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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
THOTKG Production Notes Final REVISED FINAL
SCREEN AUSTRALIA, LA CINEFACTURE and FILM4 Present In association with FILM VICTORIA ASIA FILM INVESTMENT GROUP and MEMENTO FILMS INTERNATIONAL A PORCHLIGHT FILMS and DAYBREAK PICTURES production true history of the Kelly Gang. GEORGE MACKAY ESSIE DAVIS NICHOLAS HOULT ORLANDO SCHWERDT THOMASIN MCKENZIE SEAN KEENAN EARL CAVE MARLON WILLIAMS LOUIS HEWISON with CHARLIE HUNNAM and RUSSELL CROWE Directed by JUSTIN KURZEL Produced by HAL VOGEL, LIZ WATTS JUSTN KURZEL, PAUL RANFORD Screenplay by SHAUN GRANT Based on the Novel by PETER CAREY Executive Producers DAVID AUKIN, VINCENT SHEEHAN, PETER CAREY, DANIEL BATTSEK, SUE BRUCE-SMITH, SAMLAVENDER, EMILIE GEORGES, NAIMA ABED, RAPHAËL PERCHET, BRAD FEINSTEIN, DAVID GROSS, SHAUN GRANT Director of Photography ARI WEGNER ACS Editor NICK FENTON Production Designer KAREN MURPHY Composer JED KURZEL Costume Designer ALICE BABIDGE Sound Designer FRANK LIPSON M.P.S.E. Hair and Make-up Designer KIRSTEN VEYSEY Casting Director NIKKI BARRETT CSA, CGA SHORT SYNOPSIS Inspired by Peter Carey’s Man Booker prize winning novel, Justin Kurzel’s TRUE HISTORY OF THE KELLY GANG shatters the mythology of the notorious icon to reveal the essence behind the Life of Ned KeLLy and force a country to stare back into the ashes of its brutal past. Spanning the younger years of Ned’s Life to the time Leading up to his death, the fiLm expLores the bLurred boundaries between what is bad and what is good, and the motivations for the demise of its hero. Youth and tragedy colLide in the KeLLy Gang, and at the beating heart of this tale is the fractured and powerful Love story between a mother and a son. -
PADOVA: MARK KNOPFLER – in Concerto Venerdì 12 Luglio
PADOVA: MARK KNOPFLER – in concerto Venerdì 12 Luglio ore 21:30 Company Arena – Hydrogen Festival, Piazzola sul Brenta (PD) Con questo tour Mark Knopfler vuole fare una sintesi della sua musica e della sua incredibile carriera, proponendo brani tratti dal suo ultimo album discografico, “Privateering”, a cui si aggiungono i grandi successi del passato, inclusi gli indimenticabili pezzi dei Dire Straits; la storica band fondata nel 1977 di cui Knopfler era il frontman ed il principale compositore. Sul palco dellaCompany Arena lo straordinario cantante e chitarrista sarà accompagnato dalla sua solita grande band, rinforzata da Michael McGoldrick e John McCusker che con flauti, cornamuse e violini ricreano atmosfere scozzesi e irlandesi. Il tour segue la pubblicazione del suo ultimo lavoro discografico “Privateering”, settimo album del cantautore e chitarrista britannico, pubblicato il 3 settembre 2012. Il disco è un doppio album di inediti ed è stato registrato al British Grove Studios . Mark Knopfler, come leader dei Dire Straits e come solista, ha venduto in totale più di 120 milioni di album ed è stato più volte premiato ai Grammy Awards. Grazie alla sua bravura come compositore e alle sue straordinarie abilità di chitarrista ha realizzato brani indimenticabili come “Money for Nothing ,” “Sultans Of Swing,” “Romeo and Juliet” e “Walk of Life”. Biglietti ancora disponibili a partire da € 37 online al sito www.zedlive.com e www.fastickets.it, presso Coin Ticket Store Padova e Treviso, la biglietteria del Gran Teatro Geox (dal lunedì al sabato dalle 1430 alle 1930 tel. 0490994614), le prevendite del circuito ZED (elenco al sito www.zedlive.com ), SuperFlash, Primi alla Prima (bcc e Casse Rurali Trentine), Unicredit, Cariveneto e Ticketone. -
Vicente Amigo
Vicente Amigo Tierra Different. Global. Surprising. That's how you can describe Vicente Amigo's new album Tierra, the most innovative and international of his career which will be released in February 2013. The great Flamenco guitar player has opened his music's window to the fresh air of the British producer Guy Fletcher and recorded in London with musicians from Dire Straits, Mark Knopfler and Capercaillie, in order to offer an exceptional and brave album in which Flamenco music blends naturally with other music styles, opening new paths without losing depth, holding tightly to the inspirational Southern Spanish sounds but wrapped in Celtic melodies, linking light and mist, hovering over different styles to create something completely new. “I met Guy in Córdoba last year, at a Mark Knopfler show during the Guitar Festival”, says Vicente Amigo. “We were introduced by the show's promoters, and the initial idea of playing a song with them developed into a new main objective: I wanted to fuse with all those great musicians. My proposal was to embrace all our freedoms: mine, his as a producer, and the musicians' who collaborated. That is far more important, at a certain point, than music itself”. The album Tierra has been produced by Guy Fletcher (Kent, 1960), who was Dire Straits' keyboard player and Mark Knopfler's inseparable collaborator. As a musician he has also worked with Roxy Music, Mick Jagger, Nothing Hillbillies, Randy Newman, Tina Turner, Willie De Ville, Brian Ferry, Aztec Camera ... An emblematic British musician who has placed Vicente Amigo's guitar in a new dimension of lyricism, dream-state, rhythmic beats, tone variety, brightness … An artistic connection going beyond different types of music, styles, languages. -
Mark Knop Er to Host the British Grove Broadcast, Exclusive New
NEWS RELEASE Mark Knoper to Host The British Grove Broadcast, Exclusive New Show on SiriusXM's Volume Channel 2/25/2020 Knoper--broadcasting from West London--will play his favorite records--from early roots, blues to rock n' roll-- taking listeners on an intimate journey of music discovery 'The British Grove Broadcast' premieres March 4 at 9pm ET on Volume NEW YORK, Feb. 25, 2020 /PRNewswire/ -- SiriusXM announced today that Mark Knoper, songwriter, guitarist, and record producer, will host The British Grove Broadcast, a new music radio program exclusively on SiriusXM's Volume channel 106. Broadcasting from Knoper's British Grove Studios in West London, The British Grove Broadcast will feature Knoper playing some of his favorite music—from early roots, blues, rock n' roll to up-and-comers—hand-selected from his personal and extensive record collection. This weekly one-hour show will celebrate Knoper's love of radio, inuential artists and music discovery as he introduces audiences to tracks that they may not have heard before. With each program, audiences will be treated to Knoper's musical knowledge and share in his joy of all kinds of music. Describing his new SiriusXM show, Knoper said: "I've tried not to make my choices too obvious and avoided the mega-hits. I hope people might make a discovery or two, but there's so much good music out there I've had to leave out mountains of it. It's been tricky, but fun all the way." "Having Mark take us on his personal journey of music discovery—from the comfort of his own London studios—is a special addition to our Volume channel," said Scott Greenstein, President and Chief Content Ocer of SiriusXM. -
Mick Jagger © Felix Aeppli 04-2020 / 09-2021
Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance. -
Edition 4 | 2019-2020
SHUBERT THEATRE 2019–2020 SEASON The Illusionists | 5 The Illusionists Title Page | 7 The Illusionists Who’s Who in the Cast | 9 The Illusionists Staff | 17 Shubert Supporters | 20 The Shubert Theatre is located at 247 College Street, New Haven BOX OFFICE HOURS: Mon–Fri 9:30am–5:30pm and during all performances Call 203-562-5666 or 888-736-2663 www.shubert.com ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Ave., Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2019. All rights reserved. Printed in the U.S.A. Shubert Theatre | 2019–2020 3 December 20–22, 2019 Simon Painter, Tim Lawson, MagicSpace Entertainment present Valentin Azema Dizzy Jonathan Goodwin The Elusive The Trickster The Daredevil Stuart MacLeod Florian Sainvet Sos & Victoria Steve Valentine The Delusionist The Manipulator The Transformationalists The Showman WITH April Anneberg, Manon Chaney, Rob Coglitore, Todd Hampton Lighting Designer Costume Designer Video Designer Hugo Bosseny Angela Aaron Philippe Dumas Illusion Director/Consultant Associate Director/Choreographer Composer Mark Kalin Jenn Rapp Evan Duffy Writer/Magic Consultant Set Designer/Technical Director Associate Producer David Regal Vincent Schonbrodt Jacob Harvey Director/Creative Producer Neil Dorward Creative Producer Executive Producer Simon Painter Tim Lawson THE USE OF ANY RECORDING DEVICES, AUDIO OR VIDEO, AND THE TAKING OF PICTURES, WITH OR WITHOUT FLASH, WITHOUT THE WRITTEN PERMISSION OF ILLUSIONISTS MANAGEMENT, IS STRICTLY PROHIBITED. -
SEEING the BIG PICTURE Auclio-VISWU Techniques for Interpreters
SEEING THE BIG PICTURE Auclio-VISWU Techniques for Interpreters By Mark E. Hundhammer Michael Gross and Ronald Zimmerman, Editors UW-SP FOUNDATION PRESS, INC. UNIVERSITY OF WISCONSIN STEVENS POINT STEVENS POINT, WI 54481 Approved by the Graduate Committee of: Professor of Environmental Interpretation Professor of Environmental Education r. Ron Zimmerman rector of Schmeeckle Reserve Preface This manual is for natural resource_ professionals interested in developing audio-visual programs. It will provide useful information to everybody who wishes to use audio-visual programs to enhance their interpretive efforts. As the challenges of resource management became increasingly demanding, it is imperative that interpreters have the ability to communicate with the public not only the intrigue of the natural world, but the responsibilities of good land stewardship as well. The more interpretive skills you have to share your knowledge of and enthusiasm for the environment with others, the greater our quality ofliving will become. Professionally prepared audio-visual programs can inspire the general public to take a deeper interest in the environment. The manual is organized to allow readers to select part or all of a chapter to meet their audio-visual program needs. The first chapter reminds us that most people learn best when many senses are involved, especially seeing and hearing. Chapter 2 provides a framework for planning audio-visual programs. This serves as a basis for all the other chapters. Chapters 3 - 6 detail how to produce an illustrated talk, an automated slide-sound program, a video, and how to use computers to enhance your interpretive efforts. The methods presented are geared primarily toward those with limited budgets who will produce "in-house" audio-visual programs. -
Trump to Name Retired Gen Mattis for Pentagon
SUBSCRIPTION SATURDAY, DECEMBER 3, 2016 RABI ALAWWAL 4, 1438 AH No: 17069 Kuwait supports Syria rebels in Rosberg stuns F1 Mideast’s peace defense of key with retirement effort, stability5 Aleppo district8 bombshell43 Trump to name retired Gen Mattis for Pentagon Max 23º 150 Fils Transition team pondering new sanctions on Iran Min 17º WASHINGTON: Breaking once more from presidential custom, Donald Trump is turning to a military man to steer the US mili- tary, choosing retired Gen James Mattis, who will be the first career officer to lead the Pentagon since just after World War II. Mattis, 66, is a Marine Corps general who retired in 2013 after serving as commander of the US Central Command, responsible for directing America’s wars in both Iraq and Afghanistan. Trump, who has referred to Mattis by his nickname “Mad Dog,” made the announcement of his choice for defense secre- tary at a postelection victory rally Thursday night in Cincinnati. The selection raises questions about increased military influ- ence in a job designed to ensure civilian control of the armed forces. Those traditional concerns revolve around whether a recent- ly retired service member would rely more on military solutions to international problems rather than take a broader, more diplo- matic approach. For Mattis to be confirmed, Congress would first have to approve legislation by- passing a law that bars retired military officers from becoming defense secretary within seven Retired Gen James Mattis years of leaving active duty. Mattis has a reputation as a battle-hardened, tough-talking Marine who was entrusted with some of the most challenging commands in the US military. -
Deutsche Nationalbibliografie 2010 T 01
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 01 Stand: 20. Januar 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT01_2010-3 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD -
Mark Knopfler „Get Lucky“ (VÖ: 11.09.09) Biografie 2009
Mark Knopfler „Get Lucky“ (VÖ: 11.09.09) Biografie 2009 Als das ungeschriebene Gesetz verabschiedet wurde, dass gestandene Musiker, aus deren Feder unzählige Hits und Klassiker stammen, mit den Jahren automatisch immer weniger einfällt, hat Mark Knopfler anscheinend nicht aufgepasst. Höchstwahrscheinlich war er gerade damit beschäftigt, neue Songs zu schreiben, sie aufzunehmen, Konzerte zu spielen – und dabei auch noch jede Menge Spaß zu haben. Während wir uns nämlich langsam aber sicher dem Ende der ersten Dekade des 21. Jahrhunderts nähern und andere Größen der Musikwelt ihre Karriere allenfalls im Schneckentempo vorantreiben, legt Knopfler bereits sein fünftes Studioalbum in der besagten Zeitspanne vor, und wiederum handelt es sich dabei um ein echtes Juwel: „Get Lucky“, das er in seinen eigenen British Grove Studios in West-London aufgenommen und gemeinsam mit Langzeitkollegen Chuck Ainlay und Guy Fletcher produziert hat, ist das Produkt einer Auseinandersetzung mit den musikalischen Einflüssen eines ganzen Lebens: In seinem unverkennbaren Ansatz als Songwriter lässt Knopfler nahtlos Folk- und Blues-Elemente einfließen und rundet sie mit persönlich-britischen Zutaten und ungemein lebendigen Texten ab. Während Mark Knopfler produktive Phasen wie diese dankbar beim Schopfe greift, gibt sich der Grammy-Gewinner, der seit über dreißig Jahren als Gitarren-Ikone gefeiert wird, gewohnt bescheiden: „Ich mache nun mal immer weiter“, sagt er. „Das ist es eigentlich auch schon, und ich glaube, dass man das mit zunehmendem Alter auch sehr viel mehr zu schätzen weiß. Als junger Typ war das alles ganz normal für mich. Ich würde nicht sagen, dass ich jedwede Art von Talent, die ich vielleicht hatte, damals schon zu schätzen wusste – das musste ich mit den Jahren erst erlernen. -
1 Filmmuziekmagazine Merlijn Snitker
FILMMUZIEKMAGAZINE MERLIJN SNITKER - Componist van Publieke werken NUMMER 185 – 44ste JAARGANG – DECEMBER 2015 1 Score 185 December 2015 44ste jaargang ISSN-nummer: 0921- 2612 Het e-zine Score is een uitgave van de stichting FILMMUZIEKMAGAZINE Cinemusica, het Nederlands Centrum voor Filmmuziek REDACTIONEEL Informatienummer: +31 050-5251991 Wat hebben de films Mission: Impossible - Rogue Nation, Spectre en In the Heart of the Sea met elkaar gemeen? Behal- E-mail: ve dat het alle drie grote spektakelfilms zijn werd de muziek [email protected] van deze films opgenomen in Londen. En niet alleen de sco- res van deze films, ook van heel veel films uit eigen land en steeds meer van Hollywoodproducties, groot en klein. Maar Kernredactie: Paul ook veel Europese filmcomponisten zoals Alexandre Desplat, Stevelmans en Sijbold Alberto Iglesias en Gabriel Yared nemen hun muziek bij Tonkens voorkeur op in de Britse hoofdstad. Aan Score 185 werkten mee: Paul Stevelmans, Score sprak met enkele mensen die hun brood verdienen in Sijbold Tonkens deze kleine wereld van de opnamestudio's voor filmmuziek. Een van de filmcomponisten die dit jaar in een van de Lon- dense studio's verbleef om er zijn muziek te dirigeren en op te Eindredactie: Paul nemen is Roque Baños. In deze Score vertelt hij over de crea- Stevelmans tie van deze voor hem bijzondere score en ook over de opna- men. Ook in België staat een studio die erg in trek is en waar steeds meer Nederlandse filmcomponisten hun muziek graag Vormgeving: Paul opnemen: de Galaxy Studio in Mol. Een van hen was Merlijn Stevelmans Snitker, zo blijkt uit een interview met hem in deze Score.