Satoru HOSHINO

Total Page：16

File Type：pdf, Size：1020Kb

Satoru HOSHINO 1945 Born in Mituke, Niigata Prefecture Currently lives and works in Shiga Education 1971 Ritsumeikan University 1974 A member of Sodeisha group, until 1980. Awards 1979 The 5th Japan Ceramic Art Exhibition, The Minister of Education Prize 1998 The Suntory Prize '98 – Challenges on Forms, the Saji Encouragement Prize Solo Exhibitions 1974 Gallery Iteza, Ban Art Gallery, Westbeth Gallery Kozuka etc. 41 times, until 1999. 1999 Reincarnate/ Pre-Copernican Mud Ⅱ, Ariana Museum, Geneva, Switzerland 2000 Ancient Wood-Land, Province Museum of Modern Art, Ostend, Belgium 2001 Rain in Ancient Wood-Land, Victoria and Albert Museum, London, United Kingdom 2002 Satoru Hoshino/ Retrospective Black Ware – Appeared Figure The Museum of Modern Art, Shiga, Japan 2006 Beginning Form – met Spiral, Nancy Margolis Gallery, New York, USA Beginning Form – Spiral, The Schein-Joseph International Museum of Ceramic Art, New York, USA 2007 Beginning Form – Spiral 07, Gatov Gallery, California, USA 2008 Spring Snow, Frank Lloyd Gallery, California, USA Beginning Form - met Spiral 08, New Taipei City Yingge Ceramics Museum, New Taipei, Taiwan 2009 Beginning Form with Spiral – Spring Snow 09, Gallery De Witte Voet, Amsterdam, Netherlands 2010 Spiral with Spring Snow, Fugui Taoyuan, New Taipei, Taiwan 2011 Spiral with Spring Snow, Museion No.1, Budapest, Hungary Spiral with Spring Snow 11, ART AMSTERDAM by Gallery De Witte Voet, Amsterdam, Netherlands 2011 Beginning Form -Spiral with Green 11, Academia Gallery, National Academy of Art Sofia, Bulgaria Group Exhibitions 2003 The Art of Earth – Clay Works of the New Century, The National Museum of Art, Osaka, Japan 2006 2006 International Architectural Ceramic Exhibition, Clayarch Gimhae Museum, Gimhae, Korea Toji: Japanese Ceramic Art, National Museum of Ceramics, Sevres, Paris, France 2007 Far East Meets West, Gallery Marianne Heller, Heidelberg, Germany 2008 Satoru & Kayoko Hoshino Ceramic Art Exhibition, The Mueum of Arts and Crafts, Hyogo, Japan 2009 Material and Image Akio Takamori & Satoru Hoshino, Witte Zaal, Sint Lucas Visual Art, Ghent, Belgium 2010 21st International Biennale of Vallauris, The Magnelli Museum, The Ceramics Museum Vallauris, France 2010 Taiwan Ceramics Biennale, Yingge Ceramics Museum, New Taipei, Taiwan 2011 Terra-Cotta, Primitive Future, Clayarch Gimhae Museum, Gimhae, Korea 2012 Moon & Sun, Hoshino Kayoko & Hoshino Satoru, Joan B Mirviss LTD, New York,USA 2013 Kayoko & Satoru Hoshino in Canberra, Watson Arts Centre, Canberra, Australia 2015 Body and Matter - Kazuo Shiraga & Satoru Hoshino, Dominique Levy Gallery, New York, USA 現代美術艸居〒605-0089 京都市東山区元町 381-2 Sokyo Gallery 381-2 Motomachi, Higashiyama-ku, Kyoto, Japan 605-0089 T: 075-746-4456 F: 075-746-4457 [email protected] www.gallery-sokyo.jp Collections The National Meseum of Modern Art, Kyoto, Japan International Museum of Ceramics, Faenza, Italy Yamaguchi Prefectural Art Museum, Japan The Museum of Modern Art, Wakayama, Japan Victoria and Albert Museum, London, United Kingdom Kyoto Municipal Museum of Art, Japan The Shigaraki Ceramic Cultural Park, Shiga, Japan Powerhouse Museum, Sydney, Australia Province Museum of Modern Art, Ostend, Belgium The Museum of Modern Art, Shiga, Japan Museum of Modern Ceramic Art, Gifu, Japan Minneapolis Institute of Art, Minnesota, USA The National Museum of Modern Art, Tokyo, Japan The International Ceramics Studio, Kecskemet, Hungary The Princessehof National Museum of Ceramics, Leeuwarden, Netherland The National Museum, Wroclaw, Poland National Gallery of Australia, Canberra, Australia Hamilton Art Gallery, ictoria, Australia 現代美術艸居〒605-0089 京都市東山区元町 381-2 Sokyo Gallery 381-2 Motomachi, Higashiyama-ku, Kyoto, Japan 605-0089 T: 075-746-4456 F: 075-746-4457 [email protected] www.gallery-sokyo.jp .

Copy Link

Recommended publications

Makiko's New World
DOCUMENTARY EDUCATIONAL RESOURCES Transcript Makiko’s New World 1. OPEN & 2. SET-UP time. But reading those records we learn almost nothing about DIARY: February 23rd, the lives of ordinary people, Wednesday, clear. It was the people living in ordinary neigh- first time in my life that I went borhoods… in a rubber-tired rikisha. What like this around me places a comfortable way to travel! like Gojoo where the Nakanos Every time we met pedestri- lived. It’s only in the last cen- TRANSCRIPT ans the driver rang his bell to tury that the lives of ordinary warn them. They would turn women as recorded by them- and look up at me which was selves become available to us very embarrassing but I tried women like Nakano, Makiko. as hard as I could to look im- portant because I was riding in The diary is not about what is a rubber-tired rikisha. It was old in Kyoto but what’s new. bothersome. What’s new for Makiko herself is learning to be a good mem- NARRATOR: This is Makiko’s ber of the Nakano household. diary for the year 1910. She’s What’s new for her and every- 20 as the year opens. Three body around her is that waves years ago she was married into of 20th century consumer the Nakano family a family goods are washing across old that for two centuries has been Kyoto. This evocative little running a pharmacy and drug book almost got lost. store in Japan’s old capital city, Kyoto, her hometown.
[Show full text]
Yukio Mishima, the Unambiguous, and Myself: Living Through a Writer’S Legacy*
Advances in Literary Study 2013. Vol.1, No.4, 50-53 Published Online October 2013 in SciRes (http://www.scirp.org/journal/als) http://dx.doi.org/10.4236/als.2013.14012 Yukio Mishima, the Unambiguous, and Myself: Living through a Writer’s Legacy* Larry Johnson Department of English, Wake Technical Community College, Raleigh, NC, USA Email: [email protected] Received July 21st, 2013; revised August 25th, 2013; accepted October 14th, 2013 Copyright © 2013 Larry Johnson. This is an open access article distributed under the Creative Commons Attri- bution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The recent release by Criterion on DVD of Paul Schrader’s film Mishima: A Life in Four Chapters (1985) and Mishima’s own film Patriotism (1965) has caused the author of this essay to reconsider his relation- ship with the late Japanese writers’ books and literary legacy. Believing that these fine films’ presence on DVD will stimulate much renewed discussion of Mishima both in the US and Japan, the author recalls his first discovery of Mishima’s existence shortly after his famous suicide in 1970, reading and responding to his literary output, and prodding famous authors such as Tennessee Williams and Cormac McCarthy for their thoughts on Mishima’s influence. The author’s two poems about Mishima are included to illustrate his changing inner perceptions of the internationally famous writer and the (now-fading) adverse reaction to his work in Japan caused by his politics and his virtually public suicide. Keywords: Mishima; Japanese Literature Many readers probably remember that Yukio Mishima (1925- girls (Piven, 2004: p.
[Show full text]
Pioneering in Japan
Pioneering in Japan David Love In Japan, the problem of matching domestic agricultural development and capacity with the needs of a fast-growing in- dustrial economy is a continu- ing one. A scheme launched 11 years ago to streamline the process of land settlement and improvement today provides an object lesson in achievement through adaptability. Carp flags to celebrate Boys' Day fly from a pole outside a new homestead in the Konsen plain. ©International Monetary Fund. Not for Redistribution Pioneering in Japan OKYO, OSAKA, YOKOHAMA—the T names of these great cities are familiar throughout the world as symbols of booming, industrial Japan. Very few people outside Japan, however, have ever heard of a township called Naka-Shibetsu, which is enjoying a dif- ferent kind of boom, far away from the smok- ing, hustling cities of the island of Honshu. Naka-Shibetsu is on the eastern coast of the snow-capped northern Japanese island of Hokkaido. It is minuscule in relation to Osaka and Yokohama. And its growth and upsurging commercial activity are only indirectly con- nected with the great industrial drive of the south. But Naka-Shibetsu's success is none- theless important to Japan, and to other David Love, an Australian, is a staff writer countries of Asia as well. in the Bank's Information Department. He started his career in journalism with The Japan's Drive in Agriculture Goulburn Evening Post in New South Wales, and while working for The Australian Finan- Naka-Shibetsu's little boom is the product of cial Review newspaper in Canberra, he gradu- ated as a Bachelor of Economics from the a new drive in Japanese agriculture, much less Australian National University there.
[Show full text]
The Canon, [1973-74]: Volume 4, Number 2
Digital Collections @ Dordt Dordt Canon University Publications 1973 The Canon, [1973-74]: Volume 4, Number 2 Dordt College Follow this and additional works at: https://digitalcollections.dordt.edu/dordt_canon Recommended Citation Dordt College, "The Canon, [1973-74]: Volume 4, Number 2" (1973). Dordt Canon. 54. https://digitalcollections.dordt.edu/dordt_canon/54 This Book is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Dordt Canon by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Soli Deo Gloria CANNON DORDT COLLEGE, SIOUX CENTER, IOWA. VOL. IV. - NO.2 As a Christian VINCENT-- I fear death yet it is life which goes beyond all that we hope for Where are you Goghing? dream for, wish for all that is vain that we died for cried for is life Yet death still comes, I think of death which makes you wonder what we've done while life was ours and death was laid back in the grave back in the ground back in the dust From whence we came To here, to now. (I ask you where you're going, What your life means, But you don't answer. You're deaf and dumb and the cold creeps closer in to the empty silence). God does not dwell in boxes made with hands- He has no need-you're dead and gone, The living grieve above the ground,' We watch their salty tears drip down into the hourglass of time By Syd Hielema dealer.
[Show full text]
Alienation in the Novels of Yukio Mishima
Alienation in the Novels of Yukio Mishima David W. Atkinson, The University of Lethbridge Few novelists dominate twentieth-century Japanese fiction as does Yukio Mishima. Born on January 14,1925 to an upper middle-class family in Tokyo, Yukio Mishima distinguished himself early as a brilliant student, graduating from Gakushuin or Peers' School in 1944. While still in school, Mishima pub lished his first significant work Hanazakari no Mori (1941; The Florest in Full Flower), which expresses many of the ideas and influences that had a continu ing impact on Mishima's writing throughout his life. While Mishima produced over twenty-five pieces of major fiction, as well as short stories, plays, and criti cal works, it was not his writing that initially drew him to the world's attention. Frustrated by the lack of spiritual values in Japanese society, as well as a gen eral erosion of Japanese influence and strength, Mishima committed seppuku or ritual suicide on November 25,1970.1 For a time, Mishima's literary works were the subject of intense psycho analysis, as critics looked to find reasons for his extraordinary final act. To ap proach Mishima only in this way, however, is to do him a disservice, for Mishima stands as a major spokesman for a Japan experiencing immense so cial and cultural dislocation. In this regard, Mishima very often seems divided, as he at once celebrates the glory of the past and condemns the stagnation and meaninglessness of traditional values. In one way, however, Mishima is very clear: he sees a Japanese society that is stultifying to individual freedom.
[Show full text]
Between Body and Nature, SOKYO Gallery, Kyoto, Japan 2017
Satoru Hoshino 1945 Born in Mitsuke City, Niigata, Japan 1974 – 80 a member of Sodeisha group Currently lives and works in Otsu, Shiga, Japan Education 1971 Graduation at Ritsumeikan University, Kyoto, Japan Solo Exhibition 2020 Sansuiki – between Body and Nature, SOKYO Gallery, Kyoto, Japan 2017 Beginning Form, Gallery Mitsuke, Niigata Prefecture, Japan 2017 Beginning Form – Spiral’17, LIXIL Gallery, Tokyo, Japan 2016 Surface Strata and Depth 1978-80, 2016, ARTCOURT Gallery, Osaka, J apan 2016 Primitivism set Foot on Clay, Gallery Keifu, Kyoto, Japan 2015 Black Horse in the Dark – Primordial perception, ARTCOURT Gallery, Osaka, Japan 2015 Between Clay and Hand, Sokyo Gallery, Kyoto, Japan www.sokyolisbon.com Instagram @sokyolisbon 2011 Beginning Form – Spiral with Green 11, National Academia of Art, Academia Gallery, Sofia, Bulgaria 2011 Spiral with Spring Snow 11, Art Amsterdam by Gallery De Witte Voet, Amsterdam, the Netherlands Art gallery 2011 Spiral with Spring Snow, Museion No.1 Budapest, Hungary 1250-221 Lisboa 2010 Spiral with Spring Snow, Fugui Gallery Yingge, Taiwan Rua de São Bento 440 2009 Spring Snow, Frank Steyaert Gallery, Gent, Belgium 2009 Spring Snow, ZHENPIN Art Center, Taichon, Taiwan 2009 Beginning form met Spiral - Spring Snow 09, Gallery De Witte Voet, Amsterdam, the Netherlands 2008 Beginning Form 08, New Taipei City Yingge Ceramics Museum, New Taipei City, Taiwan M +351 925 552 534 552 925 M +351 [email protected] 2008 Spring Snow, Frank Lloyd Gallery, Santa Monica, CA, U.S.A 2007 Beginning Form – Spiral 07, Gatov Gallery CSU-Long Beach, CA, U.S.A 2006 Beginning Form – Spiral, Schein-Joseph International Museum of Ceramic Art at Alfred University (today`s Alfred Ceramic Art Museum at Alfred University), Alfred, NY, U.S.A 2006 Beginning Form - met Spiral, Nancy Margolis Gallery, New York, NY, U.S.A 2004 Black Horse in the Dark, Gallery De Witte Voet, Amsterdam, the Netherlands 2003 An Afterimage of an Old Layer, A Memory of a Geology, Westbeth Gallery Kozuka.
[Show full text]
SO 008 492 Moddrn Japanese Novels.In English: a Selected Bibliography
DOCUMENT RESUME ED 109 045 SO 008 492 AUTHOR Beauchamp, Nancy. Junko TITLE Moddrn Japanese Novels.in English: A Selected Bibliography. Service Cebter Paper on Asian Studies, No. 7. INSTITUTION Ohio State Univ., Columbus. Service Center for Teachers of Asian Studies. PUB DATE May 74 NOTE 44p. AIAILABLE FROM Dr. Franklin Buchanan, Association for Asian Studies, Ohio State University, 29 West Woodruff Avenue-, Columbus, Ohio 43210 ($1.00) 'EDRS PRICE MF-$0.76 HC -$1.95 PLUS POSTAGE DESCRIPTORS *Annotated Bibliographies; *Asian Studies; Elementary Secondary Education; Fiction; Humanities; *Interdisciplinary Approach; Literary Perspective; Literature Appreciation; *Literature Guides; Novels; Social Sciences; Social Studies; *Sociological Novels IDENTIFIERS *Japan IJ ABSTRACT Selected contemporary Japanese novels translated into English are compiled in this lbibliography as a guide for teachers interested in the possibilities offered by Japanese fiction. The bibliography acquaints teachers with available Japanese fiction, that can.be incorporated into social sciences or humanities courses to introduce Japan to students or to provide a comparative perspective. The selection, beginning with the first modern novel "Ukigumo," 1887-89, is limited to accessible full-length noyels with post-1945 translations, excluding short stories and fugitive works. The entries are arranged alphabetically by author, with his literary awards given first followed by an alphabetical listing of English titles of his works. The entry information for each title includes-the romanized Japanese title and original publication date, publications of the work, a short abstract, and major reviews. Included in the prefatory section are an overview of the milieu from which Japanese fiction has emerged; the scope of the contemporary period; and guides to new publications, abstracts, reviews, and criticisms and literary essays.
[Show full text]
Assessing Japan's Self-Perceived National Identities and Integration in Asia
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Relazioni Internazionali Comparate Tesi di Laurea Assessing Japan's self-perceived national identities and integration in Asia Relatore Ch. Prof. Rosa Caroli Correlatore Ch. Prof. Roberto Peruzzi Laureando Davide Sampaolesi Matricola 805304 Anno Accademico 2011 / 2012 Acknowledgments First of all I would like to express my thanks of gratitude to my thesis supervisor Prof.Rosa Caroli as well as to my co-supervisor Prof.Roberto Peruzzi. Most of this thesis would not have been possible without their support and guidance. Special thanks go to my family and Giulia for their continuous support, love and patience. In Italy I am particularly indebted to Gabriele Protopapa, Patrizio Barbirotto, Alice Santinelli, Luca Bartozzi, Elena Santilli, Marco Trieste, Eleonora Rossi, Andrea del Bono, Alberto Lussana, Ulisse della Giacoma, Jan Trevisan, Davide Stevanato, Tommi, Tancredi Cocchi, Filippo Colombo, Daria Zanuttigh, Lorenzo Lazzati, Ilaria Zanandreis, Letizia Lanzi, Elio Ticca, Tolja Djokovic. In Japan I am particularly indebted to Yuki Chamberlain, Ayako Kajiwara, Ryuhei Watanabe, Teruko Maehara; in the UK to Paul Conversy, Mike Hamilton, Fahad Khan; Hasti Esfandiyari. I am also grateful to the European Delegation in Tokyo, to the Embassy of Italy in Japan and to the Asian Development Bank Institute, from which I received enormous insights on Japanese politics during my last visit to Japan in 2010-2011. Final thanks go to Christopher Ibbett and Lisa Albertani, proofreaders of this thesis.
[Show full text]
Araki by Araki
1963 •• Satchin 1964 £ o "?> A/ Middle-aged Woman 1965 Photo Theater: Commercial Photos Tokyo Elegy Moca Fu Muppe MaRi Collage Yoko, My Love 19710® Yoko Araki Cartier-Bresson Sentimental Journey Shuichiro's Sentimental Journey IKUYO Sentimental Journey Continued Phony Cohabitation TV Japan Theater 1972 Jeanne TV «J* Izumi Tokyo Is Autumn 107^ 000 Woman I Broke up One More Taishi with Religion Amaryllis Spring Journey 1974 * Private Tokyo: Past Gozo Yoshimasu Sentimental Journey 1975 Continued-Okinawa After War's End Reality of Death Journey to Photography Sentimental Night in Flat Coke Kyoto Yoko Spring Snow Phony Documentary: Silver Halide Pollution Prints Face of Consumer Young Ladies in Culture Swimsuits "Songs of Cicadas" (from Asahi Journal) Weekly Sankei: Hiroshima • Nagasaki • Miscellaneous Divisions Tokyo Noboru Ando and the Princess 1966 •• 197000 The Women Prisoners The Truth about 1967 1969 Carmen Marie Subway Portraits Ginza O Japan V)) IQfi&OQ The Zoo Yoko mm mmm The BGs Persona (Taro and Jiro) Enoshima Elegy Sur-Sentimentalism Proclamation 2 The Greengrocer BG tz*> (Commercial Film) Children at Children's Bon-odori CFffl AgM<r> World on Children's &M 0 Xerox Photo Album Day Spiroheta Eye Collage Yoko Face Collage Nightshow Kazuko Eros xnx ZOO - A Picture Book for Middle-aged Women 1978 •* Portraits of Descendants 1979 oo© 1977 Kinbaku (Bondage) Phony Reportage Camera Between Man mm 1980 »®© (Lover Who Died in the and Woman Workroom of Shame Hotel New Japan Fire) (Kagurazaka) Love Song of 1976 •* a Woman's Journey Women Friends
[Show full text]
Utagawa Kunisada II
TITLE: Twilight Snow at Hira, from the series Eight Views of Ômi ARTIST: Kunisada II, Utagawa (Kunimasa III, Toyokuni IV) (1823-1880) DATE:1847-52 (Edo Period) SIZE: 14.25 x 10 inches each MEDIUM: woodblock print; ink and color on paper ACQUISITION #: 2014.6.1a-c Additional works in the collection by the artist? Yes ___ No _X_ STATEMENT ABOUT THE ARTIST “Kunisada II continued in the style of Kunisada …. ARTIST BIOGRAPHY He mostly designed actor prints but was also active Utagawa Kunisada II was the pupil and successor of in other subjects like beautiful women, Genji prints Utagawa Kunisada I (1786-1865), a painter and printmaker [scenes from The Tale of Genji], or erotica, regarded at the time as one of the best artists of the ukiyo-e sometimes in collaboration with other artists.” movement. Kunisada II eventually replaced his mentor as head - Andreas Marks, Japanese Woodblock Prints: of the prestigious Utagawa school for printmakers. He signed Artists, Publishers and Masterworks: 1680 - 1900 his prints as Kunimasa during the early part of his career, then UKIYO-E called himself Kunisada after his marriage to the daughter of Ukiyo-e, which literally translates to “pictures of Kunisada I. After the death of his mentor, he followed the the floating world,” mainly refers to Japanese tradition of the Utagawa school and took the name Toyokuni IV. paintings and prints depicting pleasurable Kunisada II worked during a time of change and turmoil in contemporary activities. However, the term is now Japan that was often difficult for artists to navigate. The country often used to refer to Japanese woodblock prints in experienced significant political, economic, and social upheaval general.
[Show full text]
Free Runaway Horses Pdf
FREE RUNAWAY HORSES PDF Yukio Mishima | 432 pages | 11 Mar 1999 | Vintage Publishing | 9780099282891 | English | London, United Kingdom Runaway Horses (album) - Wikipedia Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details Runaway Horses other :. Thanks for telling us about the problem. Return to Book Page. Preview — Runaway Horses by Yukio Mishima. Michael Gallagher Goodreads Author Translator. Isao is a young, engaging patriot, and a fanatical believer in the ancient samurai ethos. As the conspiracy unfolds and unravels, Mishima brilliantly Runaway Horses the conflicts of a decade that saw the Isao is a young, engaging patriot, and a fanatical believer in the Runaway Horses samurai ethos. As the conspiracy unfolds and unravels, Runaway Horses brilliantly chronicles the conflicts of a decade that saw the fabric of Japanese life torn apart. Get A Copy. Paperbackpages. Published March 11th by Vintage Classics first published More Details Original Title. The Sea of Fertility 2. Osaka Japan. Other Editions Runaway Horses Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Runaway Horsesplease sign up. Can parts of the tetralogy be read on their own or must you read all four in chronological order? Remelique This answer contains Runaway Horses view spoiler [ The tetralogy follows characters from the first Runaway Horses, Spring Snow, through different periods of time. Spring Snow Taisho Period; Runaway Horses, Runaway …more The tetralogy follows characters from the first novel, Spring Snow, through different periods of time.
[Show full text]
Satoru Hoshino
Satoru Hoshino 1945 Born in Mitsuke City, Niigata, Japan 1974 – 80 a member of Sodeisha group Currently lives and works in Otsu, Shiga, Japan Education 1971 Graduation at Ritsumeikan University, Kyoto, Japan Solo Exhibition 2020 Sansuiki – between Body and Nature, SOKYO Gallery, Kyoto, Japan 2017 Beginning Form, Gallery Mitsuke, Niigata Prefecture, Japan 2017 Beginning Form – Spiral’17, LIXIL Gallery, Tokyo, Japan 2016 Surface Strata and Depth 1978-80, 2016, ARTCOURT Gallery, Osaka, J apan 2016 Primitivism set Foot on Clay, Gallery Keifu, Kyoto, Japan 2015 Black Horse in the Dark – Primordial perception, ARTCOURT Gallery, Osaka, Japan 2015 Between Clay and Hand, Sokyo Gallery, Kyoto, Japan 2011 Beginning Form – Spiral with Green 11, National Academia of Art, Academia Gallery, Sofia, Bulgaria 2011 Spiral with Spring Snow 11, Art Amsterdam by Gallery De Witte Voet, Amsterdam, the Netherlands 2011 Spiral with Spring Snow, Museion No.1 Budapest, Hungary 2010 Spiral with Spring Snow, Fugui Gallery Yingge, Taiwan 2009 Spring Snow, Frank Steyaert Gallery, Gent, Belgium 2009 Spring Snow, ZHENPIN Art Center, Taichon, Taiwan 2009 Beginning form met Spiral - Spring Snow 09, Gallery De Witte Voet, Amsterdam, the Netherlands 2008 Beginning Form 08, New Taipei City Yingge Ceramics Museum, New Taipei City, Taiwan 2008 Spring Snow, Frank Lloyd Gallery, Santa Monica, CA, U.S.A 2007 Beginning Form – Spiral 07, Gatov Gallery CSU-Long Beach, CA, U.S.A 2006 Beginning Form – Spiral, Schein-Joseph International Museum of Ceramic Art at Alfred University (today`s Alfred Ceramic Art Museum at Alfred University), Alfred, NY, U.S.A 2006 Beginning Form - met Spiral, Nancy Margolis Gallery, New York, NY, U.S.A 2004 Black Horse in the Dark, Gallery De Witte Voet, Amsterdam, the Netherlands 2003 An Afterimage of an Old Layer, A Memory of a Geology, Westbeth Gallery Kozuka.
[Show full text]