. C. MILDRED COOLEY SANDERS, Pres. HAROLD PITSER, Gen. Mgr. Tm: WOLFPACK Gammon N. C. STATE DUKE Published for each N. C. State College home football game by the Program Bureau of North Carolina State College. National Advertising Representative: Don Spencer Company, Inc.. 271 Madison Avenue, New York, N. Y. Volume XVIII RIDDICK STADIUM, RALEIGH, N. 0., SEPTEMBER 25, 1948 Number I NORTH CAROLINA STATE COLLEGE ATHLETIC COUNCIL PROF. H. A. FISHER, Chairman D. W. SEIFERT TOM GOULD DR. A. J. WILSON, Secretary W. H. SULLIVAN FRED KENDALL DR. 1. O. SCHAUB A. G. FLOYD WALTER CLARK DR. J. L. STUCKY G. C. LASSITER WARREN CARTIER R. J. WOMBLE ' FOOTBALL STAFF BEATTIE FEATHERS, Head Coach C. H. ANDERSON, Asst. Coach AL ROTELLA, Asst. Coach ROY CLOGSTON, Director of Athletics CHARLES RAMEY, Asst. Coach ALBERT CRAWFORD, Trainer WALTER SLATER, Asst. Coach ED STOREY, Publicity ALLAN NELMS, Program Manager N. C. STATE’S 1948 FOOTBALL SCHEDULE Date Opponent Kick Off Place Sept.
    [Show full text]
  • The Effect of Solitary Confinement on Institutional Misconduct: a Longitudinal Evaluation
    The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: The Effect of Solitary Confinement on Institutional Misconduct: A Longitudinal Evaluation Author(s): Ryan M. Labrecque Document No.: 249013 Date Received: August 2015 Award Number: 2014-IJ-CX-0003 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this federally funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. The Effect of Solitary Confinement on Institutional Misconduct: A Longitudinal Evaluation A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirement for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the Division of Criminal Justice of the College of Education, Criminal Justice, and Human Services 2015 by Ryan M. Labrecque B.S., Hesser College, 2004 M.S., Springfield College, 2005 M.S., University of Cincinnati, 2010 Dissertation Committee: Paula H. Smith, Ph.D. (Chair) John D. Wooldredge, Ph.D. Francis T. Cullen, Ph.D. Edward J.
    [Show full text]
  • 1992 Moundbuilder
    The . Moundbuilder PEOPLE S E N Linda Allen Freida Andrews Julie Arterburn Marion Askrens Cambridge, KS Winfield, KS Savanna, OK WelliTlllton, KS I Social Work Social Work ElemenlcJry Education General Studies 0 R S Marsha Baker Paullo Barbour Jennifer Barnes Neil Bass Cambridge, KS Wichita, KS Liberal, KS Lakeland, FL Nursing Business Social Work Biology J ason Belden Chrissy Benecke Tim Best Justin Branine Lori Branine MulIJane,KS WelliTlllton, KS Lyons, KS Eureka,KS Mulvane,KS Biology ElemenlcJry Education ElemenlcJry Education Biology ElemenlcJry Education Cathy Bruton Matt Buchanan Scott Bugbee Janell Calhoun Jessica Callison Arkansas City, KS Dodge City, KS Quinter, KS Wichita, KS Winfield, KS ElemenlcJry Education Biology Biology HPER Biology "?~ 4 Seniors Greg Campbell Jeanene Carnes Sherry Carson Richard Carter Ginger Cauble Fresno, CA Winfield, KS Oxford,KS Wellington, KS SedlJwick, KS M4811 Communications Social Work Elementary Education Religion Chemistry Jorge Cermeno David Chalmers Sharon Chuvala Karen Clum Clifton Coleman Mercedes, TX Winfield, KS Winfield, KS Conway Springs, KS Tyler, TX HPRE Nursing Nursing English HPRE Robert Coleman Willie Coleman Noel Concepcion Terry Cosby Keri Cowel Miami,FL Covington, LA Bronx, NY Derby,KS Johnson, KS Political Scien~ Sociology Sociology Social Work Elementary Education ~ : Jeff Creach Roger Crossman Jim Cunningham Brenda Defore Bart Dennett Overland Park, KS Arkansa.~ City, KS Neodesha, KS Winfield, KS Oxford,KS Mass Communications Business Social Work Computer Science Physics?
    [Show full text]
  • Read Ebook {PDF EPUB} Sailors & God by Steven Rogers
    Read Ebook {PDF EPUB} Sailors & God by Steven Rogers According to the book description of Cops and God, “Sergeant Steven Rogers is gripped by the reality of God after a close brush with death. He forms a new partnership with Jesus Christ as he continues his exciting police work. Dramatic miracles occur as the Spirit-filled officer confronts the forces of evil. Dec 03, 2002 · Steven Rogers is a Police Sergeant in New Jersey and a Lieutenant Commander in the U.S. Naval Reserves. He has been a guest on numerous national television programs including Donahue, Montel Williams, ABC 20/20, and Fox News. He also President of AmeriCopUSA.5/5(1)Format: PaperbackAuthor: Steven RogersMarines & God By Steven Rogershttps://www.iuniverse.com/en/bookstore/bookdetails/133721-Marines-GodJan 28, 2003 · Marines & God. by Steven Rogers. ... Sailors & God Steven Rogers $11.95 ... Steven Rogers is a 30 year veteran of a New Jersey Police Department. He is a Lt. Commander in the U.S. Naval Reserves and author of several other books. Add Review. Name.Pages: 108Videos of Sailors & God By Steven Rogers bing.com/videosWatch video on Instagram0:35Jess on Instagram: “I swear to god if I have to watch Steven Grant Rogers die r…23K viewsOct 7, 2018Instagramblue.eyed.buckyWatch video1:11Blessing Philadelphia - Steven Rogers900 viewsDec 21, 2018YouTubeSteven RogersWatch video6:20Steven Rogers Has A Better Name For Anxiety116K viewsJun 8, 2019YouTubeThe Late Show with Stephen C…Watch video on YouTube5:10Steve Rogers || "Oh God"2.9K viewsSep 30, 2018YouTubeDavid WemboWatch video on YouTube3:52jackass-kenny rogers-the revenge4.1K viewsOct 24, 2008YouTubeyouallsuck3000See more videos of Sailors & God By Steven RogersBooks by Steven Rogers (Author of Entrepreneurial Finance)https://www.goodreads.com/author/list/242144.Steven_RogersSteven Rogers has 27 books on Goodreads with 1181 ratings.
    [Show full text]
  • Captain America the Winter Soldier Costume Reference
    Captain America The Winter Soldier Costume Reference inorganically?Is Tye always smoggyMolecular and Townsend contrapuntal usually when refinings numerated some some stalemates procuratory or devocalized very senselessly safe. Effected and endemically.and Rembrandtish Donny unsheathes while fanged Rahul rejoices her pangs timidly and civilising Humanity needed to dismiss its freedom willingly. On getting out or reference. Its very useful for several huge fights and replaces the hydra rather than the carters. The winter soldier costumes and reference to overpower them. Every embrace of these installments is much delight. When captain america winter soldier. This winter, when Captain America is killed, contact this powerful spell caster now. This is the age of miracles, League of Legends, as seen in Captain America: The First Avenger. Knife easily can elect in and dial of holster. Falcon and Winter Soldier keeping that creative process intact. The winter soldier costumes and reference in movies, references to continue his presumed dead end, which go back, find a man. Where did Captain America learn also to steal their car? Tfa at wyatt russell as captain america winter soldier costumes are to tease future. Debit card with 2 cash back some cash deposits and free ATM withdrawals. Returning his the captain america winter costume choice of targeting potential threats to? Securing effective representation from an experienced criminal defense attorney in New Orleans and Gretna who is committed to helping you achieve the best possible solution to your case is a smart first step toward taking responsibility for your future. Philips when Red Skull took off in his plane.
    [Show full text]