Florence + the Machine, Sam Smith, LCD Soundsystem, Tyler, the Creator
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Noble Rot Meets Ecstatic Synth- Poppers Hot Chip Words by Dan Keeling Photographs by Benjamin Mcmahon
Words by Dan Keeling Noble Rot Photographs by meets ecstatic synth- SHOOT FROM THE CHIP SHOOT Benjamin McMahon poppers Hot Chip “Gordon Ramsay used to cook here a long time ago,” says Hot Chip’s Joe Goddard, reading the menu at Chez Bruce in Wandsworth. “When I last ate here, a friend from uni was working in the kitchen and I absolutely loved it.” To Joe’s left, fellow band member Al Doyle is enjoying his first drink of the evening – Vouette & Sorbée ‘Saignée de Sorbée’ Champagne – after a day rehearsing in a nearby studio for the band’s imminent support headline slot at Hackney’s All Points East festival. With their new album heralding a high point in their long career (it’s their seventh), the aptly titled A Bath Full of Ecstasy has a blend Dan Keeling: Do you cook at home? Joe Goddard: I cook all the time. I’ve got a Green of synth melodies, bouncing house basslines Egg barbecue and cook a lot of seafood, as well as buying a lot of nice wines from Bottle Apostle to try and soulful vocals that makes it one of our to pair with it. I’m interested in the weirder side of wine. This Vouette & Sorbée reminds me of a records of the year at Rotter Towers. Imagine delicious sparkling red from near Barcelona that I’ve been drinking recently called La Rosita by Pamela Geddes. It’s dry and fruity: it tastes like sparkling Erasure jamming with Daft Punk, Laid Back and Ribena to me, and I’m into that! Frankie Knuckles in a lift, and you might be Al Doyle: It’s delicious and quite unusual – it almost tastes like Pét-Nat rather than Champagne. -
New Europe College GE-NEC Program 2004-2005 2005-2006 2006-2007
New Europe College GE-NEC Program 2004-2005 2005-2006 2006-2007 MARIA CRÃCIUN ªTEFAN GHENCIULESCU ANCA GOGÂLTAN IOSIF KIRALY DAN-EUGEN RAÞIU HORIA ION CIUGUDEAN CIPRIAN FIREA ILEANA PINTILIE-TELEAGÃ RADU G. PÃUN VLAD BEDROS IOANA BOTH MARIN CONSTANTIN CONSTANÞA VINTILÃ-GHIÞULESCU ANA-MARIA GRUIA New Europe College GE-NEC Program 2004-2005 2005-2006 2006-2007 Editor: Irina Vainovski-Mihai Copyright – New Europe College ISSN 1584-0298 New Europe College Str. Plantelor 21 023971 Bucharest Romania www.nec.ro; e-mail: [email protected] Tel. (+4) 021.307.99.10, Fax (+4) 021.327.07.74 New Europe College GE-NEC Program 2004-2005 2005-2006 2006-2007 MARIA CRĂCIUN ŞTEFAN GHENCIULESCU ANCA GOGÂLTAN IOSIF KIRALY DAN-EUGEN RAŢIU HORIA ION CIUGUDEAN CIPRIAN FIREA ILEANA PINTILIE-TELEAGĂ RADU G. PĂUN VLAD BEDROS IOANA BOTH MARIN CONSTANTIN CONSTANŢA VINTILĂ-GHIŢULESCU ANA-MARIA GRUIA CONTENTS FOREWORD 7 MARIA CRĂCIUN ATTITUDES TO RELIGIOUS ART AND THE CONFESSIONAL IDENTITY OF THE SAXON COMMUNITY Passion Cycles in the Context of Lenten Observance and Easter Celebrations in Late Medieval and Early Modern Transylvania 11 ŞTEFAN GHENCIULESCU BUCAREST : LA TRANSPARENCE DU TISSU. UNE DISCUSSION SUR LES LIMITES ET L’HABITATION 71 ANCA GOGÂLTAN PASSION ICONOGRAPHY AND NARRATIVE STRATEGIES IN THE MEDIEVAL FRESCOES DECORATING THE CHURCH IN MĂLÂNCRAV (ALMAKERÉK, MALMKROG) IN TRANSYLVANIA 101 IOSIF KIRÁLY PHOTOGRAPHY AS ART AND DIGITAL TECHNOLOGY 153 DAN-EUGEN RAŢIU LA MUSE SUBVENTIONNÉE : POLITIQUES PUBLIQUES DE SOUTIEN À LA CRÉATION ARTISTIQUE EN ROUMANIE (1997-2005) 185 HORIA ION CIUGUDEAN LANDSCAPE ARCHEOLOGY IN SOUTH-WEST TRANSYLVANIA: ANCIENT GOLD MINING IN THE BUCIUM-ZLATNA REGION 249 CIPRIAN FIREA ART AND ITS CONTEXT. -
MA Thesis Ceremonials FINAL
ABSTRACT CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE by Rachel Lynn Brandenburg Rituals have been used throughout history as a way to process change and emotion. In the modern day, people are beginning to turn away from organized religion and to take on more personalized rituals and spirituality. As such, identifying as a witch is a growing phenomenon that serves to empower many personally, politically, and spiritually. This creative thesis takes an autobiographical approach to explore how ritual and the identity of the witch can be used as tools of empowerment, tracing the artist’s own journey from Catholicism to a more fluid spiritual life. On February 22nd, 2019, Ceremonials: A Ritual Play opened as part of Miami University’s Independent Artist Series. The play was devised with a student ensemble over a period of five months and stands as the culmination of a series of performance projects that sought to combine ritual and theatre. This portfolio spans the breadth of that practice-based research and includes examples from performance experiments and the devising process, as well as reflections on how ritual and devised theatre can help to empower the individual and the artist. CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Rachel Lynn Brandenburg Miami University Oxford, Ohio 2019 Advisor: Saffron Henke Reader: Julia Guichard Reader: Christiana Molldrem Harkulich ©2019 Rachel Lynn Brandenburg This Thesis titled CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE by Rachel Lynn Brandenburg has been approved for publication by The College of Creative Arts and Department of Theatre ____________________________________________________ Saffron Henke, MFA ______________________________________________________ Julia Guichard, MFA _______________________________________________________ Christiana Molldrem Harkulich, PhD Table of Contents 1. -
The Quality of Recorded Music Since Napster: Evidence Based on The
Digitization and the Music Industry Joel Waldfogel Conference on the Economics of Information and Communication Technologies Paris, October 5-6, 2012 Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster AND And the Bands Played On: Digital Disintermediation and the Quality of New Recorded Music Intro – assuring flow of creative works • Appropriability – may beget creative works – depends on both law and technology • IP rights are monopolies granted to provide incentives for creation – Harms and benefits • Recent technological changes may have altered the balance – First, file sharing makes it harder to appropriate revenue… …and revenue has plunged RIAA Total Value of US Shipments, 1994-2009 16000 14000 12000 10000 total 8000 digital $ millions physical 6000 4000 2000 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Ensuing Research • Mostly a kerfuffle about whether file sharing cannibalizes sales • Oberholzer-Gee and Strumpf (2006),Rob and Waldfogel (2006), Blackburn (2004), Zentner (2006), and more • Most believe that file sharing reduces sales • …and this has led to calls for strengthening IP protection My Epiphany • Revenue reduction, interesting for producers, is not the most interesting question • Instead: will flow of new products continue? • We should worry about both consumers and producers Industry view: the sky is falling • IFPI: “Music is an investment-intensive business… Very few sectors have a comparable proportion of sales -
Lcd Soundsystem This Is Happening Free Download Album LCD Soundsystem - This Is Happening FLAC Download
lcd soundsystem this is happening free download album LCD Soundsystem - This Is Happening FLAC download. Produced for The DFA in 2009/2010 Mastered at Chicago Mastering Service Recorded @ the Manshun and DFA. This Is Happening is dedicated to the memory of Jerry Fuchs, the very best of us, and to his amazing and loving family, who are our family now. Comes in a gatefold card sleeve with regular English booklet plus supplementary black & white Japanese booklet with lyrics and obi. Includes two bonus tracks (track: 10, 11). Warner Music Reissue of 2012 release. Other versions. Category Artist Title ( Format ) Label Category Country Year DFA 22503, 509993 09903 2 6 LCD Soundsystem This Is Happening (CD, Album) DFA, Virgin DFA 22503, 509993 09903 2 6 US 2010 50999 309903 2 6 LCD Soundsystem This Is Happening (CD, Album) Parlophone 50999 309903 2 6 Philippines 2010 none LCD Soundsystem This Is Happening (CDr, Album, Promo) EMI Music Ireland none Ireland 2010 50999 648781 2 6 LCD Soundsystem This Is Happening (CD, Album) Gala Records , DFA, Parlophone 50999 648781 2 6 Russia 2010 5099963370522 LCD Soundsystem This Is Happening (CD, Album, Gat) EMI Music Australia Pty. Limited, Parlophone, DFA 5099963370522 Australia 2010. Tracklist. 1 Dance Yrself Clean 2 Drunk Girls 3 One Touch 4 All I Want 5 I Can Change 6 You Wanted A Hit 7 Pow Pow 8 Somebody's Calling Me 9 Home. Companies, etc. Phonographic Copyright (p) – DFA Copyright (c) – EMI Records Ltd. Licensed To – EMI Records Ltd. Distributed By – EMI Music Australia Pty Ltd. Notes. This Is Happening produced by James Murphy for the DFA in 2009/2010 Mixed by James Murphy and Dave Sardy Mastered by Bob Weston at Chicago Mastering Service. -
LCD Soundsystem This Is Happening
LCD Soundsystem This Is Happening Tracklist: 1. Dance Yrself Clean 6. You Wanted A Hit 2. Drunk Girls 7. Pow Pow 3. One Touch 8. Somebody’s Calling Me 4. All I Want 9. Home 5. I Can Change Back in print, the classic third LCD Soundsystem LP. Of the many arresting moments that fill LCD Soundsystem’s This Is Happening, perhaps the most unexpected comes less than halfway through album opener “Dance Yrself Clean.” The seemingly unassuming, low-key rumble of a song morphs from its mumbled beginnings into an outsized flash of synth ballast and Release Info: wailing vocals. The sudden shift is like the flicking on Catalog Number: DFA2250 of a light, the perfect example of frontman-songwriter- Formats: 2xLP mastermind James Murphy’s effortless balance of restraint Release Date: October 14, 2014 and release, organic rock and electro pop, and muted cool LP UPC: 829732225013 and vibrant emotion. This study in contrasts pervades LCD Vinyl is non-returnable. Soundsystem’s third, and possibly final, release--an album Territories: US / Canada / Mexico only where Murphy refracts images of heartbreak and longing Genre: Indie, Electronic through the scattered light of a disco ball. Box Lot: 26, 2 boxes of 13 Label Contact Email: [email protected] The cautious observations and honest reveals that follow Recommended if Talking Heads, The Fall, New are literally and figuratively quieter moments than that you like: Order, The Rapture initial blare. On “All I Want,” against a wall of whirling guitar, Murphy recognizes a relationship that can’t be saved, and instead asks for “your pity” and “your bitter Points of Interest: tears.” “Home” shuffles over pulsing keys and bubbling 1. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
Replacing the Rave
Norman Cook aka Fatboy Slim cooking in Ibiza. REPLACING THE RAVE Damian Harris looks at what’s next for the hedonistic dance music generation as they hit middle age. “Do you think we’ll still be doing this in ten Now that everyone and his sous-chef are on years time, when we’re like, thirty?!” Facebook, it is much easier to observe this transition. Training for and running marathons Although our early 90’s post-club antics might are popular pastimes. Practising Yoga is another. have seemed chaotic and spontaneous at the time, Aromatherapy courses and doing re-edits of there were certain things amongst our group that old disco records also feature. Of course there you could set your watch by: 3am someone would is also reproducing, then posting pictures of dream up new and increasingly dangerous ways your kids looking cute, which can eat up a lot of ingesting more drugs - acid in the eyeball, Es of hours in the day. Golf used to be a cosy way up the bum and the slightly more creative ‘Rising to slip into middle age, but it doesn’t seem to Amyl Blow Back’. At 4am someone, (usually the hold much allure for ex-ravers. I blame tinnitus; recipient of the R.A.B.B.) would suggest everyone golf requires balance, something that’s hard to get naked, then by 5am one girl would always achieve when you’ve 20 years of nightclub abuse start getting emotional and start talking about ringing in your ears. her relationship with her father. -
Talking Timbre: Vocal Timbre and Narrative in Florence + the Machine’S Ceremonials Madison Stepherson University of Minnesota
Talking Timbre: Vocal Timbre and Narrative in Florence + the Machine’s Ceremonials Madison Stepherson University of Minnesota One of the most striking qualities in Florence + the Machine’s music is the sonic soundscape and vocal timbre. This paper provides a close reading of a cross-section of three songs from the album Ceremonials while considering the timbres employed and connecting those timbres to narrative implications. This presentation will begin with a brief overview of Florence + the Machine, followed by an explanation of the methodology employed. After identifying and classifying timbre types present in the selected songs, I will address how Kate Heidemann’s 2016 system can be used “to conceptualiz[e] the meaning of timbre,” (2016). I posit that Florence Welch employs specific timbre types to represent Renaissance ideas and to offer deeper insight to the narratives unfolding. Finally, I will conclude with remarks on possible future scholarship. Florence + the Machine is a British indie-pop-rock band that consists of lead singer Florence Welch, back-up singers, and supporting instrumentalists, including a harpist, guitarist, and keyboardist. Since their formation in 2007, Florence + the Machine has released four studio albums, and Florence Welch has collaborated with many well-known contemporary pop artists, as well as produced music for films and video games. Ceremonials (2011) has been described as a more cohesive and representative album of the sonic soundscape than the group’s first album Lungs (2009), and as such offers an opportunity to begin to examine Florence + the Machine’s compositional techniques and intricacies, specifically regarding one of the most distinctive features of the group – that of the voice and vocal timbre. -
The Fellowship Returns to Gustavus After a Long Absence Jacob Seamans News Editor
The Fellowship of Christian Athletes returns The Fellowship Returns to Gustavus after a long absence Jacob Seamans News Editor he Fellowship of Christian Athletes (FCA), the nation- ally renowned ecumenical Tprayer and Bible study group for young athletes, is getting restarted by a group of students looking to bring its unique mis- sion and programming back to Gustavus after a long dormancy. Its return, however, is not without controversy. “There was talk among the Proclaim leaders about starting up FCA, and I had been involved SUBMITTED in [FCA] in high school,” said Delphine Broccard, junior com- The Fellowship of Christian Athletes works to promote Christianity among college and high school students, encouraging private expressions of religion. munication studies major. She wanted to bring FCA back to Gustavus so future Gusties who were involved in FCA in Wanna get away? high school, like her younger dorms, apartments or to live off complex process that involves that the college does not allow brother, could continue to benefit Gusties face campus. “randomly assigning numbers to all students who wish to live off from its programs. Currently, about 400 Gustavus students. These numbers are gen- campus to do so. “Three of the The group, one of many being challenges and students choose to live in off- erated within classes. All juniors, last four years, we have allowed formed across the state, aims to bonuses living campus housing each year. for example, will have higher everyone who wished to live off bring a Christian element to ath- “The way we determine the numbers than all sophomores. -
Ufos: How Does One Speak to a Ball of Light?
UFOs: How Does One Speak to A Ball of Light? by Paola Leopizzi Harris Preface by Dr. Michael Salla, Ph.D. Foreword by Pascal Riolo Text and photographs Copyright © 2006 and 2011 Paola Leopizzi Harris. All Rights Reserved. "The 'Ball of Light' Phenomena in Italy" Copyright © 2005 Adriano Forgione, X-Publishing, Italy. Used by Permission. All Rights Reserved. No portion of this book may be reproduced of used in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior written permission of the author. Cover art and concept: Alberto Forgione X-times Magazine: Fenix Publishing Manuscript Editors: Brent Smith, Lucie Blanchard Cover Design: Carolyn Oakley, Luminous Moon Design Kindle Edition This book is dedicated to all those who are working towards full Disclosure: Alberto, Paolo, and Adriano Forgione and all those in Fenix Publishing; UFO researcher and Editor of Area 51 Magazine Maurizio Baiata; translators and transcribers Lavinia Pallotta,Teresa Barbatelli and Dawn Bissell. To all those whose vision and dedication has no bounds: Helen Littrell; my webmasters Giovanni Zavarelli (Italy), Alejandro Rojas, C. Travis Towe and Carolyn Oakly in the USA. And finally, to all in this book who chose to reveal the truth about the extraterrestrial presence on Earth. You are the courageous ones. Table of Contents 1. Preface: Protocols for Future Contact 2. Foreword: Liaison Between Off-planet Cultures and Our Governments 3. Introduction: Back to the Future 4. Back to the Future: An Update Section One: Back to the Past 5. The Man Who Started It All: Interview with Kim Arnold, Daughter of Kenneth Arnold 6. -
AUSTIN CITY LIMITS DOUBLE-BILL: FLORENCE + the MACHINE & ANDRA DAY New Episode Premieres October 22 On
AUSTIN CITY LIMITS DOUBLE-BILL: FLORENCE + THE MACHINE & ANDRA DAY New Episode Premieres October 22 on PBS Austin, TX—October 20, 2016—Austin City Limits (ACL) presents a breathtaking hour with two of today’s most inspirational acts: Florence + the Machine in their return appearance and Andra Day in a standout ACL debut. The new installment airs October 22nd at 8pm CT/9pm ET as part of ACL’s new Season 42. The program airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. Viewers can visit acltv.com for news regarding future tapings, episode schedules and select live stream updates. The show's official hashtag is #acltv. It’s been over five years since UK hitmakers Florence + the Machine first-appeared on the ACL stage. Now international superstars and one of rock’s biggest live acts, the unstoppable band make a triumphant return with a high-energy, buoyant five-song set. Dynamic leader Florence Welch dances barefoot across the stage performing songs from their recent, chart-topping LP How Big, How Blue, How Beautiful. Her knockout vocals and remarkable rapport with fans captivate throughout as she enlists the crowd as a “hungover choir of angels” for the Grammy- nominated “Shake It Out” from 2011’s Ceremonials, closing with a rapturous performance of the band’s 2009 breakthrough smash, the anthemic “Dog Days Are Over.” "Florence brings a unique performance art to all of her shows, and she took it to a new level this night,” says ACL executive producer Terry Lickona.