OMRANE GUEDHAMI Citizenship: Canada, U.S.A
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Arab American Literature and the Ethnic American Landscape: Language, Identity, and Community
Arab American Literature and the Ethnic American Landscape: Language, Identity, and Community A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department English and Comparative Literature of the College of Arts and Sciences by Niven Herro, B.A., M.A. July 2018 Committee Chair: Jennifer Glaser, Ph.D. Committee Members: Lisa Hogeland, Ph.D., Laura Micciche, Ph.D. Abstract This dissertation explores the works of contemporary Arab American women writers with a focus on language, identity, and community. I am especially interested in the ways in which the Arab American immigrant experience mirrors that of other ethnic American groups, as demonstrated in their literatures. First, I argue that Randa Jarrar’s debut novel, A Map of Home (2008), which uses language—both Arabic and English—as a source of empowerment, reflects Chicana writer Gloria Anzaldúa’s concept of the “new mestiza consciousness.” Comparing the Chinatown community in Fae Myenne Ng’s Bone (1993), to the Muslim community in Mohja Kahf’s The Girl in the Tangerine Scarf (2006), reveals the complicated relationships the novels’ characters have with their communities. In both novels, the personal development of their young women protagonists is greatly influenced by their respective communities, which simultaneously serve as positive sites of support and complex sites of difficult negotiations. While the characters in A Map of Home and The Girl in the Tangerine Scarf ultimately learn to effectively navigate their hybrid subject positions as both Arabs and Americans, the failure to do so leads to a tragic end for the couple at the center of Laila Halaby’s Once in a Promised Land. -
The Fulla Doll, Identity, and Consumption in a Globalizing Arab World
University of Alberta Boxes Fulla Fun: The Fulla Doll, Identity, and Consumption in a Globalizing Arab World by Lena O. Saleh A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Department of Political Science ©Lena O. Saleh Fall 2013 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. For Ummi and Abbi: I love you both. ABSTRACT: This thesis uses the case study of the Arab-Islamic Fulla doll to examine the relationships among globalization, consumption and cultural identities. Beginning with the question of how cultural products like the Fulla doll come to exist, I argue that the Fulla doll serves as an example of the process of creolization whereby non-Western peoples mobilize local customs and beliefs to transform globally-distributted consumer goods, thus re-contextualizing and assigning new meanings to these goods. Through an analysis of thirteen animated Fulla doll advertisements, I argue that the Barbie doll’s ethnic, religious and gendered identity has been re-contextualized to transform her into an Arab-Muslim woman, the Fulla doll. -
CSAMES Materials (Middle East)
CSAMES Materials: Middle East I. Books in Arabic 1. ‘Abda Al Arabia – I Start Arabic: Volume 1 (Author: Nasef Mustafa Abd-Alaziz). 2. ‘Abda Al Arabia – I Start Arabic: Volume 2. 3. ‘Abda Al Arabia – I Start Arabic: Volume 3. 4. ‘Abda Al Arabia – I Start Arabic: Volume 4. 5. C’mon Let’s Color Egypt (Part 2). Handicrafts. 6. C’mon Let’s Color Egypt (part 3) Folk and Popular Food. 7. Illustrated Alphabet. 8. My friend Sadiqi - For learning the Alphabet. 9. Qatr al-Nada (Drop of Dew) and The Magic Scissors (al-Maqass al-cajib) – Stories by Ibtihal Salem. 10. Reflections on the Time of Illusion (Author: Dr. N.S. Fatemi) 11. Scholastic’s The Magic School Bus Gets Ants in its Pants. 12. Scholastic’s The Magic School Bus Ups and Downs: A Book about Floating and Sinking. II. Books in English 1. Abbas, Jailan. Festivals of Egypt. Cairo, Egypt: Hoopoe, 1995. 2. Abdel-Fattah, Randa. Does My Head Look Big in This? New York, NY: Orchard Books, 2005. 3. Al-Abdullah, Her Majesty Queen Rania. The King’s Gift. London: Michael O’Mara Books Limited, 2000. 4. AL-Hijji, Yacoub. Old Kuwait: Memories in Photographs. Kuwait: Center for Research and Studies on Kuwait, 1997. 5. Alexander, Sue. Nadia the Willful. New York, NY: Alfred A. Knopf, 1983. 6. Asayesh, Gelareh. Saffron Sky: A Life between Iran and America. Boston: Beacon Press, 1999. 7. Ashabranner, Brent. Gavriel and Jemal: Two Boys of Jerusalem. New York, NY: Dodd, Mead & Company, 1984. 8. Bahous, Sally. Sitti and the Cats. -
Islamic Perspective
Islamic Perspective Number 3 2010 London Academy of Iranian Studies www.iranianstudies.org ISLAMIC PERSPECTIVE--- 1 Aims & Scope The Journal of Islamic Perspective is a peer reviewed publication of the Center for Humanities and Sociological Studies, affiliated to the London Academy of Iranian Studies (LIAS) and aims to create a dialogue between intellectuals, thinkers and writers from the Islamic World and academics, intellectuals, thinkers and writers from other parts of the Globe. Issues in the context of Culture, Islamic Thoughts & Civilizations, and other relevant areas of social sciences, humanities and cultural studies are of interest and we hope to create a global platform to deepen and develop these issues in the frame of a Critical Perspective. Our motto is homo sum; humani nihil a me alienum puto. Contributions to Islamic Perspective do not necessarily reflect the views of the editorial board or the Center for Humanities and Sociological Studies. The mailing address of the journal is: Dr. S. J. Miri, Islamic Perspective Center for Sociological Studies, 121 Royal Langford, 2 Greville Road, London NW6 5HT, UK, Tel: (+44) 020 7692 2491, Fax: (+44) 020 7209 4727, Email: [email protected] Chairman Seyed G Safavi, SOAS University, UK Editor Seyed Javad Miri, Sharif University, Iran Book Review Editor Yoginder Singh Sikand, National Law School, Bangalore, India Editorial Board Akbar Ahmed, American University, USA Rohit Barot, Bristol University, England Kenneth MacKendrick, University of Manitoba, USA Faegheh Shirazi, The University of Texas at Austin, USA Judith Blau, University of North Carolina, Chapel Hill, USA Warren S. Goldstein, Center for Critical Research on Religion, USA Oleg V. -
A Graduate Student Journal of Southeast Asian Studies
EXPLORATIONS a graduate student journal of southeast asian studies Volume 9 Spring 2009 IN THIS ISSUE: Marcos' Philippines and the Thrilla in Manila THOMAS QUINN | Charting the Maritime Realm of the Sama of Southeast Sulawesi, Indonesia LANCE NOLDE | Young Women’s Suicides in Early Twentieth-Century Vietnam LINH VU | The Phenomenon of Indonesian Muslim Dolls | A. BUDIYANTO Dear readers – It is with great pleasure that we present the 2009 issue of EXPLORATIONS graduate student journal of Southeast Asian studies. The following pages touch on a diverse array of topics, from Muslim dolls to a dark period between those darker in Cambodia’s history to linguistic code-switching in Malay to the sea people who call Southeast Asian waters home. Equally diverse are the authors and editors who contributed to this issue, a committed group of burgeoning Southeast Asianists hailing from countries around the globe. In a long list of people to thank, they certainly are the first who come to mind. Their dedication and patience in bringing this journal to print are greatly appreciated. We are equally obliged to Kelli Swazey and Margaret Bodemer, the past editors of EXPLORATIONS, for entrusting us with the journal. Their foresight and organization allowed us to step directly into the operation of what was already a well-oiled machine. Dr. Barbara Andaya and Dr. Liam Kelley provided indispensable faculty support, and we also thank the University of Hawai‘i’s Center for Southeast Asian Studies for sharing their resources, their office, and the assistance of their very talented Outreach Coordinator Paul Rausch. Christian Razukas is the man behind the layout magic, and his many sleepless nights will not be soon forgotten. -
Clothing and Meaning Making Research-Article7423402017 CORE Metadata, Citation and Similar Papers at Core.Ac.Uk
VCJ0010.1177/1470357217742340Visual CommunicationBouvier: Clothing and meaning making 742340research-article2017 CORE Metadata, citation and similar papers at core.ac.uk Provided by MURAL - Maynooth University Research Archive Library visual communication ARTICLE Clothing and meaning making: a multimodal approach to women’s abayas GWEN BOUVIER Maynooth University, Ireland ABSTRACT This article takes a multimodal discourse approach to women’s fashion in the Middle East. It places the Islamic abaya in the UAE in the context of the wider literature on fashion and identity, exploring the way in which clothing features and forms can prescribe ideas, values and attitudes, and fram- ing this discussion within newer ideas on globalization. As Roland Barthes argued, it is not so much personal choice or diversity in fashion that is of interest, but the kinds of values and expected behaviours that they imply. The abaya, on the one hand, represents a more newly arrived idea of tra- ditional, local and religious identity, linking to some extent to an imagined sense of a monolithic notion of Islamic clothing. But, on the other hand, this is itself reformulated locally through international representations, ideas and values, and integrated with newer ideas of taste. KEYWORDS abaya • clothing semiotics • discourse • fashion • globalization • identity • Islamic fashion • Middle East • multimodality • semiotics INTRODUCTION Roland Barthes (1983: 33) argued that what is of interest in regard to fashion is not the diversity of clothing items, as it is dealt with in most literature on fash- ion history, nor the way clothing points to manners of personal expression, but the relativity of the values that they signify. -
Khalidi-Ismail-And-Naomi-Wallace
2 3 Inside/Outside: Six Plays from Palestine and the Diaspora is copyright © 2015 by Theatre Communications Group Introduction is copyright © 2015 by Nathalie Handal Inside/Outside: Six Plays from Palestine and the Diaspora is published by Theatre Communications Group, Inc., 520 8th Avenue, 24th Floor, New York, NY 10018-4156 All rights reserved. Except for brief passages quoted in newspaper, magazine, radio or television reviews, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publisher. Professionals and amateurs are hereby warned that this material, being fully protected under the Copyright Laws of the United States of America and all other countries of the Berne and Universal Copyright Conventions, is subject to a royalty. All rights, including but not limited to, professional, amateur, recording, motion picture, recitation, lecturing, public reading, radio and television broadcasting, and the rights of translation into foreign languages are expressly reserved. Particular emphasis is placed on the question of readings and all uses of this book by educational institutions, permission for which must be secured from the authors’ agents. Epigraph: “Mahmoud Darwish: Hope as Home in the Eye of the Storm,” Ashwani Saith, ISIM Review 15 (Spring 2005), 29. 4 Due to space constraints, copyright and author contact information for the individual plays are found at the back of the book. The publication of Inside/Outside: Six Plays from Palestine and the Diaspora, through TCG’s Book Program, is made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. -
Playing with Piety the Phenomenon of Indonesian Muslim Dolls
A. Budiyanto Playing with Piety The Phenomenon of Indonesian Muslim Dolls A. BUDIYANTO Universitas Gadjah Mada AUTHOR BIOGRAPHY A. Budiyanto is a Ph.D. student at the Indonesian Consortium of Religious Studies at Universitas Gadjah Mada University in Yogyakarta, Indonesia. This paper is part of preliminary research for his dissertation entitled “Framing Piety, Visualizing Islam–Visuality and Identity in the Age of Consumption amongst Indonesian Muslims.” Budiyanto received his M.A. from the Center for Religious and Cross Cultural Studies. The author can be reached at [email protected]. Introduction: Muslim Dolls as Religious conflicting opinions among Islamic authorities Visual Culture regarding dolls—but these parents also had pragmatic Muslim dolls are a new phenomenon within concerns regarding the safety, educational value, and affordability of toys. Toy makers developed creative contemporary popular Islamic culture, particularly in strategies in order to take these concerns into account. Indonesia. While most contemporary Indonesian Isla- mist movements like Salafism (neo-Wahabism) are Muslim dolls and other popular “Islamic”imagery in deeply influenced by transnational Islamist ideologies popular culture—such as busana Muslim (Islamic and thus reject any figures of humans,1 moderate Sa- clothes), Islamic stickers, Islamic music performances, lafists often allow children to play with dolls. This ac- among others—represent a huge material database for ceptance is based on the Hhadits that spoke about “religious visual culture.” Currently, there are various Aisyah, the youngest wife of the Prophet, playing with a scholars engaged with contemporary Islamic visual type of doll when she was about nine years old. culture in Indonesia: Budiyanto (2006) and Lukens- Despite this acceptance, many conservatives still argue Bull (2005) have written about Islamic stickers, while that Aisyah’s doll was not precisely a human-shaped Carla Jones (2007) and Nuraini Juliastuti (2003) have doll. -
Profaning the Sacred: a Prophetic Critique of Consumerism
b_text_6 12/12/2012 11:29 AM Page 152 CHAPTER 9 Profaning the Sacred A Prophetic Critique of Consumerism in the Heart of the Muslim World Haydar Badawi Sadig & Gussai H. Sheikheldin Introduction In 2003, Mattel’s Barbie doll was banned in Saudi Arabia. Barbie was seen as cor- rupting Islamic ideals of female modesty. In Islamic culture, showing too much skin by women (or men, for that matter) is considered abominable. Barbie’s too-short skirts certainly violate such a notion of modesty. In addition, Barbie is ideologically perceived to represent a “Western lifestyle” that does not conform to Arab-Islamic social norms. A few months after Barbie was outlawed, a new doll named Fulla (Arabian “jasmine”) began to arrive in retail stores. Fulla is marketed to Muslim children as an alternative to Barbie. What makes Fulla special is that when she is outdoors, she wears a hijab, the modest Muslim style of clothing, covering her head and most of her body. In Saudi Arabia, Fulla wears a black abaya, a full-body cover- ing cloak, and a headscarf. In other less conservative Muslim countries she may wear another color headscarf and a pastel coat, and colorful outfits without the abaya. Today Fulla is sold in China, Brazil, Indonesia, and the United States as a model of a modest female Muslim who does not display her femininity out- side the home.1 This chapter demonstrates the contradictions consumerism brings to ideals embedded in Islamic scriptures and traditions. While other examples could have b_text_6 12/12/2012 11:29 AM Page 153 Profaning the Sacred 153 been chosen, Fulla demonstrates these contradictions clearly, showing how a pop- ular product pulls Muslims into the shopping mall, the ultimate place of consump- tion. -
Islamic Barbie: the Politics of Gender And
© 2007 Berg. This is an Accepted Manuscript of an article published by Taylor & Francis in Fashion Theory: The Journal of Dress Body & Culture on 01 Apr 2007, available online: http://www.tandfonline.com/10.2752/136270407X202736 Accepted version downloaded from: http://eprints.soas.ac.uk/3936/ ISLAMIC BARBIE: THE POLITICS OF GENDER AND PERFORMATIVITY Amina Yaqin This article examines the refashioning of a gendered Muslim identity that is taking place around the iconic fashion accessory of a lifestyle doll amongst young Muslim girls. The doll named Razanne has been created and marketed by a Muslim couple in the United States and is sold primarily through their internet website, Noorart. Razanne with her visibly Muslim accessories of a hijab, jilbab and prayer rug has captured the imagination of Muslim parents who wish to provide their children with suitable role models in the ‘western world’. It can be argued that she has come to normalise Muslim identity through the lens of fashion. Bearing a strong resemblance to Mattel’s Barbie, Razanne signifies a new fashion trend amongst a global Muslim community which has increasingly come under pressure in the international war on terror. The Muslim company’s marketing strategy around Razanne relies on their toned down mimicry of a recognizable branded product such as Barbie. Thus Razanne embodies the modest Muslim woman who retains her cultural values while living in the west. With an estimated potential market of eight million Muslims in North America, the consumer ethic of brand buying has been utilised by a diasporic and ethnically diverse Muslim community to capture a niche market of both ethnic minority and Muslim buyers.