1 August 2020 John R. Clarke 3210 Harris Park Ave. Department of Art

Home , Herculaneum, House of the Vettii, Oplontis, Pompei, Suburban Baths (Pompeii), Torre Annunziata

August 2020

John R. Clarke

3210 Harris Park Ave. Department of Art and Art History Austin, Texas 78705 The University of Texas (512) 789-2712 Austin, Texas 78712-1421 e-mail: [email protected] tel. (512) 232-2355

EDUCATION Ph.D. Yale University, 1973. Dissertation: “Roman Black-and-White Figural Mosaics from the first through the third centuries A.D.” M.A. Yale University, Department of the History of Art, 1969. Thesis: “The Portrait Iconography of Drusus the Younger and Germanicus.” A.B. Georgetown University, magna cum laude, 1967.

TEACHING APPOINTMENTS 1980- The University of Texas at Austin, Assistant to Full Professor, History of Art; Annie Laurie Howard Regents Professor of Fine Arts, 1991- 1975-80 Yale University, Assistant Professor, History of Art and Classical Archaeology. 1974-75 The University of California, San Diego, Assistant Professor, Art History and Visual Arts. 1973-74 The University of Michigan, Visiting Assistant Professor, History of Art and Classics. 1972-73 Vassar College, Instructor, History of Art.

PROFESSIONAL HONORS AND GRANTS University of Texas Creative Research Grant. Advancing the Digital Study of Villa A at Oplontis: Integrating Techniques for Studying Complex Architecture. $9,800. Archaeological Institute of America. Gold Medal for Distinguished Achievement in Archaeology. 2017. Loeb Classical Foundation, 2017. Grant for excavation at Oplontis B. $34,000. Ministero dei Beni e delle Attività Culturale e del Turismo, Rome, 2014. Grant for conservation of frescoes from Villa A at Torre Annunziata, Italy, Euro 18,000. Center for the Advanced Study of the Visual Arts (CASVA) Senior Fellowship, 2013- 2014 (declined). National Endowment for the Humanities Collaborative Research Grant, 2009-2010. Project title: “The Oplontis Project. Excavation, study, and digital publication of Villa A at Torre Annunziata, Italy, 50 BCE-CE 79.” $355,000. University Cooperative Society Subvention Grant for publication of Looking at Laughter: Humor, Power, and Transgression in Roman Visual Culture, 100 B.C.-A.D. 250 (Berkeley: University of California Press, 2007). 2

Vasari Award, Dallas Museum of Fine Arts, 2004, for Art in the Lives of Ordinary Romans: Visual Representation and Non-Elite Viewers in Italy, 100 B.C.-A.D. 315 (Berkeley: University of California Press, 2003). John Simon Guggenheim Fellowship, 2002-2003 University Cooperative Society Subvention Grant for publication of Art in the Lives of Ordinary Romans: Visual Representation and Non-Elite Viewers in Italy, 100 B.C.-A.D. 315 (Berkeley, University of California Press, 2003). Vasari Award, Dallas Museum of Fine Arts, 1999, for Looking at Lovemaking: Constructions of Sexuality in Roman Art, 100 B.C.-A.D. 250 (Berkeley, 1998) National Endowment for the Humanities Fellowship for University Teachers, 1999 Dictionary of International Biography, 1998- Award for Outstanding Graduate Teaching, 1997 International Authors and Writers Who’s Who, 1997- FAST-TEX and CASA Grants to develop CD-ROM on the Roman House, 1997-1998, 2000, 2001, 2002, 2007 National Endowment for the Humanities Fellowship for University Teachers, 1995 Resident, American Academy in Rome, 1995 Who’s Who in the South and Southwest, 1994- Who’s Who in the Humanities, 1991- Phi Kappa Phi, 1990 National Endowment for the Humanities Summer Stipend, 1989 E. W. Doty Professorship, 1989-1990 American Philosophical Society Grant, 1987 Contemporary Authors, 1985- Foxworth Centennial Fellowship, 1984-1985 Who’s Who in American Art, 1984- University of Texas Faculty Research Assignments, 1984-1985; 1991-1992; 1998-1999, 2002-2003; 2007-2008 University of Texas Research Grants, 1982, 1983, 1986, 1987, 1990 University of Texas Summer Research Award, 1981 American Council of Learned Societies Grants-in-Aid, 1980 and 1983 Griswold Humanities Research Grants (Yale University), 1978 and 1980 University of California Faculty Research Grant, 1975 Fulbright-Hays Grant for Study in Italy, 1970-1971 Yale University Fellowships, 1968-1969, 1969-1970, 1971-1972 Woodrow Wilson Fellowship, 1967-1968 Phi Beta Kappa, 1966

MEMBERSHIP AND OFFICES HELD IN LEARNED SOCIETIES American Journal of Archaeology, Editorial Board, 2017-2020 Center for Advanced Study in the Visual Arts, Board of Advisors/Selection Committee 2013-2016 American Academy in Rome, Trustee, 2011-2013 3

American Council of Learned Societies, Board of Directors, 2000-2010; Vice Chair of the Board, 2004-2010 College Art Association (member since 1972): President, 1998-2000; Vice President, 1996-98; Secretary, 1994-96; Chair, Art Historians’ Committee, 1991-1996; Board of Directors, 1991-95; Chair, Committee on Electronic Information, 1991- 93; Executive Committee, 1991-2000 Association Internationale pour la Peinture Murale Antique (member since 1980); member of the Governing Committee, 1989-1998; 2007-2013 Archaeological Institute of America (member since 1972): Review Committee for the American Journal of Archaeology, 1995-2000; Publications Subvention Committee, 2005-; Vice-President, Austin Chapter, 1987-89 Association Internationale pour l’Étude de la Mosaïque Antique (member since 1976).

PUBLICATIONS Ancient Art and Architecture

Books Looking at Laughter: Humor, Power, and Transgression in Roman Visual Culture, 100 B.C.-A.D. 250. Berkeley: University of California Press, 2007; pp. xi + 325, 24 color plates, 119 b-w illustrations.

Roman Life:100 BC-AD 200. New York: Harry N. Abrams, 2007, pp. 176, 144 color illustrations; CD-ROM, “The House of the Vettii at Pompeii: An Interactive Visit” bundled with book. Foreign edition: Roma Antiqua: Von Händlern, Hebammen und anderen Helden. Darmstadt: Primus Verlag, 2009.

Roman Black-and-White Figural Mosaics. Revised and expanded for the Humanities E- Book Series of the American Council of Learned Societies. Ann Arbor: University of Michigan Press, 2006. Permanent URL: http://hdl.handle.net/2027/heb.90029.0001.001.

Art in the Lives of Ordinary Romans: Visual Representation and Non-elite Viewers in Italy, 100 B.C.-A.D. 315. Berkeley: University of California Press, 2003, pp. xi + 383; 24 color plates, 185 black-and-white illustrations.

Roman Sex, 100 B.C.-A.D. 250. New York: Harry N. Abrams, 2003, pp. 168; 95 color plates, 9 black-and-white illustrations. Foreign editions: Le sexe à Rome. Paris: Lamartinière, 2003; Sexo en Roma. Madrid: Grupo Oceano, 2004; Ars Erotica: Sexualität und ihre Bilder im antiken Rom. Darmstadt: Primus Verlag, 2009. Reprint English edition: Brattleboro, VT: Echo Point Books, 2014.

Looking at Lovemaking: Constructions of Sexuality in Roman Art--100 B.C.-A.D. 250. Berkeley: University of California Press, 1998, pp. xxvii + 361; 107 black-and- white illustrations, 16 color plates. 4

The Houses of Roman Italy, 100 B.C.-A.D. 250: Ritual, Space, and Decoration. Berkeley: University of California Press, 1991, pp. xxvii + 411; 227 black-and-white illustrations, 24 color plates.

Roman Black-and-White Figural Mosaics. Monograph 35, Archaeological Institute of America and the College Art Association. New York: New York University Press, 1979, pp. xxiv + 147; 97 black-and-white illustrations.

Edited Books John R. Clarke and Nayla K. Muntasser, eds. Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy (50 B.C.-A.D. 79). Volume 2. The Decorations: Painting, Stucco, Pavements, Sculptures. New York: The Humanities E-Book Series of the American Council of Learned Societies, 2019. Open Access permanent link: https://www.fulcrum.org/concern/monographs/tb09j7416

John R. Clarke and Elaine K. Gazda, eds. Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii. Exhibition catalogue. The Kelsey Museum of Archaeology, University of Michigan, Ann Arbor; The Museum of the Rockies, Montana State University; Smith College, 10 February 2016-31 August 2017. Ann Arbor: Kelsey Museum of Archaeology, 2016.

John R. Clarke and Nayla K. Muntasser, eds. Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy (50 B.C.-A.D. 79). Volume 1: The Ancient Setting and Modern Rediscovery. New York: The Humanities E-Book Series of the American Council of Learned Societies, 2014. Open Access permanent link: https://www.fulcrum.org/concern/monographs/tb09j7416?locale=en

Translated and Edited Book The Mediterranean Foundations of Ancient Art. Mittelmeerstudien volume. 4. Edited by Miharan Dabag, Dieter Haller, Nikolas Jaspert, and Achim Lichtenberger. Critical introduction and first English edition and translation of Guido Kaschnitz von Weinberg, Die mittelmeerischen Grundlagen der antiken Kunst (Frankfurt: Vittorio Klostermann, 1944). Paderborn: Ferdinand Schöningh, 2015.

Chapters “Laughter in Roman Visual Culture, 100 BC-AD 200: Contexts and Theories.” In Reading Roman Emotions: Visual and Textual Interpretations. Edited by Hedvig von Ehrenheim and Marina Prusac-Lindhagen, 89-105. Skrifter utgivna av Svenska Institutet I Rom 4, 64. Stockholm 2020.

“Decorations of the Third Style at Oplontis Villa A.” In Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy (50 B.C.-A.D. 79). Volume 2. The Decorations: Painting, Stucco, Pavements, Sculptures. Edited by John R. Clarke and Nayla K. 5

Muntasser, 153-372. New York: The Humanities E-Book Series of the American Council of Learned Societies, 2019. Open Access permanent link: https://www.fulcrum.org/concern/monographs/tb09j7416

“The Study of Fresco Fragments: Methods and Attributions.” In Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy. Volume 2. The Decorations: Painting, Stucco, Pavements, Sculptures. Edited by John R. Clarke and Nayla K. Muntasser, 635-940. New York: The Humanities E-Book Series of the American Council of Learned Societies, 2019. Open Access permanent link: https://www.fulcrum.org/concern/monographs/tb09j7416 with Simon J. Barker. “Reconstructing the Decorative Program of Diaeta 78.” In Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy. Volume. 2. The Decorations: Painting, Stucco, Pavements, Sculptures. Edited by John R. Clarke and Nayla K. Muntasser, 1218- 1248. New York: The Humanities E-Book Series of the American Council of Learned Societies, 2019. Open Access permanent link: https://www.fulcrum.org/concern/monographs/tb09j7416

“The Building History and Aesthetics of the ‘Villa of Poppaea’ at Torre Annunziata.” In Roman Villas in the Mediterranean Basin, edited by Guy P. R. Métraux and Annalisa Marzano, 75-84. New York: Cambridge University Press, 2018.

“Kaschnitz between Archaeology and the History of Art.” In Diversity of Classical Archaeology. Studies in Classical Archaeology. Edited by Rubina Raja and Achim Lichtenberger, 1: 63-74. Turnhout: Brepols, 2017.

“3D Model, Linked Database, and Born-Digital E-Book: An Ideal Approach to Archaeological Research and Publication.” In 3D Research Challenges in Cultural Heritage II: How to Manage Data and Knowledge Related to Interpretative Digital 3D Reconstructions of Cultural Heritage. Edited by Sander Münster, Mieke Pfarr-Harfst, Piotr Kuroczyński, and Marinos Ioannides, 136- 148. Berlin: Springer, 2016. with Elaine K. Gazda, “Concepts and Contexts of the Exhibition.” In Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii. Exhibition catalogue. The Kelsey Museum of Archaeology, University of Michigan, Ann Arbor; The Museum of the Rockies, Montana State University; Smith College, 10 February 2016-31 August 2017. Edited by Elaine K. Gazda and John R. Clarke, 22-29. Ann Arbor: Kelsey Museum of Archaeology, 2016.

“From the Archives to the Field: Revisiting Villas A and B with the Oplontis Project.” In Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii. Exhibition catalogue. The Kelsey Museum of Archaeology, University of Michigan, Ann Arbor; The Museum of the Rockies, Montana State University; 6

Smith College, 10 February 2016-31 August 2017. Edited by Elaine K. Gazda and John R. Clarke, 57-65. Ann Arbor: Kelsey Museum of Archaeology, 2016. with Richard Beacham, Andrew Coulson, Timothy Liddell, and Marcus Abbott. “Digital Imaging of the Villas of Oplontis.” In Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii. Exhibition catalogue. The Kelsey Museum of Archaeology, University of Michigan, Ann Arbor; The Museum of the Rockies, Montana State University; Smith College, 10 February 2016-31 August 2017. Edited by Elaine K. Gazda and John R. Clarke, 72-75. Ann Arbor: Kelsey Museum of Archaeology, 2016.

“Painting.” In Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii. Exhibition catalogue. The Kelsey Museum of Archaeology, University of Michigan, Ann Arbor; The Museum of the Rockies, Montana State University; Smith College, 10 February 2016-31 August 2017, 199-221. Edited by Elaine K. Gazda and John R. Clarke, 199-221. Ann Arbor: Kelsey Museum of Archaeology, 2016.

“History of the Excavations, 1964-1984.” In Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy (50 B.C.-A.D. 79). Volume 1. Ancient Landscape and Modern Discovery. Edited by John R. Clarke and Nayla K. Muntasser, para 722-928. New York: The Humanities E-Book Series of the American Council of Learned Societies, 2014. Open Access permanent link: http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb90048.0001.001

“The Villa of Oplontis: A ‘Born Digital’ Project.” In Preserving Complex Digital Objects. Edited by Janet Delve and David Anderson, 259-272. London: Facet Publishing, 2014.

“Domus/Single Family House.” In A Companion to Roman Architecture, edited by Roger B. Ulrich and Caroline K. Quenemoen, 342-362. Malden, MA: Wiley-Blackwell, 2014.

“Sexuality and Visual Representation.” In A Companion to Greek and Roman Sexualities,” edited by Thomas K. Hubbard, 509-533. Malden, MA: Wiley- Blackwell, 2014. with Stefano De Caro and Adele Lagi. “Oplonti e le sue ville.” In Città vesuviane, in I luoghi dell’arte, edited by Pietro Giovanni Guzzo and Gianluca Tagliamonte, 142-155. Rome: Treccani, 2013.

“Before Pornography: Sexual Representation in Ancient Roman Visual Culture.” In Pornographic Art and the Aesthetics of Pornography, edited by Hans Maes, 141- 161. London: Palgrave Macmillan, 2013. 7

“Representations of Worship at Rome, Pompeii, Herculaneum, and Ostia in the Imperial Period. A Model of Production and Consumption.” In Contested Spaces: Houses and Temples in Roman Antiquity and the New Testament, Wissenschaftliche Untersuchungen zum Neuen Testament, edited by David L. Balch and Annette Weissenrieder, 3-20. Tübingen: Mohr Siebeck, 2012.

“Constructing the Spaces of Epiphany in Ancient Greek and Roman Visual Culture.” In Text, Image and Christians in a Graeco-Roman World: A Festschrift in Honor of David Lee Balch. Princeton Theological Monograph Series 176, edited by Aliou Cissé Niang and Carolyn Osiek, 257-279. Eugene, OR: Wipf and Stock, 2012.

“Erotica: Visual Representation of Greek and Roman Sexual Culture.” In Sexuality in the Classical World, edited by Mark Golden and Peter Toohey, 169-190. Chapter 9, Volume 1 of A Cultural History of Sexuality. Oxford: Berg Publishing, 2011.

“How did Painters Create Near-Exact Copies? Notes on Four Center Paintings from Pompeii.” In New Perspectives on Etruria and Early Rome, edited by Sinclair Bell and Helen Nagy, 134-148. Madison: University of Wisconsin Press, 2009.

“The Philological, the Folkloric, and the Site-Specific: Three Models for Decoding Classical Visual Representation.” In Role Models in the Roman World: Identity and Assimilation, edited by Sinclair Bell and Inge Lyse Hansen. Memoirs of the American Academy in Rome, Supplement 7, 301-316. Ann Arbor: University of Michigan Press, 2008.

“Domestic Decoration: Mosaics and Stucco.” Chapter 21 of The World of Pompeii, edited by John J. Dobbins and Pedar W. Foss, 323-335. New York-Abingdon: Routledge, 2007.

“Three Uses of the Pygmy and the Aethiops at Pompeii: Decorating, ‘Othering,’ and Warding off Demons.” In Nile into Tiber: Egypt in the Roman World. Proceedings of the IIIrd International Conference of Isis Studies, Leiden University, May 11-14, 2005, edited by Laurent Bricault, Miguel John Versluys, and Paul G. P. Meyboom, 155-169. Leiden: Brill, 2007.

“High and Low: Mocking Philosophers in the Tavern of the Seven Sages, Ostia.” In The Art of Soldiers, Citizens and Freedmen in the Roman World, British Archaeological Reports International Series 1526, edited by Eve D’Ambra and Guy Métraux, 47-57. Oxford: Archaeopress, 2006.

“Representations of the Cinaedus in Roman Art: Evidence of “Gay” Subculture?” Journal of Homosexuality 39, 2-4 (2005), special issued entitled Greek Love through the Ages: Same-Sex Desire and Love in the Greco-Roman World and in 8

the Classical Tradition of the West, 271-298. Binghamton, NY: Haworth Press, 2005.

“Augustus and the Third Style: The Politics of Domestic Decoration.” In Cambridge Companion to the Age of Augustus, edited by Karl Galinsky, Chapter 11, 264-278. New York: Cambridge University Press, 2005.

“Look Who’s Laughing at Sex: Men and Women Viewers in the Apodyterium of the Suburban Baths at Pompeii.” In The Roman Gaze, edited by David Fredrick, Chapter 5, 149-181. Baltimore: Johns Hopkins University Press, 2002.

“Roux-Barré e la costruzione culturale della sessualità.” Introduction to Il Museo Segreto, edited by Laurentino García y García and Luciana Jacobelli, 4-7. Pompei: Marius Edizioni, 2001.

“Hypersexual Black Men in Augustan Baths: Ideal Somatotypes and Apotropaic Magic.” In Sexuality in Ancient Art, edited by Natalie B. Kampen, Chapter 12, 184-198. New York: Cambridge University Press, 1996.

“The House of Jupiter and Ganymede at Ostia Antica: Private Residence Turned Gay Hotel?” In Roman Art in The Private Sphere: New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula, edited by Elaine K. Gazda, Chapter 4, 89-104. Ann Arbor, MI: University of Michigan Press, 1991.

Articles “Looking and Laughing in Ancient Rome: Humor in the Visual Culture. Lampas 52, 2 (2019): 195-213. with Ivo van der Graaff, Michael L. Thomas, Paul Wilkinson, Jennifer Muslin, and Nayla Muntasser. “First Results of Three Seasons of Excavation at Oplontis B (2016-18).” Fasti Online Documents & Research (FOLD&R). February 2019. Permalink: http://www.fastionline.org/docs/FOLDER-it-2019-430.pdf

“The Three Contexts Provided by the Oplontis 3D Model: Real-Time Viewing, Database Exploration, and Reconstruction.” In Context and Meaning. Proceedings of the Twelfth International Conference of the Association Internationale pour la Peinture Murale Antique, Athens, September 16-20, 2013. BABESCH Supplement 31. Edited by Eric M. Moormann and Stephan T.A.M. Mols, 307- 313. Leuven: Peeters, 2017. with Alessandra Pecci, Michael L. Thomas, Jennifer Muslin, Ivo van der Graaff, Luana Toniolo, D. Miriello, G.M. Crisci, Mauro Buonincontri, and Gaetano Di Pasquale. “Use and Reuse of Amphorae. Wine residues in Dressel 2-4 amphorae from Oplontis Villa B (Torre 9

Annunziata, Italy).” Journal of Archaeological Science: Reports 12 (April 2017): 515- 521. http://dx.doi.org/10.1016/j.jasrep.2017.02.025

“Sexual Representation, Visual.” In Oxford Classical Dictionary, 4th Edition, edited by Sander Goldberg, 1-32. Oxford: University of Oxford Press. 2017. http://classics.oxfordre.com/view/10.1093/acrefore/9780199381135.001.0001/acr efore-9780199381135-e-8064

“Kinesthetic Address in 3D: Modeling the Spatial Systems of the Terme dei Cisiarii and the Terme di Nettuno at Ostia Antica.” In Estudios sobre mosaicos antiguos y medievales. Actas del XIII Congreso de la Association Internacionale pour l'Etude de la Mosaïque Antique, Madrid, 14-18 September 2015, edited by Luz Neira Jimenez, 245-251. Rome: L’Erma di Bretschneider, 2016. with Ivo van der Graaff, Jennifer L. Muslin, Michael L. Thomas, Paul Wilkinson, and Nayla K. Muntasser. “Preliminary Notes on Two Seasons of Research at Oplontis B (2014-2015). Fasti Online Documents & Research (FOLD&R). September 2016. Permalink: http://www.fastionline.org/docs/FOLDER-it-2016-362.pdf with Simon Barker. “Evidence for Wooden Wall Revetment and Marble Decoration in Diaeta 78 at Villa A (“of Poppaea”) at Oplontis (Torre Annunziata, Italy).” In Atti del XII Colloquio AIEMA (Association Internationale pour l’Ètude de la Mosaïque Antique), Venice, 11-15 September 2012, edited by Giordana Trovabene, 501-504. Verona: Scripta, 2015.

“Retrieving the Decorative Program of Villa A (‘of Poppaea’) at Oplontis (Torre Annunziata, Italy): How Orphaned Fragments Find a Home in the Virtual-Reality 3D Model.” In Beyond Iconography: Materials, Methods, and Meaning in Ancient Surface Decoration. Selected Papers in Ancient Art and Architecture, edited by Sarah Lepinski and Susanna McFadden, 1: 97-108. Boston: Archaeological Institute of America, 2015.

“Pompeii.” In The International Encyclopedia of Human Sexuality, edited by Patricia Whelehan and Anne Bolin. 3 vols. Malden, MA: Wiley-Blackwell, 2015.

“Roman Visual Humor.” In Encyclopedia of Humor Studies, edited by Salvatore Attardo, 2: 651-655. Thousand Oaks, CA: SAGE Publications, 2014.

“Reconstructing the Missing Elements of the Second-Style Program at Oplontis, Villa A.” In Antike Malerei zwischen Lokalstil und Zeitstil. Akten des XI. Internationales Kolloquiums der AIPMA. Ephesos/Selçuk 13-17 September 2010, edited by Norbert Zimmermann, 83-87. Vienna: Österreichische Akademie der Wissenschaften, 2014. Open Access: http://hw.oeaw.ac.at/7658-9?frames=yes

“Fabric as Architecture in Ancient Rome.” In Center. Volume 19, Curtains, edited by Michael Benedikt, 38-44. Austin: Center for American Architecture and Design, 2014.

“A Virtual Villa.” Apollo 179, no. 617 (February 2014): 48-53.

“Sketching and Scaling in the Second-Style Frescoes of Oplontis and Boscoreale.” In La villa romaine de Boscoreale et ses fresques, edited by Alix Barbet and Annie Verbanck-Piérard, 199-209. Paris: Éditions Errance, 2013.

“Pornography.” In The Encyclopedia of Ancient History, edited by Sabine Huebner. Wiley Online Library, 26 October 2012. http://onlinelibrary.wiley.com/doi/10.1002/9781444338386.wbeah22228/full with Lea Cline. “New Light on Mosaic Metrics: Research at Villa A, Torre Annunziata, Italy (50 B.C.-A.D. 79.” In Acts of the XI International Colloquium on Ancient Mosaics. Association Internationale pour l’Etude de la Mosaïque Antique (Bursa 2009), edited by Mustafa Sahin, 247-257. Istanbul: Zero Books, 2011.

“A Lost Mosaic from the Terme Marittime at Ostia,” Actos do Xo Colóquio Internacional. Association International pour l’Etude de la Mosaïque Antique, Conimbriga 29 October- 3 November 2005), edited by A. Correia, 479-483. Lisbon: Instituto dos Museus e da Conservação, 2011. with Michael L. Thomas. “Water Features, the Atrium, and the Coastal Setting of Oplontis Villa A at Torre Annunziata.” Journal of Roman Archaeology 24 (2011), 370-381.

“Erotica.” In The Oxford Encyclopedia of Ancient Greece and Rome, edited by Michael Gagarin, vol. 3: 108-110. New York: Oxford University Press, 2010.

“Model-book, Outline-book, Figure-book: New Observations on the Creation of Near- Exact Copies in Romano-Campanian Painting.” In Atti del X Congresso Internazionale dell’AIPMA (Associazione Internazionale per la Pittura Murale Antica, Naples, 17-21 September 2007, Annali di Archeologia e Storia Antica, 18, 1, edited by Irene Bragantini, 203-214. Naples, Università degli Studi di Napoli “L’Orientale:” 2010.

“The Oplontis Project (2005-2008).” In Vesuviana: Archeologie a confronto. Atti del Convegno Internazionale (Bologna, 14-16 gennaio 2008), edited by Antonella Coralini, 427-430. Bologna: Ante Quem, 2010.

with Michael L. Thomas. “Evidence of Demolition and Remodeling at Villa A at Oplontis (Villa of Poppaea) after A.D. 45.” Journal of Roman Archaeology 22 (2009): 355-364. with Michael L. Thomas. “The Oplontis Project, 2005-2006: New Evidence for the Building History and Decorative Programs at Villa A, Torre Annunziata.” In Nuove ricerche archeologiche nell’area vesuviana (scavi 2003-2006). Atti del Convegno Internazionale, Roma 1-3 febbraio 2007, edited by Maria Paola Guidobaldi, 465-471. Rome: “L’Erma” di Bretschneider, 2008.

“Rethinking Space, Light, and Pedagogy: The New Ancient Galleries at the Metropolitan Museum.” American Journal of Archaeology 112 (January 2008): 173-177.

“A Compendium of Pygmy Imagery in the Casa del Medico at Pompeii: Content, Context, and Viewers.” Circulación de temas y sistemas decorativos en la pintura mural antigua. Actas del IX Congreso Internacional de la Association Internationale pour la Peinture Murale Antique (Zaragoza-Calatayud 21-25 September 2004), edited by Carmen Guiral Pelegrín, 219-222. Calatayud: Gobierno de Aragon, 2007. with Michael L. Thomas. “The Oplontis Project 2005-6: Observations on the Construction History of Villa A at Torre Annunziata.” Journal of Roman Archaeology 20 (2007): 222-232.

“Forica Security: The Apotropaic Pygmy-Other in an Imperial Latrine at Ostia.” In Studies in Honour of Asher Ovadiah, edited by Sonia Mucznik. Assaph: Studies in Art History, vols. 10-11, 293-302. Tel Aviv, 2007. with Michael Larvey. “A Black-and-White Figural Mosaic from the Suburban Baths at Pompeii.” La mosaïque gréco-romaine IX. Actes du IXe colloque international pour l’étude de la mosaïque antique et médiévale (Rome 5-10 November 2001), edited by Hélène Morlier, 25-33. Rome: École française de Rome, 2005.

“Roman Houses and their Gardens: Framing Nature and Ritual.” The Antiquer 3, 4 (April 2004): 26-29.

“Finding Lost Antioch: Exhibition, Catalogue, Programs.” Art Bulletin 75, 1 (2003): 185- 188.

“Sex, Death, and Status: Nilotic Tomb Imagery as Index of Acculturation.” In Actes du VIIe Colloque de l’Association Internationale pour la Peinture Murale Antique, Saint-Romaine-en-Gal—Vienne, 6-10 October 1998, edited by Alix Barbet, 85- 91. Paris; Editions Errance, 2001.

“Form, Function, and Meaning of Symplegmata in Pompeian Mosaics: The Case for the ‘Domestication’ of Sex.” In Actes du VIIe Colloque Internationale pour l’Etude de la Mosaïque Antique (Tunis 3-7 October 1994), edited by Mongi Ennaïfer, 721-725. Tunis: Institut National du Patrimoine, 1999.

“Look Who’s Laughing: Humor in Tavern Painting as Index of Class and Acculturation.” Memoirs of the American Academy in Rome 43/44 (1998/1999): 27-48.

“Living Figures within the Scaenae Frons: Figuring the Viewer in Liminal Space.” In Atti del VI Convegno sulla Pittura Parietale Antica (Bologna, September 20-23 September, 1995), edited by Daniela Scagliarini, 43-45. Bologna: University Press, 1997.

“Rome, Ancient.” In Encyclopedia of Interior Design, 2 volumes, edited by Joanna Banham, 1079-1084. London: Fitzroy Dearborn Publishers, 1997.

“‘Just Like Us’: Cultural Constructions of Sexuality and Race in Roman Art.” The Art Bulletin 78, 4 (December 1996): 599-603. Reprinted in Kymberly N. Pinder, ed., Race-ing Art History: Critical Readings in Race and Art History. New York: Routledge, 2002.

“Landscape Paintings in the Villa of Oplontis.” Journal of Roman Archaeology 9 (1996): 81-107.

“The ‘View Through’ and the ‘View Out’ in the Ancient Roman House.” Texas Classics in Action (Summer 1996): 7-11.

“Neptune and His Quadriga: The Diffusion of a Motif in the Black-and-white Mosaics of Italy.” In VI Colloquio Internacional sobre Mosaico Antiguo (Palencia and Mérida, Spain, October 15-20, 1990), edited by Dimas Fernández-Galiano, 309- 316. Guadalajara: C. M. Batalla, 1994.

“Mosaic Workshops at Pompeii and Ostia Antica.” In Fifth International Colloquium on Ancient Mosaics (Bath, England, September 5-12, 1987), edited by Peter Johnson, Roger Ling, and David J. Smith, 89-102. Ann Arbor, MI: Journal of Roman Archaeology, Supplementary Series 9, 1994.

“The Warren Cup and the Contexts for Representations of Male-to-Male Lovemaking in Augustan and Early Julio-Claudian Art.” The Art Bulletin 75, 2 (June 1993): 275- 294.

“New Light on the Iconography of Jupiter, Ganymede, and Leda in the House of Jupiter and Ganymede at Ostia Antica.” In Der Akten des 4. Internationalen Kolloquiums 13

zur Römischen Wandmalerei, Kölner Jahrbuch für Vor- und Frühgeschichte 24 (1991), 171-175.

“Notes on the Coordination of Wall, Floor, and Ceiling Decoration in the Houses of Roman Italy, 100 BCE-235 CE.” In IL 60. Essays Honoring Irving Lavin on his Sixtieth Birthday, edited by Marilyn Aronberg Lavin, 1-29. New York: Italica Press, 1990.

“The Non-Alignment of Functional Dividers in Mosaic and Wall Painting at Pompeii.” Bulletin de l’Association Internationale pour l’Étude de la Mosaïque Antique 12 (1989): 313-321.

“Major Antiquities Center to Bring Ancient Art to Texas in 1990.” The Journal of Art 1, 6 (1989): 12.

“The Early Third Style at the Villa of Oplontis.” Römische Mitteilungen 94 (1987): 149- 165.

“Relationships between Floor, Wall, and Ceiling Decoration at Rome and Ostia Antica: Some Case Studies.” Bulletin de l’Association Internationale pour l’Étude de la Mosaïque Antique 10 (1985): 93-103.

“The Origins of Black-and-White Figural Mosaics in the Region Destroyed by Vesuvius.” In La regione sotterrata dal Vesuvio: Studi e prospettive. Atti del convegno internazionale 11-15 November 1979, edited by Alfonso De Franciscis, 661-688. Naples: Università degli Studi di Napoli, 1982.

“Recent Pompeiana: Visual Documentation of the Region Buried by Vesuvius, both Scientific and Popular.” Visual Resources 2, 1-3 (1982): 112-121.

“Style and Chronology in Black-and-White Mosaics: 20 B.C.-A.D. 250.” Bulletin de l’Association Internationale pour l’Étude de la Mosaïque Antique 7 (1978): 256- 257.

“Kinesthetic Address and the Influence of Architecture on Mosaic Composition in Three Hadrianic Bath Complexes at Ostia Antica.” Architectura 5, 1 (1975): 1-17.

Book Reviews Review of Sarah Levin-Richardson, The Brothel of Pompeii: Sex, Class, and Gender at the Margins of Roman Society. In American Journal of Archaeology 124.1 (January 2020). https://www.ajaonline.org/toc/1241

Review of Shelley Hales and Anne-Marie Leander Touati (ed.). Returns to Pompeii: interior space and decoration documented and revived 18th-20th century. Skrifter 14

utgivna av Svenska Institutet i Rom. Serie in 4°, 62. Stockholm: Svenska institutet i Rom, 2016, in Bryn Mawr Classical Review. (http://www.bmcreview.org/2018/12/20181213.html, December 2018).

Review of Ricardo Helg, Frontes. Le facciate nell'architettura e nell'urbanistica di Pompei e di Ercolano. DISCI. Archeologia, 21. Bologna: Bononia University Press, 2018, in Bryn Mawr Classical Review. (http://www.bmcreview.org/2018/10/20181055.html, October 2018).

Review of Lisa Trentin, The Hunchback in Hellenistic and Roman Art (London: Bloomsbury, 2015), in Classics Ireland 21-22 (2014-2015): 191-193.

Review of Jennifer Ingleheart, ed. Ancient Rome and the Construction of Modern Homosexual Identities. Classical Presences. (Oxford: Oxford University Press, 2015) in The Journal of Roman Archaeology 29 (2016): 991-993.

Review of Mary Beard, Laughter in Ancient Rome: On Joking, Tickling, and Cracking Up (Berkeley: University of California Press, 2014) in The American Historical Review 120 (December 2015): 1951-1952.

Review of Mario Grimaldi, Pompei. La Casa di Marco Fabio Rufo. Collana Pompei, vol. 2 (Naples, 2014), in Bryn Mawr Classical Review (http://bmcr.brynmawr.edu/2015/2015-02-37.html, February 2015).

Review of Caroline Vout, Sex on Show: Seeing the Erotic in Greece and Rome (London: British Museum Press, 2012), in Journal of Roman Archaeology 28 (2014): 707- 709.

Review of Lourdes Conde Feitosa, The Archaeology of Gender, Love and Sexuality in Pompeii. BAR international series, S2533 (Oxford, 2013), in Bryn Mawr Classical Review (http://bmcr.brynmawr.edu/2014/2014-03-43.html, March 2014).

Review of Michael Squire, The Iliad in a Nutshell: Visualizing Epic on the Tabulae Iliacae (Oxford, 2011), in Journal of Roman Studies 103 (November 2013): 313- 314.

Review of Mantha Zarmakoupi, ed., The Villa of the Papyri at Herculaneum: Archaeology, Reception, and Digital Reconstruction. Sozomena: Studies in the Recovery of Ancient Texts 1 (Berlin, 2010), in American Journal of Archaeology (http://www.ajaonline.org/online-review-book/1626, June 2013).

Review of Eugene Dwyer, Pompeii’s Living Statues: Ancient Roman Lives Stolen from Death (Michigan, 2010), in American Journal of Archaeology (http://www.ajaonline.org/online-review-book/1057, January 2012).

Review of Ellen Swift, Style and Function in Roman Decoration (Farnham, 2009), in American Journal of Archaeology (http://www.ajaonline.org/online-review- book/705, July 2010).

Review of Caroline Vout, Power and Eroticism in Imperial Rome (Cambridge, 2007), in Journal of Roman Archaeology 22 (2009): 625-629.

Review of Giulia Sissa, Sex and Sensuality in the Ancient World (New Haven and London, 2008), in Classical Review 59, 2 (2009), 368-370.

Review of Carole C. Mattusch, Pompeii and the Roman Villa: Art and Culture around the Bay of Naples (exh. cat. National Gallery of Art, Washington, D.C., 2009), in Bryn Mawr Classical Review (http://bmcr.brynmawr.edu/2009/2009-05-18.html May 2009).

Review of Jaś Elsner, Roman Eyes: Visuality and Subjectivity in Art and Text (Princeton, 2007), in Times Literary Supplement (April 4, 2008): 30.

Review of Matthew B. Roller, Dining Posture in Ancient Rome: Bodies, Values, and Status (Princeton, 2006), in Classical Philology 103 (January 2008): 94-99.

Review of Roger Ling and Lesley Ling, The Insula of the Menander. vol. 2. The Decorations (Oxford, 2005), in Journal of Roman Archaeology 17 (2007): 448- 450.

Review of Dyfri Williams, The Warren Cup (London, 2005), in Journal of Roman Archaeology 16, (2006), 509-510.

Review of Donatella Mazzoleni and Umberto Pappalardo, Domus: Wall Painting in the Roman House (Los Angeles, 2005), in Bryn Mawr Classical Review (http://ccat.sas.upenn.edu/bmcr/2005/2005-08-32.html August 2005).

Review of Penelope M. Allison and Frank B. Sear, Casa della Caccia antica (VII 4,48). Häuser in Pompeji, edited by Volker Michael Strocka, vol. 11 (Munich, 2002), in Bryn Mawr Classical Review (http://bmcr.brynmawr.edu/2005/2005-02-17.html February 2005).

Review of M. J. Versluys, Aegyptiaca Romana. Nilotic Scenes and Roman Views of Egypt (Leiden, 2002), in New England Classical Journal 31, 3 (2004): 330-333.

Review of Roberto Cassanelli, Pier Luigi Ciapparelli, Enrico Colle, Massimiliano David, Houses and Monuments of Pompeii: The Works of Fausto and Felice Niccolini (Los Angeles, 2002), in Bryn Mawr Classical Review (http://bmcr.brynmawr.edu/2003/2003-07-05.html July, 2003).

Review of John De Felice, Roman Hospitality: The Professional Women of Pompeii. Marco Polo Monographs, 6 (Warren Center, PA, 2001), in Bryn Mawr Classical Review (http://bmcr.brynmawr.edu/2002/2002-06-33.html June, 2002).

Review of Roger Ling, Ancient Mosaics (Princeton, 1998) and Katherine M.D. Dunbabin, Mosaics of the Greek and Roman World (New York, 1999), in Odyssey 4 (January/February 2001): 58, 61.

Review of Christine Kondoleon, ed., Antioch: The Lost City, exh. cat. (Princeton, 2000), in Bryn Mawr Classical Review (http://bmcr.brynmawr.edu/2001/2001-01- 07.html January 2001).

Review of J.T. Smith, Roman Villas: A Study in Social Structure (New York, 1997), in American Journal of Archaeology 104 (January 2000): 150-151.

Review of James C. Anderson, jr., Roman Architecture and Society (Baltimore, 1997), in American Historical Review (October 1998): 1228-1229.

Review of Roger Ling, The Insula of the Menander at Pompeii, vol. 1 (Oxford, 1997), in Bryn Mawr Classical Review 9.5 (1998): 441-444. (http://bmcr.brynmawr.edu/1998/98.1.20.html)

Review of Le pitture erotiche delle Terme Suburbane di Pompei (Rome, 1995), in Kleos 2 (1997): 265-270 [in Italian].

Review of Jaś Elsner, Art and the Roman Viewer (Cambridge, 1995), in Journal of Roman Archaeology 9 (1996): 375-380.

Review of Luciana Jacobelli, Le pitture erotiche delle Terme Suburbane di Pompei (Rome, 1995), and three other monographs on Pompeii, in American Journal of Archaeology 100 (April 1996): 431-432.

Review of Andrew Wallace-Hadrill, Houses and Society in Pompeii and Herculaneum (Princeton, 1994), in American Historical Review (December 1995): 1544-1545.

Review of Christine Kondoleon, Domestic and Divine: Roman Mosaics in the House of Dionysos (Ithaca, 1995), in Bryn Mawr Classical Review 6, 7 (1995): 624-629. (http://bmcr.brynmawr.edu/1995/95.10.18.html)

Review of Vincent J. Bruno and Russell T. Scott, Cosa IV: The Houses (MAAR 38, 1993), in Echoes du Monde Classique (1995): 287-291.

Review of Diana E. E. Kleiner, Roman Sculpture (New Haven, 1992), in American Historical Review 98 (February 1994): 208.

Review of Michael Donderer, Die Chronologie der römischen Mosaiken in Venetien und Istrien bis zur Zeit der Antonine (Berlin, 1986) in American Journal of Archaeology 92, 4 (1988): 620-621.

Review of Theodore Bowie and Dieter Thimme, eds., The Carrey Drawings of the Parthenon Sculptures (Bloomington, 1971), in Visual Resources 1, 1 (1980): 74- 78.

Review of Margaret A. Alexander and Mongi Ennaifer, Corpus des Mosaïques de Tunisie (Tunis, 1973), in The Art Bulletin 58, 1 (1976): 120-121.

Other Periods

“Liz Glynn, The 24 Hour Roman Reconstruction Project, Or, Building Rome In A Day.” In ...might be good. October, 2009. Electronic publication http://www.fluentcollab.org/

“Susan Hall and the Discourses of Landscape.” In Painting Point Reyes: Susan Hall (Point Reyes Station, Calif.: Green Bridge Press, 2003).

“Margaret Fisher: American Modernist.” Woman’s Art Journal 24, 1 (2003): 11-16.

“Seeing Rainbows Among the Ruins: Peter Erskine’s ‘New Light on Rome.’” Sculpture 20, 7 (September 2001): 22-29.

“Susan Hall: Finding Her Center.” Woman’s Art Journal 21, 1 (Summer 2000): 4-10.

“Minimalism and Its Opposition.” In Images of Change: Catalogue of the Southwestern Bell Corporate Collection, edited by Laura Martin, 152-157. New York, 1996.

“Between Matter and Spirit: Susan Hall’s New Paintings.” Exhibition catalogue. San Francisco, 1996.

“Margo Sawyer at DiverseWorks.” Art in America 82, 9 (September 1994): 121.

“Michael Mogavero at Lyons-Matrix.” Art in America 82, 4 (April 1994): 131-132.

“Seeing the Light.” Art in America 81, 2 (February 1993): 94-97. 18

“Secrets of the Sun in the Markets of Trajan.” In Secrets of the Sun: Millennial Meditations I, A Solar Artwork by Peter Erskine. Exhibition catalogue, Trajan’s Markets, Rome, Italy (March 21-May 10, 1992), 16-23.

“Barbara Sandler.” Arts Magazine 63, 9 (1989): 92.

“An Author Collects: Michener Gift Enriches Modern Studies at Texas.” The Journal of Art 1, 4 (1989): 76-79.

“Australian Paintings of the Sixties in the Mertz Collection.” In Perspectives on Australia, edited by Dave Oliphant, 181-201. Austin, TX: Harry Ransom Humanities Research Center, 1989.

Introductory essay, in Exploring the Sixties: Selected American Paintings from the Michener Collection. Exhibition catalogue, Archer M. Huntington Art Gallery, Austin (June 10-July 31, 1988), 7-17.

“Image, Technique, and Spirituality in Susan Hall’s New Work.” Arts Magazine 62, 10 (1988): 60-62.

“Color, Space, and Conflict in Robert Yarber’s Paintings.” Arts Magazine 61, 1 (1986): 46-49.

“Circuses and Bread: Achille Bonito Oliva’s Nuove Trame dell’Arte at Genazzano.” Arts Magazine 60, 2 (1985): 34-39.

“Up Against the Wall, Transavanguardia!” Arts Magazine 57, 4 (1982): 76-81.

“Pamela Keech: Neglect, Infidelity, and Poisoning.” Arts Magazine 57, 2 (1982): 76-77.

“The Decorative Revisited: ‘Five on Fabric.’” Arts Magazine 56, 9 (1982): 142-144.

“Photographic Vision and Photographic Time: Nancy Nina’s Categorical Contradictions and False Open Ends.” Arts Magazine 55, 9 (1981): 122-124.

“The Reality of Illusion: Eclipse of Realism?” Arts Magazine 54, 5 (1981): 156-160.

“An Italian Landscape by Thomas Cole.” Arts Magazine 54, 5 (1980): 116-120.

“Visual and Conceptual Structures in Susan Hall’s Paintings.” Arts Magazine 54, 1 (1979): 153-157.

“Charlotte Cain.” Arts Magazine 53, 10 (1979): 7. 19

“Life/Art/Life, Quentin Crisp and Eleanor Antin: Notes on Performance in the Seventies.” Arts Magazine 53, 6 (1979): 131-135.

“Susan Hall’s New Work.” Arts Magazine 53, 3 (1978): 158-159.

“Peter Erskine.” Arts Magazine 50, 9 (1976): 8.

“Peter Saari’s New Paintings.” Arts Magazine 50, 6 (1976): 58-59.

“Expressionism in Film and Architecture: Hans Poelzig’s Sets for Paul Wegener’s The Golem.” Art Journal 34, 2 (1974-1975): 115-123.

Prints and Drawings of the Danube School, edited by Charles Talbot and Alan Shestack. Exhibition catalogue: Yale University Art Gallery, City Art Museum of St. Louis, Philadelphia Museum of Art, October 9, 1969-March 24, 1970, 20-31; 67-72; 74- 75. New Haven: Yale University Press, 1969.

In Press

Chapters “Representing the cinaedus in Roman Visual Culture: Seeing, Speaking, Touching.” In Searching for the Cinaedus in Classical Antiquity. Edited by Jesse Wiener and Tommaso Gazzari. Forthcoming.

“Love in Art and Material Culture.” In A Cultural History of Love in Antiquity (800BC-AD500). Volume 1 of A Cultural History of Love. Edited by Johannes Baltussen and Marguerite Johnson. London: Bloomsbury. Forthcoming.

“Oplontis Villa A.” In Oxford Handbook to Pompeii and Environs. Edited by Joanne Berry and Rebecca Benefiel. Oxford: Oxford University Press. Forthcoming.

Articles with Jamie Gunderson. “Sexy Salvific Epiphanies: Gods, Their Sleeping Lovers, and Roman Viewers in House and Tomb.” BABESCH. Forthcoming.

“From Frescoes to Marbles at Oplontis Villa A: Paradigm of Elite Taste 50 B.C.-A.D. 79.” In Picta Fragmenta:Rileggendo la pittura vesuviana, International Conference, Naples, 13- 15 September 2018. Edited by Antonella Coralini. Forthcoming.

“Pigment Analysis as a Dating Tool at Oplontis Villa A.” In Atti del XIV Colloquio AIPMA (Association Internationale pour la Peinture Murale Antique), Naples, 9-13 September 2019. Edited by Antonella Coralini. Forthcoming.

with Giovanni Di Maio, Ivo Van Der Graaff, Michael L. Thomas, Jennifer Muslin, and Alessandra Pecci. “L’Agro Oplontino: il paesaggio antico, gli insediamenti, e lo sfruttamento delle risorse del territorio vesuviano.” International Conference: EXTRA MOENIA: Abitare il Territorio della Regione Vesuviana. Edited by Antonella Coralini. Forthcoming.

Book Reviews Review of Ivleva, Tatiana and Rob Collins. Un-Roman Sex: Gender, Sexuality, and Lovemaking in the Roman Provinces and Frontiers. Routledge Monographs in Classical Studies. New York: Routledge, 2020. In American Journal of Archaeology. Forthcoming

RECENT PUBLIC LECTURES Explorers Club, New York, 2020. “Before Pornography: Ancient Romans Celebrating Sex without Stigma.” Zoom public lecture, with Wendy Doniger and Therese Oneill. University of Texas at Austin, 2020. “Toward an Art History of the Senses: Movement, Touch, and Agency in Roman Visual Culture.” University of Texas at Dallas, 2020. Toward an Archaeology of the Senses: Movement, Touch, and Agency in Roman Visual Culture.” Naples, Italy, 2019. “Pigment Analysis as a Dating Tool at Oplontis Villa A.” XII International Colloquium of the Association Internationale pour l’Ètude de la Mosaïque Antique (AIEMA). San Diego, Annual Meeting of the Archaeological Institute of America, 2019. “Oplontis B: History of the Excavations, 1973-2018.” San Diego, Annual Meeting of the Society for Classical Studies, 2019. “Representing the cinaedus in Roman Visual Culture.” Rome, Italy. American Academy in Rome, 2018. “Style and Dating in Romano- Campanian Wall Painting, 150 B.C.-A.D. 79.” Baltimore Museum of Art, 2017. With Elaine Gazda, “Exhibition of Wall Paintings from Oplontis, Villa A (“of Poppaea”): Rediscoveries and Reconstructions of the Oplontis Project.” Colloquium of the International Association for the Study of Ancient Mosaics (AIEMA) North America. Cuma, Italy, 2017. “Oplontis B: New Evidence for a Commercial Center near Pompeii.” The Symposium Campanum of the Vergilian Society. Tivoli, Italy, 2017. “Working with Fragments at Oplontis Villa A (‘of Poppaea”), 2008- 2016. Workshop on Fragmentary Painting, Columbia University Hadrian’s Villa Excavations. Pompei, Italy, 2017. With Giovanni Di Maio, Ivo Van Der Graaff, Michael L. Thomas, Jennifer Muslin, Alessandra Pecci. “L’Agro Oplontino: il paesaggio antico, gli insediamenti, e lo sfruttamento delle risorse del territorio vesuviano.” International Conference: EXTRA MOENIA: Abitare il Territorio della Regione Vesuviana. 21

University of Cambridge, 2017. The JH Gray Endowed Lectures, Faculty of Classics. Lectures: “New Scientific Methods and Discoveries at Villa A and Oplontis B, Torre Annunziata, Italy;” “The Look of Luxury and the Framework for Commerce at Oplontis.” Seminar: “The Digital Humanities and Archaeology: 3D Modeling, Linked Databases, and Electronic Publication.” Hamilton College, 2017. Digital Humanities Initiative (DHi). Lecture: “The Oplontis Project: New Paradigms for Interdisciplinary Research in the Digital Humanities.” Seminar: “Research with Electronic Tools: 3D Modeling, Databases, and Electronic Publication.” Smith College, 2017. The Phyllis Williams Lehman Endowed Lecture. “Leisure and Luxury in the Age of Nero: New Research Strategies and New Discoveries at Oplontis.” Dartmouth College, 2016. “Leisure and Commerce at Oplontis (50 BC-AD 79): Research Strategies and Latest Developments.” Riley Family Endowed Lectureship. Montana State University, 2016. “Leisure and Luxury in the Age of Nero: Presenting New Research Horizons for the Villas of Oplontis near Pompeii.” Keynote address for Genius Loci: An International Symposium on the Oplontis Project and Exhibit. Art Institute of Chicago, 2016. “Roman Women on Top? Women’s Liberation in the First Century A.D.” Carol Winston Endowed Lectureship. Pompei, Italy, 2016. “Nuove scoperte e studi sulle ville di Oplontis.” Amici di Pompei [the scholarly organization of the Italian Ministry of Culture for the cultural heritage of Pompeii]. University of Michigan, Ann Arbor, 2016. “Studying the Villas of Oplontis: Archives, Excavation, 3d Modeling. . . and an Exhibition.” Keynote address for opening of exhibition, Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii. Torre Annunziata, Italy, 2015. “Il paesaggio archeologico della costa di Oplonti e l'apparato dell'otium nella Villa A ('di Poppea’).” ArcheoClub di Torre Annunziata. Madrid, 2015. “Kinesthetic Address in 3D: Modeling the Spatial Systems of the Terme dei Cisiari and the Terme di Nettuno at Ostia Antica.” XIII Congreso de la Association Internacionale pour l'Etude de la Mosaïque Antique (AEIMA). University of Massachusetts, Amherst, 2015. “The Interdisciplinary Scholar as End-User: Born- Digital E-Book, 3D Model Linked to Database Sources.” Lecturer and leader of day-long workshop: The NEH Summer Institute on Advanced Challenges in 3D Modeling of Cultural Heritage Sites. University of Texas at Austin, 2015. “A Tale of Two Villas: New Evidence for the Last Years at Oplontis, ca. 50-79 CE.” Palazzo Reale, Naples, 2014. “Non solo show: alla ricerca di un nuovo pubblico per la mostra ‘Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii’ negli stati uniti (2016-2018).” International Conference: I giacimenti culturali: Il nostro passato è il nostro futuro. Castello Aragonese di Baia, Bacoli, Italy, 2014. “Il paesaggio archeologico della costa di Oplonti e l’apparato dell’otium nella Villa A (‘di Poppea’).” International Conference: Abitare nel Golfo di Napoli: Nuove ricerche e riflessioni sull’edilizia marittima in età romana. 22

Torre Annunziata, Italy, 2014. “Otium e lusso nell’età neroniana: Le ville di Oplontis nei dintorni di Pompei.” Centro Studi Storici “Nicolò D’Alagno. Swedish Institute in Rome, 2014. “Laughter in Roman Visual Culture, 100 BC-AD 200: Contexts and Theories.” Vienna Technical University, Austin, 2014. “Archaeological Publication in the Digital Age: Born-Digital Publication, 3D Navigation, Virtual Reconstruction, and Linked Databases” (with Timothy Liddell) Arizona State University, 2013. “Ancient Roman Visual Humor in its Social and Archaeological Contexts.” College of Charleston, 2013. “Seeing Gods: Constructing Epiphany in Ancient Greece and Rome.” Athens, Greece, 2013. “The Three Contexts Provided by the Oplontis 3D Model: Real- Time Viewing, Database Exploration, and Reconstruction.” XII International Conference: Context and Meaning. International Association for the Study of Ancient Mural Painting (AIPMA). University of Texas at Austin, 2013. “Digital Research with the Oplontis 3D Model: Real-Time Viewing, Database Exploration, and Reconstruction.” Philbrook Museum, Tulsa, 2013. “The Gifts of Aphrodite: Love and Sex in Roman Visual Culture.” The Cleveland Museum of Art, 2013. “Luxury, Commerce, and Death in the Villas Buried by Vesuvius at Oplontis.” J. Paul Getty Museum and Villa, Malibu, 2013. “Leisure, Commerce, and Tragedy in the Villas of Oplontis near Pompeii.” AIGA (American Institute of Graphic Art) Austin, 2012. “Gaming and Archaeology: The 3D Navigable Model of the Roman Villa of Oplontis near Pompeii, 50 B.C.-A.D. 79.” Trinity University, San Antonio, 2012. “When Aphrodite Became Venus: Love, Sex, and Security in Roman Visual Culture.” Lennox Endowed Lecture Series. Venice, 2012. With Simon Barker. “Evidence for Wooden Revetment on the Walls of Diaeta 78 at Villa A ‘of Poppaea’ at Torre Annunziata.” XII International Colloquium of the Association Internationale pour l’Ètude de la Mosaïque Antique (AIEMA). American Academy in Rome, 2012. “Roman Mosaics: Image, Space, and Viewer Response.” University of Texas at Austin, 2012. “Born Digital: New Discoveries and Documentation Methods at Villa A (‘of Poppaea’) at Oplontis (Torre Annunziata, Italy) Toledo Museum of Art, 2012. “Ancient and Modern Mysteries: Excavating the Villa ‘of Poppaea’ at Oplontis (50 B.C.-A.D. 79.” Torre Annunziata, Italy, 2011. “La storia della Villa ‘di Poppea’ a Torre Annunziata (50 a. Chr-779 d. Chr): Gli archivi, i frammenti, e le ricostruzioni virtuali.” Centro Studi Storici “Nicolò D’Alagno. Pompei, Italy, 2011. “La storia della Villa ‘di Poppea’ a Torre Annunziata (50 a. Chr-779 d. Chr): Gli archivi, i frammenti, e le ricostruzioni virtuali.” Amici di Pompei [the scholarly organization of the Ministry of Culture at Pompeii]. 23

Princeton University, 2011. “Ancient Mosaics: Patronage, Production, Perception, and Reception.” Keynote address for Colloquium of the International Association for the Study of Ancient Mosaics, North American Branch. University of Cambridge, 2011. “The Box, its Decoration, and How to Read the Story.” Cambridge Classics Triennial. King’s College London, 2011. “Oplontis—a Born-digital Project.” Keynote address, International Conference on the Preservation of Complex Objects (POCOS). American Academy in Rome, 2011. “The Story of the Villa ‘of Poppaea’ at Oplontis (50 B.C.-A.D. 79) and its Archives: Daybooks, Photographs, and Plaster Fragments.” The Patricia LeBalme Friends of the Library Lecture. University of Texas at Austin, 2011. “Excavations at Oplontis, 1964-1980” and “The Oplontis Archives: Daybooks, Photographs, and Plaster Fragments.” International Symposium, Approaches to Ancient Roman Luxury Villas: Oplontis and Beyond. Rice University, 2010. “The Places of Humor in Roman Visual Culture: Contexts and Theories.” Selçuk-Ephesos, Turkey, 2010. “Reconstructing the Missing Elements of the Second- Style Program at Oplontis, Villa A.” Eleventh International Conference on Ancient Mural Painting (AIPMA). Musée de Mariemont, Belgium, 2010. “New Research at Villa A (‘of Poppaea’) at Torre Annunziata (Oplontis): Restoring the Dimensions and Motifs of the Second-Style Decorative Program.” International Symposium on the Villa at Boscoreale. University of Oxford, 2010. “Oplontis Villa A (The Villa “of Poppaea” at Torre Annunziata): Between Modern Perception and Ancient Reality.” Roman Archaeology Conference (RAC Oxford). University of Texas at Austin, 2010 (with Michael L. Thomas). “The Oplontis Project 2009: Excavation, Documentation, and Research at the ‘Villa of Poppaea’ at Torre Annunziata, Italy.”

EDITING Co-editor, with Nayla K. Muntasser, Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy (50 B.C.-A.D. 79), 2008-2020. Two Volumes. Published by the Humanities E-Book Series of the American Council of Learned Societies, New York.

RECENT ORGANIZATION OF SYMPOSIA AND SESSIONS Archaeological Institute of America, 2019. Session Chair: Space and Decoration in the Roman House. National Archaeological Museum, Naples, Italy, 2018. Picta Fragmenta. Rileggendo la pittura vesuviana. Three-day international congress for the Study of Ancient Wall Painting. Member of organizing committee. University of Michigan, Ann Arbor, 2016. Two-day international symposium on the exhibition, “Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii.” 24

Finnish Institute in Rome, 2014. Session Chair: The Roman Courtesan: Archaeological Reflections of a Literary Topos. Archaeological Institute of America, 2012. Organizer and Respondent for session: Beyond Iconography: Materials, Methods and Meaning in Ancient Painting Studies. University of Texas at Austin, International Symposium, 2011. Approaches to Ancient Roman Luxury Villas: Oplontis and Beyond.

MULTIMEDIA 3D Model: Oplontis Villa A. Project director, 2009-present. A fully-navigable 3D model in the Unity© platform, developed in collaboration with the King’s Visualisation Lab, King’s College, London (2009-2011), the University of Michigan, Ann Arbor, 3D lab (2012-2016), and the University of Texas at Austin Game and Mobile Media Applications (GAMMA) Program (2015-2016).

CD-ROM: Roma Antiqua: Von Händlern, Hebammen und anderen Helden. Darmstadt: auditorium maximum, 2010. Audiobook. Narrated by Kerstin Hoffmann and Michael Hametner. The House of the Vettii at Pompeii: An Interactive Visit. CD-ROM to introduce the user to the social structure of the Roman house and the connected meanings of its cycles of mythological paintings. Beta version published March 2002; revised version bundled with Roman Life: 100 B.C.-A.D. 200 (New York: Harry N. Abrams, 2007). Radio: “Laughter Roman Style.” Late Night Live, 2008, ABC Radio National, Australia, Interview with Phillip Adams. http://www.abc.net.au/rn/latenightlive/stories/2008/2348155.htm

Television: Born Digital: New Discoveries and Documentation Methods at Villa A (‘of Poppaea’) at Oplontis. 60-minute video, WGTE Public Media, Knowledgestream, aired April 2012. with Mary Beard, Presenter. Meet the Romans. Episode 2—Street Life. British Broadcasting Company. Aired April 2012. Cellar of Skeletons. The Discovery Channel. 60-minute documentary on Oplontis, 2011. Unwrapping Pompeii. National Geographic. 60-minute documentary, 2010. Roman Vice. The History Channel, 2005. On-screen interview. The True History of Alexander the Great. Greystone Video, 2004. Consultant. Pornography: The Secret History of Civilisation. 6 x 60-minute documentary for World of Wonder production company, London. Planning, on-site study, filming (at Pompeii, Italy) of part 1, November 1998-August 1999. Director, Kate Williams, screened in the U.K., September 1999; U.S. 2002. 25

Webcasts: “Leisure and Luxury in the Age of Nero: Presenting New Research Horizons for the Villas of Oplontis near Pompeii.” Keynote address for Genius Loci: An International Symposium on the Oplontis Project and Exhibit, 2016. https://www.youtube.com/watch?v=G2EFrWz8Keo “Vesuvius and the Villa: New Discoveries near Pompeii.” Toledo Museum of Art Masters Series, April 12, 2012. http://www.youtube.com/watch?v=4zm54GU- mho&feature=player_detailpage “The Villa of Oplontis: a ‘Born Digital’ Project.” POCOS Symposium 1.02. https://vimeo.com/album/1646346/video/26532398 = video: keynote address King’s College London 16 June 2011.

Blog posts: Four blog posts highlighting Clarke and Muntasser, eds. Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy (50 B.C.-A.D. 79). Volume 2: The Decorations: Painting, Stucco, Pavements, Sculptures. New York: The Humanities E-Book Series of the American Council of Learned Societies, 2019. https://www.humanitiesebook.org/interview-john-r-clarke/

YouTube: with Timothy Liddell. “The ACLS HEB Oplontis E-Book Series: Tutorial for online an offline reading.” 2020. https://www.humanitiesebook.org/interview-john-r-clarke/

EXHIBITION “Leisure and Luxury in the Age of Nero: The Villas of Oplontis.” In collaboration with Elaine K. Gazda. Sculpture, wall painting, ceramics, coins, furniture, and jewelry from Villa A (“of Poppaea”) and Villa B (“of Lucius Crassius Tertius”) at Torre Annunziata, Italy. Exhibition included many objects never seen by the public and interactive 3D models. February 11, 2016-August 31 2017. Venues: The Kelsey Museum of Archaeology, University of Michigan, Ann Arbor; The Museum of the Rockies, Montana State University; Smith College Museum of Art.

ARCHAEOLOGICAL FIELD WORK Torre Annunziata: The Oplontis Project, 2005-. Director for the study and official publication of the Villa A (“of Poppaea”) and Villa B (“of Lucius Crassius Tertius”), covered by Vesuvius in A.D. 79. A collaboration between the Parco Archeologico di Pompei and The Oplontis Project in the Department of Art and Art History, University of Texas at Austin (www.oplontisproject.org). Pompeii and Naples, 2003, 2004, 2005, 2006. Photography and study for Looking at Laughter. Pompeii and Ostia Antica, 2002. Photography and study for Roman Sex; fieldwork on graffiti for Looking at Laughter. 26

Pompeii, 2001. Cleaning, restoration, and digital reconstruction of black-and-white mosaic from the Suburban Baths. Pompeii, Torre Annunziata, Herculaneum, Naples, and Ostia Antica Italy: 1995, 1996, 1997, 1998, 1999, 2000. Shooting of video tapes for class, “Art in the Everyday Life of Ancient Romans. Study and photography for book, Art in the Lives of Ordinary Romans. Pompeii, Torre Annunziata, Naples, and Ostia Antica Italy: 1992, 1993, 1994, 1995, 1996. Study and photography of wall painting and objects in museums for book, Looking at Lovemaking: Constructions of Sexuality in Roman Art, 100 B.C.-A.D. 250. Ancient Corinth, Greece. Study of the ancient mosaics. 1991. Pompeii, Herculaneum, Torre Annunziata, Ostia Antica, Italy: 1980, 1981, 1982, 1983, 1985, 1986, 1987, 1988, 1989, 1990. Study, measurement, and extensive photographic documentation of decorative ensembles of mosaic, wall painting, and stucco preserved in seventeen Roman dwellings for book, The Houses of Roman Italy, 100 B.C.-A.D. 250: Ritual, Space, and Decoration. Pompeii, Herculaneum, Ostia Antica, Italy: 1971, 1972, 1973, 1976, 1978. Measurement, drawing, and photography of mosaics for book, Roman Black-and-White Figural Mosaics. Bryn Mawr Excavations at Murlo, Italy. Kyle Phillips, Jr., Director. Etruscan pottery, cleaning and restoration, 1974.

LANGUAGES Reading: Latin, Greek, Sanskrit; speaking and reading: Italian, German, French, Spanish