Home Weaving, Professional Weaving, and Textile Mills in Southeast Iowa, 1833-1870 Deloris H
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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Spring Twenty Two Women's Headwear
SPRING 2022 SPRING TWENTY TWO WOMEN’S HEADWEAR & APPAREL DONE PROPER NH SPRING 2022 WOMEN THIS SEASON WE CELEBRATE THE NEW EXPLORERS. THE COLLECTION IS INSPIRED BY VINTAGE MILITARY AND WORKWEAR SILHOUETTES, BLENDED WITH SPRING THE JOYFUL RETRO AESTHETIC OF THE 1970’S. WOMEN 2022 WITH A PALETTE OF CLASSIC SEASONAL COLORS AND PRINTS, WE SET OUT TO DESIGN A RANGE THAT BALANCES STYLE THAT IS AT HOME ON CITY STREETS, OR THE ROADS LESS TRAVELED. SPRING 2022 2 SPRING 2022 3 RANCHER COLLECTION JO RANCHER RANCHER COLLECTION SPRING 2022 4 SPRING 2022 5 JO STRAW RANCHER RANCHER COLLECTION A NEW ICON | ELEGANT SILHOUETTE | PREMIUM DETAILS SPRING 2022 6 SPRING 2022 7 RENO FEDORA RANCHER COLLECTION REFINED AND RESPONSIBLY SOURCED | PREMIUM DETAILS AND FINISHES SPRING 2022 8 SPRING 2022 9 JO RANCHER RANCHER COLLECTION THE RANCHER REBORN | CRUELTY-FREE WOOL CONSTRUCTION SPRING 2022 10 SPRING 2022 11 JO RANCHER (10cm/4” Brim) XS-S-M-L (6_-7-7_-7_) • 100% wool felt • Metal headwear plaque • Adjustable Velcro strap under sweatband • Grosgrain outside band and brim taping DOVE WASHED NAVY/NAVY *BLACK 11035-DOVE 11035-WSNVY 11035-BLACK RANCHER COLLECTION BRASS 11035-BRASS PRODUCT PAGE JOANNA FELT HAT (10cm/4” Brim) XS-S-M-L (6_-7-7_-7_) • 100% wool felt • Grosgrain band • Metal headwear plaque • Adjustable Velcro strap under sweatband *BLACK PHOENIX ORANGE MOJAVE 10783-BLACK 10783-PHEOR 10783-MOJAV SPRING 2022 12 SPRING 2022 13 JOANNA PACKABLE HAT DUKE COWBOY HAT (7.5cm/3.5” Brim) (7.5cm/3” Brim) XS-S-M-L (6_-7-7_-7_) XS-S-M-L-XL (6¾-7-7¼-7½-7¾) • 100% wool felt • 100% wool felt • Grosgrain band • 5mm Grosgrain band • Metal headwear plaque • Metal headwear plaque • Adjustable Velcro strap under • D2 sweatband *BLACK MERMAID CASA BLANCA BLUE *BLACK COFFEE 10628-BLACK 10628-MERMD 10628-CABLB 10998-BLACK 10998-COFFE RENO FEDORA COHEN COWBOY (9cm/3. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
HERE KS1 Teacher's Notes
KS1 Teacher’s Notes Learning Objectives Working • Ask simple questions and recognise that they can Scientifically be answered in different ways • Observe closely, using simple equipment • Perform simple tests • Identify and classify • Use observations and ideas to suggest answers • Gather and record data to help in answering questions Everyday • Distinguish between an object and the material Materials from which it is made • Describe the physical properties of everyday materials • Compare a variety of everyday materials on the basis of their physical properties • Identify and compare the suitability of a variety of everyday materials for particular uses Cross-curricular links: Speaking and listening, design & technology This plan can be used as a half day workshop or extended into a series of lessons. Summary Pupils will find out about a range of fabrics, their properties and uses through observation, discussion and scientific investigation. They will consolidate their learning through playing a team game, and then use imagination and problem-solving skills to design a garment for the future. You will need (not supplied in this pack): • Examples of 5 or 6 common fabrics made into Fabric Packs e.g. wool, denim, silk, nylon, cotton, fleece. Fabrics should be cut into pieces no smaller than 20cm square. Each pack needs to contain the same fabrics. • Each group/table will need one Fabric Pack • Further fabric pieces for Testing Fabrics investigations • for Investigation 1 we suggest; denim, silk, polyester • for Investigation 2 we suggest: -
John Brown and George Kellogg
John Brown and George Kellogg By Jean Luddy When most people think of John Brown, they remember the fiery abolitionist who attacked pro-slavery settlers in Kansas in 1855 and who led the raid on the Federal arsenal at Harpers Ferry, Virginia in 1859 in order to spark a slave rebellion. Most people do not realize that Brown was no stranger to Vernon and Rockville, and that he worked for one of Rockville’s prominent 19th century citizens, George Kellogg. John Brown was born in Torrington, CT in 1800. His father was a staunch opponent of slavery and Brown spent his youth in a section of northern Ohio known as an abolitionist district. Before Brown became actively involved in the movement to eliminate slavery, he held a number of jobs, mainly associated with farming, land speculation and wool growing. (www.pbs.org) Brown’s path crossed with George Kellogg’s when Brown started to work for Kellogg and the New England Company as a wool sorter and buyer. John Brown George Kellogg, born on March 3, 1793 in Vernon, got his start in the woolen industry early in life when he joined Colonel Francis McLean in business in 1821. They established the Rock Manufacturing Company and built the Rock Mill, the first factory along the Hockanum River, in the area that would grow into the City of Rockville. Kellogg worked as the company’s agent from 1828 to 1837. At that time, he left the Rock Company to go into business with Allen Hammond. They founded the New England Company and built a factory along the Hockanum River. -
An Industrial History of Easthampton G
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1937 An Industrial history of Easthampton G. B. Dennis University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Dennis, G. B., "An Industrial history of Easthampton" (1937). Masters Theses 1911 - February 2014. 1449. Retrieved from https://scholarworks.umass.edu/theses/1449 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. UMASS/AMHERST 312066 0306 7762 4 AN INDUSTRIAL HISTORY OF 5ASTHAMFFQN Gr. B. Dennis Thesis Submitted for Degree of Master of Science, Massachusetts State College, Amherst. June 1, 1937 . TABLE OF CONTENTS Outline. Introduction. Map of the Business District of Easthampton. Chapter I. Early History of Easthampton. Page 1. " II. The Industry Founding Period 1227-1276. n 6. » III. Early Transportation, A Problem. n 16. IV. Population Growth and Composition. n 21. " V. Conditions During the Expansion Period. it 30. " VI. Easthampton At the Turn of the Century. n H VII. Population in the New Era 1295-1937 n " VIII. The New Era 1295-I937. n 56. " IX. The Problem of Easthampton Analyzed. n 73- • X. Conclusions and Summary. n 21. References Cited n 26. Appendix I. Tables and Graphs on Population n 22. Appendix II. Tables showing Land in Agriculture n 93. AN INDUSTRIAL HISTORY OF EASTHAMPTON Outline I. Early History. A. Land purchases and settlement. -
Excellence in Weaving Preparatory INDO-US PRASHANT WEST POINT JOINT VENTURE
WeavingExcellence Preparatory in PRASHANT GROUP (An ISO 9001:2008 certified company) Plot No. 4, Phase - 1, G.I.D.C. Estate, Vatva, Ahmedabad - 382 445, India. Phone: +91-79-2583 0603 / 2583 3384 / 2589 1779, Fax: +91-79-2589 4020 QM 002 E-mail: [email protected], [email protected], [email protected], [email protected] www.prashantgroup.com www.brandaid.co.in PRASHANT GROUP PRASHANT GAMATEX PVT. LTD. High Speed Sectional Warping Machines & Creels manufactured under Technical Collaboration with GAMATEX s.r.I., ITALY PRASHANT GROUP PRASHANT GROUP, established in 1975, is one of India's prominent and fast growing Textile Machine PRASHANT WEST POINT MACHINERY PVT. LTD. World-class Sizing Machine, Warping Machine, Denim Preparations, manufacturing companies. The Group has Poly Beamer with Unrolling Creel, Indigo Rope & Sheet Dyeing co-operations with leading European and American under Joint Venture with WEST POINT, USA textile machine manufacturing companies which bring an edge in updated technology and enhancement in product profile. Vision Helping Global Textile Weaving Industry in achieving PRASHANT ROSTONI MACHINERY PVT. LTD. highest level of Quality, Productivity and Total and Single‐end Sizing Machines & Direct Warpers for man‐made Cost-efficiency by providing machines & equipments and technical fibres, Beaming Machines, Draw Warping and Draw Sizing under Joint Venture with ROSTONI MACCHINE s.p.a., ITALY with futuristic & world-class technology at appropriate prices. Quality Policy Understand our customer's needs and then to provide products and services of the highest possible standards, PRASHANT BROMAS TEXTILE MACHINERY PVT. LTD. to meet or exceed our customer expectations of quality, Completely Automatic Robotics Sectional Warper under safety, reliability and service. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Deaccessions July 2013–June 2014
MUSEUM OF FINE ARTS, BOSTON Annual Report Deaccessions July 2013–June 2014 Asia & Africa/African Object No. Artist Title Culture/Date/Place Medium Credit Line 1. 1991.1065 Head African, Edo peoples, Terracotta, traces of Gift of William E. and Bertha L. Teel Nigeria, Benin pigment kingdom, about 1750 Benin City, Nigeria 2. 1996.383a-c Memorial screen (duen fubara) African, Ijaw Kalabari Wood, pigments, Gift of William E. and Bertha L. Teel peoples, Nigeria, late fiber 19th century Ancient/Classical Object No. Artist Title Culture/Date/Place Medium Credit Line 1. 64.1195 Coin of Sibidunda with bust of Roman Provincial, Bronze Theodora Wilbour Fund in memory Gordian III Imperial Period, A.D. of Zoë Wilbour 238–244 Asia: Phrygia, Sibidunda Ancient/Egyptian Object No. Artist Title Culture/Date/Place Medium Credit Line 1. 19.3387 Bowl with incised decoration Nubian, A-Group to Pottery Archaeological Survey of Nubia C-Group, 3100–1550 B.C. Nubia, Egypt, el-Dakka, Cemetery 101, Grave 28 2. 20.3105 Miniature black-topped red Nubian, Classic Kerma, Pottery Harvard University–Boston polished beaker about 1700–1550 B.C. Museum of Fine Arts Expedition Nubia, Sudan, Kerma, Cemetery S, Tumulus IV, grave 425 3. 20.3170 Black-topped red polished beaker Nubian, Classic Kerma, Pottery Harvard University–Boston about 1700–1550 B.C. Museum of Fine Arts Expedition Nubia, Sudan, Kerma, Cemetery S, Tumulus III, grave 308 Annual Report Deaccessions July 2013–June 2014 Page 2 of 39 Ancient/Egyptian Object No. Artist Title Culture/Date/Place Medium Credit Line 4. 21.3009 Shawabty of King Taharqa Nubian, Napatan Gray serpentinite Harvard University—Boston Period, reign of Museum of Fine Arts Expedition Taharqa, 690–664 B.C. -
Lancaster County, PA Archives
Fictitious Names in Business Index 1917-1983 Derived from original indexes within the Lancaster County Archives collection 1001 Hobbies & Crafts, Inc. Corp 1 656 1059 Columbia Avenue Associates 15 420 120 Antiquities 8 47 121 Studio Gallery 16 261 1226 Gallery Gifts 16 278 1722 Motor Lodge Corp 1 648 1810 Associates 15 444 20th Century Card Co 4 138 20thLancaster Century Housing County,6 PA332 Archives 20th Century Television Service 9 180 222 Service Center 14 130 25th Hour 14 43 28th Division Highway Motor Court 9 225 3rd Regular Infantry Corp 1 568 4 R's Associates 16 227 4 Star Linen Supply 12 321 501 Diner 11 611 57 South George Street Associates 16 302 611 Shop & Gallery 16 192 7 Cousins Park City Corp 1 335 78-80 West Main, Inc. Corp 1 605 840 Realty 16 414 A & A Aluminum 15 211 A & A Credit Exchange 4 449 A & B Associates 13 342 A & B Automotive Warehouse Company Corp 1 486 A & B Electronic Products Leasing 15 169 A & B Manufacturing Company 12 162 A & E Advertising 15 54 A & H Collectors Center 12 557 A & H Disposal 15 56 A & H Drywall Finishers 12 588 A & L Marketing 15 426 A & L Trucking 16 358 A & M Enterprises 15 148 A & M New Car Brokers 15 128 A & M Rentals 12 104 A & P Roofing Company 14 211 A & R Flooring Service 15 216 A & R Nissley, Inc. Corp 1 512 A & R Nissley, Inc. Corp 1 720 A & R Nissley, Inc. Corp 2 95 A & R Tour Services Co. -
Paper 2: the Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with Extra Images July 2015
Industrial Lyme - Paper 2: The Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with extra images July 2015 Like all research, this is on-going. If you know more, or are descended from any of the families involved, please get in touch with the author via Lyme Regis Museum. Summary Woollen cloth has been made in the Lim Valley from at least medieval times, but this paper is more about the factories in Lyme Regis and Uplyme that made high-quality West of England coat cloths. The factories in Lyme were bankrupt in 1847, leaving the Uplyme factory to soldier on against Yorkshire competition until it was destroyed by fire in 1866, whilst being modernised. In Lyme the factories were started up again in the 1850s to make silk thread and hemp twine, but only for a short period; these are the subjects of other papers in this series. This paper contains: the background to the trade, the history of the factories and a walking trail to see the mills. Cloth making – the essential process in a nutshell Sheep fleeces are packed on the farm into big canvas bags called woolsacks. At the factory the fleeces are scoured (washed) to remove lanolin (wool- grease), dirt and adhering vegetable material. Then the fleeces are scribbled (torn up into pieces), combed and carded to produce rovings, long strips of wool ready for spinning. Washed and combed fleece being fed into a carding machine at Coldharbour Mill, Uffculme, Devon Industrial Lyme Paper 2 – The Woollen Cloth Industry © R Bull & Lyme Regis Museum 1 Spinning means to draw out and twist - and by this process the scales of the individual wool fibres lock together to produce a thread known as a single. -
ATR 61 Cover Yellow Red.Jpg
Current Research in Textile Archaeology along the Nile Nosch, Marie Louise Bech Published in: Archaeological Textiles Review Publication date: 2019 Document version Publisher's PDF, also known as Version of record Citation for published version (APA): Nosch, M. L. B. (2019). Current Research in Textile Archaeology along the Nile. Archaeological Textiles Review, 61, 26-28. Download date: 09. Apr. 2020 Contents Archaeological Textiles Review Editorial 2 ATR is published by the Society Friends of ATN, hosted by Centre for Textile Articles Research in Copenhagen. Editors: Spinning for the gods? Preliminary 3 Eva Andersson Strand observations on prehistoric textile production Karina Grömer at Hierakonpolis, Egypt Jane Malcolm-Davies Anne Drewsen Ulla Mannering Textiles from Zawaydah, Naqada, Upper Egypt 14 Margarita Gleba, Mathieu Boudin Scientifi c committ ee: and Grazia A. Di Pietro John Peter Wild, UK Lise Bender Jørgensen, Norway Late Antique textiles from Egypt in the 24 Elisabeth Wincott Heckett , Ireland Ny Carlsberg Glyptotek, Copenhagen Johanna Banck-Burgess, Germany Cecilie Brøns, Ina Vanden Berghe and Irene Skals Tereza Štolcová, Slovakia Heidi Sherman, USA Blue dyed textiles in Early Iron Age Europe: 42 Claudia Merthen, Germany Accessible or exclusive? Christina Margariti, Greece Patricia Hopewell and Susanna Harris Layout: Karina Grömer The Textiles of Üzüür Gyalan: Towards the 56 Cover: Charlott e Rimstad identifi cation of a nomadic weaving tradition in (Image: NCG Collection ÆIN 956, the Mongolian Altai Copenhagen – Late Antique textile) Kristen Rye Pearson, Chuluunbat Mönkhbayar, Galbadrakh Enkhbat and Jamsranjav Bayarsaikhan Print: Grafi sk University of Copenhagen Time looms over us: Observations from an 71 experimental comparison of medieval English loom-types Subscription information: To purchase Gwendoline Pepper a copy of the latest Archaeological Textiles Review, please visit: Nets – Knots – Lace: Early 16th century www.webshophum-en.ku.dk/shop/ 88 archaeological-textiles-333c1.html.