Painted Rock the Painted Rock Petroglyph Site
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Foundation Document Petroglyph National Monument New Mexico August 2017 Foundation Document
NATIONAL PARK SERVICE • U.S. DEPARTMENT OF THE INTERIOR Foundation Document Petroglyph National Monument New Mexico August 2017 Foundation Document To Rio Rancho To Rio Rancho B ou North e l dis ev 0 1 2 Kilometers ara a P rd Piedras Marcadas 0 1 2 Miles Canyon Paseo del Norte R To Rio a Universe Boulevard rd Rancho i va n e Information ul b o Jill o B w Patricia Restrooms r St e d s a del Norte n o o e B as Picnic area U P l R v d Parking Northern To 25 Geologic Hiking trails Window e Pets on leash T s a r y u d l r o o a r C v e l u Bo Butte R d a v Volcano n l c B Boca Negra h Southern olf s G r Canyon Geologic oo Bond C Window Volcano a t D s i r i V v h e Double t r Eagle II Montaño o Ro ad N Airport U o c n s i s er r t A B o u l Vulcan e v Volcano a r d d r a d v r To 25 e Volcanoes Visitor Center l a u v PETROGLYPH e Volcanoes o l B u Access Road o B Wes tern Trai e NATIONAL Rinconada l Black A d D tr Canyon Volcano ri i n sc e v a d e o MONUMENT n r a s r r G G Shooting JA Volcano seph Avenu o Jo e Range Road St. -
Central Arizona Salinity Study --- Phase I
CENTRAL ARIZONA SALINITY STUDY --- PHASE I Technical Appendix D HYDROLOGIC REPORT ON THE GILA BEND BASIN Prepared for: United States Department of Interior Bureau of Reclamation Prepared by: Brown and Caldwell 201 East Washington Street, Suite 500 Phoenix, Arizona 85004 D-1 TABLE OF CONTENTS PAGE TABLE OF CONTENTS ................................................................................................................ 2 LIST OF TABLES .......................................................................................................................... 3 LIST OF FIGURES ........................................................................................................................ 3 1.0 INTRODUCTION .............................................................................................................. 4 2.0 PHYSICAL SETTING ....................................................................................................... 5 3.0 GENERALIZED GEOLOGY ............................................................................................ 6 3.1 BEDROCK GEOLOGY ......................................................................................... 6 3.2 BASIN GEOLOGY ................................................................................................ 6 4.0 HYDROGEOLOGIC CONDITIONS ................................................................................ 8 4.1 GROUNDWATER OCCURRENCE AND MOVEMENT ................................... 8 4.2 GROUNDWATER QUALITY ............................................................................. -
Prehistoric Cupule Site at Senetary: Recent Prehistoric Investigations in Kachchh District, Gujarat
Prehistoric Cupule Site at Senetary: Recent Prehistoric Investigations in Kachchh District, Gujarat Shaik Saleem1 1. Department of Archaeology, Krantiguru Shyamji Krishna Verma Kachchh University, Bhuj – 370 001, Gujarat, India (Email: [email protected]) Received: 16 August 2014; Accepted: 12 September 2014; Revised: 14 October 2014 Heritage: Journal of Multidisciplinary Studies in Archaeology 2 (2014): 449‐456 Abstract: The present paper gives details of recent prehistoric investigations carried out by the author, which have revealed a Prehistoric site which has revealed cupules was found in the rock shelters of Senetary in Kachchh District of Gujarat. The artifacts of Prehistoric period were found at 3 localities of Senetary. Apart from the cupules a few engravings and large number of microliths and a few potsherds of Chalcolithic as well as early historic periods were also found in the rock shelters. Keywords: Cupule, Senetary, Kachchh, Prehistoric Period, Microliths, Chalcolithic, Early Historic Introduction The prehistoric investigations carried out around in Bhuj taluka in Kachchh District have revealed large number of rock shelters at Senetary (23° 10’ 01.9” N 069° 37’ 32.8” E). The main aim of these prehistoric investigations is intended to explore for the archaeological sites of different cultural phases as well as for the rock art sites as large number of rock shelters are found near Senetary in Bhuj taluka as well as in different parts of Kachchh region. Previous Work Very few people have worked on the prehistory of Kachchh region. Among them the work was carried out by H.D. Sankalia (1964; 1968), Z. D. Ansari and R. -
Petroglyph National Monument: Geologic Resources Inventory Report
National Park Service U.S. Department of the Interior Natural Resource Stewardship and Science Petroglyph National Monument Geologic Resources Inventory Report Natural Resource Report NPS/NRSS/GRD/NRR—2017/1547 ON THE COVER Photograph of Albuquerque volcanoes. Three spatter cones, known as the Sisters, form a distinctive skyline west of Albuquerque, New Mexico. These small volcanoes are part of the Albuquerque volcanic field and occur in the Volcanoes area of Petroglyph National Monument. The volcanic field was active about 156,000 years ago. NPS photograph by Chanteil Walter (Petroglyph National Monument). THIS PAGE Photograph of the West Mesa escarpment along the Rinconada Canyon Trail. Erosion of the Santa Fe Group sediments that underlie a basaltic cap rock has caused large blocks of rock to tumble down the eastern escarpment of the mesa. Most of the petroglyphs were chiseled into the dark patina of desert varnish on these large boulders, exposing the lighter colored basaltic rock beneath. NPS photograph by Dale Pate (Geologic Resources Division). Petroglyph National Monument Geologic Resources Inventory Report Natural Resource Report NPS/NRSS/GRD/NRR—2017/1547 Katie KellerLynn Colorado State University Research Associate National Park Service Geologic Resources Division Geologic Resources Inventory PO Box 25287 Denver, CO 80225 November 2017 U.S. Department of the Interior National Park Service Natural Resource Stewardship and Science Fort Collins, Colorado The National Park Service, Natural Resource Stewardship and Science office in Fort Collins, Colorado, publishes a range of reports that address natural resource topics. These reports are of interest and applicability to a broad audience in the National Park Service and others in natural resource management, including scientists, conservation and environmental constituencies, and the public. -
Art Masterpiece: Black Bull at the Lascaux Caves
Art Masterpiece: Black Bull at the Lascaux Caves Pronunciation: (Lass-Kough) Keywords: Art, petroglyph, art: The expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture Petroglyphs: An image that is carved or chipped into the rock using another stone or other tool, or may be painted on a rock using hand-made paints and brush tools. Grade: 1st Grade Activity: Prehistoric Cave Drawing Background of the Lascaux Caves in France: (5 min) In 1940, a cave was accidentally found by children and their dog. The children were playing fetch with the dog. The ball they were throwing was accidentally thrown into a complex under- ground cave. Looking for the ball in this cave, they found wonderful cave paintings on the walls. These walls had drawings of animals, people, and handprints on them. People believe this is the beginning of art since some of these caves that have been found are almost 20,000 years old. Scientists believe that the handprints were their signatures. Who were these first artists? Cavemen lived some 20,000 years ago. By the light of oil lamps, prehistoric artists drew wild animals that they hoped to capture. Using charcoal, they traced the outlines of bison and mammoths on the cave walls. For paint the cavemen ground lumps of earth into colored powder. They would then spread this powder with leaves or they would use wads of fur for a paintbrush. They would sometimes “sign” their art by including their hand- prints. Property of Knox Art Masterpiece Revised 6/26/13 Discussion: (10 min) · What do you see in this painting? · What is art? Briefly introduce the basics: · Color – three colors: red, yellow and blue are mixed to make all the other colors of the rainbow. -
Underseepage Control Measures at Painted Rock Dam
Missouri University of Science and Technology Scholars' Mine International Conference on Case Histories in (1988) - Second International Conference on Geotechnical Engineering Case Histories in Geotechnical Engineering 02 Jun 1988, 10:30 am - 3:00 pm Underseepage Control Measures at Painted Rock Dam L. Knuppel USACE, Cincinnati, Ohio F. McLean USBR, Denver, Colorado A. Roodsari USACE, Los Angeles, California Follow this and additional works at: https://scholarsmine.mst.edu/icchge Part of the Geotechnical Engineering Commons Recommended Citation Knuppel, L.; McLean, F.; and Roodsari, A., "Underseepage Control Measures at Painted Rock Dam" (1988). International Conference on Case Histories in Geotechnical Engineering. 55. https://scholarsmine.mst.edu/icchge/2icchge/2icchge-session3/55 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article - Conference proceedings is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in International Conference on Case Histories in Geotechnical Engineering by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. Proceedings: Second International Conference on Case Histories in Geotechnical Engineering, June 1-5, 1988, St. Louis, Mo., Paper No. 3.10 Underseepage Control Measures at Painted Rock Dam -
Final Environmental Assessment
DOE/EA-1683 FINAL ENVIRONMENTAL ASSESSMENT FOR DEPARTMENT OF ENERGY LOAN GUARANTEE TO ABENGOA SOLAR INC. FOR THE SOLANA THERMAL ELECTRIC POWER PROJECT NEAR GILA BEND, ARIZONA U.S. Department of Energy Loan Guarantee Program Office Washington, DC 20585 May 2010 DOE/EA-1683 CONTENTS Acronynms and Abbreviations ................................................................................................. viii SUMMARY ....................................................................................................................................x 1 Purpose and Need for Agency Action .......................................................................... 1-1 1.1 Scope of the Environmental Assessment ................................................................... 1-1 1.2 Public Participation .................................................................................................... 1-2 1.3 Document Organization ............................................................................................. 1-5 1.4 Availability of the Environmental Assessment .......................................................... 1-6 2 Proposed Action and Alternatives ................................................................................ 2-7 2.1 Proposed Action ......................................................................................................... 2-7 2.2 Solana CSP Project Construction............................................................................. 2-13 2.3 Solana CSP Project Operations ............................................................................... -
Searching for Rock Art Evidence for an Ancient Super Aurora by Marinus Anthony Van Der Sluijs and Anthony L
Searching for Rock Art Evidence for an Ancient Super Aurora by marinus anthony van der sluijs and anthony l. peratt or tens of thousands of years, humans have expressed themselves artistically on their sur- roundings—painting, etching, carving, and mold- oglyphs ing designs, decorations, and imagery on surfaces ranging from portable, often hand-held objects (suchF as animal bone and stone) to more stationary features of the landscape, such as scattered rocks, caves, and cliffs. The most famous early examples of this so-called rock art are the fabulous etr Paleolithic cave paintings from southwestern France and north- ern Spain, which date to about 15,000 years ago (see Expedition p 47(3):20-24). Less well known, but far more common, are the petroglyphs (drawings or etchings carved on stone) that have been identified around the world. Besides a general human fascination with visual representation in different media, these rock art images can tell us not only about the people who made them—a broadly anthropological question—but also about environmental conditions of the past. To understand this, one must first appreciate the nature and variability of the subject matter. Rock art images are quite diverse, seemingly depicting everything from simple geometric shapes (lines, circles, triangles, squares) to more or less recog- nizable representations of creatures or elements from the local environment (such as humans, animals, plants, or tools). Less obvious representations of real or imagined phenomena (such as the sun, geographic features, natural forces like wind or run- ning water or creatures of fantasy) can also be identified as well as things that no two people would agree upon without having the artist there to explain what is being depicted. -
Jeffers Petroglyphs: a Recording of 7000 Years of North American History Tom Sanders 4/24/14
Jeffers Petroglyphs: a Recording of 7000 Years of North American History Tom Sanders 4/24/14 Introduction For thousands of years, indigenous people left a seemingly endless variety of symbols carved into Jeffers Petroglyphs’ red stone outcroppings. Elders (Dakota, Cheyenne, Arapaho, Ojibwa and Iowa) have told us that this is a place where people sought communion with spirits and a place to retreat for ceremonies, fasting and guidance. They tell us that there were many reasons for carving the 5000 images at the site. These elders stressed that the carvings are more than art or mimicry of the natural environment. They tell us that the carvings are eloquent cultural symbols of the rich and complex American Indian societies. They say that elders taught philosophy through parables pictured on the rock and American Indian travelers left written directions for those that were to follow. These carvings of deer, buffalo, turtles, thunderbirds and humans illustrate the social life of the cultures that inhabited this area. Some of these images are drawings of spirits. Many of the carvings are the recordings of visions by holy people. Some of the images are healing alters or prayers to the Great Spirit or one of the helping spirits. Dakota elder Jerry Flute tells us that “Jeffers Petroglyphs is a special place, not just for visitors but also for Native Americans. It is a spiritual place where grandmother earth speaks of the past, present, and future. The descendants of those who carved these images consider this an outdoor church, where worship and ceremony still take place.” Many elders believe that Jeffers Petroglyphs is an encyclopedia that records historic and cultural knowledge. -
Acoustical Studies of Rock Art Sites on Three Continents
Waller -- Acoustical Studies of Rock Art on Three Continients Page 1 of 10 Steven J. Waller, Ph. D. 3000 words December 13, 1994 109 Saint Regis Drive Newark, Delaware 19711 U. S. A. © 1994 Steven J. Waller, Ph. D. Telephone: 1-302-738-5929 (home) Fax: 1-302-451-3487 1-302-451-3659 (work) Submission of paper for: From Rock Art to Tribal Art: A Global Perspective KEYWORDS: Acoustics - North America - France - Australia - Conservation - Rock art research (TITLE) Acoustical Studies of Rock Art Sites on Three Continents (AUTHOR) Steven J. Waller, Ph. D. (ABSTRACT) Echoes may help solve a mystery left many thousands of years ago by our prehistoric ancestors. Beautiful but perplexing paintings and engravings on rock have survived from the Ice Age. These images, found throughout the world, are commonly hoofed animals, but do not simply represent food. The baffling locations the artists chose to decorate were often difficult to reach, such as deep within caves or high up on canyon walls. Quantitative measurements support the observation that a large number of rock art sites have good sound reflecting acoustics. Echoing is known to have been regarded by ancient societies as a supernatural phenomenon, and the artists who produced rock art may have chosen such strange places to decorate because they reflect sound, giving them a mysterious aura. Furthermore, echoes of percussion noises can sound like hoof beats, and the hoof beat-like echoes could explain why hoofed animals were so often depicted. This paper is a summary of the results of acoustical rock art studies to date in France, the United States, and Australia, portions of which have been presented at the 1992 Second AURA Congress in Cairns, and the 1994 International Rock Art Congress in Flagstaff, Arizona. -
Rock Art Drawings Discover More About the Ancient People Are Usually Realistic Representations Who Inhabited Southern Coastal Alaska
Many petroglyphs are so old that the present inhabitants AN ANCIENT HISTORY are unable to interpret them. PRESERVING OUR HERITAGE United States Department of Agriculture Archaeologists are just beginning to The more recent rock art drawings discover more about the ancient people are usually realistic representations who inhabited southern coastal Alaska. of animals, fish, or supernatural beings. SE Even the pictures put there to tell a story SC are shrouded in mystery. Rock designs may have recorded The next few years are crucial to the preservation of rock important events such as births, deaths, potlatches, art. Destruction can be from natural or human actions. legends or contact with others such as European explorers. ROCK ART One of the ways to determine the relative Vandalism and theft threaten the survival of this important Some mark Clan territories, indicate portage locations, or Petroglyphs and Pictographs of age of rock art symbols is by association SE heritage resource. with other rock art record periods of time. While others may mark or warn of Southern Coastal Alaska sites or by comparing designs. burial locations for important people such as shamans and/ Rock art exists in a great open air museum for which Abstract designs may be older or their paraphernalia. However, no one can say absolutely we are all responsible. Be careful how you treat these than representational drawings. what the artist had in mind while creating many of these ligitimate artistic works. Walking on rock art causes images. Therefore, realize what many of these pictographs the rock and the design to crumble; touching leaves oil Some symbols are obviously and petroglyphs actually represent may in fact be very residues on the surface; chalking, rubbings and tracings SE more recent because of their personal and known only to the person who created them. -
Environmental Study for the Gila River Below Painted Rock Dam
c/ ' » ; ' .-/ ¿¡feTT^/S'/'73 ;:i C^*i' 1 M ENVIRONMENTAL STUDY ■ -4 FOR THE M GILA RIVER M BELOW PAINTED ROCK DAM M ■ :s •J By '4 ■4 University of Arizona ■ it School of Earth Sciences Office of Arid Lands Studies TD 194.56 .A6 P356 1970 |ii,t i,Bjp j i i | M I .....-rr/M m i1 r . w 1 1 IMI "" t I -"ai ion vtKv A d V \ ENVIRONMENTAL STUDY FOR THE GILA RIVER BELOW PAINTED ROCK DAM Under Contract with Department of the Army Los Angeles District Corps of Engineers Contract Number DACW09-70-C-0079 by University of Arizona School of Earth Sciences Office of Arid Lands Studies Y ¡11 October 1970 Bureau 01 Ru:!s; nc it! on Derwui, Uolorao10 The Gila River at the Dome Gaging Station. Photograph taken December 23, 1930 by U.S.G.S. Matched photograph taken June 23, 1970 by Office of Arid Lands Studies. Significant changes include considerably more sur face water and heavy salt cedar growth, apparently a result of heavy irrigation runoff and perhaps the close proximity of bed rock to the surface. The line of young cottonwoods (center) has disappeared. CONTENTS «»•«»»••»»•••si« -«-wit* ilij ■_ j o*> ' r ■ .. \ t > . ' P FRONTISPIECE............... iSi FIGURES .... ... .................. • * i* TABLES ...................... ............ xi ABSTRACT ........................................... • • • xiii INTRODUCTION............................... 1 Location and Extent . .......... ............ 1 Authority ........ .................... 1 Object and Scope of Study ....•••••«••••»••» 1 General Organization and Procedures ............ ..... 2 SURVEY AND INVENTORY .......................... 2 Geology, Landforms, and Surficial Deposits ....... .... 2 Structure, Earthquakes, and Economic Geology ....... 4 Channel Characteristics of the Lower Gila River ....... 4 Characteristics of the Major Tributary Washes...........