I Am Dragon Summoning Song
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Full Discography
All projects produced, engineered and mixed unless otherwise noted. Screaming Females – All At Once Older selections from the discography: Arlington – Debut LP for Rise Records Isis - Oceanic Dearheart - LP Isis – Celestial Gloe – Mixed EP Isis - Mosquito Control (mix) AVER – Mix EP Isis – Panopticon Lakoda – Mixed EP Mastodon - Leviathan DENS – Mixed EP Mastodon - Remission Easy Prey – Mixed EP Mastodon - Blood Mountain Maudlin – Mixed LP Caspian - Waking Season Foxing - Dealer Make do and Mend - Everything You Ever Caspian - Dust and Disquiet Loved Dust Moth- Scale A Wilhelm Scream - mixed Self titled ep Broods- Mixed “Free” (Capitol Records) Helms Alee – Weatherhead Heiress - Made Wrong Botch - We Are the Romans Screaming Females- Rose Mountain The Sword - Warp Riders X- Suns - Mixed new EP Planes Mistaken for Stars - Mercy My Goodness – Mixed Scavengers LP Russian Circles – Station Jupe Jupe – Lonely Creatures Minus the Bear - Planet of Ice Sandrider – produced new album The Fall of Troy- Manipulator Sorxe – Matter and Void Shook Ones - Facetious, Folly, Feat (mix) Ravenna Woods – Alleyways and Polar Bear Club - Chasing Hamburg Animals Minus the Bear - They Make Beer Valerian Swing – mixed Nights lp Commercials Like This Transit Method – Mixed We Won’t Get These Arms Are Snakes – Oxeneers Out of Here Alive LP Norma Jean - O' God the Aftermath Heron - mixed You Are Here Now EP Pearl Jam - Binaural (eng) Western Addiction - mixed Tremulous KENmode – Entrench LP Pretty Girls Make Graves - s/t EP Crusades - mixed This is a Sickness and -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Sustainability Report Monster Beverage Corporation
2020 SUSTAINABILITY REPORT MONSTER BEVERAGE CORPORATION FORWARD-LOOKING STATEMENT This Report contains forward-looking statements, within the meaning of the U.S. federal securities laws as amended, regarding the expectations of management with respect to our plans, objectives, outlooks, goals, strategies, future operating results and other future events including revenues and profitability. Forward-look- ing statements are generally identified through the inclusion of words such as “aim,” “anticipate,” “believe,” “drive,” “estimate,” “expect,” “goal,” “intend,” “may,” “plan,” “project,” “strategy,” “target,” “hope,” and “will” or similar statements or variations of such terms and other similar expressions. These forward-looking statements are based on management’s current knowledge and expectations and are subject to certain risks and uncertainties, many of which are outside of the control of the Company, that could cause actual results and events to differ materially from the statements made herein. For additional information about the risks, uncer- tainties and other factors that may affect our business, please see our most recent annual report on Form 10-K and any subsequent reports filed with the Securities and Exchange Commission, including quarterly reports on Form 10-Q. Monster Beverage Corporation assumes no responsibility to update any forward-looking state- ments whether as a result of new information, future events or otherwise. 2020 SUSTAINABILITY REPORT #UNLEASHED TABLE OF CONTENTS LETTER FROM THE CO-CEOS 1 COMPANY AT A GLANCE 3 INTRODUCTION 5 SOCIAL 15 PRODUCT RESPONSIBILITY 37 ENVIRONMENTAL 45 GOVERNANCE 61 CREDITS AND CONTACT 67 INTRODUCTION MONSTER BEVERAGE CORPORATION LETTER FROM THE CO-CEOS As Monster publishes its first Sustainability Report, we cannot ignore the impact of the COVID-19 pandemic. -
And Picked up By
s:recoil of President the effect of a singleAot '`Shooting at taped melons t 'dt:iVen away from:the, rifle •„eotion. We. analyse previous •er film by cri and failure of t 41,60,0h* „4., Alvaro-z)` .clit6h) Aze .listed here is meant, to indicate content' is the work of k, The tests of a hypothesis by L.W. 4 whia the report to yen fOr: your el-Lab:it*. flents. of article on the- .p ygic's 'of,the problem to 1 for physicists. i...1e 0 distribute port to studentsOf't sport after been considered, and after ort version e Phyttics Today article well, picked up by Ahis Material strictly confidential at#this time. -t 1970 ,eastrertypy aer,the Report of the aarran C-laission on Der busheid ow, that s;lerpky, Dbmwrneadaltion of,Proidont Irisready bas booth. question of the number nairaiwoulse ~U. & looked Itsettelt 11101.4. .001-410411sWer the sate fired. If shots oar from two dIffc-rent directions, notion is *nigh* mast ha* isemmitia4 /21110‘ shit ligpeleals,heme boom a conspiracy. Critics of the Whrren hour: have drawn from the treat, es this Dr...46 J4 IMOOWN401161C, 41, 0MOOtkagainst the Commission's conclusions from the principal physical ph ysiclat adlimarelegists 100004 of the assassination, a 25-second color film taken by amateur photographer &simony lbw** hit* a projarte3044 is. Uproar* given a sale& that deratiom as that of the RweJwwtillow At a shoot* , the ducks fall 404,4,0011,the sat detailed study yet published of this and other photographs of martini s. athwart if someone is shot, advise eat strelmealoWthe of rersiX will* 047 400 ,,,igio.empoggiaamien is ALE &mood* ew Xnllss, by Haver/oral philosophy professor toward - the (Page Deseahasis added) • ' • 1 . -
Lessons Unlearned—The Gun Lobby and the Siren Song of Anti
Lessons Unlearned The Gun Lobby and the Siren Song of Anti-Government Rhetoric Violence Policy Center April 2010 The Violence Policy Center (VPC) is a national non-profit educational organization that conducts research and public education on violence in America and provides information and analysis to policymakers, journalists, advocates, and the general public. This report was authored by VPC Executive Director Josh Sugarmann and VPC Policy Analyst Marty Langley. The study was funded in part with the support of the David Bohnett Foundation, The Joyce Foundation, and the Public Welfare Foundation. Past studies released by the VPC include: ! Target: Law Enforcement—Assault Weapons in the News (February 2010) ! Black Homicide Victimization in the United States: An Analysis of 2007 Homicide Data (January 2010) ! When Men Murder Women—An Analysis of 2007 Homicide Data (September 2009) ! Law Enforcement and Private Citizens Killed by Concealed Handgun Permit Holders—An Analysis of News Reports, May 2007 to April 2009 (July 2009) ! Indicted: Types of Firearms and Methods of Gun Trafficking from the United States to Mexico as Revealed in U.S. Court Documents (April 2009) ! Iron River: Gun Violence and Illegal Firearms Trafficking on the U.S.-Mexico Border (March 2009) ! Youth Gang Violence and Guns: Data Collection in California (February 2009) ! “Big Boomers”—Rifle Power Designed Into Handguns (December 2008) ! American Roulette: Murder-Suicide in the United States (April 2008) ! An Analysis of the Decline in Gun Dealers: 1994 to 2007 (August -
The Catchiest Disease “Hesitation Marks” Embodies a Ruined Man Many a Personal Downfall in This Album by Max Robison Contributing Writer Especially
Tuesday, Features Sept. 10, 2013 11 “Get to Know a Retriever” Meet Arash Fallah, a student driven to succeed at UMBC have been mentoring me club wrestling team but I would really like to see I really look up to their the team be elevated to a andhumility, I’ve learned grace, aclass lot from. and formal collegiate level. Beverage choice that’s wisdom.is extremely Farrah intelligent,Daham is indicative of your onetrustworthy, of my role models.nuanced She personality? characteristics I admire in anda person. beautiful. Those are Pepsi,Keep Calmit’s sweet and and_________? dark. What is your favorite COURTESY ARASH FALLAH part about UMBC? RelaxHow has UMBC helped Arash Fallah rides a carousel at Whatever you want to you achieve success? Pentagon mall. With little exception, there importance of failure BY DAVID POZNANSKY doare atfew UMBC, obstacles you keepingcan do. It’s taught me the Contributing Writer you from pursuing your understanding that few passions. andadvantages success. comeAs well from as Name, Major, Year? taking a position of conceit. Sports team you’d be most excited to see play a measured impact by Arash Fallah, History and live? I’veapplying learned the lessonshow to of make tact. PoliticalFrom? Science, 2015 Potomac, Maryland challenge myself by taking LosWhat Angeles sport Lakers or activity It’s also encouraged me to Do you have any should UMBC compete in than merely coasting role models? What on a collegiate level? difficultthrough college.courses rather characteristics of theirs do you admire? have such an outstanding [email protected] I think it’s great that we There are two people who The catchiest disease “Hesitation Marks” embodies a ruined man many a personal downfall in this album BY MAX ROBISON Contributing Writer especially. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Feed the Monster Impact and Technical Evaluation
Feed the Monster Impact and Technical Evaluation Prepared by: Nedjma Koval-Saifi, Principal Investigator, INTEGRATED, & Jan Plass, Co-Investigator, New York University CREATE March 2018 Integrated Services, Indigenous Solutions, 2018. Copyright by Integrated Services, Indigenous Solutions. Feed the Monster: Impact and Technical Evaluation is made available under a Creative Commons Attribution 4.0 International License: http://creativecommons.org/ licenses/. Images owned by third parties, as indicated, may not be used without permission. Published by World Vision, Inc. and Foundation for Information Technology Education and Development, Inc. World Vision, Inc. 300 I Street NE Washington, D.C. 20002 USA All Children Reading: A Grand Challenge for Development (ACR GCD) www.allchildrenreading.org Foundation for Information Technology Education and Development, Inc. (FIT-ED) 3/F Orcel II Building 1611 Quezon Avenue Quezon City 1104 Philippines Digital Learning for Development www.dl4d.org This research was conducted under the Digital Learning for Development (DL4D) project of the Foundation for Information Technology Education and Development (FIT-ED) of the Philippines, jointly funded by the International Development Research Centre (IDRC) of Canada, the Department for International Development (DFID) of the United Kingdom, and All Children Reading: A Grand Challenge for Development (ACR GCD)—a partnership of the United States Agency for International Development (USAID), World Vision, and the Austra- lian Government. The views expressed in this work are those of the authors and do not necessarily represent those of the funders. Recommended citation: Koval-Saifi, N., & Plass, J. (2018). Feed the Monster: Impact and technical evaluation. Washington, DC: World Vision and Foundation for Information Technology Education and Development. -
Detecting Forgery: Forensic Investigation of Documents
University of Kentucky UKnowledge Legal Studies Social and Behavioral Studies 1996 Detecting Forgery: Forensic Investigation of Documents Joe Nickell University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Nickell, Joe, "Detecting Forgery: Forensic Investigation of Documents" (1996). Legal Studies. 1. https://uknowledge.uky.edu/upk_legal_studies/1 Detecting Forgery Forensic Investigation of DOCUlllen ts .~. JOE NICKELL THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 1996 byThe Universiry Press of Kentucky Paperback edition 2005 The Universiry Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine Universiry, Berea College, Centre College of Kentucky, Eastern Kentucky Universiry, The Filson Historical Sociery, Georgetown College, Kentucky Historical Sociery, Kentucky State University, Morehead State Universiry, Transylvania Universiry, University of Kentucky, Universiry of Louisville, and Western Kentucky Universiry. All rights reserved. Editorial and Sales qtJices:The Universiry Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com The Library of Congress has cataloged the hardcover edition as follows: Nickell,Joe. Detecting forgery : forensic investigation of documents I Joe Nickell. p. cm. ISBN 0-8131-1953-7 (alk. paper) 1. Writing-Identification. 2. Signatures (Writing). 3. -
Qu'est Ce Que La Tradégie De Lestival? Qu'en Savons Nous? Qu'est Ce? Je Crois Seulement Que Raegar Naquit Cette Année La
Le chevlier bonbon Posté 20 juin 2007 - 10:37 Une question : qu'est ce que la tradégie de Lestival? Qu'en savons nous? Qu'est ce? Je crois seulement que Raegar naquit cette année la... Nolarchath Posté 20 juin 2007 - 11:15 la réponse tirée de Westeros.org : 4.3. What happened at Summerhall? Summerhall was a lightly fortified castle that Daeron II built on the Dornish marches, roughly where Dorne, the Reach, and the Stormlands come together (SSC). It is clear that some sort of tragedy happened to leave the castle ruined (III: 486, 492), and that this event was linked to the "dream of dragons" (III: 292). Rhaegar Targaryen in particular was deeply affected by "the shadow of Summerhall", because he was "born in grief". It is noted that he would sing of the death of kings there (III: 486). Finally, the Ghost of High Heart states that she "gorged on grief at Summerhall" and then demands to hear "my Jenny’s song" (III: 492). Since Martin has unequivocally stated that the tragedy had nothing to do with Maelys the Monstrous and the War of the Ninepenny Kings (III: 752, SSC), the common interpretation of these facts is that the ruin of Summerhall took place in 259. Triggered by an unsuccessful attempt to raise a dragon, the tragedy likely includes the death of King Aegon V and possibly others while at the same time heralding or directly contributing to Rhaegar Targaryen’s birth. The Ghost of High Heart’s grief may be connected to the song of Jenny of Oldstones and the Prince of Dragonflies (III: 520). -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Thefairophelia Joseph Summer’S the Shakespeare Concerts Series
Joseph summer’s The Shakespeare Concerts Series 2 TheFairOphelia Joseph summer’s The Shakespeare Concerts Series The Fair Ophelia is the second offering in Navona’s THE SHAKESPEARE CONCERTS SERIES, consisting of diverse settings of Ophelia’s mad scene and Gertrude’s reflection on Ophelia’s death from Shakespeare’s The Tragedy of Hamlet, Prince of Denmark by Berlioz, Brahms, Schumann, Saint-Saëns, Strauss, Cage, and Summer. The parallax views of Ophelia experienced by the composers present the listener with an unusual opportunity to hear Ophelia in a three dimensional perspective. Is this tragic Shakespearean maiden mad because she’s angry with those characters who inhabit her world, or should we be angry with those characters who inhibit her predilections, and thus have made mad the hapless heroine? The next offering in Navona’s THE SHAKESPEARE CONCERTS SERIES is GODDESSES, featuring The Tempest’s three goddesses: Juno, Ceres, and Iris in a setting of Honour, Riches, Marriage-Blessing by Joseph Summer. Other highlights are Andrea Chenoweth singing Ariel songs by Thomas Linley accompanied by Massachusetts’ renowned period ensemble, Arcadia Players, under the direction of Ian Watson; mezzo-soprano Kellie Van Horn performing Shall I compare Thee To A Summer’s Day with Jessica Lizak on flute; and In The Old Age Black Was Not Counted Fair with tenor Luke Grooms, baritone Paul Soper, and Clark Matthews on French horn. 2 Program Notes BY JOSEPH SUMMER 3 Introduction There being a myriad of interpretations of the character of Ophelia from Shakespeare’sThe Tragedy of Hamlet, Prince of Den- mark, when it was time for me to create program notes for the 2012 concert, it seemed to me that like the program itself, within which seven composers’ interpretations were realized, the program books should reflect this diversity; ergo, instead of creating a singular template from which every copy would be manufactured, I drew up many different versions.